#enpointeprep

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the place where all your dreams lead to.

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en pointe — chapter 12: fouetté will be published november 30!

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cartier backroom—rodeo drive, los angeles.

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early summer, rodeo drive. 

transcript: 

this is the part of los angeles that i never step into: of dreams in their freshest lustre, of finely cut jewels, of plastic smiles and glazed irises, all pressed blind in gold. 

mako: you are unusually quiet. 

eva: i’m enjoying the sun, and you. it’s just... oddly perfect, this place. 

mako: los angeles is a beautiful city. 

eva: from up here, maybe. 

is this the world as he sees it?

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[ 35 mm ] [ 24/03/20 ] [ 07:45:21 ] morning of romeo & juliet opening performance.

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THE CHALLENGE — show a certain part of your story process based on you being tagged by other creators. 

Thank you @herpixels for tagging me in your wonderful challenge! Here’s a behind-the-scenes essay for En Pointe ❤

WRITING PROCESS — show us a part of your script or explain how you write your scenes. do you write in screenplay format or novel format?

I write in novel format, and have a very methodical process. I have a Planning Notebook which covers all the general elements of the story; cast list + descriptions, main plot, themes, overviews of all chapters, timeline, world + settings information, research links, and a massive section with all my notes on relationships, character styles, history, writing goals, arcs, and most crucially, what to avoid from the absolute fucking mess of Fallen Angels. 

At the smaller scale, before writing, I plan out each chapter in my Chapter Workbook. First is the Outline, which is a synopsis of the main events. Going off that, I write a list of Chapter Shots which describes in writing all the pictures; what kind of shot it is (long, over-the-shoulder, etc), the location + atmosphere, and what the characters are doing. Corresponding to these I list the Poses, for each character and what expression they have. I then write a To Do List for what sets to build, new sims to make, number of poses to create, the cc I have to find or make. The final section is Details, which notes down all the little things I have to remember; running gags, nuances, and themes; current state of relationships and character arcs to keep track of their development; what my aims are for character perceptions + issues I need to fix from the last chapter. This section is super important to make sure the story unfolds smoothly and revelations make sense, or else I get something abrupt like Mako x Raven, because I didn’t foreshadow clearly or early enough in advance. Here are snippets of what this looks like:

Once I finish all this planning (the current word count of the two documents is 20k lmfao), then I begin writing. It’s a lot less structured because I just start with the most exciting scenes or ones I’ve been thinking about for a while. I organise the paragraphs according to the Chapter Shots. A bit of light editing then the writing is ready to publish! 

SCENE BUILDING — show us you in the middle of scene building through pictures, gifs, or a video. explain what is the best thing about scene building and what is the worst!

I dislike scene building because TS3′s weak ass makes everything so tedious. I have a Pinterest board to inspire the settings. The worst part is definitely when the game moves at 0.001 m/s and crashes, which happens far too often and pisses me off. Here’s a screenshot I accidentally took when setting up the big family dinner scene in Chapter 8. I tried my best to minimise the amount of sims that were actually there because I take shortcuts whenever possible. Crowd scenes suck. 

CC + POSE MAKING — do you make your own cc/poses for your scene? If so, what is your process like to create? do you just go off the top of your head? do you use reference photos?

I make all the poses that aren’t singular and ‘normal’, due to height differences and also so I can achieve my exact vision. Depending on the length of the chapter, this can range from 20-50 poses, which is looking to be around 700 poses by the story finale. I try to find reference photos (essential for ballet poses) when I can to make them look natural. I also convert or mesh clothing + objects, but I’m lazy so I often cheat with Photoshop. 

GETTING IN THE ZONE — what do you do to get in the zone to work on a scene? examples include: show us your playlist you use when working on a scene, what’s your go-to scene snack/drink, etc.

I don’t actually have anything for this. If I don’t feel like doing a particular task on the To Do List I just try something else. Sometimes I listen to Eva and Mako’s playlists when working though, and there are certain songs I associate with certain parts of the story which help me when I’m thinking of them. 

SCREENSHOT FOLDER — give us a look into your screenshot folder to show us just how much goes into one scene for your story. scrapped pictures encouraged!

I also have a linear method for pictures. Firstly, I create the poses, and test them in a blank background, which is when I figure out the most flattering angles, and edit the poses if needed. After that I begin series of test shots in the actual set, redoing up to three times until it looks passable. Since I use natural light almost every shot has a double (or even triple), with outdoor lighting for the environment and controlled interior lighting for the sims, which is then spliced together along with other atmospheric editing. There’s a lot of screenshots to ‘build’ the final visual but I rarely have alternative or scrapped finals because that would be a terrible waste of time. Why do I do this ridiculously tedious process? Because I’m stupid. 

CAPTIONS — are you a caption on the picture kind of storyteller or captions in text box type of storyteller? why? do you do both?

I don’t do caption format, because for me, it removes lots of detail and nuance. Long prose means my audience is much smaller, but I wouldn’t be able to convey half the things just by still visuals and dialogue. As you might be able to tell from the aforementioned question, picture taking is also just immensely tiring.

EDITING — explain and show us your process editing a scene through a video, gif, or picture. a before and after will suffice if you aren’t in the middle of editing a scene as you answer this.

Corresponding to the Screenshot Folder question:

I no longer rely on Reshade for post-processing, except for DOF, but even then I blur in editing. Lately I’ve been trying to create a more realistic, atmospheric look with strong DOF, bloom, motion blur, and smoothing out light + shadows with exposure brushes. 

THROWBACK — show us an ancient story scene you done in the past and explain how you would do the scene differently today!

You mean every scene I’ve ever done before En Pointe LOL If we’re talking ancient, I might as well go back to the very beginning of The Kingston Legacy, in 2015. It’s the classic legacy opening of the founder moving to a new town, with basic writing and terrible low-setting-no-cc pictures. I would do literally everything different. I can’t even begin to describe so here’s something to laugh at. 

I tag — @lazysunjade​ (watch her post it 1 second later) @amys-snapshots @notjustabooksims @simnights ❤ Please check the challenge post for the full and original format, and anyone else who wants to participate can also reblog it as an ask game! 

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eva’s camera roll — 05.03.20

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how to cuddle as much as possible while furiously denying any sort of romantic feelings: eva and mako

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more test shots →  a study session in piper’s dorm. 

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costume 02 — calliope.

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test shots that were meant to be final but they turned out bleh 😤 chapter prep update: i’m maybe three quarters through the writing (which i’m having a ridiculous amount of fun with, it’s an exciting mix of serious scenes and squad banter) and 22/43 poses made. chapter 9 should be published by the end of november 🤞

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first final shot for chapter 8. 

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surprise surprise, reverting to my shitty editing for eva’s kitri tutu. now i just need to finish the apollo costume for the girls (which is actually manageable as cc), find a thotty le corsaire costume for raven, and that’s one tiring part of the chapter prep done. 

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first test shot for chapter 8. 

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more costuming. conversion. unsure if i should use it for basilio (since it doesn’t look very don quixote) or save it for romeo later (more accurate) 🤔

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[ cropped ] first shots for chapter seven.