#feel free to use this as a meme template when someone says something stupid

[sirtotallynotatimetraveler]

bro what did you say?

[jaffacakerebellion]

I posted this on Saturday but I really need people to hear this

There was a protest in my city today, by a group called ‘white rose’. They were protesting lockdowns, masks and vaccinations. They’d stuck up stickers all over a certain area, outside a library, near a university campus, and around a park. It scared the shit out of me, seeing the people in town, with about 10 police officers keeping the 25-50 protesters in a tiny (and incovenient tbh) space, not too far from where they’d put up the stickers. As I was walking home, I found some of the stickers, and tore down as many as I could see.

Some of the stickers were obviously theirs- meme templates from reddit, claiming the government was lying about the pandemic to stop people from ‘living their lives’, saying ‘the media is the real virus’ and ‘if you tell a lie enough times it becomes the truth’ and all sorts of shit. Some other stickers were much more inconspicuous- little round ones with a pair of hands tenderly holding a blue dove. Around the edge they said ‘I do not consent to another lockdown’ and ‘I do not consent to get vaccinated’. This was very similar to some of the banners they were holding, and some were wearing ‘FREE HUGS’ t-shirts.

The one sticker which stuck out to me most is one which said something like ‘how do you think the German people felt when the Nazis were taking over, with no power to stop them?’ This is the same rationale the Nazi Party used at the time to gain ‘support’- convince people there is no other way, that their system is the strongest, the right system, how will you disprove us? They scared people into their system, turning vulnerable people into fascists. The White Rose is employing Neo-Nazi thinking. To be honest, it was fucking terrifying.

After they were presumably done, they started coming back to the park where they’d already posted plenty of stickers. It’s a hot Saturday afternoon, so lots of people are in the park, families, children, and I’m busy ripping these stickers (most of them about half the size of a bumper sticker) off bins and signposts. Now, at this point I’ve already been confronted by:

- a woman with red hair (dyed red) in a black suit. She asks me what I’m doing. I tell her that some people have been spreading misinformation, and she recalls the demo in town. She agrees ‘yeah, that did look kinda like misinformation. huh. well, cool, okay’. She may just be bad at interacting with people, but there was something pointed, and I don’t think that she could pluck up the courage to tell me to look them up and find out jus how wrong I am. She didn’t look much like the other supporters.

- a woman in a ‘FREE HUGS’ t-shirt. When she asked me ‘why are you taking those down’, I already had a headache and didn’t fancy an argument, so I said ‘they’re the wrong ones.’ She couldn’t hear me, because so many people were walking past. She yelled ‘what?!’ so I repeated ‘THEY’RE THE WRONG ONES’, nodded affirmatively, and walked in the opposite direction. This, of course, was nonsense, but it left her looking incredibly fucking confused, and she eventually just walked away, which I was thoroughly delighted about, as I wanted to return and take more stickers down. I later realised that the men walking past and making so much noise was probably most of the others at the protest, like 25 men and me and her in an underpass. If they’d have seen me taking the stickers down, who knows what would’ve happened. (yes I know I made some bad decisions today and it would’ve been my fault but fuck it, when a dog shits on the pavement someone’s got to clean it up)

-Two bald middle aged white men, both holding pints. One of them yelled ‘what are you taking them down for? Read what’s on them, you might actually learn something!’ I just said nothing and stared at him as he walked away, whilst continuing to crumple one up, which I’d just taken off a railling.

- Some old Scottish guy and his family. I pretended to be taking them down bc the QR codes didn’t work and the sticker had to be replaced. He asked me why I had a mask on, I lied and said my mum wouldn’t let me out of the house without it and took it off. He told me what to go and tell my mum, whilst standing way too close, with his family gathered around him (like 6 people in total, including 2 kids). He was the reason I took a COVID test when I got home, alongside the blaring headache.

-Another family, this time the patriarch was a skinhead in a black polo shirt and jeans, same height as me (kinda short). Just like the others I was confronted by, his regional accent was very strong. Again, I said the QR code didn’t work. I started to walk away this time, kinda scared, and all his family walked up into the park, but he left his teenage daughter behind for a bit to make sure I didn’t come back (how brave). I came back anyway, but they wanted to go into the park and have fun.

But the last pair is what got me. One of them claimed to have done a biomedical science degree at the local university back in 2005. He was the only non-white person involved, and the only one who had anything scientifically based to say. However, the more I asked him about the degree he said he had, the more he started backing physically away from the conversation, claiming he had to go. The discussion I had with him lasted maybe 20 minutes, during which he confessed a belief that big pharma was dishonest and covered up heinous activity, which I agreed was absolutely right, but these ideas came to the total wrong conclusion.

I’m not explaining this very well anymore, it’s late and I’ve still got a headache, but his strong short white skinhead friend kept walking away then coming back, even at one point claiming that he was going to go and get someone. When I asked the first if he agreed with the non-scientific way the first man’s ‘friends’ were talking, and the fact that he is coming at this argument from such a different angle, he just changed the subject. It was around that time that I noticed that he wasn’t blinking, and that he was wearing a ‘Guardians 300′ t-shirt. I’ve since looked them up. They’re a cult. Nobody’s talking about it. He tried explaining the science to me, and I said that I don’t know enough about science to understand what he was saying, but tried to change the subject away from science- it just clearly wasn’t about that for any of the protesters except him.

Anyway, after he was done talking to me and claimed he had to go (right after I claimed to know a few lecturers in the university (I don’t but it was worth a try to see if he was bluffing) and started questioning him on who he knew), I turned around and just kept on taking off those fucking stupid stickers, including two which the skinhead had stuck on while we were chatting. They saw me doing this. I wanted them to see it, but now I’m not so sure. It was a dangerous move.

When people feel certain of something, you have to listen to them to let them air their uncertainties and change their mind. They were aware of this. I was aware of this. Neither of us listened much to each other. I was, to be honest, freaking out all the way home. What the fuck? I’d only seen people say this online, usually Americans, I’d heard about them on the news too. Suddenly I was getting looks from strangers, whilst taking down these stickers, and honestly had no idea who was who, or what they thought of me. And anyway, I’m trans, and have the fear of being looked at funny for that compounded with the fear of what a member of this group could do, it was terrifying.

I think there are very few things which stand between a person coming to a logical conclusion about what’s going on and a less logical conclusion and getting sucked into dangerous territory, although in this day and age there aren’t many logical things left. I’ve experienced the Dunning-Kruger effect at school, but some may never have experienced that, to feel like their understanding of something can only ever go so far.  I’m alright with saying ‘I don’t know’ and admitting that I’m not an expert, but I feel like all these people feel like they do have to know everything, and their genuine, valid fears have turned them to these crazy ideas because they’re nicer than the truth. I got told by a lot of people to ‘do your research’, but I didn’t say that to them, because they may well do their own research, but not necessarily using reputable sources. 

This is how Fascism works. If I had the same beliefs as them, I know I’d probably be doing the exact same things- trying to spread awareness. They genuinely think that they’re making a positive difference when they ‘change people’s minds’. Either that or those stickers were put up to get ripped down, to show their followers that ‘everyone is out to get you’. I was definitely scared most, however, by how close we all are in this day and age, to being them. I’ve attended protests, argued online, sent people links, spread my views. Most of my friends and I share the same views, we share each others’ information, when something’s wrong we blame ‘them’, or ‘the government’. These radicalised people were people I’d probably passed in the street before, who I’ve bought bread next to or admired their dog in the park. I met the next Nazis today, and they looked just like everyone else.

[soundrooms]

Soundrs: DJ CYBERDAD

My name is John Verchot, I’ve released music under several names: J-chot as well as DJ CYBERDAD. Locally, I’m usually just billed as DJ Verchot. I feel like the first thing I should tell you about myself is that I have severe ADHD, which seems to be the single most consistent force guiding my art and existence. I often get distracted and always get ahead of myself when I try to explain things. DJ CYBERDAD started out as a funny pseudonym to release more profane songs that I didn’t want my son to hear, but changed into an outlet for my smoother dance jams as well as more introspective music. 

What are your inspiration sources?

It varies from project to project. Often times with tracks, the inspiration to work on them comes in two or three different phases. Inspiration to create sounds is one thing, as inspiration to finish and structure tracks, create moods/themes, or even package them into a finished project, all feel like different driving forces/processes that need to happen in order for me to get anything done. However, whichever one of those forces I am able to utilize when I sit down at my laptop often seems to be beyond my control.

Most times I’ll hear a sound, loop or phrase, I’ll start to wonder what I can do with it, or how I can change and manipulate it. It might be the timbre of an old instructional video’s narrator, or an odd metallic sound I’ve managed to coax out of some equipment. Occasionally I’ll think of a concept, either of overall sound or thematic content and before I know it, I’ve got half a track planned out in my head. Many times I’ll hear other tracks or songs, and want to use just one part/concept/sound or re-do the whole track differently. With “Emotional in Destin”, I was trying to convey moods or feelings I felt during an unexpected trip to Florida in the middle of a crushing depression. It sounds bizarre, but I've never channeled personal experiences into my music before.

Overall what inspires me to create different sounds is the novelty of technology and bits and other people’s music.

What makes me want to sit down and make music is personal or professional success.

What inspires me to finish tracks and projects is the distant white noise of overwhelming anxiety and dread setting in as the ennui of the imminent collapse of western society fades giving way to the dark, almost imperceivable thrumming of the void drawing nearer, and is definitely getting louder. Your “time” is almost up John. Did you even do anything, or are you too skiddish and feeble of heart and head to make any clear decisions, impulsively flitting from one animal urge to another bad habit, clogging the chemical receptors of your brain for simple stupid pleasure. It’s night now and your eyes and fingers grow weary…

What was the question again? 

Tell us something about your workflow.

Most times, it starts with just noodling around. Sometimes, it’s with synths and sequencers, either recording sounds or looping notes and tweaking/loading patches (virtual or real synths), sometimes I’m browsing potential sample material, but what happens next is the same regardless of how I’m making sounds or what I’m doing:

…I think hear something.

…And I STOP noodling. Basically, I either hear something I like, or I hit a riff or whatever and it’s like a tiny, tiny light bulb that blinks barely. Occasionally it’s like a hundred watt, and other ideas quickly fall into place. Most times, it’s a process of trial and error, but I’m making sure to document or isolate the little pieces that click and then attempt to refine or improve on those ideas. Ideas can quickly diverge, multiple sets with different names get saved, and I often jump around and get lost. I use color coding on clips and pieces in Ableton to help me sort those ideas. Some ideas form by running one sequence I’ve had already through a whole different synth/patch.

Very rarely, I’ll get a concrete idea while I’m driving, maybe I’ll make some notes on my phone (text to speech notes, voice recording).

When I get a spark that makes me imagine a full concept (“Charles Nelson Riley”, or that “My P**sy tastes like Pepsi Cola” remix for example), the track is formed VERY quickly (four to eight hours working time) and I finish the mix, structure, everything. This is rare, but these tracks are almost always my better material.

The next step is always the same: Let the track “cool-off”. Leave it alone. Do something else for a few days, or weeks… or in some cases, years… Then I’ll fuck around with it even more, or move on to:

STRUCTURE & MIXING: 

I look for/experiment with arrangements that compliment my DJ style, or allow someone to do a rough edit if they want, (breakdowns at the end), or I’ll load a track that I like to DJ that’s similar enough and I will STRAIGHT UP copy the song structure in terms of intro, (drums or keys?) repeating bits, breakdowns, outros… Most times I fuck with it until it sounds okay, which is kinda bad because I end up drastically overscrutinizing it.

When it comes to mixing, something that I should do more often but don’t is load a reference track (someone else’s track) and try to get my mix to sound like theirs… This technique REALLY helps stop “nasty surprises” when you listen to it on a big system, or in the car.

Most of the time, I’ve been tweaking the mix the entire time I’ve been working on the project. 

TL;DR

The “Emotional in Destin” EP is almost entirely soft synths, but lately my flow is:

1. dick around on hardware

2. “oh that sounds good, let me make another sound to go with it” (see step 1)

3. record a few pieces to an Ableton project.

4. “I don't know what to do now.” …maybe mixing or structure…

…almost ALL THE TIME, however I jump around and do everything very non-linearly. Hardware helps me not spend so much time tweaking patches or EQ-ing a snare drum for an hour. Texture is SUPER important to me, so I’ll often get hung up on EQ and compression before I even start on structure or mixing. 

How would creative rituals benefit your workflow?

The hardest part for me is ALWAYS ALWAYS ALWAYS getting started, or shifting gears from other activities (resting after work, reading tumblr, goofing off…) and going to sit down at my desk and start music stuff. I’m certain it’s an executive dysfunction thing. The less I think about doing it before I do it, the better.

Animal sacrifice SIGNIFICANTLY speeds things up. Try not to get blood on the gear/laptop, and make sure never to clean, but regularly sharpen the ceremonial dagger (VERY important). 

How do you get in the zone?

I don’t really try…

As soon as I start to approach a task as “a thing” I get nervous and anxious. If I go “okay, I’ve got this task to complete…” my subconscious hijacks my higher functions to make me look at memes or tumblr for three hours instead of do what I “should” or “want”… The problem with me in the past has been how do I get OUT of the zone? 

How do you start a track? 

Oh jeez, I really jumped the shark with that question earlier, didn’t I? A technique I’ll sometimes employ is load up an old track, keep the drum sounds/patches but delete all the data, and make an entirely different genre of track… or one that's very similar… That’s kind of a fun exercise if nothing else. Also it often winds up getting tweaked and adjusted to hell and back. 

Do you have a special template? 

Nope. I make TONS of drum, EQ, and effects presets though. And they all have terrible names like “gooddrums”, “$GOODrums” and such.

Even though I’ve started with carbon copies, they ALWAYS end up sounding completely different by the time I’m finished with the track, because I can’t leave em well enough alone. 

What do you put on the master channel? 

Sometimes EQ, but always a phat ass compressor (limiting). I’ve been thinking about investing in a nice non-free one lately, but for some reason I am not comfortable with purchasing software plugins… I also have learned recently, that I’ve been using compression on the individual tracks way too much… which makes final-mixing a pain in the ass. 

How do you arrange and finish a track? 

DAMN IT. I really did go too hard with the first couple questions. The “finishing” of a track for me (arrangement, mixing) is usually done much later than the rest of the process. I try not to force stuff, but lately I’m realizing more and more that I need to not do this as much.

I can’t stress enough how using a reference track for structure or mixing can very often break up stagnation on a project. 

How do you deal with unfinished projects?

Several ways. The first step is to judge an old file and see if it's worth finishing. If there is ANYTHING of creative/sonic merit, I put it in a folder with the other “sketches and ideas” (project graveyard). Otherwise, I have been trying to delete the “junk” projects… this can make it easier to focus. Another thing I often do is to make presets/patches/Ableton instruments from the parts I like, then drop it in a folder called “meh”. Or I drop them into several categorical folders, i.e.: “uncircumcised electro bangers”, “abrasive techno”. 

How do you store and organize your projects?

Aw jeez. Oh gosh-oh darn. (See above answer.) 

How do you take care of studio ergonomics? 

Trial and error, trial and error, trial and error. This year alone my studio has been restructured and moved about my downstairs room at least five times. I’ve finally settled on something that feels very useful and productive. I am also this way with my work station at my job. CHANGE IT UNTIL IT WORKS GREAT. This can also help with creative stagnation, or can trigger it, so be careful. I keep my “electronics laboratory” close at hand so that more of that tinkering can find it’s way into my music… no such luck, YET.

I’ve currently decorated my space with all the crap I’ve saved up over the years, that for some reason, I’ve looked at this and thought: “This makes me happy” …SUUURE, my studio now looks like a fourteen year old decorated it, but I gotta say, I feel pretty phenomenal. Soon I’m gonna try to put this “stars and space” wall paper on my ceiling… I’ll update with a photo when that’s done.

Also I would like to say:

Minimalist spaces and studios are bullshit, y’all look like sick baby birds in empty shoe-boxes.

I mean, NOBODY LIVES THAT WAY, right? Maybe some boring rich people do, but damn… I mean, I try to clean and stay organized… and it helps, but I also try not to get to hung up on it. 

Tell us something about your daily routine, how is your day structured, how do you make room for creativity?

**LOUD SUCKING SOUND THROUGH TEETH** I don't… at least, not very well at all… but I’m working on that.

I am not the person you should ask this question, because THIS RIGHT HERE is the BANE of my existence… 

Share a quick producing tip.

MAN, I’ve already dropped like… seven, but okay, here goes:

BY ANY MEANS NECESSARY, FINISH THE TRACK. For me, this means ghetto-rigging, DIY, using the same goddamn audio interface from 2002 for f****ng fifteen YEARS… (recently fixed) don’t get hung up on “proper” ways, or ways that are outside your current means. Also, get a set of decent monitors… or use several pairs of headphones/speakers to double check mixes.

Recently, I’ve had less time, but a little bit of money, which is the opposite of how I’ve ALWAYS operated… it’s been difficult to unlearn “time consuming but cheap”. Also difficult not to impulse buy synths. 

Making music with just a mouse and keyboard may be the least sexy thing ever… it works tho… cheap MIDI controllers CAN work faster however. 

Share a link to an interesting website (doesn’t have to be music related).

My son just showed me this ➜ https://dddance.party/ and I have to say, this is an outstanding achievement of mankind. 

List ten sounds you are hearing right this moment : ) 

Traffic outside my window, gentle hum of laptop cooling fan, dog snoring, fingers typing, birds chirping… that’s it.

John has a lo-fi house EP out on UltraBold Records as DJ CYBERDAD. It’s called ‘Emotional in Destin’. Stream it ➜ here, audio cassettes are available ➜ here.

Thanks John! If you want to get featured next, send a message here on tumblr or email soundrooms@icloud.com.

[starsmuserainbow]

Starfire’s RP PLOTTING CHEAT-SHEET

Want new-and-exciting plots for your character? Long to reach out to more of your followers, but don’t know where to start? Fear not! Fill out this form and give your RP partners both present and future all the of juicy jumping off points they need to help you get your characters acquainted.

Be sure to tag the players whose characters YOU want more cues to interact with, and repost, don’t reblog! Feel free to add or remove sections as you see fit. Template here.

Mun name: I go by Star or Starfire online. If we’re close, I might give you my real name upon asking - but if I do, please don’t ‘openly’ call me by it for others to see on this site. I’m very hesistant about RL things like that. OOC Contact: IMs and Asks are always open (and IMs are always OOC, I don’t do IC IMs), I also have Discord. I’m not giving out my Discord to everyone though, so please forgive me if I decline when you ask for it. Again I don’t do IC on Discord. As for plotting purposes or things like that, I think IMs would work the best.

Who the heck is my muse anyway:

An alien from the planet of Tamaran, Starfire was a princess there but left the planet a while ago because she wanted to explore other worlds and meet other people. Overly friendly, always excited to meet new people, very gullible and also somewhat naive. But don’t let that fool you, she’s not stupid, and her alien abilities also make her a threat if you decide to use her friendliness for your own purposes.

Points of interest:

She has orange-ish skin as it is common for tamaraneans. Her eyes are green, the sclera as well as the pupil even though the pupil is a bit darker. She can fly, assimilate languages through lip-contact, has superhuman strength, can withstand many difficult circumstances (like the vastness of space, and she doesn’t feel hot or cold unless in that environment for very long or in certain emotional states), and she has a kind of energy that is commonly referred to as ‘starbolts’ which she can use in various ways to attack others. While she has learned english through language assimilation, she still has a strange way of speaking sometimes. Especially with sayings it can easily happen that she doesn’t quite understand them yet. Due to coming from a different planet, her tastes might seem very strange to some people (e.g. she has a big liking of mustard as a drink), and she also still tries to keep up some of her people’s traditions like festivals even when she lives on earth now. She’s very friendly, bubbly and cheerful, probably a bit too energetic for certain people’s tastes, and overall enjoying to be together with people as long as they aren’t (openly) ‘mean’ or ‘evil’.

What they’ve been up to recently:

I don’t really do much in likes of story lines on this blog (yet?), she still lives with her friends in Titans Tower and often spends her free days visiting other areas of the world to meet new people. Other activities in her free time are shopping, flying over the city, and spending time with anyone she calls friend or whom she might be able to call friend later. On the not-free days there’s a lot of crime-fighting involved.

Where to find them:

Titans Tower, Jump City, any kind of Shopping Mall. She also frequently flies to other areas of the earth, so she could be found basically everywhere on the planet.

Current plans:

As stated above, I don’t really do big story lines or such. I had an AU thing once that I had running basically as a sort-of ‘event’ (Blackfire’s Final Trial was how I called it, searching for it will probably show you more info - or you need to ask me), and while similar might happen again if I ever get that spark of an idea again, nothing is really planned at the moment.

Desired interactions:

I’d really like to have more enemies for her. I love my sweet little beam of sunshine and how she tries to see the good in everyone, but I feel like there’s not enough villain/enemy stuff going on. Also I would really love more interactions for my other verses too (most prominently I’d name my Evil!Star here and my “Bad Endings”-verse), see my verses page for more details for that please. I’m open to any kind of crossover, even if I don’t know about your fandom yet! (Which of course doesn’t mean that I’m not open for anything else, any kind of interaction is great!)

To also name some specific character/s I’d really like to interact with: Mar’i (kid of Robin and Starfire in some future timeline, originating from one comic-line I think)! I have a wishlist-post about that too. There’s never enough RobStar, of course, but at least I do know and am mutuals/interacting with some Robins at the moment, so I don’t really think that should even be listed here - but since there can never be enough, here it is. Cyborg. Has there ever been a Cyborg RPer that lasted longer than, idk, a week or so? Because I definitely haven’t found anyone like it, which is a shame. I’d like to list some more, but two others I could name are ones where I can add more explanation, or ideas, on my other blogs, so that’s where they’ll be listed instead.

Offered interactions:

Starfire sometimes takes her home-made food to offer it to others. Be aware that the tamaranean food often has very different tastes from what would be expected. She also loves to take people flying with her, or talk about her planet. She tries to help in basically any way she could for any problem you might have. She could also easily end up crashing somewhere - as she’s quick to be distracted for a few moments and not check where she’s flying. Or come and go on some other kind of adventure with her! Crime-fighting is naturally also one of the things she’d appreciate a partner (or enemy) in.

Current open post/s:

Open Starters here (and please feel free to reply to ones that already have replies, that doesn’t mean they aren’t still open!) and Memes here! Both are always open, and you’re free to answer or send in something older too! There’s no expiration date on my things!

Anything else?:

I live in germany which sadly causes me to miss out many great things when they happen on the dash. I tend to read all that is on my dash once I’m awake again, but I don’t feel brave enough for reacting to anything that might have happened hours ago. Oh, I’m also as shy as can be, or maybe even shy-er than that. I do try to change this and everyday tell myself to go and approach someone or send in things to others, but that’s hard and quite often it doesn’t happen. I do have Wire-accounts for my muses, and you can either search for them on my blog or ask me about them, but I don’t know if I could/will ever do any good on those.

Tagging: Anyone that took the time to read this!