#even before they’ve been confirmed as gay and were supposedly canonically straight

[skuffypaw]

i get what this wc tiktoker was trying to say but you did NOT just compare ravenbarley to a SOUTH PARK SHIP???

[elyvorg]

So… I was talking about aspec V3 headcanons? Well then, let me lay down the facts.

Maki Harukawa is on the aromantic spectrum. Yes, even though she explicitly develops a crush on Kaito, and no, I’m not trying to dispute that part.

This is basically canon. Let me tell you why.

Maki is aro

For this, we need to consider the conversation Maki has with Shuichi in the first training session in chapter 4, while Kaito has temporarily disappeared to the bathroom. On one level, this conversation exists to be the only actual meaningful indication* that Maki has romantic feelings for Kaito until she goes and confesses them. Someone like Maki wouldn’t care about asking Shuichi if he “liked” Kaede (in that annoying loaded meaning of the word “like” that specifically refers to romantic attraction) unless she was trying to come to terms with the idea that she also “likes” someone else in the same way, and the only plausible candidate for that is Kaito.

But even more striking about this conversation, far more so than the general implication that Maki would only bother asking this if she happened to be crushing on a certain spiky-haired space dork, is the way Maki approaches and thinks about this whole topic in general. Take a look:

Maki:  “Well… I assumed you didn’t, because that would be weird. […] Liking someone you just met… especially in a situation like this…”

Shuichi:  “… Then tell me… under what circumstances is liking someone *not* weird?”

Maki:  “…Huh? I… don’t know. I don’t… really understand what that is.”

I, as an aromantic person myself, fully agree with Maki that it just seems weird to start romantically liking someone you’ve only just met, especially in a life-or-death situation where surely there’s way more important things to be focusing on. But apparently, most people do not find this thought weird at all – love at first sight is supposedly a real thing that can happen, and something something dangerous situations can bring out more hormones and passion???? sounds fake but okay – and so opinions like mine and Maki’s here are very much outliers.

And not only that, not only does the thought of crushing on near-strangers bewilder Maki to the point of disbelief, but she also can’t even come up with an answer to when crushing on someone would ever not be strange and bizarre. Like the whole concept is just alien to her. She can barely even wrap her head around how “liking” someone in that way even works. The very reason she’s even asking Shuichi about this is because she doesn’t understand why she’s feeling this way about Kaito.

This is how an aromantic person would view this kind of thing. It doesn’t sound even slightly like something an alloromantic person would say in this situation. That’s not up for interpretation – that’s just the truth about these views that Maki is expressing. Again: I’m aromantic. I would know.

Even from a character who then does turn out to nonetheless have a crush on someone, these statements are pretty much as canonically confirmed arospec as you can get short of them straight up using the word "aromantic" or a variant.** And, well, obviously Maki isn't about to go calling herself that. From the way she’s questioning this, she clearly doesn’t realise that her perspective is the outlier, so she’s probably never even heard of the term. Besides, she most definitely has way bigger hurdles to be getting over first in terms of her self-acceptance before she's ever going to particularly care about figuring out labels for her orientation of all things.

Aros with trauma are still aros

Now, granted, I severely doubt that Maki being arospec is what the writers intended to convey. Haha, deliberate aro representation in mainstream Japanese media, especially something more complex than vanilla aro, that's a funny joke. What the writers probably meant by writing this conversation I just discussed is to suggest that Maki is viewing things this way a result of her trauma.

But hey, guess what? Even if it is because of her trauma - and I'm not denying that it probably is - that doesn't make Maki any less aro. Some people are arospec because of trauma, and that's equally as valid a reason to be arospec as without. Maybe Maki would have grown up alloromantic if she hadn't been scouted as an assassin, but that's irrelevant, because that's not the Maki who exists now.

In writing this conversation, the writers were presumably attempting to communicate that Maki is so messed up by having been manipulated and abused and moulded into a soulless killing machine that she can no longer comprehend the idea of how or why anybody (especially not herself) would fall in love with someone when they'd only just met, or even really in any circumstances at all. …And in doing that, the writers unintentionally wrote a character who, as a result of her trauma, is aro(-spec). This is an objective fact about the canon story that does not change just because the writers probably weren’t aware enough about aromanticism to actually realise this.

Aros who feel romantic attraction are still aros

So, of course, Maki does in fact come to romantically love Kaito despite this. That fact becomes very important to her, and me lengthily explaining here that she’s actually arospec is not remotely trying to diminish that. But it’s also very important to me that people realise that Maki’s romantic love for Kaito comes from an aromantic perspective. She eventually chooses to embrace those feelings not remotely because it just feels to her like the natural way things should go, but despite every single conscious part of her insisting that this is weird and illogical and doesn’t make any goddamn sense to even be happening at all. She is not going to suddenly fall into all the boring romantic cliches and stereotypical alloromantic approaches to love just because she does in fact happen to be experiencing romantic attraction. There’s nothing alloromantic about Maki’s crush on Kaito.***

As for the specific flavour of arospec that allowed Maki to fall in love with Kaito anyway? This part is somewhat more up for interpretation because there’s no real explicit indication of this in particular, but I personally like to go with the idea that Maki is demiromantic. It feels appropriate for Maki’s character and trauma to imagine that she can only begin to potentially feel romantic things towards a person when she has an emotional connection with them – when she trusts them and knows that they trust her. It doesn’t necessarily have to take very long – she’d only been friends with Kaito for a handful of days before that telling conversation with Shuichi – and she may not even have to have consciously admitted to herself that she trusts them, but she needs to have that bond. She’s normally so guarded and has such strong automatic barriers up during her interpersonal interactions that seeing most people in a romantic light literally isn’t even an option in her brain.

Maki’s confession of her feelings for Kaito does read as rather strongly demiromantic, I think. She makes a point that this is about who Kaito is and what he’s done for her, before even getting to the part where she admits to having fallen for him. And she says she “fell for” him, not that she was always in love with him or anything to that effect. This happened somewhere along the way during their friendship, because of their friendship, and because of Kaito being his incredible trusting supportive self towards her when she needed it most.

Maki Harukawa is demiromantic, and she’s wonderful.

  ---

[some grumpy Amatonormativity and Aro Erasure 101 footnotes, can you tell I am bitter about this kind of thing]

(* When I say “actual meaningful indication” of romantic feelings, I mean something that isn't just the narrative infuriatingly pointing at things that are actually perfectly platonic in nature and going “ooh look how romantic~!”. Newsflash: worrying about somebody and wanting to rescue them when they're sick and injured and have been kidnapped by someone you think is an evil sadistic mastermind is not somehow proof of romantic feelings. That is a thing that friends do. And on the same note, teaching somebody how to build a crossbow is not some kind of deep metaphor for romance; it is literally just a lesson in how to build a goddamn crossbow. Maki would have done both of these things in exactly the same way if her crush on Kaito didn’t exist.)

(** It's exactly like how characters can be considered canonically confirmed same-gender-attracted when all they've done is show attraction to the same gender****, without them actually needing to explicitly refer to themselves with the word “gay”, or “lesbian”, or “bi” or whatever else. Anyone who tried to insist that was necessary in order for it to “count” would instantly be written off as homophobic. So if that’s the case, then a character explicitly saying something such as “I don’t understand what it means to like someone that way” equally constitutes them being confirmed aro, and trying to argue that it doesn’t “count” without outright hearing the word itself is, guess what…?)

(*** This also inherently means that there’s nothing straight about Maki’s crush on Kaito either, since societally-expected “straight” attraction is allo as well as hetero. I gather that some people in this fandom like to devalue and erase Maki’s crush (and potentially also Maki herself) because they feel that it’s an Obligatory Forced Straight Romance and don’t like that, or something along those lines. Well, good news! It’s literally not that, actually, because Maki isn’t straight.)

(**** …This only applies so long as it actually is very clearly romantic or sexual attraction and not just people deciding platonic affection is totally romantic thanks to the disease that is amatonormativity. Because, you know. That happens. Literally all the time. (Even from V3’s narrative itself; see footnote 1.))

[adler-obsessed]

Hi! I'm new in the fandom and wanted to ask why everyone seems to be hating Derek Landy? Yes the books are pretty brutal and he's low-key sadistic with the characters, but aren't most book authors? I just finished book 6 and I'm really enjoying them so far. I'm just curious and don't wanna offend anyone.

oh boy buckle up - I just want to first of all say welcome to the fandom!!! Although it may seem a bit negative sometimes, it’s mainly because we love the series and characters so much!

There’s a lot of people who know more about + have details on Landy’s problematic statements/actions so guys/fandom if you could add that onto this post, I’d appreciate it.

A short summary:

problematic representation in books

the disaster of Phase 2

attacking fans (bonus: his gf attacking fans)

problematic relationships with young fans

But I’ve been meaning to do an analysis of why Landy’s representation of queer people and the LGBTQ+ Community has been problematic for a while and I have examples so buckle up everyone:

So, as a brief introduction, there’s several reasons why people aren’t the biggest fan of Landy - one you won’t be aware of for awhile is Phase 2, which starts after Book 9

Phase 2, I think I can say confidently, has not been as well received as Phase 1. Lots of the characters we liked in Phase 1 don’t appear or have lost all their character development from Phase 1. There are so many side plots that are very confusing and most people aren’t particularly interested in them so large parts of each book are quite boring for most of the fandom.

But onto my main argument (edit: in a reblog below, Faceless has linked many of the examples I discuss if you are interested)

Landy has had quite a bumpy ride when it comes to representation: in the Demon Road series (outside of SP) there was a very problematic portrayal of a wlw relationship. He claimed that everyone is eventually bisexual, and then there is a wider issue of representation in the actual Skulduggery books.

Firstly, those characters that are in the LGBTQ+ community tend to have that aspect of their life continuously pointed out/or mentioned (like Landy is trying to show how ‘diverse’ he is) but then have very little character development/or mention of anything other than that.

There is a supposedly major wlw ship in Phase 2, but it is so underdeveloped it feels more like a main character and her cheerleader. In the last book we finally got some development only for them to then break up (although I somewhat liked the realistic reasons behind it, it did disappoint me)

Linking from this, there is a general difference in how Landy treats non-canon queer ships versus straight ones

When asked about the possibility of a non-canon straight ship, he said he didn’t like to dismiss the fan’s ships. In comparison when a fan asked about mlm ship, he immediately said no to it (keep in mind there was no dubious relationship between these two in the books, they are super close so it made no sense for him to completely refuse it)

Landy also likes to point out his queer characters like China and Tanith, who are both canonly bisexual/pansexual (he confirmed to a fan that China and Eliza were a thing) and yet, whenever the two are romantically involved with someone, it’s a man.

Now, before I get people attacking me saying they are still bisexual even though they’re in straight passing relationships, I AM bisexual, I hate it when people invalidate my sexuality just because I am in a relationship w a guy or girl.

But eVERYTIME, these two end up with a guy, and the only time Landy has confirmed they aren’t straight are either in blink and you’ll miss it moments or outside of the books (sort of like Rowling claiming characters were gay on Twitter, and yet these characters were never seen expressing these identities in the books or in later media)

So why is this representation problematic? Because writers like Landy seem to think they’ve actually done a good job - stating once that a character identifies/or has a certain sexual orientation, and then never elaborating on it again, as if that somehow wins him brownie points.

I’m not going to talk to much about Never - for context this is a gender fluid character in Phase Two - because I myself am not gender fluid, so I would not want to speak for that side of the community incorrectly. In my personal opinion, having several genderfluid friends, Never’s characterisation is bloody weird.

For context, in the books, Landy changes the pronouns that Never uses and others use to address him/her practically every sentence. At times it feels less like a portrayal of a genderfluid character, and more like a mockery (one of my aforementioned genderfluid friends stopped reading the series at this point because they found it too close to the mocking insults their grandparents would use e.g. changing pronouns every sentence as if making out that their gender identity was some absurd thing)

Again, rest of the fandom feel free to interject in here, there are definitely people more qualified to speak on this than me.

I also want to talk a little bit about the problematic way Derek handles female members of the LGBTQ+ community in comparison to the male ones. I’ve mentioned above a bit of the problems with China/Tanith but I want to go a bit further into the issue with the male ones: namely, there are barely any.

While the three main female characters are all canonly bisexual, none of the major male ones are (if I’m wrong, please correct me!) and the only one who could possibly be considered major is Anton Shudder and his boyfriend who are confirmed to have been in a relationship, oh wait, when they are both dead. Apart from that, there is not one major male member of the LGBTQ+ community in these books that Landy claims are so diverse.

I think it is also slightly worrying that so many of Landy’s female characters are bisexual, characters who Landy also constantly describes as pretty/gorgeous/attractive etc. because it just feels like that typical thing of men fetishising wlw women (particularly bisexual women) hence why I also think the fact that two of these women never have a relationship with another wlw in the actual books is very problematic, as these sexual orientations feel more for show than actual canon most of the time.

There is a very big problem with the way Landy goes about queer representation in his books, and the worse part? He thinks he’s doing great.

[echo-bleu]

Brothers

A little Manes brothers canon divergence for @eveningspirit ‘s birthday! I hope you like it :) It also happens to fit with today’s @alexmanesappreciation theme: legacy.

[concussions, mentions of vomiting, mentions of abuse, mentions of the shed scene]

The exact sequence of events that leads to him, Flint and Gregory sitting together on a mattress in the bared living room of a house he doesn't know will remain blurry in Alex's memory. He puts it on the massive concussion he sustained at the hands of his own father, because he was careless enough to let his guard drop for ten seconds and the bastard managed to sneak up on him.

He remembers waking up in his childhood home and almost throwing up on the floor of the basement at the goddamn awful feeling of being back there−or maybe that was just the concussion. Probably the concussion.

He'd suspected that his father was faking most of the consequences of his stroke for a while, and he'd known about the bug on his phone for days. He just didn't expect his father to act so fast, in the middle of the junkyard, when Alex was supposed to report back in the morning.

Maybe Jesse heard something in his voice down in the bunker. Alex let his emotions carry him away and said more than he meant to, so maybe his father figured out that he was made somehow. Either way, he got the drop on him, and Alex woke up with a killer headache, pissed off, confused, and, yes, scared. Even after all these years, after three tours overseas, his father still scares the shit out of him.

The one who greeted him upon waking up, however, was not his father. It was Flint, a gun in his hand and a hard look on his face. Alex's sudden hope that Flint was here to free him was squashed quickly at his sneer. He listened to Flint and their father argue up in the living room about where to keep him for hours−something about Jesse grabbing him too early, before things were ready−before Flint came to get him. He'd learned his lesson from last time, because he stayed out of range of Alex's zip-tied hands the whole way out of the house. Alex nearly fell down the stairs at least three times because of the dizziness, and threw up, with some satisfaction, on his father's shoes.

It's been days, but he's still dizzy and nauseous all the time, and the killer headache is a constant companion.

Greg's hands are on him, checking him over. He finds one of the bumps on his head and Alex flinches away, almost overbalancing off the mattress when the cuff on his wrist pulls him back. “Are you alright?” Greg murmurs. Alex nods, and immediately regrets it as it sends a spike of pain down his spine.

“What the fuck are you doing here, Greg?” Flint growls. For once, he doesn't have his gun in his hand. Alex realizes that it's because the gun is tucked in Greg's waistband and he frowns, trying to keep it in his line of sight just in case. He thinks Greg actually cares, that he's not in on this with Flint and their Dad, but if he's not, why is he here?

“Now that's a real funny story,” Greg smirks mirthlessly. “Why don't you sit down, Flint?” He formulates it as a question, but it's obviously an order. And in a situation where there's only one gun, ranks don't matter much. Greg is out of the Navy and Alex outranks both of them anyway. Flint slowly drops to the floor, just outside the mattress, and crosses both his legs and his arms petulantly.

“See, yesterday morning, I got a call,” Greg stars. “It's the funny thing about being the only one in our family Alex trusts enough to list as next of kin. You get these calls. I got one before,” he nods to Alex's leg. “No, two, actually. There was that one time−” Alex glares at him and he rolls his eyes. “Okay, okay, back to the point. I was told that Alex had been AWOL for 72 hours, and they were looking for him.”

Alex winces. Of course he already knows that crawling this way out of this one, even if everything ends well and no one dies, is going to be impossible. Being AWOL will earn him jail time, which is already bad, but if they start looking into his recent activities out of suspicion...well, he hopes to God that Liz has really emptied the lab, or things will get a hell of a lot more complicated.

Speaking of Liz...

Helena Ortecho was a surprise. There's a kind of irony in there, that Alex would be more surprised at being held captive by a woman he hasn't seen in over a decade than by his own family. He wonders what Liz would think of Helena being a kidnapper−or of her being more motherly to him that he's ever seen her be to Liz and Rosa. She watched Flint tie him up to a radiator without a word and then brought him food and clothes that weren't covered in vomit and dust, even getting Flint to briefly untie him at gunpoint to get his arm through the sleeve. Alex might have tried to seize the opportunity to fight back if he'd been able to see straight.

“Now I'm a good brother, and I know there's no way Alex would go AWOL without a good reason,” Greg continues. “Especially the day after he drove to the rez with a bunch of suspicious people who are supposedly his friends, and tells me he thinks that Dad has changed.”

Flint huffs.

“Yes,” Greg nods. “Either our baby brother really is more naive than we thought, or something fishy is going on.” Alex rolls his eyes, and Greg just glares at him.

The last few days, after getting to the house, are even more fuzzy. Alex remembers trying to push the mattress against the wall to get a better range of movement, and Flint coldly making him pull it back. He remembers pulling off his prosthetic, his stump swollen and sore from too much time with it on, and then trying to hit Flint with it the next time he came by, which earned him what is probably a second concussion from the butt of his brother's gun. He doesn't really remember anything since then. From the stubble on his face, it's been at least three days, but time is wonky and his mind unreliable.

Which brings him to now, and now has Greg sitting beside him on the mattress. Alex tries to blink away the confusion and sit up properly, wincing when his stump moves on the mattress. Days without a shrinker will make it a bitch to get back into the prosthetic.

Greg shifts. “I took a family emergency day, since that seemed to be the case, and I drove to Roswell. I had to look up my own brother's address in the phone book,” he glares again.

Alex throws his free hand up. “Hey, you're the one who didn't want to come.” His voice is weak and hoarse from disuse, and Greg looks more concerned than chastened.

“Right. I broke in−sorry, Alex, I'll replace the lock if you want me to. Alex's house was empty but his suitcase was still waiting on his bed. So I looked up Isobel Evans.”

“Really? Isobel?”

Greg shrugs. “I don't know what's going on between you, Guerin and Maria, but I'm not getting in the middle of it. Besides, Isobel seemed the most sensible of all of you.”

“You're just attracted to her,” Alex mutters.

“Alex, the choice I had was her or her brother. I know you're gay, but would you really go to Max Evans first?”

“I see your point,” Alex concedes, though he's still really not sure “sensible” is the adjective he'd use to describe Isobel. His muddled brain can't seem to come up with a better one, though, so he lets it go.

“All Isobel could tell me was that no one had seen you since you came back from the rez, but she got everyone moving to find you. Guerin went at it with Dad, got him to admit that he got to you first and Flint took you from him. Don't ask me how, I don't know.”

Isobel, Alex thinks after he's parsed all this−with at least a thirty-second delay. Isobel must have gone into their Dad's head, he would never have told them that willingly. But Greg doesn't know about aliens and there's no way he'll risk telling Flint something he could use against them, so he keeps quiet.

“After that, it wasn't hard to follow Flint here from his place,” Greg finishes. “I disarmed him once I confirmed you were here.”

Flint grunts. Alex looks over at him, amused. He's never been the best at self-defense, even when they were kids, too easily overtaken by his temper.

“Now will someone explain to me what's going on here?” Greg straightens up more, in a stance that looks relaxed but Alex can feel is fully vigilant. He may be missing part of the story, but he's a force to be reckoned with.

Alex and Flint exchange a glance. Somehow even as they stand on opposite sides of this fight, this decision−tell Greg about the aliens or try to lie their way through some kind of resolution−comes down to them. “Where's Helena?” Alex asks.

“In town,” Flint answers, some of the confrontation gone from his tone. “She won't be back for a few hours.”

“Who's Helena?” Greg asks.

“Flint's accomplice,” Alex answers. “Ironically also my friends' mom.”

“Which friends?” Greg frowns.

“Liz and Rosa. You remember them?”

Greg nods. “Rosa was the girl in Flint's year who died, right? Her mom is helping you?” he asks Flint.

Flint shrugs and looks at Alex again, trying to communicate something silently. Alex doesn't bother figuring out what it is. His head isn't quite clear enough to see all of the implications, but he already knows that there's no way Greg will settle for anything short of the truth. And Greg has always been very good at reading his brothers.

Plus, Greg is in control here, and he's been more than sympathetic to Alex since his injury. This could come out well for Alex, so he won't let Flint turn this to his advantage.

“Dad tried to take me down because I've become an inconvenience to his little genocide plan,” he says before Flint can stop him. “Flint thinks he can use me to get Michael to build him a bomb.”

That's the little he's gathered from Flint's talk with Dad the other day, and from Flint and Helena's interaction. He has no idea where Helena comes into it or how she learned about aliens, but he knows Flint's motivations well enough. They've been clear since Caulfield.

“Wait, genocide? Bomb?” Greg spits out in shock. Then he shakes his head, as if realizing that he shouldn't be surprised. “What the fuck are you doing, Flint?”

“They're invaders,” Flint says. “They're dangerous.” He's looking at Alex rather than Greg, as if he's trying to convince him. Alex wonders if he's not still trying to convince himself. Dad's twisted ideas coming from Flint's mouth sound so perverted and out of place.

“They're people,” Alex shoots back.

“They're aliens!”

“They're refugees!”

“Whoa,” Greg throws up his arms. “Am I missing something obvious or did you suddenly become a racist asshole? Are you even hearing yourself?” he asks Flint. Flint has the good grace to look a little abashed.

“Literal aliens,” Alex mutters. “We're talking about actual aliens.”

“Are you fucking kidding me?”

“Not even a little,” Alex sighs.

Greg closes his eyes. “Okay. Aliens. And Dad−”

“Wants to kill them all. Kept some of them prisoners for decades and experimented on them.”

Alex watches both Greg and Flint's face closely as he says that. Greg's is suitably horrified, but he doesn't know how to interpret Flint's expression. It's not disgust. It's not glee, either. He may be parroting Dad's rhetoric, but he's not lost to it.

“Dad was just trying to protect us,” he says. Not perfectly assured. The facade is cracking.

“Was?” Greg notices.

“He's been weaker, since the stroke.”

“You know he's faking the limp, right?” Alex asks.

A shadow goes through Flint's gaze. “Of course,” he says, but it's obviously a lie.

“Another lovely moment, finding out my father has been faking a disability for months when he hit me over the head with his cane,” Alex casually turns to Greg. Flint winces, glancing down at Alex's empty pant leg. “I love how well we communicate in this family.”

“Alex−” Flint starts.

“You don't get to say anything. You've been holding me chained up for days against my will. You've lost the right to tell me how great a family we are.”

“I'm still hung up over the alien thing, but I have to agree with Alex here,” Greg says. “What the fuck were you thinking, Flint?”

“He wants Michael to do something for him,” Alex says when Flint doesn't answer. “I don't even know why you'd think Michael will do anything. We're not together. And you're asking him to build a bomb designed to wipe out his entire species, Flint.”

“Wait, wait, Guerin's an alien?” Greg interrupts him.

“Yep,” Alex pops out the 'p'. “That's Dad's great threat to earth. Three orphan refugees who just want to live their life.”

“They're not alone,” Flint mutters, at the same time as Greg asks, “Three? Who else?”

“Max and Isobel Evans,” Alex smirks. The cat is out of the bag anyway, since Flint knows, and this little revenge feels good. Having one of his brothers on his side will feel good.

Greg blinks. “Okay,” he drawls out. “Let me get this straight. Guerin and the Evanses are aliens, even though they look just like us. And Dad knows about this, and wants to...wipe them out? And you're helping him?” he points to Flint.

“It's not just them,” Flint says. “We had specimens in Caulfield who could cause cancer with a simple touch, blow up whole buildings. They have dangerous powers.”

“And you have a gun,” Alex says. “How is it less dangerous than any of those powers? Powers, I should add, that Dad had no trouble using for his own agenda when it came to eliminating Jim Valenti.”

“Jim Valenti was killed by Subject N-38,” Flint frowns.

“And what, you think he went into his cell for fun? I have all the video surveillance, Flint. All the records. Decades of Dad and our grandfather randomly torturing people before going home for Sunday dinner.” From those surveillance tapes, he knows that Flint never had real contact with any of the prisoners. He never even went beyond the upper level, where he did the designs for his bomb. Alex spent hours and hours watching those tapes. “They're the same as us. Just people.”

“They want to wipe us out,” Flint says.

“They're my family,” Alex counters softly.

The shock on Flint's face would be comical, if it wasn't so painful. Greg's gaze on Alex is lost and sad. “They're more my family than you've ever been,” Alex adds for Flint.

He tries to mitigate that blow by putting a hand on Greg's arm, to show him that he doesn't mean him, but Greg shakes his head and gently moves away, guilt obvious on his face. Alex pushes through and leans his shoulder on Greg's, welcoming the support. His head is clearer now, but he's aching all over.

“Did you ever stop to think, when you were overseas?” he starts, his voice barely more than a whisper as he's trying to conserve some energy. “When you pointed your gun at insurgents or civilians or whoever it was that day you were ordered to contain or kill, did you stop and wonder who they were? If they had a life, too, a family? A brother?”

Flint looks away.

“Michael was the first person who really understood,” Alex continues. “He grew up in the system and he got the worse luck. He made me feel safe, for the first time since Mom left. He made me feel like I could get out of Roswell, escape Dad.”

“What happened?” Greg asks in a murmur.

“Dad found us,” Alex answers. “He didn't know what Michael was, but it didn't matter. He knew what I am. He started to choke me, and Michael tried to step in, so Dad took a hammer to Michael's hand.”

Neither of his brothers look shocked. Greg is clearly pained, and he drapes his arm around Alex's back in comfort, and Flint won't look at him, but they're not shocked. That's probably the saddest thing, that they all know exactly what Jesse Manes is capable of.

He waits until he's caught Flint's eyes again. “Michael's mother was in Caulfield,” he says. “He got to see her blow up with the building. He wanted to stay with her. He dreamed of going to college, but he stayed in Roswell because his sister needed him. He used to play the guitar while I sang, before Dad ruined his hand. That's the threat you're trying to eliminate, Flint.”

Flint swallows. “Did Dad really kill Jim?”

“I have the video on a secure network,” Alex nods. “We'd have to go to my place to show you, but yes. He did. I'm sorry,” he adds after a moment.

“Why are you sorry?”

“I'm sorry that Dad isn't the man you wish he was. I wished for something else for a long time, too.”

Flint stands up suddenly, and starts pacing. “I've read the reports,” he says. “The aliens attacked people when they arrived. And there's been thirteen murders in the last ten years done by aliens.”

Greg looks at Alex. “Is that true?”

“Yes,” Alex sighs. “They're people. No worse than us, but also no better. We found the murderer. He's dead now.”

“We're talking about a serial killer, Alex!” Flint loses his cool. “What if they're all like that?”

“What if they aren't?” Alex yells back. He regrets it as the sound rings painfully inside his head. “Tell me how many times you've heard that same question asked about Native men, Flint.”

Flint opens his mouth, and closes it again. He paces the length of the room faster, giving the edge of the mattress a kick when he passes by.

Greg clears his throat. “Can we go back to the bomb? What the fuck is it?”

“It's not really a bomb,” Flint says. “It's a chemical agent, designed to eliminate people who have specific DNA strands.”

Alex can almost see the cogs turn in Greg's head. “How do you plan on dispersing it?”

“My team designed an atomizer,” Flint explains. He looks hesitant, like he knows he shouldn't be talking about that but he can't quite remember why. They've got through to him at least a little, Alex realizes. “I just need someone to build it.”

“Michael,” Alex explains for Greg's benefit. “He's a mechanic. And a genius.”

“So it's not a sanctioned mission,” Greg raises his eyebrows. “You and Dad have been working on this for...how long? Years? A Manes family mission to commit genocide?”

“We're doing what needs to be done,” Flint stops pacing and stands at attention.

“By fucking kidnapping Alex? Flint, did you stop even once to think about what you're doing?”

“They got into Alex's head. I'm doing this for his own good.”

Alex lets himself fall back until he's lying down on the mattress, prompting his brothers to look at him. His headache is getting worse, not better. “His words, in your mouth,” he tells Flint. “I expected that from Clay. Not from you. Have you forgotten everything, Flint? All of Granddad and Granny's history lessons?”

Flint looks away. Greg seems to seize the opportunity, and he stands up and grabs Flint's arm. “Let Alex go, Flint.”

“I can't.”

“Do you remember the last time we were all at the house together?” Greg lowers his voice, almost as if he doesn't want Alex to hear, but the room is small. “We promised we'd look out for him,” he nods toward Alex. “That we wouldn't let Dad get to him again.”

“He shouldn't have come back to Roswell,” Flint sets his chin stubbornly.

“Maybe not. But he's still our brother. We need to stop failing him.”

For the first time, Flint truly looks torn. “I'm trying to protect him from the aliens,” he says slowly.

“I think you and I both knows that's not who we need to protect him from,” Greg says.

Alex resists the urge to retort that he can protect himself−his current situation would tend to disagree, although he swears he'll free himself the minute his head stops swimming−and finds himself feeling oddly touched.

Flint looks down at his shoes.

“Let him go, Flint.”

“Fine,” Flint finally relents. He grabs a key from his pocket and tosses it to Alex, who scrambles to open the cuff around his wrist.

He eyes the gun in Greg waistband again, trying to figure out if it's worth making a go at it, but he decides to trust Greg. It's not like he can stand up, anyway.

“What now?” he asks.

“We should really get you to a hospital,” Greg says.

“No. I need to see that Michael's okay. And I need to stop their plan,” he waves at Flint, including Helena and his father as well. He gives Flint a defiant look. “I can't let you harm them.”

“I know,” Flint sighs. “Helena's gone to bring Guerin here.”

“Will you stand down?” Alex asks him. “Let me do what I have to do?”

“I won't try to harm you,” Flint holds his empty hands up in a surrendering gesture. “Or your family,” he adds reluctantly.

“Good.” Alex turns to Greg and holds a hand up to be helped into a standing position. “You have a phone? I'm going to need it.”

“Who put you in charge?” Greg asks, amused. “You have a concussion, Alex, you need medical care.”

“I know. I'm doing to call my doctor,” Alex answers. “After I call Michael, anyway. Anyone know where my leg is? We have a lot of work to do.”

[leiaryes]

for anyone saying bi lance is dead

alright so this is probably going to get a bit long so i’ll put the bulk of it under the cut.

but let’s start with what’s caused this: the interview with jeremy and bex where they supposedly shut down bi lance and anything else that has to do with it. i don’t know what anyone else is seeing, but to me, they neither confirmed nor denied anything. all they talked about was the fact that many people in the fandom take what they say and blow it out of proportion. and, to be fair, they’re not wrong about it. it’s exactly what’s happening right now. they weren’t explicitly saying lance wasn’t bisexual, nor were they confirming that he indeed was. in my opinion, they said the only thing they could. they’re both professionals. they’ve both signed NDAs.  these are their jobs. they can’t just outright say whatever they want just because it’ll please us fans.

now let’s move onto what’s a little more important: THE ACTUAL SHOW ITSELF

look, i don’t know about you guys, but when i analyse this kind of stuff, i try and look at it from a logical point of view. do my shipping goggles sometimes cloud my vision? ABSOLUTELY. i’m a lance and klance stan first, so naturally, my view will sometimes be biased. but everything i’m about to say, i’ve looked at through a logical, storytelling point of view, so let’s get started shall we?

i’m not going to go too much into this first detail because there are hundreds of metas on this already, but if you guys have watched the show, you know how many hints there are of lance being part of the lgbt community. i mean, you could write a post just on the entirety of Taking Flight. The colour coding (the bi and gay flag colours), the looks shared between lance and keith (”hey lance! i got your lion back :) thank you, keith. now, can you come and unchain me?). 

voltron is an animated show. it’s not a live-action, where the way actors interpret scenes can lead people to find things that simply aren’t there (i don’t want to throw anything under the bus, but destiel from supernatural is a prime example of this). with animation though, every little second counts. and for a show like voltron, where each episode is only about 24 minutes, this becomes even more apparent. they wouldn’t waste time, money, and effort into drawing out and animating a scene if it didn’t carry importance. couple that with what JDS and LM have said about including certain facial expressions into characters if they know it plays a role later on, and i have to believe that these “hints” all have reason to be there.

this brings to me to my second point: the bonding moment.

i know this has been mentioned in literally every klance meta ever, but the simple fact that it exists, that the voltron crew took the time and money to animate it, is saying something. it served no purpose other than to establish a bond between lance and keith, in an episode where their friendship wasn’t even at the forefront. they didn’t have a mini arc like in Eye of the Storm, where they were at odds with each other at the beginning, but worked together better by the end. the bonding moment was simply that. a moment, which, from a storytelling point of view, was honestly kind of random. but it existed. the crew used up precious seconds to animate lance and keith grasping hands and smiling at each other, all the while bathed in soft, purple lighting.

if it didn’t mean anything, if it was in no way important, they wouldn’t have placed such a big emphasis on it.

but moving on.

i want to address the picture LM drew when voltron first came out. i’m not going to attach it here, but i know everyone knows what i’m talking about (the picture of the paladins with the signs: race, gender, and lgbt). in it, shiro and lance are holding the lgbt sign. when it first came out, and then especially after the arcs with keith and pidge occurred, many of us believed it meant lance was going to get an arc related to sexuality, and that shiro was going to help him through it. after today, with shiro being confirmed to have had a boyfriend back on earth, some believe that it means voltron has given us the lgbt rep they promised, and that there is nothing more to say. now, i’m extremely happy with shiro’s announcement, but i do not believe voltron is finished. 

everything else in LM’s picture has come true. keith struggled with being galra, and hunk played a role in his arc. pidge struggled with telling the team she was a girl, and allura played a role in her arc. shiro, from what it looks like, does not struggle with being part of the lgbt community. he had a boyfriend. LM confirmed that had it not been for the kerberos mission, he and adam likely would have gotten married. so, shiro is not the one needing help in that regard.

but who else was in that drawing?

lance.

lance, who from day one, has always been about “the ladies”. 

lance, who in my opinion, would struggle immensely if he came to the sudden realization that he also liked boys.

lance, who would indeed go to shiro to ask for advice and help on how to come to terms with it.

in the picture, lance has a very shy smile on his face. he looks as though he is nervous or hesitant, like he is unsure and vulnerable. shiro has a hand on his shoulder and a very calm expression. he is supporting him. 

but voltron would need a logical way for this to occur, and this is where klance comes in.

up until now, if you disregard all the scenes between him and keith, lance has very much been about allura. he likes her, far more than any other girl he’s liked before. if voltron does indeed have lance identify as lgbt, his arc with allura cannot solely be it. it does not make sense for lance to go to shiro, asking for advice on his new attraction to boys, if there’s no boy there to begin with. lance needs to like, or at least be attracted to a boy in order for him to realize that perhaps he’s not straight. and the only logical character for that?

keith.

why? process of elimination. it can’t be hunk, because he and lance simply do not share enough scenes to justify it. it can’t be shiro, because he will be the one to support lance, and i suspect that his arc with adam is far from finished. it can’t be matt, because like hunk, he and lance do not have enough interaction. and it certainly won’t be coran. unless voltron introduces a completely new male character (which at this point, although plausible, is doubtful), the only person left is keith.

and it gives lance another reason to seek shiro’s advice. he knows keith. they’re best friends. brothers. and lance knows it.

another reason it can only be keith?

because, from a storytelling point of view, their arc is unfinished. seasons one, two, and three gave us many interactions between them. they placed a lot of emphasis on their dynamic (”lance and keith, neck and neck”). they built it up from a childish rivalry to a place where both of them felt comfortable enough to go to the other with their insecurities. and then season four came around, and all that growth came to a halt. it left you reeling, because you were expecting their arc to continue as opposed to disappearing.

there was no closure.

arcs are supposed to have endings. if a character has an arc, you are meant to be able to identify the beginning, climax, and end of it. with pidge, her arc came to a close with her finding her brother and father. this does not mean she does not have any more important scenes coming, but from a narrative standpoint, her main conflict has been dealt with. 

with keith and lance, you cannot identify this ending. you can pinpoint the beginning, and you can pinpoint all that has happened after it, but there is no scene that gives us the sense of closure that comes with the ending of an arc. these boys have more coming. their relationship will progress, simply because not doing so would only be bad writing (which granted, voltron has had before, but this does not seem like the kind of thing that has not been thoroughly thought out). and even if they only remain friends, you will be able to feel it when their arc comes to a close.

and, i don’t know about you, but that leaves me feeling pretty excited for what’s yet to come.

so how do i see lance’s sexuality arc playing out?

if voltron does indeed have lance be a part of the the lgbt community, then the way i am about to describe is, in my opinion, the most logical way for it to occur.

the first half of season seven will see lance getting over allura. it will be hard, but he’ll eventually come to terms with it and move on. the second half of the season will see lance and keith’s friendship strengthening, with them interacting more and growing closer. during this time, we might see hints of lance beginning to like keith. he might go to shiro for advice sometime during the end of the season, but i do not see that being likely. not yet, anyway.

the first half of season eight will see keith and lance’s friendship becoming even closer. by this point, if we are getting klance, both of them should like the other, and we as the audience should be able to tell. during the end of this half, or the beginning of the second half of season eight, lance will go to shiro for advice, who will in turn support him and help him better understand his feelings. lance will gain more confidence after this, and the end of the second half of the season should see keith and lance getting together. 

now, all this is hypothetical, but i truly feel that if we are indeed getting lgbt lance and endgame klance, we will be able to see the beginnings of it in the upcoming season. there are only two seasons of the show left, and if we get no convincing klance interactions or lgbt lance hints in season seven, i do not know how likely either have of becoming canon. but i cannot deny the logic. looking at past episodes and seeing the patterns, i truly do believe there is a good chance for both klance and lgbt lance.

now, this has gotten much longer than i intended, so i’m going to end it here. i don’t know how much of this made sense (if any, LOL), but i hope you enjoyed it.

‘till next time, guys!