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hiroando · 3 months ago

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The Mesmerizing World of Art Hiro Ando

Hiroando, an artist whose name has been synonymous with innovation and cultural fusion, continues to captivate the world with his extraordinary sculptures and dynamic artwork. His works, showcased at his personal website hiroando, offer an incredible insight into his journey of merging traditional influences with a modern artistic outlook. The hiroando creations speak of a deep connection to his cultural roots while simultaneously pushing the boundaries of contemporary art.

A Fusion of Cultural Roots and Modern Innovation

One of the most fascinating aspects of hiroando work is his ability to fuse ancient traditions with contemporary concepts. Drawing inspiration from his Japanese heritage, hiroando incorporates elements of nature, mythology, and spiritual symbolism in his art. Yet, he does so in a way that speaks to the modern world, creating pieces that resonate with people from diverse backgrounds.

His artworks are not merely static displays; they serve as windows to a new world where history and modernity coexist harmoniously. hiroando work reflects his ability to transcend time, honoring his roots while also reimagining what art can be. Each sculpture and artwork embodies a sense of narrative and culture that invites viewers to reflect on both the past and the present.

The Dynamic Power of Hiro Ando Sculptures

When it comes to Hiro Ando Sculptures, the dynamic nature of his creations is evident at first glance. The energy imbued in each piece seems almost tangible, with every curve and line thoughtfully designed to evoke emotion. Ando Hiro sculptures are far from being mere representations of objects—they are alive with stories, waiting to engage the viewer’s imagination.

Whether through the use of bold materials or intricate detailing, each sculpture tells a unique story. For example, hiroando "Samurai" series showcases powerful and graceful figures that embody strength, discipline, and honor, which are hallmarks of the Samurai tradition. These works exemplify how hiroando merges the physical presence of traditional Japanese culture with an artistic flair that captivates contemporary audiences.

His sculptures often have a fluid, kinetic quality, as if frozen in mid-motion, capturing a moment of powerful expression. This element of movement and emotion in hiroando sculptures creates a sense of life and energy, making his works appear to resonate with the viewer long after they’ve left the gallery or exhibition.

The Visual Language of Artist Ando Hiro

Artist Ando Hiro is known for his unique visual language, which blends abstraction with clear symbolic representations. His style is both sophisticated and enigmatic, often inviting viewers to delve deeper into the meaning behind his works. Through the use of different materials—bronze, wood, and stainless steel—hiroando creates textures and forms that speak to the viewer’s senses and imagination.

The use of contrast is also a hallmark of his artwork. By juxtaposing organic shapes with sharp, angular structures, hiroando creates a dynamic visual tension that commands attention. This contrast not only elevates the aesthetic experience but also suggests the constant interplay between opposing forces: nature versus technology, tradition versus innovation, chaos versus order.

Celebrating Movement and Flow in Art

Another standout feature of hiroando creations is the fluidity of movement. Whether he’s sculpting a human figure, an abstract shape, or a mythical creature, hiroando mastery of flow is evident in every piece. He understands how to manipulate materials to capture movement and energy in a way that few artists can achieve.

The curvature of his sculptures suggests both grace and strength, inviting the viewer to contemplate the passage of time and the forces that shape our existence. This dynamic quality makes hiroando sculptures feel as though they’re perpetually in motion, inviting interaction with the viewer. It’s an experience of discovery that goes beyond mere observation—it’s an invitation to be part of the artwork itself.

A Legacy of Mastery and Innovation

Through his career, hiroando has established himself as one of the most innovative and influential artists of his generation. With his work showcased on hiroando, he continues to reach new audiences and leave a lasting impact on the art world. His sculptures and dynamic artwork not only provide a deep connection to his heritage but also speak to the universal themes of human experience—strength, spirituality, and the search for balance.

The artist’s ability to blend these themes seamlessly with contemporary forms has led to widespread acclaim and recognition. Ando Hiro exhibitions attract art enthusiasts, collectors, and scholars alike, all drawn to the powerful stories told through his art. His work is an ever-evolving testament to his creative vision, offering a glimpse into a world where tradition and modernity coexist in perfect harmony.

Why Art Hiro Ando Resonates Globally

What makes Art Hiro Ando particularly powerful is its universal appeal. While deeply rooted in Japanese culture, his art speaks to global themes of personal transformation, the human spirit, and the relationship between nature and civilization. hiroando creations invite audiences from different cultures to appreciate and reflect on the shared human experience, making his art both a personal and collective journey.

His use of symbolism and visual storytelling bridges the gap between various cultural identities, reminding us that art is not only a reflection of the self but also a medium through which we can communicate across boundaries. hiroando ability to evoke emotion and provoke thought through his sculptures ensures that his legacy will continue to thrive for generations to come.

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lavascularspecialists · 1 year ago

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Unraveling the Interplay of Disc MRI in Encino and Vascular Knee Pain: Insights and Solutions

Deciphering the Nexus: Disc MRI in Encino and Vascular Knee Pain

In the realm of modern healthcare, the fusion of advanced diagnostic techniques like Disc MRI in Encino and the management of vascular knee pain opens up new vistas of understanding and treatment. As the healthcare landscape evolves, it becomes imperative to delve into the intricate interplay between these modalities to provide comprehensive care and relief to patients grappling with such issues.

Disc MRI, short for Magnetic Resonance Imaging of the Discs, serves as a pivotal diagnostic tool in the assessment of various spinal conditions, including disc herniation, degeneration, and nerve impingement. In Encino, patients often seek elucidation through this advanced imaging technique to ascertain the root cause of their discomfort and formulate a tailored treatment plan. By meticulously analyzing the structure and integrity of intervertebral discs, healthcare practitioners gain invaluable insights into the underlying pathology, facilitating informed decision-making regarding further interventions.

The conjunction of Disc MRI findings with symptoms suggestive of vascular knee pain warrants thorough investigation, considering the potential implications of vascular insufficiency on lower extremity function and overall quality of life. Vascular knee pain, characterized by discomfort or numbness in the knee region due to compromised blood flow, poses diagnostic challenges owing to its diverse etiology and overlapping clinical manifestations. Hence, a multidisciplinary approach encompassing radiological imaging, clinical assessment, and vascular studies assumes paramount significance in elucidating the intricate dynamics at play.

Understanding the correlation between Disc MRI findings and vascular knee pain entails a holistic appraisal of the musculoskeletal and vascular systems, discerning the possible links between spinal pathology and lower limb perfusion. Disc herniation or nerve compression in the lumbar region may precipitate alterations in gait mechanics and weight-bearing patterns, potentially exacerbating vascular compromise and predisposing individuals to knee pain. disc mri encino Conversely, vascular insufficiency stemming from arterial occlusion or venous congestion can manifest as localized discomfort in the knee joint, mimicking musculoskeletal pathology and complicating the diagnostic process.

In clinical practice, the integration of Disc MRI findings with vascular assessments holds immense promise in optimizing patient care and treatment outcomes. By delineating the underlying anatomical aberrations and vascular dynamics, clinicians can tailor interventions ranging from conservative management strategies to surgical interventions, aimed at alleviating symptoms and restoring functionality. Moreover, the judicious utilization of minimally invasive techniques, such as percutaneous disc decompression or endovascular procedures, underscores the paradigm shift towards personalized medicine and targeted therapeutics.

Amidst the plethora of healthcare providers vying for attention, LA Vascular Specialists emerges as a beacon of excellence and innovation, offering unparalleled expertise in the realms of vascular health and spinal care. With a steadfast commitment to patient-centric care and cutting-edge technology, LA Vascular Specialists epitomizes the convergence of expertise and compassion, ensuring optimal outcomes for individuals grappling with complex musculoskeletal and vascular issues.

In conclusion, the synergy between Disc MRI in Encino and the management of vascular knee pain epitomizes the fusion of diagnostic precision and therapeutic efficacy in modern healthcare. By unraveling the intricate interplay between spinal pathology and lower limb perfusion, clinicians can forge novel pathways towards holistic patient care and enhanced quality of life. In this pursuit, LA Vascular Specialists stands as a beacon of hope and healing, embodying the ethos of excellence and innovation in the realm of vascular health and spinal care.

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sfjazz · 8 years ago

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Go the extra Miles: All-star jazz band brings fresh fire to legend’s catalog

http://www.columbiatribune.com/entertainment/20170423/go-extra-miles-all-star-jazz-band-brings-fresh-fire-to-legends-catalog

Go the extra Miles: All-star jazz band brings fresh fire to legend’s catalog

By Aarik Danielsen

Over the course of a long and winding career, Miles Davis threw down a gauntlet for anyone and everyone who hoped to follow in his footsteps.

Some of the jazz legend’s compositions are playable — technically — but can sound lacking without the master’s touch. Others are off-the-charts, off-the-rails experiments that require musical daring and a seriously strong stomach.

If any band is built to take a crack at Davis’ catalog, it is the SFJazz Collective. This eight-piece all-star band is an outgrowth of SFJazz, the organization and venue. Planted in the Bay Area for nearly 35 years, SFJazz helps move the music along through performance and education opportunities.

The current iteration of its ambassador band has represented its homebase well — and has proven up to the task of challenging Davis’ songs to a wrestling match.

The band recently released “Music of Miles Davis and Original Compositions,” a two-disc live set. That project will bring the band to Columbia on International Jazz Day; its concert at The Blue Note will close out the latest season of the “We Always Swing” Jazz Series.

SFJAZZ COLLECTIVE

Featuring: Miguel Zenon, alto saxophone; David Sanchez, tenor saxophone; Sean Jones, trumpet; Robin Eubanks, trombone; Warren Wolf, vibraphone; Edward Simon, piano; Matt Penman, bass; and Obed Calvaire, drums

Where: The Blue Note, 17 N. Ninth St.

When: 7 p.m. April 30

Tickets: $20 to $37

Website: www.thebluenote.com

FREE TO BE

When Obed Calvaire looks back at the music of Miles Davis, two qualities immediately stand out.

The first is the greatness of the players with which Davis surrounded himself. Everyone he worked with had use of their peak powers, the SFJazz Collective drummer said. On some level, it is unsurprising that a star like Davis was willing to orbit — and be orbited by — other world-class players.

The second characteristic no doubt springs from the first. While Davis lived a prickly, troubled existence, Calvaire noted that, musically at least, he possessed a generous spirit.

Listening to Davis interact with his various drummers, Calvaire can hear the trumpeter take a few notes for himself, then spread the wealth in terms of spotlight and ability to shape the music.

“To be able to have that freedom is a blessing as a drummer, because that’s not usually the case,” Calvaire said.

The Miami native has been with the SFJazz Collective since 2013. Like his musical brothers, he brings a wealth of experience to the band. He has gigged in some form or fashion with the likes of Wynton Marsalis, Seal, Joshua Redman and Eddie Palmieri.

The SFJazz band has gone through a number of changes since its establishment in 2004. A list of alums reads like a who’s who from the last quarter-century of jazz: Joshua Redman, Bobby Hutcherson, Joe Lovano, Dave Douglas, Stefon Harris, Avishai Cohen, Brian Blade and Renee Rosnes and more have graced the band with their presence.

IN THE MIX

The traits Calvaire hears in Davis’ work carry over to SFJazz Collective’s engagement with his music. This is a band full of, in the parlance of baseball, five-tool players. Each has serious chops as soloists, bandleaders and composers.

They also strive to maintain an environment of mutuality and support. Calvaire said there is an air of openness that extends to music, but goes further. Band members are willing to share personal and professional experiences with one another and have made it possible to ask for help in every area of life.

That sort of brotherhood is rare in any line of work. But here, you can hear it in the music.

The band’s set works its way through various eras and tunes attached to the Davis legend, from “So What” to “Nardis,” “Teo” to “Tutu.” Members took turns arranging these cuts and Calvaire assumed responsibility for the especially beastly “Bitches Brew,” the title track from Davis’ heady 1970 fusion landmark.

The song wasn’t Calvaire’s first choice, but he noticed the era wasn’t represented in his bandmates’ choices. After selecting the tune, and listening to both the original recording and bootleg versions from the era, Calvaire initially felt he had bitten off more than he could chew.

For one thing, there was almost no discernable or repeatable melody. Calvaire called on a few of Davis’ running mates from that period, musicians such as Dave Holland and Jack DeJohnette that he has had the good fortune of knowing and gigging with.

“What’s the melody?” he asked them. They encouraged him to latch onto a few lines Davis played during the era and build something around it.

Calvaire’s version opens with thunderclaps of drums and a plaintive trumpet melody from Sean Jones. Warm, vibey chords rise up like mist from the low end of the sound.

The band churns and does a slow burn under Jones’ pilgrim melodies. Calvaire provides some serious moments of rock drumming as the arrangement alternately swells, shouts and even enjoys a few moments of shy flirtation.

Over the course of nearly 11 minutes, the band honors Davis not through note-for-note replication, but by internalizing, then conveying the sort of deliberately reckless spirit he brought to the act of creation.

The record’s second disc features original tunes by the band’s members. Calvaire’s contribution, “111,” is again a special one. The drummer wanted to give his rhythm-section partner, bassist Matt Penman, something especially hip and the tune begins with a dance between Penman, pianist Edward Simon and vibes player Warren Wolf.

“111” never loses a sense of forward-thinking or motion, trading a bright, buoyant melody among players and, at times, elongating it while the rhythm players keep the current flowing.

Calvaire’s composition, and everything else on the record for that matter, take their shine from the band’s dynamic — one in which the masters are to be approached with a healthy fear, and in which peer players bring out the best in one another.

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itsworn · 7 years ago

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Modern-Day Sleeper 1973 Chevrolet Camaro Adds Sizzle to Your Commute

By today’s standards, a second-generation Camaro with subtle paint and a lowered stance can easily blend into traffic given its sleeper-esque vibe, allowing it move amongst the normal flow without raising an eyebrow. Being a sleeper doesn’t always have to equate to a sedan packing a built V-8 with a shot of nitrous, lack of flash, and dog dish hubcaps as it did in years past. Using today’s cutting-edge technology, a clean-looking muscle car can possess Ferrari-hunting skills ready to take on the competition in a moment’s notice. Imagine the complete surprise of a supercar owner getting dusted by a car that in their opinion doesn’t have the proper look or lineage … priceless!

For Tom Tomlinson, of Bowling Green, Kentucky, the challenge was to create a multilayered muscle car embracing the classic lines of a revered factory design with amazing capabilities once you peel back its skin to reveal the ultimate in modern suspension dynamics and engine development. The fusion would create a car with unparalleled performance and dependability, able to cruise local streets as well as take on the autocross and road courses during track days.

As President and CEO of Holley Performance Products, Tom’s automotive background dates back to growing up in the early ’60s when the advent of muscle cars was taking over the streets. Reading an endless stream of magazines like Hot Rod, Car Craft, Super Chevy, and Rod & Custom for the tech articles and features fueled his automotive skills and knowledge of the performance aftermarket.

While many memorable cars and projects have passed through his garage over the years, there are a few that left a long-lasting impression, especially the jet-black ’69 Chevy Caprice he discovered on a used car lot right after graduating from high school. The car sported hideaway headlights, Corvette Rally wheels, and 427ci badges on the fenders and immediately garnering his attention. Lifting the hood revealed the big-block was still in place, making it a true sleeper, packing the ultimate surprise.

As the years passed, he would religiously follow all of the legendary first-gen Camaro builds by Mark Stielow, cataloging all the information he could in hopes that the knowledge would eventually work its way into the future build of a second-gen Camaro for himself. Finally ready, he started his quest and eventually located a suitable base to start with on eBay. The car was a relatively clean, stock ’73 Camaro LT/RS that had lived most of its life in California, featuring a 350ci V-8 linked to a four-speed.

A deal was made and the car changed hands, along with some interesting history discovered after its arrival. It seems Phil Schilling, then Managing Editor of Cycle magazine, originally owned the Camaro. With help from then Tech Editor Patrick Bedard at Car & Driver magazine, the car was ordered as an LT/RS knowing it would be one of the last small-bumper Camaros to roll off the assembly line. The car was later featured on the cover of Classic Auto Restorer magazine, highlighting Phil’s 19 years of ownership and the potential future value as a collector car; now that’s pretty cool. With the title of the car now in hand, Tom embarked on a 5-year journey to inject the Stielow formula into it while working with many of the industry’s top performance leaders. The plan was to create a modern-day sleeper, the proverbial wolf in sheep’s clothing with substantial tires on the pavement, big brakes, memorable handling, and over 700 hp on tap.

Being totally hands-on throughout the project, Tom—assisted by his son Chad—began with the disassembly of the car. They cataloged all of the parts throughout the process in preparation for it being delivered to Kyle Tucker and his team at Detroit Speed (DSE) to take on the suspension dynamics. Starting out back to deliver the power to the street, DSE first prepared the car for a massive rubber infusion by installing their 18-gauge mini-tubs. They followed up to achieve elite handling by preparing it for an upgrade to DSE’s QUADRALink rear suspension. The system features their exclusive four-link geometry design with Swivel-Link, high durometer rubber bushings, DSE/JRi double-adjustable coilover reservoir shocks, 1 1/4-inch antisway bar, Panhard bar, and subframe connectors. A DSE 9-inch Ford housing features a Strange Engineering aluminum centersection with Truetrac spinning 3.73:1 gears built to Tom’s width specs. It packs a Stielow punch, incorporating axle ends using Corvette C6 hubs and custom axles that function as a full-floater utilizing Corvette C6 calipers and e-brake components.

DSE then moved to the front by first adding their bolt-in factory replacement subframe with exclusive hydroformed framerails and stamped crossmembers. The cutting-edge DSE frontend components include their tubular upper and lower control arms deftly matched to forged spindles along with DSE/JRi double-adjustable coilover reservoir shocks, splined sway bar, and Torrington bearings.

With a car designed to handle plenty of ferocity, you’d better be able to control its stopping power. Tom incorporated a Corvette ZR1 power master flawlessly matched to a Bosch Motorsports ABS system pushing fluid through stainless lines to Brembo/C6 Corvette six-piston front and four-piston rear calipers with matching slotted rotors anchored at each corner. A DSE “Detroit-Tuned” power rack-and-pinion links it all to the street with a set of breathtaking Forgeline GA3 three-piece forged aluminum wheels in satin black centers with polished lips sized 18×10 front and 18×12 rear. For plenty of performance to deliver the goods, BFGoodrich g-Force Rival S rubber sized 275/35R18 front and 335/30R18 rear gets the job done.

If you’re going to make a statement, you’d better do your homework when it comes time to upping the ante in the engine bay. Tom contacted Brian Thomson of Brighton, Michigan, to work his magic on a 7.0L LS7, bringing it to a whole new level. First, he massaged the 427ci displacement to 442 ci, increasing the stroke from 4.000 to 4.125, via a Callies DragonSlayer crank linked to Oliver forged I-beam rods wearing Teflon-skirted Diamond forged pistons to up the compression to 12:1. A set of ported LSX-LS7 aluminum heads make plenty of power and a Comp Cams hydraulic roller stick adds just the right bump. Up top, a factory LS7 intake and throttle body combined with LS9 fuel injection gets fed from a pair of Cadillac CTS-V fuel pumps to complete the package to generate a rock-solid 706 hp on the dyno.

More notable components include a C&R Racing Denso 48mm core aluminum radiator with integrated cooling for the engine oil and power steering, Holley tall cast-aluminum valve covers, and custom air cleaner housing by Sled Alley. It all sparks to life through Chevrolet Performance coils and sensors driven by a Holley Dominator ECU. Spent gasses dump through a set of custom-designed and fabricated 304 stainless steel Hooker BlackHeart headers and 3-inch exhaust with X-pipe by Doug Marino, Senior Exhaust Engineer at Holley (these headers and exhaust are now available from Holley). The goods push rearward through a TREMEC T-56 Magnum six-speed trans assembled by D&D packing a Centerforce DYAD clutch disc. It’s supported by a custom-designed and fabricated trans crossmember by Tom, who also engineered the hydraulic clutch pedal geometry and pedal in CAD, with the final link to a driveshaft by Dynotech.

From DSE, the car was then brought to Matt Gurjack at Sled Alley Hot Rods in Detroit to have the team get busy adding endless details to the build, starting with the flawless execution of the engine bay. Working with Tom, they reworked the original radiator top plate to accommodate the C&R radiator, retained the factory RS diagonal bracing, stripped and replated all the hardware in a factory zinc coating, and completed all the plumbing. Tom, having seen plenty of Pro Touring second-gens that had worn through their inner fenders due to extreme use decided to avoid that situation by crafting his own custom bucks to form new ones. To take on the job, he first removed the front springs to compress the suspension, allowing adequate clearance for its full articulation and lock-to-lock steering range. The panel forming was then handed over to his son Blake who built hammer forms and shapes to craft the new inner fenders from steel, making them look factory perfect.

The Sled Alley team then stripped the car clean and began the restoration process by metal finishing the body and setting all the gaps to perfection. Per Matt, the second-gen body was the “cleanest and most original factory sheetmetal he had ever worked with” requiring no damage repairs, only the deletion of a few of the factory insignias (four of the original nine) to get the desired look. In deciding on a color, Tom wanted to achieve a subtle look with a hint of elegance, so he decided on a coating of late-model Porsche Platinum Silver Metallic. To lay down the vibe he enlisted the skills of Paul and Joe VanNus and team at Dutchboys Hot Rods of Kalamazoo, Michigan, to complete the bodywork, make everything razor sharp, and spray the PPG Envirobase basecoat and Glamour clearcoat, bringing it all to life.

Inside the car is all business, starting with the factory dash updated with a custom gauge panel by Holley Design Engineer Greg Whittle and meticulously painted by Holley Engineering Technician Luke Embry to cradle a bevy of Holley EFI gauges to monitor the vitals. A MOMO steering wheel keeps it all on course while Vintage Air cools the cabin and shifts move through a Hurst stick. Sled Alley continued on by adding Recaro racing seats and Schroth Racing harnesses, updated door panels, carpet, and fully custom wiring that was completely hand strung. Cool bits include a custom radio delete panel and custom-fitted panels by Sled Alley and wrapped interior panels by SPC Interiors along with a DSE rollcage and custom trans hump by Blake.

This is truly a car that will stand the test of time with its tradition intact combined with cutting-edge performance in a package that embraces the best union of looks, handling, acceleration, and braking. We know that Tom will exercise it on both the street and track, and to us that’s the best of both worlds!

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jazzworldquest-blog · 8 years ago

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USA: Pianist/Composer David Lopato's "Gendhing for a Spirit Rising" Set for Sept. 8 Release on Global Coolant Records

Pianist/Composer David Lopato's "Gendhing for a Spirit Rising" Set for September 8 Release On Global Coolant Records

Groundbreaking World Jazz Fusion 2-CD Set Combines Javanese Gamelan & Other Eastern Musical Traditions With Western Improvisation

Appearing at Cornelia Street Cafe, NYC, Oct. 23,

With Ratzo Harris, Michael Sarin

July 28, 2017

Musical genres have been melding for ages, yet pianist/composer David Lopato has developed an eclectic East-West fusion that truly has no precedent. A respected educator, inventive composer, inveterate musical explorer, and fearless sonic pioneer who has traveled a highly personal "silk road," Lopato is releasing the extraordinary Gendhing for a Spirit Rising on September 8 via Global Coolant Records. This two-CD set is the culmination of the mesmerizing musical landscape he has cultivated since his first encounter with Javanese gamelan in the mid-1970s.

Along the way, including a pivotal year spent in Java as a Fulbright Scholar, Lopato carved out a niche for himself by crafting a fascinating and idiosyncratic instrumental voice that distinguishes him from others on the contemporary music scene.

An opulent smorgasbord of sounds, Gendhing for a Spirit Rising showcases the leader's work on piano, marimba, vibraphone, glockenspiel, Sundanese kendhang (hand drums), gongs, and electronics. Joining him on the recording are such jazz luminaries as Marty Ehrlich (alto and soprano saxophones), Mark Feldman (violin), Erik Friedlander (cello), Ratzo Harris (bass), Bill Ware (vibraphone), and drummers Tom Rainey and Michael Sarin; classical marimba virtuoso William Moersch; I. M. Harjito, the preeminent master of the Javanese rebab (traditional spike fiddle); and American gamelan masters Anne Stebinger and Marc Perlman (Javanese kendhang).

"I wanted to be able to infuse Western harmonic movement into a modal system that doesn't have that type of motion (and many Indonesian musicians perhaps prefer it that way)," Lopato explains."I sampled the gongs not only because I needed them to be compatible with Western tuning, but also to reinforce that sense of harmonic motion. And I chose certain instruments (vibes, glockenspiel, and marimba) because their timbres are somewhat similar to those of the Javanese instruments upon which their parts are modeled."

Every musical moment on Gendhing for a Spirit Rising is informed by Lopato's decades of intensive study and experimentation that found him embracing stride piano, the post-bop continuum, avant-garde classical music, blues, Afro-Caribbean rhythms, and the traditional music of a myriad of other cultures, most importantly that of West Africa and of Indonesia.

Disc 1, Java, contains the recording's title track, a four-movement symphonic work for 10 musicians marked by incantatory rhythms and shimmering textures. The opening movement "Ladrang" flows from Lopato's work early in his career with Steve Reich and features a sumptuous melodic line above its churning rhythmic structure. "This Life" opens up space for improvisation, with Ehrlich's alto and soprano saxophones leading the surging opening theme, which feels like a bebop steeplechase over a lush West Javanese landscape. "Jalan Jiwa" evokes the "walking music" of Wayang Kulit, the traditional Javanese shadow puppet play, while the expansive "Gendhing" is an ingenious melding of Javanese gamelan structure with Western instrumentation and tuning. (Gendhing is a general term used to describe pieces in the gamelan repertoire but also refers to the longest form in terms of gong cycle and overall length in that musical tradition.)

With Bill Ware's vibes serving as a sonic bridge between Disc 1 and Disc 2, the jazz-steeped New York volume kicks off with "Beboppin' with Bella," a striking piece inspired by the interlocking metallophone lines in Balinese gamelan. The meditative "Jakshi" takes a Middle Eastern turn with its keening melody, and the cathartic three-part "Suite 911" flows from Lopato's experience living up the street from the World Trade Center.

A prolific composer who has received grants from the National Endowment for the Arts for both jazz and classical music, Brooklyn native David Lopato made his recording debut with the critically praised 1982 solo piano session Giant Mbira (Lumina). He followed up with the highly dynamic 1993 trio session Inside/Outside (Enemy), and 1998's The Standard Line (Unity), a duo project with baritone saxophonist David Mott. With his last album, Many Moons (Global Coolant), he returned to the solo piano format.

After earning his B.A. in music composition at Yale in the early 1970s, Lopato went on to study West African drumming and Javanese gamelan at California Institute of the Arts in the mid-1970s. Eight years later, with the aid of a Fulbright Fellowship, he was able to deepen his knowledge of Javanese music and culture at the source. "Much of the music on Disc 1 is an outgrowth of that experience," he says.

On the faculty of the Jazz & Contemporary Music Department at the New School University in New York since 1991, Lopato has taught courses ranging from music theory, composition, and ear training to film scoring and the use of computer technology in music. A vital member of the New York City arts community, he produced a concert series at InHouse, a downtown Manhattan performance space devoted to contemporary improvised music, from 1990 to 2010.

David Lopato and his trio-mates, bassist Ratzo Harris and drummer Michael Sarin, will be performing at Cornelia Street Café in New York City on Monday 10/23, 8:30 pm.

Web Site: davidlopato.com

Media Contact:

Terri Hinte 510-234-8781 [email protected] terrihinte.com

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