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#ethan del rosario
iris-sistibly · 6 months
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Hello Love Goodbye part 2 please 🥹🥹
I'm dying to see Alden and Kathryn in a movie again.
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mariemarieohcontrary · 8 months
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Choices MCs (Filipino Edition lol)
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Finally drew four of my Choices MCs inspired by @cassiopeiacorvus and her wonderfully done OC compilations (how do you have the patience to draw all of em omg)
I'm thinking of doing the same for my Romance Club MCs too (background would be the purple of the homescreen there)
Interested in commissioning me? Click the source! 💗
Evangeline Marie G. (Guzman) Lakandula - Ah yes, my soft, anxious babie with self-worth issues. She comes from a messy background with a horrible father. She was close to her late (paternal) grandparents and had a very complicated relationship with her late mother. One of her relatives shes v close to is her older cousin, Ethan.
She's a college dropout thanks to her father's bad choices and worked the moment she had a chance to.
After her mother passed, that was it for Evangeline. She kinda needed to go away from her dad and his loud voice and other issues. So she left home and Ethan helped her out before he left for a business trip abroad.
He had her go to a house he owned in Laguna where she could live in provided she just do the cleaning in there. She found simple work that she was qualified for and that was her life for the next few years until a certain bachelor party came into her life.
Diwa Kalangitan M. (Masangga) del Rosario - My chaotic good and very protective MC who definitely rabbleroused in the school she works in.
She was raised in a household that follows some precolonial beliefs and traditions. She has a stepfather who's an albularyo and two half-siblings. One is studying in college, the other is still in high school. She has a close relationship to both her parents.
And she is rather happy with her job as a teacher in a private school. Sure she sometimes goes against curriculum to make sure the kids enjoy her lessons. She's a class advisor also so when she found out their math teacher humiliated one of her students, she confronted said teacher.
Her trip to America is really just a birthday trip until the events of the book started. In the end she ends up in a poly relationship with Nik and Cal. (She does end up pointing out to the boys that she'll have to go back to her work and family at least just to properly resign and find work near them and also to assure her family she's safe.)
Maya Chelidonia C. (Caacbay) dela Rosa - The local tired detective who had to move abroad for their own safety. Love them SM.
Maya is the child of Jaime dela Rosa, a cop in the Philippines who does not follow in corrupt practices and tries to do right by the community. He was killed after coincidentally seeing signs of corruption in the force and wanting to expose it.
After their father's death, Maya also followed in his footsteps. On their end, they wanted to try and do some good in their job but ended up experiencing some discrimination in the work force. Enter them finding the same evidence of corruption that their father found as well. This time they managed to expose the corruption but in the end, one of their few friends in the force warned them that they'll have to flee the country due to some v angry officials.
So they fled with their mother and younger sister.
Their sister became a fashion designer. Maya found work as a private detective and the two teamed up to be able to live a decent life. Their sister travels with their mom on fashion shows. They're fine living nearby their maternal uncle with their dog, Spudge. (He's a scaredy cat and a lil crybaby who doesn't like strangers and by that I mean he starts crying when the strangers notice him. It's not out of trauma, he just likes Maya and their fam more than anyone else and is v shy with others. He's also scared of the dark and loud noises.)
Inocencia Honorata G. (Galang) Valenciano - and finally, my love's embarrassing bby. My Rafael Aveiro romancer. Love her sm.
She and her mom, older brother and little sister ran away from their father when they were a kid. Her parents annulled their marriage after a few years.
Her older brother became the youngest lawyer in the country and had a firm in New York seek him out. This led to him helping Inocencia and her sister (who had skipped grades and managed to enter college the same year as Inocencia).
Inocencia is v non-competitive that she chose De La Salle University while her sister went to their grandfather’s alma mater, University of the Philippines. At college, Inocencia got dubbed as SiaSia because of the repeated -cia in her first name and surname.
The two got accepted into Edenbrook when they were gonna start. Inocencia being 27 and her sister being 25. By then, Inocencia still isn't competitive and didn't sign up for the competition for the diagnostics team but her little sister shoved her to try it out.
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imvietnamesenotchinese · 10 months
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My Créme de la Créme MCs -- Ethan & Celeste Dalton
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I played CLDC by @hpowellsmith and enjoyed it quite a bit, so I got a commission of my MCs from OyenPaws on IG <3
Spotify playlists:
More info under the cut!
Ethan Dalton and Celeste Dalton are siblings. However, they're total polar opposites. Celeste is bubbly, outgoing, flirty and dramatic. Meanwhile, Ethan is introverted, reclusive, quiet and stoic.
I added lots and lots of headcanons (sorry), so in my mind, their playthroughs happened parallel with each other.
Ethan is very academic and studious. He stays in his own lane, does his own thing, unbothered. Celeste is popular and is involved with everything and everyone. She's a flirt, for sure. Florin Kraemer, eat your heart out.
Ethan decided to pursue higher education at a prestigious university, while Celeste decided to have fun with an art gallery apprenticeship. Her end goal is to become a fashion designer and start her own haute couture house.
In both playthroughs, Gallatin won. None of them ended up married. Lady Renaldt got exposed, and the good Dalton family name was restored.
Ethan got thrown in the mines (yikes!) while Celeste was busy fooling around with her boytoys. You'd think that she'd notice her brother being gone, but it's kind of hard when there are so many guys fighting for your attention :/
I scoured the author's blog to find any clues about the fashion in CLDC. I didn't want to put them in their school uniforms (which would've just been easier honestly), and since the zeitgeist of the CLDC universe is actually... not THAT set in stone (I even looked at other people's MC to make sense of what the fashion should look like) I just ended up taking inspo from dark/light academia, old money and coquette aesthetics. Can you tell that Celeste is very Lana Del Rey coded? :)
Their parents accidentally supported a corrupt political candidate.
Celeste is incredibly arrogant, vain and bold. For better or for worse. Ethan also has a tendency to look down on people he deems to be less intellectual than him.
Celeste had a hate-love thing with Blaise. Ethan wondered why she needed two snarky dark-haired dudes in her life. He pretty much avoided everyone, and the closest thing he had to romance was with Prince Rosario of all people!? So much for trying to be low-profile.
Ethan has to constantly drag Celeste out of dumb situations of her own making. Celeste has to constantly remind Ethan that people, even him, need human interaction.
Honestly the only reason why they managed to save the family's reputation is because Ethan was working behind the scenes and cleaned up Celeste's love scandals.
They're part east/southeast asian, part middle eastern and part european.
Ethan loves birds, especially corvids. He spends more time with birds than he does with people. His earring is supposed to resemble a raven.
Celeste is part of the Prefect Committee. Ethan is a member of the Birchmeier Society.
Ethan is 5'11, Celeste is 5'5.
Their mom is another OC of mine, Darcy Angelis <3
Had to restart the playthrough because of this, but in Celeste's playthrough, she decided to dance with Auguste at the ball. After that chapter ended, it triggered multiple consecutive scenes, one after another, where literally ALL of the characters had the "what are we???" talk with her. Can't believe the harem found out.
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wentzethan · 9 months
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hello love goodbye Peterick au!!!
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based off of a filipino movie starring kathryn bernardo and alden richards, its a rlly good movie imo.
pete wentz as Ethan Del Rosario
and Patrick as Joy Marie Fabregas
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filmcrave · 3 years
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THE TOP FIVE BEST FILIPINO MOVIES OF ALL TIME!
Movies provide entertainment. It also allows you to escape reality. Whether they are scary, funny, tragic, romantic, or somewhere in between, movies have the power to move us like nothing else. There are so many genres with incredible titles to choose from and so much to discover. A movie can also bring people together has always been a way for people who share a common interest in a film to communicate and discuss it. While some are passionate about other genres, there are no judgments because watching a film is like sitting in front of a blank wall. You are free to express yourself however you want as long as it makes you happy.
Filipino films have always held a special place in my heart because they make me feel happy. Don't get me wrong, I enjoy films from other countries as well, but nothing beats a local touch. Regardless of the language, I find Filipino films to be very entertaining to watch, as they can teach me valuable life lessons and provide me with a sense of calm amid the world's turmoil.
So, here are my top 5 best Filipino films that anyone can enjoy.
1. Four Sisters and a Wedding
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Four Sisters and a Wedding is a 2013 Filipino dramatic comedy film directed by Cathy Garcia-Molina and starring some of the industry's most talented actors and actresses. Bea Alonzo, Toni Gonzaga, Shaina Magdayao, Angel Locsin, and Enchong Dee star in the film as the Salazar siblings. The plot revolves around a family of four sisters and one brother. When the youngest of the siblings declares his intention to marry, the sisters concoct a strategy to persuade him otherwise. They wanted their brother to marry another woman, but their youngest sibling was spared from all of their schemes. The deep-seated hatred they have towards each other is exposed as the film progresses. They had a major brawl that left everyone in tears. Finally, they made amends, accepted their differences, and reunited as a family. Their relationship is only strengthened as a result of the major confrontation. This film shows us that family is the most important thing in the world and that despite our flaws, a family's love never fades.
Visit these links to watch:
https://www.amazon.com/Four-Sisters-Wedding-English-Subtitled/dp/B017SZN8EY/?tag=1331-filipino-movies-20
https://www.netflix.com/watch/81010873?source=35
2. Hello, Love, Goodbye
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Hello, Love, Goodbye is a film directed by Cathy Garcia-Molina that was released in 2019. Kathryn Bernardo, Alden Richards, and Maymay Entrata appear in this romantic drama. The life of an OFW in Hong Kong is depicted in this film. Joy Fabregas, played by Kathryn Bernardo, wishes to move and work in Canada to improve her and her family's lives. Her working license, however, has expired, and the authorities are on the lookout for her. There's Ethan Del Rosario, played by Alden Richards, a Filipino himself. Despite Joy's plans to relocate to Canada, Ethan is set on pursuing her. Even as their burgeoning relationship develops, they manage to keep their goals in order. Meeting each other teaches them a powerful life lesson that forever changes their lives. This shows us that just because you love someone doesn't mean they have to always be there for you. It's often necessary to set them free for them to mature and become who they are on their own.
 To watch, check these links:
https://www.amazon.com/gp/video/detail/0RE6LVL4E108JCXT4D7XQ3NC0A/?tag=1331-filipino-movies-20
https://www.netflix.com/watch/81334897?source=35
 3. Kita Kita (I See You)
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Kita Kita, a 2017 Philippine romantic comedy film written and directed by Sigrid Andrea P. Bernardo, stars Alessandra de Rossi (Lea) and Empoy Marquez (Tonyo). After seeing her Japanese fiancé's infidelity, Lea, a Filipino tour guide living in Japan, goes blind. After a while, Tonyo, a fellow Filipino and charmer, appears out of nowhere and befriends the visually impaired Lea in the most charming way possible. Even though she didn't want it, he cooked her Filipino meals every day. But she gradually warmed up to him and accepted his offer, as well as being his friend and enjoying his company. They finally fall for each other while they remain together. The most devastating part was when Lea regained her vision and was eager to see Tonyo, but he died before she could even see him. This movie shows us that love has no bounds. True love comes from the heart and is never judgmental. It teaches that no matter what life throws at us, we must keep going forward and use those happy memories as an encouragement to continue developing as people.
 Watch the film at these links:
https://youtu.be/9b2XdAdaTiA
https://www.netflix.com/watch/81036745?source=35
https://play.google.com/store/movies/details?id=9b2XdAdaTiA
4. Seven Sundays
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Seven Sundays is a Philippine comedy-drama film directed by Cathy Garcia-Molina and starring Aga Muhlach, Ronaldo Valdez, Cristine Reyes, Dingdong Dantes, and Enrique Gil, which was released in 2017. This film appeals to people of all ages because it captures the essence of family values. The film depicts the harsh reality of the prospect of losing a loved one. The father in the film was diagnosed with cancer at the start of the film and has just seven weeks to live. So his children have decided to pay him a visit for the remaining seven Sundays he has left on this world. Throughout the film, it is discovered that the father was simply misdiagnosed, resulting in a major conflict that causes the entire family to break apart. Regardless of the difficulties, they have faced, they eventually come together as a family because true love and acceptance can only come from one's family.
Visit this link to watch: https://www.netflix.com/watch/81010870?source=35
 5. The Hows of Us
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The Hows of Us is a romantic drama film directed by Cathy Garcia-Molina that was released in the Philippines in 2018. George is played by Kathryn Bernardo, and Primo is played by Daniel Padilla. A couple who wants to spend the rest of their lives together is depicted in the film. Following the death of George's aunt, the pair resolved to live together, spend their lives in each other's arms, and pursue their goals as a couple. But life moves in unexpected ways. When their feelings become more intense, they have to cope with the challenges of being in a long-term relationship as well as the harsh realities of life. It turns out that they are on opposing paths, leading to the couple's breakup. When George agreed to sell the house a few years later, Primo returned home and attempted to reconcile with his ex-girlfriend. He was adamant about rekindling the flame. So, in the end, they realized that their love for each other had never faded over the years. The problem that occurred years back was just a combination of life struggles and miscommunication. They finally reconciled and embarked on a new life together. This film shows us that true love triumphs in the face of adversity. It teaches us that all can be resolved if we all listen to what our hearts are trying to tell us.
 To watch, check these links:
https://www.amazon.com/Hows-Us-Kathryn-Bernardo/dp/B07RGXWPB6/?tag=1331-filipino-movies-20
https://www.netflix.com/watch/81334870?source=35
CONCLUSION
Filipino films have made a name for themselves in the film industry in all genres. The Philippines' special touch has resulted in excellent films that anyone can relate to and enjoy. My top five Filipino films of all time are Seven Sundays, Hello, Love, Goodbye, Four Sisters and a Wedding, The Hows of Us, and Kita Kita. These films will make you fall in love while also inspiring you. I hope that my list helps you experience a good quality Filipino film that the Philippines has to offer!
 What movie captured your interest?
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tinykeenbox · 5 years
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The Panti Sisters, Open & Lola Igna (OlazoxMartinez)
The Panti Sisters
Nanguna sa takilya ang pelikulang The Panti Sisters na pinamatnugatan ni Jun Lana sa unang araw nito sa Pista ng Pelikulang Pilipino ngayong taon. Pinagbidahan ito nina Paolo Ballesteros bilang si Gabriel Panti, Martin del Rosario bilang si Daniel Panti, at Christian Bables bilang si Samuel Panti, kasama ang mga beteranong artista sa industriyang pelikula na sina John Arcilla bilang si Don Emilio y Panti at Carmi Martin bilang si Nora Panti. Kilala si Jun Lana sa paggawa ng mga LGBTQ + -themed films katulad na lamang ng pelikulang ito, Ang Dalawang Mrs. Reyes, at Bakit Lahat ng Gwapo ay may Boyfriend? Ang director din na ito ang pinakabatang nagkamit ng Palanca Hall of Famer at nagwagi ng 11 Palanca Awards for Literature. Pinangalanang crowd favorite ang pelikulang ito na siya ring nagwagi ng the Audience Choice award, Best Production Design at napanalunan naman ni Martin del Rosario ang Best Actor. Ang masasabi namin sa pelikulang ito ay ito yung klase ng pelikulang Pilipino na karapat-dapat ialok at ipanood sa masang Pilipino. Bagaman may mga eksena sa pelikula na hindi kinakailangan ilagay o idagdag pa sapagka’t ito’y hindi na tumutugma o kaya nama’y hindi nakatutulong sa buong istorya ng kwento. Maraming nakakatuwa at mga linyang nakakapanlambot ng puso at nakakapagpasigla ng damdamin. Umusisa ito ng mga napakaraming isyu sa lipunan na talaga namang napapanahon at kailangan bigyan ng pansin gaya ng paglala o tumitinding diskriminasyon at pagkamuhi laban sa mga taong parte ng komunidad ng LGBT, na ang layunin lamang ay matanggap sila ng husto at mapakitunguhan ng nararapat na hindi na dapat pa nilang ipaglaban ang kanilang mga karapatan sapagka’t sila rin ay tao na dapat nirerespeto at tinitignan bilang kapantay lamang o katulad nating lahat. Tinalakay din sa istorya ng pelikula ang mga naging masamang epekto ng patriarchy na binigyan katauhan ni John Arcilla bilang si Don Emilo y Panti na kanilang ama. Mahusay ang kanilang mga pagganap at makikitaan ng postibong character development ang bawat pangunahing karakter. Sa huli ay nakamit ang inaasam na pagtanggap at respeto na kanilang matagal nang hiling mula sa kanilang ama na humantong sa napaka emosyonal o madamdaming pagresolba ng mga isyu sa istorya. Kahit na nahahawig man ito sa mga gawa ni Wenn V. Deramas ngunit makikitaan mo ito ng mas malawak at mas malalim na substance sa kabila ng mga nabanggit na konting deperensiya na aking nakita na maaari namang idebelop pa ng husto para sa mas magadang pagkukwento ng istorya sa pelikula. Hindi man ganoon kabibigat o kilala ang mga pangunahing artista, ang importante ay nabibigyan ng hustiya ang karakter na ginagampanan at buong husay na umaarte ang mga ito. Sana’y maunawaan at maintindihan ng mga tao ang kahalagahan ng pag-aanalisa, na ang pelikula ay hindi lamang para umaliw at manglibang ng isang tao, ito ay may pinahihiwatig kung hindi man para sa sariling katauhan, maaring ito ay nilalan sa lipunan na ating kinabibilangan.
Open
Ang pelikulang pinamagatang Open sa direksyon ni Andoy Ranay ay isa sa mga pelikulang kasapi sa Pista ng Pelikulang Pilipino (PPP) na kung saan nagtatanghal ang iba’t ibang pelikula na obra ng mga mahuhusay na direktor sa larangan ng Indie Films. Ang producer ng pelikulang ito ay ang Black Sheep Productions. Kung saan pinasikat din ang mga pelikulang  “Alone Together”, “To Love Some Buddy” at ang "Exes Baggage". Ang Direktor ng pelikula na si Andoy Ranay ay walang putol na dinala ang screenplay na isinulat nina Wanggo Gallaga, Dwein Baltazar, at Katherine Labayen na batay sa kuwentong nabuo ni Wanggo. Si  Direktor Andoy ay marami na ring pelikulang ipinalabas katulad ng Diary ng Panget, Sosy Problems, When the Love is Gone, Trophy Wife, Talk Back and You’re Dead, Hopeless Romantic at sa  kasalukuyan ay ang Open.  Nagkakaroon ng pagdiriwang ang Philippine Cinema na kung saan iminumungkahi sa bawat istorya ng pelikula ang bawat karanasan, kultura, kaugalian ng bawat Piipino. Ito ay maaaring mapanood sa bawat sinehan sa buong Pilipinas sa loob ng isang linggo. Ang kaganapang ito ay proyekto ng Film Development Council of the Philippines sa pakikipagtulungan ng National Cinema Association of the Philippines na ang PPP ay lumikha ng isang kultura ng suporta mula sa mga tagapanood at kabilang din ang FDCP na  nagnanais  na ipagpatuloy ang tradisyong makisali ang mga Pilipino sa buong bansa na suportahan ang mga lokal na pelikula. Ang pelikulang ito ay naglalaman ng iba’t ibang damdamin na nakapaloob sa bawat karakter ng mga magigiting na aktor sa ating bansa sa panahon ngayon. Pakay ng pelikulang ito na maging bukas  ang  isipan ng bawat manonood sa malayang pakikipag relasyon. Ang palabas na OPEN ay talagang kakaiba at bago sa takilya dahil malawak ang konsepto at imahinasyon ng mga manunulat kumpara sa mga typikal na romantikong palabas kabilang pa ang mga magagaling na artista sa panahon ngayon na ipinamalas ang kanilang mga karakter sa kwento. Kabilang na rito ang bidang karakter ni Arci Munoz bilang si Rome. Ang karakter ni Rome ay nagpapahayag ng kasiyahan sa pakikipag relasyon sa loob ng labing apat na taon sa kaniyang nobyo na si Ethan. Sa pag oobserba ko sa karakter ni Rome,  masasabi ngang kampante siya  sa kanyang buhay kasama si Ethan. Masyadong focus and buhay ng dalaga sa pag iisip na pakasalan sya ng kanyang minamahal kahit minsa’y naiinip ng  maghintay ngunit patuloy pa rin na umaasa. Ang Karakter ng pangalawang bida ay walang iba kundi si Ethan ang nobyo ni Rome. Tunay ngang magkalayo ang pag uugali ng dalawang magka relasyon ngunit kahit pa maraming pagkakaiba ay nagtagal sila at umabot pa ng maraming taon ang kanila pagsasamahan. Mabalik tayo kay Ethan, maliban sa sya ay nobyo ng unang bida, masasabi ngang  sa karakter ni JC  Santos na talagang kagila gilalas ang kaniyang ipinakitang talento sa pag arte. Ang pag uugali ni Ethan base sa pelikula ay isang “Happy Go Lucky” man. Dito maipapakita ang pagiging kampante nya sa relasyon nila ni Rome. Kung saan sila ay live in sa loob ng ilang taon ngunit sila ay hindi kasal. Ipikikita ng karakter ni Ethan ang kawalang interes nya na pakasalan ang nobyo sa kadahilanang ito raw ay gastos lamang at hindi naman kailangan madaliin. Tunay ngang nauuso ang ganitong uri ng relasyon lalo na sa mga kabataan ngayon. Na mas iniisip na ipagpaliban muna ang pagpapakasal sa karelasyon dahil ito raw naman ay darating sa tamang panahon o kaya naman ay dahil gastos lang ang pagpapakasal. Marami na nga sa Pilipinas ang may ganitong uri ng kasunduan.  Ito na nga ay resulta ng kawalan ng kamalayan ng bawat tao sa lipunan kung ano ang itinuturo ng batas at bibliya ukol sa pagpapakasal. Masyadong komplikado ang ganitong uri ng set-up dahil  kayo ay mukhang ganap ng mag asawa dahil kayo ay nasa iisang tirahan ngunit ang mga napundar o pag aari ng iyong karelasyon ay hindi mo pwedeng angkinin. Ayon sa batas, ang bawat hindi legal na relasyon ay walang matatawag na conjugal property, kung ano man ang mga napundar nila ng magkasama ay pwede lamang nila itong paghatian sa pamamagitan ng paghahati sa actual contribution. Itinuturo naman ng ng bibliya na bago mo makasiping ang isang tao ay dapat mo muna itong pakasalan sa harap ng Diyos upang masabi na ikaw ay tapat at talagang sya ay mahal mo. Bilang respeto sa mga magulang ng babae at lalong lalo na sa mata ng Panginoon. Sa kasamaang palad ay hindi na nga nasusunod itong mga alituntunin ukol sa pagpapakasal dahil sa modernisasyon ng mundo. Katulad nina Ethan at Rome marami rin sa bansa ang may ganitong kalagayan ukol sa pakikipag relasyon, kaya’t matalino ang lumikha ang pelikula dahil marami sa manonood ang talagang naiugnay ang kalagayan ng dalawalang bida sa kaligayan ng kanilang buhay sa realidad. Ang kwentong ito ay hindi lamang nag popokus sa modernong pagsasama ng magka-relasyon, sapagkat sa kalagitnaan ng pelikula ay may gusto si Ethan na subukan nila ni Rome. Ito na nga ay ang Open -relationship. Masasabing sa pelikula, si Ethan ay nanlalamig na sa kaniyang nobyo marahil siguro ay matagal na rin silang nagsasama kaya hindi na iba si Rome sakaniya kaya dito nya naisipan na gawin nila ang bagay na hindi normal na ginagawa ng bawat magka relasyon. Ang open-relationship ay ang patuloy na pagiging relasyon sa iyong nobyo/nobya ngunit malaya ka ring makipagtalik ng sa iba’t ibang tao. Nakuha ni Ethan ang ideyang ito sa bestfriend nyang si Archie na si Vance Larena sa totoong buhay. Nagsimula ito ng Makita ni Ethan si Monique o si Ivana Alawi sa totoong buhay na nobya ni Archie sa pelikula, nahuli ni Ethan na si Monique ay may kahalikang babae sa baba ng isang condominium at pinagbibintangan na isa itong lesbian. Matapos ang pangyayaring iyon, Dali dali niyang kinita si Archie para sabihin ang nakita nyang nagbigay gulat sakaniya. Ngunit sa pagsambit pa lamang nya ng kanyang sinabi ay agad natawa ang kaniyang matalik na kaibigan. Dugtong ni Archie, “ Dude my girlfriend is not gay, she’s bisexual. She’s not cheating on me. We’re in a open relationship. Where she can entertain anyone she wants, me as well ” Agad namang ikinagulat ito ni Ethan. Dito na naging kaabang abang ang bawat parte ng pelikula. Dito na nagustuhang subukan ni Ethan ang ganitong uri ng set-up kaya naisip nyang gawin din nila to ni Rome marahil sa kadahilanang sya ay naaakit sa katrabaho nyang si Erika na si Ina Reymundo sa tunay na buhay. sinabi niya ito kay Rome at noong simula ay ayaw pa ng kanyang nobya na sumang  ayon sa kagustuhan nya ngunit  nakikita ni Rome na gusto talaga ni Ethan ang ideya ng open-relationship kaya’t sa huli ay pumayag na rin ito. Nararamdaman na ng dalaga ang  pagkawala ng gana ni Ethan sakanya at para na lamang masalba ang kanila relasyon, pumayag na siyang subukan ito. Mayroon kasunduan si Rome at Ethan ito ang makikipagtalik pero sa mga hindi lamang nila kakilala, walang pagmamahal na kasali, iisang beses lamang mangyayare sa iisang tao. Ngunit si Ethan ay binaliwala o hindi agad sinunod ang kanilang usapan nila ni Rome nakipagtalik agad siya sakanyang boss na si Erika at ilang beses nila itong ginawa. Samantalang si Rome ay sinubukan ding  gawin kaya’t nakipag kita siya at nakipag date  sa iba subalit hindi nya ito nagustuhan, hindi niya ito magawa dahil sa labis niyang pagmamahal kay Ethan. Noong nagkaron na siya ng lakas ng loob na makipag talik sa iba dahil sa lungkot na ipinararamdam ni Ethan pagkatapos non ay diring diri siya sa kanyang sarili. Noong sinabi ni Ethan kay Archie ang tungkol sa nangyayare sakanila ni Erika ay sinabihan agad ni Archie na itigil na dahil mayroon silang usapan at kasunduan ni Rome na hindi sila makikipag talik sakanilang kakilala ngunit hindi nakinig si Ethan. Ngunit ng tumagal, tunay ngang nanawa si Ethan kay Erika dahil hinahanap na nya ang pag aalaga na si Rome lang nakapag papadama. Tumangis ang pagsisisi ni Rome sa Ideya nyang pasukin ito. Kaya naisipan nyang ayain na ng kasal si Rome. Sa kasamaang palad ay tumanggi si Rome sa alok niyang ito. Nagkakaroon na rin si Rome ng duda sa kanilang relasyon kung maibabalik pa ba ito sa dati nilang pinagsamahan. Noong dumayo sila sa isang celebrasyon na andoon si Archie at Monique at nadulas si Archie sa sasasbihin at pinigilan ni Monique ngunit ang susunod na eksena ay galit na galit at makikita sa mata ni ni Rome ang kanyang sakit na nararamdaman kay Ethan. Sa huli ay nagsisi ng sobra si Ethan sakanyang ginawa.Si Rome ay nakipag hiwalay at ang pagtatapos ng pelikula’y punong puno ng aral sa bawat manonood na hindi angkop ang ganitong uri ng pakikipag relasyon para sa lahat, dahil alam naman nating ang relasyon ay para sa dalawang taong nag iibigan lamang. Ang pagibig dapat ay tapat, mabuti, matiisin, matiyaga at mapagpasensiya na dapat ibigay sa iisang tao lamang. Kaya ang pagiging bukas sa isang relasyon ay hindi para sa lahat ng magkasintahan dahil kayo’y dapat may parehong malawak na pagiisip at papang-unawa at higit sa lahat kagustuhan niyong dalawa na magpatuloy ito. Bilang na sa isang relasyon marami kang matututunan sa palabas na ito. Una, Ituturo sa'yo ng pelikula na 'to na hindi porket mahal na mahal ka ng isang tao ay may karapatan kang mag reklamo at humingi ng mga bagay na kulang sa'yo. Pangalawam hindi sagot ang pagsisinungaling at pag gawa ng masama para maging maayos kayo ng partner mo. Pangatlo, pahalagahan mo yung taong laging nandyan at laging gagawin lahat para hindi ka iwan simula sa una pa lang, at yung sasamahan kang gabayan tumanda sa mga gagawin mong tama at mali. Pang apat bago ka magloko, magsinungaling, magtago sa iyong kasintahan isipin mo muna kung ano ang kanyang mararamdaman ng iyong kasintahan, maari itong ikahiwalay niyo o hindi niya pag tanggap sayo at higit sa lahat matauhan siya sayo dahil sa ginawa mo sakanya. Kaya wag na wag kang gagawa ng mga bagay na pagsisihan mo sa huli at alam mong hindi niya magugustuhan dahil sinisira mo lamang ang inyong relasyon at ang tiwala niya sayo. Kailangan nating isaisip na ang bawat relasyon ay isang mabigat na “commitment” sa isang tao na pakareho mo. Dapat nating isipin palagi ang kalalabasan ng bawat desisyon at sa loob ng ating mga desisyon ay dapat na alam ng ating kapareho. Tayo ay nagiging iisa. Sapagkat gusto mong maging kapareho ang isang tao dahil gusto mo rin syang mapangasawa. Yun ang tunay nadepinisyon ng totoong pagibig. Ngunit darating din sa punto ng pag iibigan na ang isa ay mapapagod at magsasawang magbigay ng pagmamahal dahil sa mga pagkakamali at kung ano-anong mabigat na dahilan. Matuto tayo sumuko at mag pahinga. Hindi masamang bumitaw sa mga bagay na pinipigilan kang maging masaya. Mahalin mo ang iyong  sarili at mag simula ng bagong buhay na mayroong pag asa. Maging wais sa mga taong nagpapakita sayo ng admirasyon dahil hindi lahat ng tao ay may sinceridad sayo. Tunay nga na Malaki ang naiambag ng Open sa aking pag iisip na pwede kong magamit. Mga aral na pwede kong ibahagi sa iba at iaplay sa aking sarili upang maging wais sa pagpili ng taong gusto kong makapareha pagdating sa panahong ako’y handa na.
Lola Igna
Ang pelikulang Lola Igna ay isa sa mga ipinalabas sa Pista ng Pelikulang Pilipino ngayong taon. Ito ay pinamatnubayan at isnulat ni Eduardo Roy Jr. na siyang nanalo bilang best film at pinagbidahan ito nina Angie Ferro na siyang nagkamit ng best actress, bilang si Lola Igna, kasama nito sina Yves Flores bilang si Tim, Maria Isabel Lopez bilang si Nida at Meryll Soriano bilang si Ana, mga pangunahing karakter sa pelikula. Payak lamang ang pamumuhay ni lola igna at makikitang mag-isa sa buhay sapagkat siya lamang ang tila nakatira sa simple o pangkaraniwang kubo na iyon na malapit sa isang sakahang kaniyang pagmamay-ari ngunit kalaunan ay ipinakita na mayroon pala itong pamilya, apo na si Nida at kaniyang apo sa tuhod na si Bok na anak ni Nida at si Tim na anaka naman ni Ana. Nakakapukaw ng atensiyon na ito na lamang ang natitira niyang kamag-anak. Sa pagpapatuloy ng kwento, naipabatid sa mga manonood na ang karakter na si Lola Igna ay maaring makapagkamit ng titulo na "the oldest living grandmother in the world." Pinagkaguluhan at nagging sentro ng pansin si Lola Igna na kaniya namang hindi naiintindihan kung bakit nga ba, kung bakit bigla na lamang lahat ay nagbibigay pansin sa kaniya. Sa pag-usad ng istorya, natuklasan namin ang mga saloobin at tinitimping damdamin ni Lola Igna. Sa bawat araw na kaniyang itinatagal sa mundong ito ay lalo siya nahihirapan at nalulungkot. Ang mabuhay ng ganito kahaba o katagal ay maituturing na biyaya o grasya at isang malaking sumpa. Iniisip namin sa mga sandaling iyon na ayaw namin siyang pumanaw muna hindi dahil sa titulong maaari niyang makuha subalit sa kadahilanang minamahal siya sa kanilang baryo. Hindi siya mahirap mahalin o unawain ngunit alam naming sa aming mga sarili na kami ay nagiging makasarili dahil sa kahilingan naming iyon ngunit napagtanto naming sa aming mga sarili na dapat bang mamuhay ka para sa ibang tao? Kung ang gusto mo ay mamahinga na ng mapayapa, magpahinga sa lahat ng sakit na nadarama. Ilang kaibigan at mahal sa buhay na ang kaniyang nasaksihang binawian ng buhay at inilibing, ilang lamay na ang kaniyang pinuntahan, ilang beses pa ba siya makararamdam ng labis na kalungkutan? Kung ilalagay mo ang iyong sarili sa kaniyang katauhan, tunay na nanaisin na lamang na hilingin na sa diyos na ika’y kunin na at pagpahingahin sa pangungulila na kaniyang matagal ng nadarama. Nahihirapan man tanggapin ng kaniyang pamilya ang kaniyang kagustuhan, alam nilang hindi mahirap intindihin ang sitwasyon nito. bakit nga ba hindi na lamang kinuha iyong mga gusto nang mamahinga? Katulad ni Lola Igna. May mga dapat pa ba siyang gawin sa mundong ito kaya hindi pa siya hinahayaang mawala? Ang pinakahuling eksena sa pelikula ay talaga agaw-pansin at epektibong paraan upang magnilay-nilay o mag-isip ng mas malalalim upang unawain ang madamdamin at puno ng emosyon na ekspresyon ni Lola Igna. Siya lamang ay nakatitig sa mga manonood at walang sinasabi ngunit ang mga mata nito’y nangungusap o siyang nagsasalita at nagtatanong para sa kaniya. Hanggang kalian pa ba? Ito ang maaaring tanong niya.
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thisisnotfahri · 5 years
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We finally witnessed the story of Ethan Del Rosario and Joy Marie Fabregas. Hindi ka manghihinayang sa pera mo sa movie na 'to (lalo na pag libre ng ate mo lol) sa katunayan nyan baka maghihintay ka rin ng part two kase itinadahana atang magkaroon ng kasunod yung kwento. Legit yung Galing ni Alden dito, sobra. Si Kath naman given na yung galing niya, hindi nawala/mawawala sa bawat pelikulang ginawa at gagawin pa niya (hindi dahil fan niya ako, im just stating the fact), at again legit yung Chemistry nilang dalawa, hindi nagkamali si direk cathy na si Alden ay si Ethan at si Kathryn ay si Joy, at ang Hello, Love, Goodbye ay si Alden at Kathryn lamang at ang kwento nila ay hindi lamang pelikula. 👏
10/10 📽
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iris-sistibly · 5 years
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"For some reason, something inside me made me want to just hold her in my arms forever and protect her."
Ethan Del Rosario, Hello Love Goodbye (The Novel)
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Pista ng Pelikulang Pilipino 2019 Essay (Open, Panti Sisters & Lola Igna)
The Pista ng Pelikulang Pilipino (PPP) is a seven-day in length festivity of Philippine Cinema where new quality genre Filipino films are screened for seven days in every single normal film across the country. No foreign films will be screened during PPP with the exception of in claim to fame films to give the open door for the entire nation to commend its very own local films. This occasion is sorted out by the Film Development Council of the Philippines in partnership with the National Cinema Association of the Philippines. PPP’s mission is to recognize Filipino artistry in films, promote our country and its talents globally, protect our film cultural heritage, and empower every Filipino through film development and education. Over the most recent years, PPP has made a culture of help from the crowd and FDCP tends to proceed with this custom to persistently draw in film buffs across the country to belittle local films. The Film Development Council of the Philippines (FDCP) advances and supports the improvement and development of the local film industry as a medium for the upliftment of the aesthetic, cultural, and social values of the nation for the better understanding and appreciation for the Filipino character.  A portion of the main Filipino movies to ever be produced using a century prior may feel totally exquisite, however its subjects do not: family, friendship, and love keep on resounding with many. What's more, with the 100th anniversary of Philippine cinema practically just around the corner, the coordinators of the Pista ng Pelikulang Pilipino (PPP) disclosed their choice with featuring those components and to celebrate what these topics mean for us.
Romance is one of the most popular genres to watch, read and binge on. It is usually a genre where the story revolves around the love between two characters as they experience the highs and lows of love. Although most romance films end up with a happy ending ( e.g. guy gets girl, ends with a feel good 80s music and the like ), there are some that will leave you crying. Films like, Richard Linklater's ‘Before series’, Wong Kar Wai’s ‘Happy Together’ and Abdellatif Kechiche’s ‘Blue is the Warmest Color’ are one of my top picks. In Philippine Cinema, the most talked about romance film is Cathy Garcia-Molina’s One More Chance.  The film became very iconic for its painful narrative and dramatic cheesy lines that gained a cult following in social media and are still very relevant today. It shattered the hearts of Filipinos because of its sad concepts about long-term relationships, self-worth and second chances. In this year’s Pista ng Pelikulang Pilipino, there is one film that stood out for me because it reminded me of the iconic love story of Popoy and Basha without a clichè happy ending and the concepts of an open relationship.
Open by Andoy Ranay is a film about two lovers, Ethan ( JC Santos ) and Rome ( Arci Muñoz ) who have been in a relationship for almost 14 years until their relationship has gone stale so they both explored the idea of going open. But for me, the film is really about Rome trying to get out of a toxic relationship where she thinks love is enough for her to stay even if it means that person is going to disrespect and hurt her. But mostly, it's about finding one’s self-worth. The film introduces a controversial concept of a relationship where couples are allowed to see other people which I think the writers did great. Apart from introducing the concept of open relationships, they were able to show a form of emotional abuse seen from JC Santos’ annoying character. 
The film didn’t focus on the open relationship a lot but I think it's a nice way to introduce it by giving the audience a disclaimer that this isn’t for everyone. When Rome starts to realize her worth, she was able to find her happiness. She finally was able to go back to her art and make a life all by herself. This cuts to Ethan realizing how toxic he was as a boyfriend through close-up shots of a wine bottle written “Rome” on it. Looking at the camera from the beginning till the end, its like going through a journey with her and from that, we were able to ask ourselves the same question, “Is this really what happiness feels like?” and in that moment, we are able to make that decision for her and for ourselves also. This cuts to a beautiful close up shot of rome, a few seconds before the credits start rolling. And finally, she is free. 
The film starts with Rome and Ethan arguing about getting into an open relationship or breaking up. In here, we are introduced to the idea that their relationship is not going to end well. Since every time the camera cuts to a close up shot of Rome’s face, she appears as if she’s indecisive and unsure. This concludes that Rome’s selfless character enables Ethan to allow the toxicity of his character to worsen. Comparing this to One More Chance, the film starts with the same kind of set up without the idea of an open relationship. But the only difference is that the dominance lies in Bea’s character, Basha. She already knows what she wants while we are being introduced to the toxic behavior of Popoy. They both have similarities in their cinematic universe. They show the same concept of friendship, the realization of one’s self worth from a toxic relationship and lastly, finding happiness in a workplace. But looking through past films by the same production and Star Cinema, they share the same formula. What makes the two different from each other? Work wins over love while the other, the same cliché ending — guy gets girl. Maybe why I couldn’t stop comparing it to One More Chance because of the obvious similarities. Hopefully, time will come for Philippine Cinema that we will get to see new things rather than the generic formulas given by these productions. In the end, all we can do is hope, be patient and support the local independent films.
Another film-in-competition is entitled, Panti Sisters. It is a film directed by Jun Lana and its about a terminally ill father offers P100 million inheritance to the first of his three gay sons who can give him a grandchild. Starring Paolo Ballesteros, Martin del Rosario and Christian Bables. Alongside veteran actors, John Arcilla and Carmi Martin as their parents. It is obvious that the movie looks like its other predecessors since most of the cast are Jun Lana’s frequent collaborators.  Jun Lana is known for making LGBTQ + themed films like, Ang Dalawang Mrs. Reyes, and Bakit Lahat ng Gwapo may Boyfriend? This director is the most youthful beneficiary of the Palanca Hall of Famer and champ of 11 Palanca Awards for Literature. Named the group top pick, he then won the Audience Choice honor, Best Production Design and Martin del Rosario won the Best Actor. 
This film is something that the filipino masses should go and watch. Despite that there are scenes in the film which doesn’t feel necessary to the narrative of the story and there are some lines felt pushed just to prove a point but so far, all the sad passionate lines worked as a mainstream film. It explores a host of social issues that are especially timely and need to be addressed such as the worsening or increasing discrimination and hatred against people who are part of the LGBT community, whose sole purpose is to receive basic human riights and to be treated fairly, that they should still fight for their rights because they are also people who should be respected and viewed as equal to all of us. There is no requirement for them to change with the goal that they can be treated as animals and can't be viewed as a plague in the public arena. May everybody comprehend that the issues that happen in our general public are not simply in their locale. The greater part of us make issues little or enormous, they really add to the social issues in which we live. We should inquire as to whether we are a piece of the arrangement or would we say we are simply adding to the enormous issue? The film's story also discusses the devastating effects of the patriarchy that John Arcilla characterizes as their father, Don Emilio y Panti. They perform well and post-character improvement will see every one of the principal characters.
Inevitably accomplishing the foreseen acknowledgment and regard they ached for from their dad prompted enthusiastic or energetic goals of the issues in the story, these scenes were deliberately terrible because of their magnificent exhibition or featuring John Arcilla. We can contrast this work with movies at the Metro Manila Film Festival with similar formula. Much the same as the films that Vice Ganda has starred in, for example, Fantastica, The Super Parental Guardians, Beauty and the Bestie, Praybeyt Benjamin and other celebrities who are for the most part worked with Wenn V. Deramas who is known for these movies. These ‘Funny portrayals of LGBT films”  are modest and you can't deny that they earn a place in all the blockbuster office since they have a huge part in mainstream films. Yet, when I contrast these movies with each other, The Panti Sisters is definitely has more substance which is why I think it deserves to be a part of the Pista ng Pelikulang Pilipino, despite the fact that it takes after Wenn V's works. It gave the audience a lot of good points about social issues that most FIlipinos are afraid to talk about and it's something that we won't see in a Wen V. Deramas film. Regardless of how genuine or surely understood the primary characters are, interestingly, they offer equity to the character and they perform well. We trust that individuals comprehend and comprehend the significance of examination, that the film isn't only for the solace and happiness regarding an individual, it suggests generally for the good of one's own, it might have been made in the general public in which we live. 
Lola Igna's movie is one of the films released at this year's Philippine Film Festival. It is directed and written by Eduardo Roy Jr. Angie Ferro is known for being the popular actress in the film industry as Lola Igna, with Yves Flores as Tim, Maria Isabel Lopez as Nida and Meryll Soriano as Ana, the main characters in the film. The film begins with a very mysterious and intriguing scene in which she performs her usual tasks. As she goes on with her daily activities, it is notably seen that flies were swarming around and she speaks to someone that isn’t shown by the camera. Lola Igna lived a simple life and could see her life alone in that cottage near a farm she owned. The film further showed that she had a family, Nida her granddaughter and his great-grandson Bok, the son of Nida. It is interesting to see that these are the only relative she has. As the story progresses, viewers are informed that Lola Igna's character may have earned the title of "the oldest living grandmother in the world." Lola Igna was so distracted that she didn't even understand why, all of a sudden everyone was paying attention to her. Lola Igna does not speak at all and often hurts people who visit her for the same reason that she does not know it. She is not used to this attention and she is very distracted. Lola Igna became an instant tourist attraction when the news of her being the oldest grandmother in the world was released. Merchandises of Lola were released due to her popularity. These merchandises were managed by her granddaughter, Nida. 
As viewers, we could not help but feel that they were using Lola Igna in a wrong manner, to the point that her little house became a tourist attraction. It's sad to think that this is happening in the reality that there are people who will actually use you for their personal development and often these people are near you or your own family. But we also came to the realization that Nida's family would never have had enough income if they had just grown their crops and kept watch over the store. However it is not right that they are forcing Lola Igna to entertain those that visits her. In the first place, Lola Igna doesn’t want the attention she was receiving. Until a surprise came, her other great-grandson, Tim came who was Anna's grandson. Her eyes were full of happiness and it was wonderful to think that of Lola Igna’s age she would not forget about who were relatives were even after a long time. Tim is an aspiring vlogger. Amidst Tim’s visit, it’s not hard to think and doubt him for only using Lola Igna’s current popularity as clout. If one would ponder, why would Tim suddenly appear in the midst of this popularity and didn’t come before Lola Igna’s recognition as the “oldest grandmother in the world”. Our anguish and doubts over whether or not he was really a grandson were even more apparent when the only subject of his videos were the ones of Lola Igna only. As the story progresses, we discover Lola Igna's thoughts and feelings. With each passing day that she spent in this world she became increasingly depressed. To live this long is considered a blessing and a great curse. We thought at that moment that we did not want her to die not because of the title she could obtain but for the reason that she was loved in their village.She is not difficult to love or to understand but we know for ourselves that we are being selfish because of that request but do we realize in ourselves that she should not live for someone else? Especially, if Lola Igna wants to rest in peace and take away all the pain she feels in the moment. How many friends and loved ones did she witness being alive and eventually buried death? How many times would she feel this so much sadness? If you place yourself in her shoes, it is only natural to ask God to take you and rest in the suffering she has been feeling for so long. No matter how difficult her family is to accept her wishes, they know that her situation is not difficult to understand. This feeling of Lola Igna was confirmed by the scene where she wept as she invited her guests in for a chance to see and take pictures with her. Amidst entertaining the tourists, Lola Igna then collapses due to fatigue. Nida realizes that Lola Igna can no longer get the title and with this money, it is more important for Lola Igna to wake up and be with them. Following this incident, Ana had returned after a long period of time when she ran away from their village resulted in her sister Nida campaigning and planting resentment. Ana is currently pregnant and seems to be giving birth due to the size of her stomach. Ana took care of Lola Igna in addition to resolving her personal issues with her son Tim and her sister Nida. Lola Igna woke up in disbelief at what she was seeing. Because of their long absence of communication and news of Ana, they had come to their senses that Ana might be dead. Anna asks for forgiveness from Lola Igna and her sister Nida. Grandma Igna says no one should apologize, these scenes are emotional because they highlight the importance and essence of having a family. It seems like the events in the movie will signal the end of the movie but the scenes that follow are truly sad. Ana unintentionally gave birth with her son at the middle of the fields near Lola Igna's house. Viewers were supposed to be happy with the new family member but Ana did not make it alive after she gave birth. As one added to them, there was also a retraction. Lola Igna assisted Ana giving birth. When she has since refused to do it because for her it only increases her life when she helps give birth to babies. Her new great-grandson was born with a broken heart and mourning the loss of one of her grand daughter who previously came back after running away. The situation is so sad that everyone is settled and for the first time they are a whole family with Lola Igna still with them but now again the pain and loneliness of the old woman will be felt again. Anna died in the arms of her son Tim, it was hard to see your mother being at her last dying breath, with the thought that you could do nothing more to prevent it. Death is inevitable and a part of human life. Some might want death to just arrive and take them, like Grandma Igna. Is there anything she has to do in this world that she is not allowed to lose? The very last scene in the film is really attention catcher in a very effective way to ponder or think deeper to understand Grandma Igna's passionate and emotional expressions. She just stared at the audience and said nothing but her eyes spoke for her. What might be the thoughts inside her head? But the real question is, “what would you feel if you were in Lola Igna’s place?
A realization has come to mind that Lola Igna isn’t all about the title of being the oldest grandmother in the world. Lola Igna ponders on the topic of life and death. Rarely do we see films that swims through the simplest reality of life. This film had portrayed that aging can be very terrifying yet mighty. Lola Igna is an old woman who is so close to her last days of life but death seems to avoid her. She had witnessed people’s growth younger than her like the petals within a bud starts to grow to the point where after it blooms, it is withered. Lola Igna’s old age makes her rant about how death seems to have forgotten about her. She was in her time of life when she had surpassed almost every relative she knew. It is heartbreaking when things start to get closer to you, that’s when you most understand and accept it. This is death for Lola Igna. Death is not something that is a grievous end. For some, it is something to honor for death is peaceful and after that you have nothing to worry about. In the last scene where Lola Igna is seen holding a baby, the look on her face carries powerful emotions that strikes the heart of those who looks. It is the face of someone who is tired and afraid, but had no choice but to live and wait. 
After watching all these films part of this year’s PPP, we came  to ponder and commend the directors behind it. It is difficult to tell stories not quite the same as what is typically portrayed. It is difficult casting new faces and hope they’d be more effective than the big stars existing. It is hard and not easy as anyone had said. Having the opportunity to produce films is a privilege and not a right. Furthermore, with that privilege comes the test to make it well as other existing films. It's anything but difficult to state something significant, to get recognition and yell it out and you would already be able to advise the world what they need to hear. It is hard to state something important through the medium of cinema, set aside some effort to figure out how to utilize each component of film to state what you mean better. A complete film that doesn’t simply beat the cutoff time. This privilege comes with a big weight to produce films with substance and without shallow meaning. 
For the future of Philippine cinema, we wish that the public audience would take risks out of their comfort zones in the movies they go out to see. How about we watch lighthearted comedies all we want like Panti Sisters or a love story like, Open. But at the same time, how about we also  watch something different. Documentaries, thriller movies, sad movies, unusual movies, stunning motion pictures. Something that isn’t mainstream or the movie that is not the first choice of the general public. One example of this is Lola Igna. Movies are not just about feeling better or being enchanted or beginning to look all starry eyed at. Movies are also about feeling agitated, feeling startled and disappointed. It is likewise about sentiments of misfortune, of vulnerability, of rushes and amazement. Movies are about such a significant number of different things, as well, other than simply fun and love. We wish that you let movies make you something and not simply give you what you generally expect of it.
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worthlessmee · 5 years
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STRANGER !
Mas ok daw mag kwento sa stranger, kasi mas makakapag sabi ka daw ng totoo.
-Ethan Del Rosario (Alden Richards)
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linabrigette · 6 years
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XRP Ledger’s design “significantly improves on Bitcoin [BTC]’s”, states Ripple CTO
In a recent AMA with the XRP community, David Schwartz, the CTO of Ripple, spoke about XRP’s status as a security, Bitcoin [BTC], and the future of Ripple and XRP.
Many XRP enthusiasts are under the impression that Brad Garlinghouse views Bitcoin as being a scam. When asked about this by user Soret, Schwartz stated that he had never heard the CEO say that. Moreover, he stated:
“I definitely don’t think bitcoin is a scam and defended bitcoin publicly continuously since 2011 when I first learned about it. I think it’s the first example of an exciting new technology and still the market leader, at least by market cap. The technology is genuinely a breakthrough and I too hold some BTC.”
He also spoke about the current state of the market, saying that the “market mechanics” currently puts all of the cryptocurrencies on one side. One cryptocurrency project can become successful by pulling others down, he added.
However, after saying so, Schwartz provided an objective view of Bitcoin’s weaknesses. He stated:
“I do think we should be objective about bitcoin’s weaknesses and limitations. Proof of work is expensive, has no clear response to a majority attack, and has not delivered on its promise of decentralization…I genuinely believe that the XRP Ledger design significantly improves on bitcoin’s design.”
Many outside of the XRP community believe that the cryptocurrency is being controlled entirely by Ripple. This has led many to believe that the United States Securities and Exchanges Commission [SEC] will classify it as being a security belonging to Ripple Labs. When asked about this by user Fred Del Rosario, Schwartz clarified:
“Ultimately, this will be up to the SEC to decide. We believe that XRP should not be classified as a security. XRP does not give ownership shares in Ripple or any other entity, XRP exists independent of Ripple.”
The XRP Ledger has a feature known as the Universal Node List. This is a list of validator nodes trusted by the network node to process their transactions. As the UNL can be changed, nodes have the freedom to choose who processes their transactions. This allows it to function without Ripple, as Schwartz stated:
“If Ripple went away tomorrow, XRP would continue to exist and have the same utility it does today. Neither Ripple nor any single entity can exert unilateral control over the XRP Ledger.”
When asked about the general position of Ripple Labs and XRP in the market after the 5-year mark, Schwartz replied that he was hesitant to predict the future. However, he did mention examples such as exchanging value with the same ease associated with sending an email. He stated:
“You shouldn’t have to care about what assets or systems the people you’re paying, or who are paying you, prefer to use. It should all just work. This takes a lot of pieces, and I expect ILP [InterLedger Protocol] to be the enabler that lets these work together.”
Looking further, Schwartz predicted the presence of global pools of liquidity that anyone can contribute to and draw off. He went on to say:
“…around that timeframe we should have ubiquitous micropayments allowing machines to pay other machines as transparently as other types of information requests occur today. I expect that to be transformational in ways we can’t foresee today and I look forwarding to seeing what the internet of value equivalent of things like Twitter and Uber are.”
Schwartz was recently subject to a reshuffling in the higher-level management at Ripple, where he was appointed Chief Technical Officer following Stefan Tomas’ resignation. User Rachel asked him what he was focusing on now as the CTO of the company, to which he stated:
“As is most obvious from the outside, I’m still spending a lot of time explaining what Ripple is doing and educating people about how the XRP Ledger operates. I work a lot with the engineering teams at Ripple to ensure that all our products continue to work together and meet the needs of Ripple’s customers. I’ve been working with Ethan Beard quite a bit on Xpring [Ripple’s incubator program] as well.”
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(Relato) Disparos en la boca del lobo.
Relato sobre como Ethan Williams recibe tres disparos de policías blancos en la puerta de su casa a los diecisiete años.
Él tenía diecisiete años y ya era más alto que la mayoría de los chavales cuando le pegaron tres tiros en la puerta de su casa. Tres. Uno detrás de otro.
Los autodenominados “Berracos”, un grupo formado por inmigrantes e hijos de inmigrantes colombianos, venezolanos, ecuatorianos y otros países que en el grupo constituían una minoría habían salido aquella noche a comerse el mundo. Se creían fuertes e indestructibles. Nadie les había parado los pies. Nadie les había dicho que no eran los reyes de aquel barrio de Detroit. Cómo discutirles la supremacía en aquella tierra que habían hecho suya. Desde niños habían sido enseñados y entrenados para luchar por cualquier tipo de causa. Por la guerra o libertad, que ellos creían una especie de fantasía erótica armada hasta los dientes. Habían nacido y vivido con odio, con desprecio. Y aquella noche, salían a por el enemigo, al campo de batalla.
Se rompieron cristales, se escupió y partió la boca de aquellos que una vez les habían insultado por su condición racial, por su lengua y cultura, por su color de piel. Cuentan, incluso, que uno a quien todos apodaban “El negro” por ser hijo de un afroamericano y colombiana, se meó encima del cuerpo inmóvil de un puto racista que una vez había intentado meter mano a su madre y hermanas durante una redada. Destrozaron coches, destrozaron tiendas y casas. Prendieron fuego a los contenedores hasta que las llamas hicieron sonar las sirenas de la policía. Pero ellos, eran los que realmente ardían por dentro. Una cultura sometida, una cultura sin voz, ni voto. Sin nada. 
El más alto, un chaval de apenas diecisiete años a quienes todos conocían como “El mestizo” se atrevió a mirar a los coches patrulla a los ojos, sin miedo. Porque no sentía miedo de aquellos que le habían convertido un paria social. Aquellos que habían pegado a su madre hasta la sangre por ser puta. Aquellos que se divertían escupiendo a los niños de la calle. Les miró a los ojos y con la mano, imitó varios disparos. Se creía fuerte. Se creía el héroe de su tribu, de su barrio, de su calle. La voz de todos aquellos iguales a él. Y los policías persiguieron calle arriba, hasta que le dieron caza.
Delante de su madre, quien le estaba esperando en la puerta de su casa con lágrimas en los ojos y el rosario de la mano, le metieron tres tiros. Uno en el hombro y dos en la espalda. Saltaron los casquetes de nueve milímetros y se escucharon los gritos de las mujeres en las ventanas, asustadas, con miedo, quizás a ser las siguientes. Había sangre. En el asfalto, en las manos. Su madre lo cogió en brazos llorando, pensando que había muerto e insultó en su propia lengua a los policías blancos que, irónicamente, noches antes habían intentado violarla en aquella misma calle. Pero ahora, pensando que su hijo había muerto, no les tenía miedo. El chaval no sentía más que satisfacción. No tenía miedo a morir. 
Y sobrevivió. Sobrevivió y el cabrón juró que se vengaría de aquellos hijos de puta. Porque si intentaban silenciarlo, aprendería a gritar más fuerte.
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deniseochoa · 7 years
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So cool that I was part of the cover shoot 9 years ago and this one ❤️ • METRO x STAR MAGIC 25 • Photographer BJ Pascual Creative Direction Eldzs Mejia Styling Perry Tabora, Kim and Boop Yap, Myrrh Lao To All clothes by Martin Bautista Makeup Pong Niu (Janella), Justine del Rosario (Kathryn), Mickey See (Liza), and Anton Patdu (Julia) Hair Renz Pangilinan (Janella), Chris Rodil (Kathryn), Nante Alingasa (Liza), and Bee Amarga (Julia) Makeup Bon Peñaranda (Sue), Denise Go-Ochoa (Sofia and Loisa), Eman de Leon (Maris) Hair Julius Villanueva (Sue), Anton Papa (Sofia), RJ dela Cruz (Loisa and Maris) Makeup Effie Go-Iñigo (Andrea), Anthea Bueno (Ylona), Rick Calderon (Kira), Mickey See (Alexa) Hair Mark Ibarrola (Andrea), Ethan David (Ylona), Bekbek Vasquez (Kira), Aries Manal (Alexa) #MetroXStarMagic25 #MetroLovesJulia #MetroLovesLiza #MetroLovesKathryn #MetroLovesJanella #MetroLovesSue #MetroLovesSofia #MetroLovesLoisa #MetroLovesMaris #MetroLovesAndrea #MetroLovesYlona #MetroLovesKira #MetroLovesAlexa #egomakeup #makeupbyeffiego #JuliaBarretto #LizaSoberano #KathrynBernardo #JanellaSalvador #MarisRacal #LoisaAndalio #SofiaAndres #SueRamirez #AlexaIlacad #KiraBalinger #YlonaGarcia #AndreaBrillantes #makeupbydeniseochoa #makeupbydenisego
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kapusoprgirl-blog · 8 years
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GMA Network rewards its viewers with superior and world-class 2017 program launches
GMA Network soars even higher this 2017 as it delivers a new roster of trendsetting and pioneering programs that will surely excite and captivate the hearts of Kapuso viewers.
Produced by the GMA Drama Group, these shows are top billed by only the brightest, hottest and up-and-coming Kapuso actors and actresses in Philippine show business. 
First on the list is the original primetime soap Meant To Be. This romantic-comedy series revolves around Billie, portrayed by Barbie Forteza, a struggling millennial who meets four guys with different nationalities: Ken Chan as the Chinese-Pinoy Yuan, Jak Roberto as the Pinoy Macoy, Ivan Dorschner as the Fil-British Ethan, Addy Raj as the Indian Jai. All four boys will fall in love with Billie. Joining them in Meant To Be are Manilyn Reynes, Sheryl Cruz, Tina Paner, Keempee de Leon, Sef Cadayona, Mika dela Cruz, Stephanie Sol, Zymic Jaranilla, and Ms. Gloria Romero.  Under the helm of LA Madridejos with Renei Dimla as head writer and Hazel Abonita as Program Manager, Meant To Be premiered last January 9. The primetime series is also a clear winner in nationwide ratings after consistently beating its competition during its pilot week.  
For its Valentine offering, the Kapuso Network brings to light the much awaited soap Destined To Be Yours starring the phenomenal love team—Alden Richards and Maine Mendoza. In the story, Alden breathes life to the character of Benjie, a hardworking and charming architect who wants to acquire a piece of land owned by the family of Sinag played by Maine. Sinag is a loving daughter who works in a radio station in their province. She deeply cares for the environment and the community she belongs to. Anticipation is high for the first ever primetime soap of Alden and Maine which will definitely be an exciting treat for viewers of all ages. Completing the powerhouse cast are Lotlot de Leon, Gardo Versoza, Dominic Roco, Sheena Halili, Ina Feleo, Juancho Trivino, RJ Padilla, Koreen Medina and Boots Anson-Roa. This also marks the comeback of Ms Janice de Belen to the Kapuso Network. After her successful directing stint on the big screen, budding female director Irene Villamor gets her first and biggest directorial job on the small screen as she sits at the helm of this heart-warming primetime show. Des Garbes-Severino is the head writer while Camille Hermoso-Hafezan is the program manager.  
Soon to soar viewership ratings is the much-awaited Pinoy remake of the hit Koreanovela My Love From The Star. Ultimate Star Jennylyn Mercado reprises the immensely popular character of Steffi, the popular, beautiful and sought-after actress and endorser. And for the character of Matteo, the extremely intelligent yet cold extra-terrestrial being, GMA Network introduces newest Kapuso actor and heartthrob Gil Cuerva who auditioned for the role. Joining them are Gabby Eigenmann, Glydel Mercado, Christian Bautista, Jackie Rice, Renz Fernandez, Spanky Manikan, Melissa Mendez, Nar Cabico. And to give her own interpretation of My Love From The Star is acclaimed TV and movie director Bb. Joyce Bernal. Des Garbes-Severino is the head writer while Cathy Ochoa-Perez is the program manager. 
In line with GMA Network’s Lipad 2017 battle cry, Kapuso viewers are in for something grand and spectacular this year with the launch of Mulawin vs. Ravena. This telefantasya is the biggest production of GMA this 2017 as it presents a one-of-a-kind and extraordinary primetime masterpiece. Mulawin vs Ravena is headlined by Drama King Dennis Trillo. Making this primetime offering extra special is Ms Regine Velasquez-Alcasid as she joins her first-ever full length telefantasya. Featuring the hottest young Kapuso love teams Miguel Tanfelix and Bianca Umali; Derrick Monasterio and Bea Binene. Completing the star-studded cast are Chynna Ortaleza, Dion Ignacio, Winwyn Marquez, Kiko Estrada and Roi Vinzon. And to helm this ground-breaking program are two of GMA’s acclaimed directors Dominic Zapata and Don Michael Perez who is also the head writer of the series. Helen Rose Sese is the program manager of Mulawin vs Ravena.  
GMA-7 offers a compelling drama to its Afternoon Prime block with one of Regal Films’ blockbuster movies in 1987 Pinulot Ka Lang Sa Lupa. Set to premiere on January 30, the series is headlined by Julie Anne San Jose, Benjamin Alves, Martin del Rosario and LJ Reyes. With equally important roles are Ara Mina and Ms. Jean Garcia. Joining them are Victor Neri, Allan Paule, Geleen Eugenio, Lharby Policarpio. Directed by Gina Alajar, Pinulot Ka Lang Sa Lupa tackles the life struggles of two women intertwined by lost love. Ali Nokom Dedicatoria is the program manager while Marlon Miguel is the head writer.  
Showcasing a story of love, triumph and forgiveness is the original Afternoon Prime series Legally Blind. Kapuso actress Janine Gutierrez tackles her most challenging and mature role as a rape victim who gets blind and who will become a lawyer to seek justice from her perpetrator. She will be paired with two of the Network’s talented leading men: Mikael Daez, Rodjun Cruz. Adding star power to the Afternoon Prime soap are Chanda Romero, Lauren Young, Marc Abaya. Legally Blind is under the helm of actor and TV director Ricky Davao with Christine Novicio as head writer and Redgynn Alba as program manager. 
Another intriguing drama that will surely make the viewers’ glued to their televisions screens is the remake of the successful TV series Impostora. It is also the first GMA-produced TV drama adapted by a foreign country. This soap tells the story Nimfa, an ugly street vendor who willingly undergoes surgery and complete facial reconstruction to pretend to be Rosette, a wealthy and beautiful but unhappily married wife seeking to escape her husband. This highly controversial drama is top billed by Kapuso versatile leading lady Kris Bernal and playing opposite her are versatile actors Rafael Rosell and Ryan Eigenmann. Impostora is under the direction of Albert Langitan with Denoy Punio as head writer and Anthony Pastorpide as the program manager.
GMA Drama unveils another original show using the elements of interview, dramatization, actual videos and photos with Case Solved. Kapuso Primetime King Dingdong Dantes is tapped to host this newest docu-drama as he presents to the viewers the know-hows of crime prevention. Under the helm of Direk Albert Langitan, Loi Landicho is the head writer while Nini Matilac is the program manager.
GMA Network continues to offer all-out entertainment as it brings in new shows and adds flavour to its trademark programs.
Beginning January 15, Sunday afternoons will never be the same as the Kapuso Network brings one-of-a-kind entertainment to its loyal viewers with an exciting and fun game show People vs. The Stars. Hosted by the delightful power couple Drew Arellano and Iya Villania, the program allows celebrities to play for a chance to win two hundred thousand pesos (P200, 000.00) via a variety of eight (8) mind-boggling questions with respective cash values. If the stars fail to answer any of the questions correctly, the question’s cash value will be given to the televiewers by answering the “People Question of the Week” through text. People vs. The Stars is directed by Rico Gutierrez. 
Celebrity Bluff, the multi-awarded comedy game show on Philippine television, returns to Filipino homes for a bigger and amazingly fun new season. This all-original game show will be hosted once again by award-winning game show host, comedienne and actress Eugene Domingo and award-winning actor and TV host Edu Manzano as the Master Bluffer. Celebrity Bluff promises to deliver wholesome fun, laughter and thought-provoking information for the whole family not as a weekly game show but a daily afternoon fare.
Full House Tonight is another pioneering weekly comedy-musical show top billed by Asia’s Songbird Regine Velasquez-Alcasid. The outrageously hilarious program unleashes a powerhouse ensemble of comedians, actors and musical artists all set to give Saturday nights a whole new experience beginning February 18. Full House Tonight showcases the sultry Solenn Heussaff, teen idols Miguel Tanfelix and Bianca Umali, all around performer Joross Gamboa and comedians Philip Lazaro, Nar Cabico, Tammy Brown, Terry Gian, Sarah Pagcaliwagan and Kim Idol. 
GMA Network's Heart of Asia will bring Korea's best drama series this 2017.
The Big One, which will air beginning January 23, is about two doctors trying to save Seoul from a natural disaster and Pretty Woman, a love story that stars Hwang Jung-eum, Park Seo-joon, Go Joon-hee, and Choi Siwon.
Meanwhile, extra-terrestrial and supernatural teenagers will also take over the morning block, with adventure series Lightning Point and Wolfblood.
Kapuso viewers are in for a fantastic treat as GMA brings the blockbuster films to be aired on free TV. These include Jurassic World, Furious 7, American Sniper, Mad Max: Fury Road, San Andreas, Minions, Imagine You & Me, and Enteng Kabisote and the Abangers.
Viewers can only expect better and more innovative programs from GMA Network with the other program launches to watch out for this year including I Heart Davao, D’Originals, Daig Kayo Ng Lola Ko, Project Achieved, Lip Sync Battle Philippines Season 3 and Text Serye.
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tuseriesdetv · 7 years
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Noticias de series de la semana: Los TCA dejan muchas novedades
Renovaciones de series
Channel 4 ha renovado Derry Girls por una segunda temporada
Channel 4 ha renovado Chewing Gum por una tercera temporada
TBS ha renovado American Dad por dos temporadas más
Flight of the Conchords volverá a HBO con un especial
IFC ha renovado Stan Against Evil por una tercera temporada
BBC Three ha renovado Clique por una segunda temporada
AMC ha renovado The Walking Dead por una novena temporada
Cancelaciones de series
Hulu ha cancelado Chance tras su segunda temporada
TBS ha cancelado The Cops antes de su estreno debido a las acusaciones contra Louis C.K.
Netflix ha cancelado Lady Dynamite tras su segunda temporada
Más episodios
FOX ha encargado tres episodios más de LA to Vegas, haciendo un total de quince en su primera temporada.
Incorporaciones y fichajes de series
Rosario Dawson (The Defenders, Seven Pounds) y Brooke Shields (Suddenly Susan, The Blue Lagoon) participarán en varios episodios de la cuarta temporada de Jane the Virgin.
Dominic West (The Affair, The Wire), Lily Collins (Mirror Mirror, Okja), David Oyelowo (Selma, The Help), Adeel Akhtar (Utopia, The Night Manager), Olivia Colman (Broadchurch, The Night Manager), Ellie Bamber (Nocturnal Animals, Pride and Prejudice and Zombies), Josh O'Connor (God's Own Country, The Durrells) y Erin Kellyman (Raised by Wolves) protagonizarán Les Miserables.
Jenna Coleman (Victoria, Doctor Who) y Ewen Leslie (Top of the Lake) protagonizarán The Cry.
Michael J. Fox (Back to the Future, The Good Wife) participará en cinco episodios de la segunda temporada de Designated Survivor interpretando a Ethan West, un abogado con contactos contratado por el gabinete de Tom (Kiefer Sutherland).
Jennifer Lopez será ella misma y Harlee Santos, su papel de Shades of Blue, en un episodio de Will & Grace.
Wunmi Mosaku (The End of the F***ing World, Kiri) se une a la quinta temporada de Luther. Será la sargento Catherine Halliday.
J.R. Cacia (The Fosters, Mistresses) será recurrente en Dynasty como Rick Morales, periodista político.
Nancy Travis (Last Man Standing, Mr. Mercedes) protagonizará The Kominsky Method junto a Alan Arkin y Michael Douglas. Será Lisa, una madre divorciada y estudiante de Sandy Kominsky (Douglas).
Fiona Gubelmann (Wilfred, Daytime Divas) será recurrente en The Good Doctor como Morgan, una nueva residente. Participará en cinco episodios, pero podría convertirse en regular en la segunda temporada.
Brad Garrett (Everybody Loves Raymond, Fargo) será el comediante Roy Martin en la segunda temporada de I'm Dying Up Here.
Jack Huston (Boardwalk Empire, Pride and Prejudice and Zombies) y Maximiliano Hernandez (The Americans, The Last Ship) serán Felix Babineau, el doctor de Brady (Harry Treadaway); y Antonio Montez, asistente del fiscal, en la segunda temporada de Mr. Mercedes.
Skyler Samuels (Esme) ha sido ascendida a regular de cara a la segunda temporada de The Gifted.
Robert Knepper (Angus) no estará en la quinta temporada de iZombie, pero es debido al guion y no tiene nada que ver con las acusaciones de acoso sexual.
Pósters de series
    Nuevas series
TNT ha encargado diez episodios de Snowpiercer, la adaptación de la película de 2013. Protagonizan Jennifer Connelly (A Beautiful Mind, Requiem for a Dream), Daveed Diggs (Hamilton, The Get Down) y Mickey Sumner (Battle of the Sexes, Low Winter Sun).
Bryan Fuller (American Gods, Hannibal) producirá y posiblemente escribirá la adaptación televisiva de la saga de novelas The Vampire Chronicles, que incluye Interview with the Vampire, de Anne Rice.
Apple ha dado luz verde directa a ocho episodios de See, drama épico y futurista escrito por Steven Knight (Peaky Blinders) y dirigido por Francis Lawrence (The Hunger Games).
Starz desarrolla The Continental, basada en el universo de John Wick centrándose en el hotel que sirve como refugio de asesinos. Escrita por Chris Collins (The Wire, Sons of Anarchy) y producida por Keanu Reeves.
Netflix ha encargado diez episodios de Chambers, drama sobrenatural creado por Leah Rachel y escrito por Akela Cooper (Luke Cage, The 100) que se centra en una joven que sobrevive a un ataque al corazón y comienza a investigar la misteriosa muerte de su donante.
Se prepara una adaptación en diez episodios de Marilyn 1962, la novela de Sebastien Cauchon que nos cuenta los últimos meses de vida de Marilyn Monroe.
Hulu prepara una antología de terror mensual -doce episodios independientes al año- todavía sin título.
BritBox, el servicio de streaming de ITV y BBC Worldwide en USA, ha dado luz verde a ocho episodios de The Bletchley Circle: San Francisco, spin-off del drama de misterio. Cada una de las cuatro historias se contará en dos episodios. Rachel Stirling y Julie Graham volverán a ser Millie y Jean.
Hulu ha adquirido Catch-22, limited series escrita, dirigida, producida y protagonizada por George Clooney, adaptación de la novela de Joseph Heller (1961) sobre la Segunda Guerra Mundial.
Fechas de series
La séptima temporada de Call the Midwife llega a BBC One el 21 de enero
La decimocuarta temporada de American Dad se estrena en TBS el 12 de febrero
La cuarta temporada de iZombie llega a The CW el 26 de febrero
Life Sentence llega a The CW el 7 de marzo
Champions se estrena en NBC el 8 de marzo
Deception llega a ABC el 11 de marzo
For the People se estrena en ABC el 13 de marzo
La tercera temporada de You Me Her llega a Audience Network el 20 de marzo
El spin-off de Grey's Anatomy llega a ABC el 22 de marzo
Barry llega a HBO el 25 de marzo
Roseanne vuelve a ABC el 27 de marzo
Splitting Up Together se estrena en ABC el 27 de marzo
Alex Inc llega a ABC el 28 de marzo
La segunda temporada de Ice se estrena en Audience Network el 28 de marzo
The Crossing llega a ABC el 2 de abril
The Last O.G. se estrena en TBS el 3 de abril
Killing Eve llega a BBC America el 8 de abril
La cuarta temporada de Fear The Walking Dead llega a AMC el 15 de abril
La quinta y última temporada de The Originals se estrena en The CW el 20 de abril
La tercera temporada de Into the Badlands llega a AMC el 22 de abril
La quinta temporada de The 100 llega a The CW el 24 de abril
La segunda temporada de Genius, sobre Picasso, llega a National Geographic el 24 de abril
La tercera temporada de Quantico llega a ABC el 26 de abril
La sexta temporada de Elementary se estrena en CBS el 30 de abril
La tercera temporada de Code Black llega a CBS el 2 de mayo
Vida se estrena en Starz el 6 de mayo
Sweetbitter se estrena en Starz el 6 de mayo
Condor llega a Audience Network el 6 de junio
Otras imágenes
Jodie Whittaker en Doctor Who
The Handmaid's Tale - Temporada 2
   Jodie Comer y Sandra Oh en Killing Eve
Tráilers de series
Altered Carbon
youtube
UnREAL - Temporada 3
youtube
Vis a Vis - Temporada 3
youtube
Trust
youtube
Krypton
youtube
Let's Get Physical
youtube
Patrick Melrose
youtube
The Looming Tower
youtube
Barry
youtube
Silicon Valley - Temporada 5
youtube
Here and Now
youtube
Genius: Picasso
youtube
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