sadecedeliyim

[starleska]

i see this opinion echoed across the Doctor Who fandom: that we really enjoyed Maestro, and love the idea of The Devil's Chord, but feel like the episode was lacking a little something in the writing department. so here's my suggestion: they shouldn't have killed off Timothy Drake 👀🎶 hear me out:

from the start, we're introduced to Timothy Drake as a deeply talented individual, and one disgruntled with his position in life. his passion and genius have been squandered, and he's been relegated to teaching his craft to disinterested schoolboys. but we learn he has a darker interest...Timothy is a scholar as well as a composer, and he decides to spice up his day by telling his pupil about the lost Devil's Chord. and then, Maestro erupts onto the scene...and they are everything that Timothy has never been able to be. Maestro is loud, and flamboyant, and unreservedly powerful: every glittering gem on their body screams you will look at me, and you will listen. and while Timothy's polite-society conditioning and time-typical bigotry are his initial response, we can tell that Maestro intrigues him. in return, Maestro doesn't just talk to Timothy, oh no. Maestro all but seduces the man, by speaking aloud all of Timothy's most private thoughts: that he's a misunderstood genius, and that it isn't his fault he never got that break. in this way Maestro manifests as a Devil figure, luring Timothy into an unspeakable Faustian bargain. here he is, wasting his life and talent and songs away in some stuffy school...when he could have so, so much more. like Maestro, he could be powerful. he could be who he wants to be. and most importantly: he could make people listen to him. i would've loved a version of The Devil's Chord where Maestro manipulates Timothy Drake into drawing out the music of others, thereby killing them, and feeding Maestro in the process. perhaps there could have been a caveat to Maestro's power: as the Essence of Music, it could be that Maestro has to operate through a living being, much like a demonic muse. not only could Timothy get all of the attention he ever wanted, finally being recognised for his musical brilliance...but he could exact revenge on those who said he'd never make it. wouldn't this have been a fascinating parallel with The Beatles? what if we'd seen an increasingly power-mad Timothy Drake, rising to stardom in an alternate timeline where everyone is devoid of musical inspiration, leaving him as the sole musical genius in the world? what if the Doctor and Ruby's horror at a devastated world included the theme of creation for creation's sake, as opposed to the manic pursuit of adoration which Timothy so clearly desires? perhaps i have lost my mind. perhaps i am reading far too much into the way Timothy looks at Maestro in the latter half of the clip above. but i think the terror of Maestro would have come through even more if they'd kept Timothy Drake around, and trapped him in a Phantom of the Paradise-esque doomed narrative with Maestro whispering in his ear and helping him take control of his destiny 🎶🔥