#fence company in Peabody

[newgenfencing]

Enhance your Peabody, MA, property with New Generation Landscaping & Fence. Our aluminum fences offer durability, style, and eco-friendliness. Benefit from low maintenance, customize aesthetics, ensure security without sacrificing visibility, and make an eco-conscious choice. While the initial cost may be higher, our fences prove to be a cost-effective investment over time. Choose strategic, stylish, and reliable fencing with New Generation Landscaping & Fence, ensuring a secure and visually pleasing environment for years to come.

[sentryfence12-blog]

[fredheads]

@halcooper i had the afternoon off so i put together a second draft of parentdale: the musical (music and lyrics by jim steinman)

STARRING:  Alice Cooper as herself | Hal Cooper as himself Mary Andrews as herself | Fred Andrews as himself Hermione Lodge as herself | Hiram Lodge as himself Penelope Blossom as herself | FP Jones as himself Clifford Blossom as himself | Tom Keller as himself & Company (incl. Agent Adams, Andre, Penny Peabody & Serpents, Sierra McCoy) 

COSTUME: unless otherwise specified, leather skirts and mesh tops for the gals, leather pants and mesh tops for the guys. 

ACT ONE

wasted youth (monologue) - fred

FRED: "Stop! Wait a minute! Stop it boy! What do you think you're doing? That's no way to treat an expensive musical instrument!" And I said "God dammit Daddy! You know I love you, but you've got a hell of a lot to learn about rock and roll!"

all revved up with no place to go - hal, hiram, fred, fp

scene: Hal & the other dads get ready for a night out (hal wears a good christian sweater and slacks) 

HAL: I’m just a blue-eyed, blonde-haired, black-hearted boy killing time until the end of the world

dead ringer for love - ensemble

scene: the moms & dads arrive separately at the whyte wyrm. hal and alice meet and flirt up a storm. they sing the lead parts with everyone else as backup. 

ALICE: I don't have to know your name and I won't tell you what to do but a girl, she doesn't live by only rock 'n roll and brew

who needs the young - penelope & clifford duet

scene: at thornhill in front of the fire, penelope and clifford lament their lost youth and complain about the youth of today. penelope, still young herself, is more than a little bittersweet. 

CLIFFORD: Who needs the young? The celebration of the races that they've have won The sado-masochistic things they've never done

PENELOPE: Disgusting. 

good girls go to heaven  - alice, hal & ensemble (all the women sing background for alice’s part while hal sings the “good boys go to heaven” verses with fp and hiram) 

scene: in their respective homes on each side of the tracks, alice reconciles her serpent identity with her love for northsider Hal while Hal tries to work up the nerve to be a bad boy for once. FP lends him a leather jacket so he can fit the part. 

FP: you’ve been nothing but an angel every day of your life and now you wonder what it’s like to be damned

it just won’t quit - fp (other serpents sing background)

scene: alone on the southside, fp confesses his agonizing love for fred. fred, onstage, is oblivious. 

FP: Is this a blessing? Or is it a curse? Does it get any better? Can it get any worse? Will it go on forever? Is it over tonight? Does it come with the darkness? Does it bring out the light? Is it richer than diamonds? Or just a little cheaper than spit?

out of the frying pan and into the fire - fred & ensemble 

scene: fred and mary, from senior prom to their wedding night to their house with the white picket fence. Mary ends up in a wedding dress holding a swaddled baby. Hermione and FP are maid of honour and best man, respectively. Everyone sings background. 

FRED: Open the door and lay down on the bed, The sun is just a ball of desire And I want to take you out of the frying pan And into the fire 

which leads into... two out of three ain’t bad - fred & mary duet 

scene: mary leaves fred

FRED: Well there's only one girl I'll ever love And that was so many years ago And though I know I'll never get her out of my heart She never loved me back, ooh I know 

I remember how she left me on a stormy night She kissed me and got out of our bed And though I pleaded and I begged her not to walk out that door She packed her bags and turned right away

- ACT TWO - 

in the land of the pig, the butcher is king - hiram ft. agent adams, andre

scene: hiram gleefully plots his evil deeds. at the same time, unbeknownst to him, hermione begins to question if this life is right for her. 

HIRAM: With that we can take and pocket No one needs to know We're is the plug and they're the socket Give us the juice and we'll go

objects in the rearview mirror - fred, fp, tom  (fred sings the first verse, fp the second, tom the third) 

scene: fred, fp and tom reminisce on their wasted youths

FP: And my father’s eyes were blank as he hit me again and again and again

i’m gonna love her for both of us (first verse) - fred 

scene: hermione flees hiram’s nefariousness and goes back to fred, her high school flame. 

FRED: I can't stand to see it no more The way you're living with a goddess, but you treat her like a slave And you can't hold her back anymore She's like a dreamer in a dungeon, or an angel in a cave

making love out of nothing at all - penelope  (hal sings background at the end... but he’s singing about alice) 

scene: penelope sings about her unrequited love for hal 

PENELOPE: Everytime I see you all the rays of the sun are Streaming through the waves in your hair And every star in the sky is taking aim at Your eyes like a spotlight The beating of my heart is a drum, and it's lost And it's looking for a rhythm like you

paradise by the dashboard light - fred and hermione (it goes without saying but hermione sings “let me sleep on it” and fred sings “do you love me? will you love me forever?”) 

scene: in their old car at the twilight drive-in, fred and hermione play themselves at (barely) seventeen about to get it on. fred wears his old letterman jacket at first. 

BOTH: So now I'm praying for the end of time To hurry up and arrive! Cause if I gotta spend another minute with you I don't think that I can really survive! 

what part of my body hurts the most - hermione & hiram 

scene: separated, hermione and hiram realize how much they miss each other. hermione’s realized she can never make it with fred and she likes being bad, while all the murder and mayhem in the world can’t fill hiram’s heart. 

HERMIONE: You'll always be here with me, you're a ghost and I've been cursed But if you were exorcised, it would only make it worse A demon or angel — it doesn't matter all that much I toss and I turn every night and I try to feel your touch

- ACT THREE - 

for crying out loud - everyone

scene: hermione and hiram, hal and alice, and (finally!) fred and fp sing about how much they love each other. 

FRED: Oh I know you belong inside my aching heart And can't you see my faded Levis bursting apart FP: And don't you hear me crying Oh babe, don't go FRED: And don't you hear me screaming How was I to know?

you took the words right out of my mouth - fred & fp with ensemble

scene: fred and fp confess their burning love and make out in their leather pants. 

FRED: It was a hot summer night and the beach was burning There was fog crawling over the sand FP: And when I listened to your heart I hear the whole world turning I see the shooting stars falling through your trembling hands

i’m gonna love her for both of us (reprise) - alice

scene: alice rescues penelope from clifford and brings her back to be with her and hal! 

ALICE: When the screws are tightnin' and the tears are falling I can hear her crying out to be saved And like a bolt of lightning I go answer the call But she's singing like a siren to me over the waves

it’s all coming back to me now - hermione & hiram duet

scene: hiram and hermione pledge their undying love to each other (and the mob). in the background, fred and mary forgive and forget, although they’ve both moved on and are happy apart. 

HIRAM: There were moments of gold and there were flashes of light HERMIONE: There were things I'd never do again But then they'd always seemed right BOTH: There were nights of endless pleasure It was more than any laws allow

i’d do anything for love (but i won’t do that) - ensemble

scene: the finale: a big song and dance number where everyone loves each other again. penelope, alice and hal are a throuple. fp and fred are on his motorbike. 

HERMIONE: Will you raise me up? will you help me down? Will you get me right out of this godforsaken town? Will you make it all a little less cold?

HIRAM: I can do that

FP: Can you hold me sacred, can you hold me tight?  Will you colourize my life, I’m so sick of black and white?  Will you make it all a little less old?  FRED: I can do that

PENELOPE: Can you make me some magic with your own two hands?  Can you build an emerald city with these grains of sand? Can you give me something I can take home

HAL: I can do that

ALICE: Will you cater to every fantasy I got? Will you hose me down with holy water, if I get too hot? Will you take me places I've never known?

HAL: I can do that Oh no, no, I can do that

FP, HIRAM, ALICE: I know the territory, I've been around It'll all turn to dust and we'll all fall down Sooner or later you'll be screwing around

FRED, HERMIONE, HAL: (after a long pause) I won't do that. 

[outoftowninac]

TOBACCO ROAD

1937

Tobacco Road is a play by Jack Kirkland first performed in 1933, based on the 1932 novel of the same name by Erskine Caldwell. The play ran on Broadway for a total of 3,182 performances, becoming the longest-running play in history at the time. It is second only to Life With Father as the longest running non-musical play in Broadway history. Tobacco Road opened at the Theatre Masque (now the John Golden Theatre), transferred to the 48th Street Theatre (demolished in 1955), and then moved to the Forrest Theatre (now the Eugene O'Neill Theatre). It was revived three times on Broadway. Due to its tremendous popularity, it spawned several tours, regional productions, and a film - all while still running on Broadway. 

The play is a gritty, often shocking (for the time) portrayal of a poor Georgia family of sharecroppers. It is set in rural Georgia, several miles outside Augusta during the worst years of the Great Depression.

Tobacco Road’s easy-to-tour scenic requirements were described as this: The old dull gray shack was set up to one side, its porch roof crazily careening; the bucket well to the other, and the dilapidated fence between marking a tobacco road in the back country of Georgia. 

Taylor Holmes (Jeeter Lester) was born in Newark NJ in 1878. He made his Broadway debut in 1900 in the controversial play Sapho, which was closed down for immorality after 29 performances. In the April 1900 trial, the play was ruled not obscene, and it reopened and ran for an additional 55 performances. He went on to appear in more than 35 Broadway plays, the last in 1946. He also appeared in scores of films (silent and sound) and television shows.  His last screen work was providing the voice of King Stefan in Disney’s Sleeping Beauty (1959). He died at age 81, while Sleeping Beauty was still in theatres. 

“In order to secure the services of Mr. Holmes for this role. Sam H. Grisman and Jack Kirkland, the producers of ‘Tobacco Road', were compelled to carry on lengthy negotiations with one of the largest motion picture concerns who had him under contract for his temporary release. Mr. Holmes will resume his picture work at the end of his present coast-to-coast trip with ‘Tobacco Road’.” ~ Paterson News, January 23, 1937

Sharing the stage with Holmes were Florence Gerald as Ada Lester, William Bishop as Lov Bensey, Pitt Herbert as Dude Lester, Meryl Boyden as Ellie May, Lillian Ardell as Grandma Lester, Dick Lee as Henry Peabody, and Sally Sanderson as Pearl. 

In January 1937, producers Sam H. Grisman and Jack Kirkland brought this production of Tobacco Road to Atlantic City’s The Earle Theatre, a venue primarily devoted to cinematic presentations.  

The Earle in Atlantic City opened in October 1926 on at Atlantic and Missouri Avenues. Today, the theatre is long gone and this is the end point of the Atlantic City Expressway. The Earle was owned and operated by the Stanley Company, who also ran the nearby Stanley Theatre on the Boardwalk (later renamed the Roxy), as well as the more famous Earle Theatre in nearby Philadelphia. In fact, there were Earle theatres in several cities in Pennsy, Delaware, and elsewhere. All were primarily dedicated to cinema, with occasional forays into vaudeville, burlesque and (rarely) - as in the case of Tobacco Road - legit. 

The production also played other New Jersey venues.  Montclair... 

Englewood, another affluent bedroom community of the Big Apple... 

Asbury Park, at a venue later (and still) known as the Paramount Theatre...

and Holmes’ birth city, Newark, where it was at the Shubert. At the same time, at the Garden Theatre in Patterson, Taylor Holmes’ son Phillips was appearing on screen in a double feature. Ironically, the other film on the bill was titled “Everybody’s Old Man”.  Even odder still, Phillips’ “old man” was not even mentioned in the Shubert ad, which was located only a few columns away of the April 18, 1936 Morning Call. 

The Shubert in Newark was grand, perhaps too grand for Tobacco Road. For much of the tour the show tried to keep to theme (and budget) by playing lower-rent, less ornate venues, in many case movie and burlesque houses. 

This was also the third time many of these stops saw Tobacco, some of which saw the original cast, and then a Road tour. It was difficult for some critics not to compare Holmes with the original Jeeter, Henry Hull, who by then was starring in his second post-Road play. In 1937, the Main Stem’s Jeeter was James Barton, who had inherited the overalls from Will Geer (later TV’s Grandpa Walton) and would eventually fill Holmes’ shoes in the tour. 

Finding a theatre in Chicago was difficult since the Mayor had banned the play two years earlier calling it indecent. This must have been busines as usual for Holmes. His first Broadway outing, Sapho, was similarly tagged.  

The same happened in Omaha, where the Mayor also banned the play. 

Producers shot back a telegram to the local press. 

But Omaha theatre-goers did not see Tobacco Road that night. Hearings were held the next day, at which Holmes appeared. He had added incentive to go before the Judge, who, the day before, had borrowed his fountain pen and forgotten to return it!  Curiously, when the show played Boston, a city known for the expression ‘Banned in Boston’, there was barely a raised eyebrow.

Holmes started his tour of Tobacco in August 1936, and by May 1937, he had eaten more than 350 turnips, Jeeter’s snack of choice. 

Since so many venues were also cinemas, the ads generally stipulated that this was NOT A MOTION PICTURE. Compounding the confusion was that Holmes’ name previously graced many marquees in his screen roles - and his son’s films were playing nationwide during the tour. 

The same tactic at the Orpheum in Reading PA. Film buffs beware: No screen attraction today. 

In Philadelphia, the Locust Theatre went out of their way to let the public know that this was NOT A WPA ATTRACTION.  The Works Progress Administration (WPA) was a New Deal agency, employing millions of jobseekers to carry out public works projects. In one of its most famous programs, the WPA employed musicians, artists, writers, actors and directors in the Federal Theatre Project (FTP). The resulting productions were generally free of charge to the public. This ad is to warn patrons that admission WILL BE CHARGED!

Tobacco gave the Shamokin PA something to crow about: the first big road show in ten years!  

In Muncie IN, during April 1937, Holmes was reunited with his film star son, Phillips Holmes. Five years later, Phillips died in a mid-air collision over Canada. His father was bereft. 

Holmes’ tour did make some concessions for small town America - notably replacing some of the cursing with more congenial language. Gosh! 

While the tour was in Pittsburgh, it shared column space with this item about a possible musical version by Gershwin. As history knows, this idea came to naught. It may have even been an invented story to keep Taylor’s tour in the press.

In July 1937, the Garden Pier in Atlantic City re-opened with a new production of Tobacco Road, then still wowing Broadway audiences. It was fitting that the newly refurbished pier would re-open with a Broadway hit since it had incubated so many shows in its past. Although the national tour continued, Holmes withdrew to have surgery. By November 1937 he was back on Broadway in a new show, the stress of touring behind him. 

In 1954, Tobacco Road returned to Atlantic City in yet another production, this time a pre-summer stock week at the Quarterdeck Theatre in residence at the Hotel Morton. For more about that, just click here! 

[ericvick]

Soon after 18 months of obtaining all set, Flames lights up flavor buds in Peabody Square

The latest locale of the regional beloved Flames, a buffet-design Caribbean chain of dining establishments, is open for enterprise in Peabody Square, shut to the MBTA’s Ashmont Station, and it’s previously setting the place ablaze with Jamaican flair. 

Adhering to an 18-thirty day period hunt for area and delays around allowing and documentation, the restaurant opened to shoppers on July 16 with an array of group-pleasers like jerk rooster, curry goat, ackee, and oxtail topping its menu. “Every working day, folks, pedestrians coming by way of Ashmont station would appear and pull on the doorway and talk to if we ended up open,” mentioned Andre Chambers, standard manager of Flames. 

“Covid didn’t do us any justice. It was a pretty drawn-out approach, but we’re listed here now and we’re doing effectively. We make certain the gentle stays on, we prepare the foods, seek the services of the personnel, and wait around for the client to appear to us,” mentioned Chambers, who is the son of the chain’s operator, Jonathan Chambers. The eatery fills a house that was at the time home to a chiropractor just steps from the clock in Peabody Sq..

Flames is also carrying out business enterprise in Randolph, on Morton Street in Mattapan, Blue Hill Avenue in Grove Corridor, Huntington Avenue in Brigham Circle, as well as in Brockton and Providence.

Right after generating adjustments to comply with allow constraints, like operating right up until 10 p.m. as opposed to the restaurant’s regular 11 p.m. closing time, Flames gained the go-forward from city companies to breathe new lifestyle into a many years-vacant lot. 

“We required this to be a welcoming location, and, when we include dining places to a business region, it will become a far more captivating vacation spot,” claimed Jeanne Dasaro, executive director of Better Ashmont Most important Streets, a nonprofit that functions with city officers to support the ongoing economic revitalization of the place. 

The firm displays the business district that exists alongside the size of Dorchester Avenue, facilitating the processing and allowing of new organizations and advocating for neighborhood priorities to be mirrored in new constructions, like broad sidewalks with a great deal of walking room, bicycle lanes for multimodal transportation, and to start with floor retail area in residential buildings.

In the circumstance of Flames, which has current infrastructure in the Boston region, Better Ashmont Main Streets joined zoning and abutters’ conferences to aid the Chambers family secure acceptance for indoor seating. The firm also wrote about Flames on its weblog, supporting to press out word of its pending arrival to community neighborhood associations and community members. 

“Our group is the shepherd for corporations in Peabody Sq., so viewing the fencing come down, observing the patio open, going in and owning some jerk chicken– which is superb, by the way – it’s all genuinely fulfilling,” stated Dasaro, who recommends that intrepid customers consider Flames’s curry goat.

“Dorchester is a behemoth neighborhood it is truly a neighborhood with a lot of neighborhoods, and it is seeing a creating growth,” she explained. “For us, observing our values be infused into frequent spaces during the community, not just our corner, it provides assortment and vibrancy.”

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[peabodyawards]

Candice Bergen Accepting the 2005 Peabody Award for “Boston Legal”

Boston Legal is the quintessential David E. Kelley series-as topical as Picket Fences, as concerned with ethics as The Practice, as unabashedly goofy as Ally McBeal. Kelley, co-executive producers Bill D’Elia, Janet Leahy, and Scott Kaufer and their team use the cases of Crane, Poole & Schmidt, a blue-chip corporate law firm, to address issues ranging from the death penalty to the predatory practices of credit-card companies; from global warming to polygamy; from plastic surgery to the war in Iraq. And unlike other prime-time entertainment series that carefully balance their debates so as not to polarize or offend, Boston Legal actually takes stands, most often via the unorthodox courtroom summations of attorney Alan Shore (James Spader).

Read full winner’s citation here: http://www.peabodyawards.com/award-profile/boston-legal

[charlesccastill]

The Woodlands Announces the Opening of the Clubhouse, Construction of Phase ll on schedule for Late Spring 2018

BRAINTREE, MA–Full service real estate and property management firm Peabody Properties announced the Grand Opening of the 6,000 square foot entertainment clubhouse at The Woodlands in Middleborough offering a game lounge, movie theatre, surround sound TV, billiards, golf simulation and multi-function catering kitchen.

The Woodlands is also pre-leasing for Phase ll with construction to be completed in late spring of this year. The luxury apartment community offers residents thirty-four scenic acres that include walking trails and cranberry bogs. Along with the clubhouse they offer a high-impact fitness center, business center with Wi-Fi, indoor kid’s corner and outdoor playground for children, multi-purpose sport court, pool, grilling station and fire pit, bike storage, car wash stations, elective car charging stations, fenced pet park and washing zone, and easy access to I-95, I-495, routes 44 and 18 and commuter rail transportation.

“We are proud to provide a community that offers all the comfort of living and special amenities for our residents to enjoy and make them feel at home,” said Balvinder Sahni, CEO of Cranberry Management LLC.

The Woodlands

Peabody Properties, Inc. is Marketing and Management Agent for The Woodlands. The one, two and three bedroom open concept apartment homes offer high end finishes, such as plank flooring throughout, gourmet kitchens and in-home washer and dryers. The apartment homes will be both market rate, with some homes designated as affordable.

The project is being developed by Cranberry Management LLC, a multinational development company, part of R S Global International. The General Contractor is Terratec Construction, Inc. Established in 2003, Terratec Construction, Inc., is specialized in turnkey projects ranging from infrastructure and foundations to buildings, and the most detailed finishes.  The woodlands Project is financed by Cambridge Saving Bank

Peabody Properties Principal and CEO Karen Fish-Will said, “This community is a great addition to the Middleborough area and offers residents the ability to enjoy the natural, peaceful beauty of the area with convenient access to Boston, Providence and Cape Cod. This is the largest green-area constructed apartment community in the region and we look forward to our continued collaboration with Cranberry Management on this important project.”

  Peabody Properties is a full-service real-estate firm which manages more than 10,000 units of housing, primarily in New England.

from boston condos ford realtor http://bostonrealestatetimes.com/the-woodlands-announces-the-opening-of-the-clubhouse-construction-of-phase-ll-on-schedule-for-late-spring-2018/

[officialotakudome]

New Post has been published on Otaku Dome | The Latest News In Anime, Manga, Gaming, And More

New Post has been published on http://otakudome.com/dc-announces-super-hero-girls-tv-series/

DC Announces Super Hero Girls TV Series

DC Entertainment & WB Animation has announced DC Superhero Girls for Cartoon Network:

BURBANK, Calif. (May 23, 2017) — Production has begun on DC Super Hero Girls, an all-new animated action-comedy series from Warner Bros. Animation and based on characters from DC Entertainment. Featuring fresh character designs and storytelling from Emmy® Award–winning producer Lauren Faust (Super Best Friends Forever, My Little Pony: Friendship Is Magic, Foster’s Home for Imaginary Friends), DC Super Hero Girls will be coming to Cartoon Network in 2018.

  The world may know them as Wonder Woman, Supergirl and Batgirl, but not-so-typical teenagers Diana, Kara and Barbara, alongside their Super Hero friends have much more to deal with than just protecting the citizens of Metropolis from some of the most sinister school-aged Super-Villains of the DC Universe. After all, being teens is tough enough, what with school, friends, family and the chaos that comes with managing a social life. . But add super powers and a secret identity to the mix, and things can get a lot more complicated.

  Sure, gal pals Bumblebee, Zatanna and Green Lantern Jessica Cruz are always there to lend an ear, a shoulder to cry on, and a fist to punch with, and their bros in the Justice League amp up the fun whether they’re at a concert or taking down a crime ring. But what happens when Diana and her favorite study buddy and fencing partner, Tatsu, can’t agree on how to dole out justice as Wonder Woman and Katana? Or when Barbara finds out her Gotham-Con bestie is teen-fiend Harley Quinn? Along with all their friends, foes and frenemies, this squad of super teens navigates the unique growing pains that come when you’re a teenager trying to fight the battles of the world and the battles of growing up at the same time.

  The new series is a global initiative with Cartoon Network and builds on the successful DC Super Hero Girls direct-to-video movies as well as digital webisodes launched in 2015 and viewed by millions of fans on the DC Super Hero Girls YouTube channel, as well as the DC Super Hero Girls mobile app.

  Sam Register (Teen Titans Go!, Justice League Action) serves as executive producer.

  About DC Super Hero Girls

In partnership with Warner Bros. Consumer Products and DC Entertainment, the DC Super Hero Girls franchise provides kids with a relatable world filled with aspirational characters, immersive stories and action-packed missions that inspire viewers to be smart, courageous and empowered to be an everyday Super Hero. Centered around the most renowned DC Super Heroes (Supergirl, Batgirl, Wonder Woman, Bumblebee) and Super-Villains (Harley Quinn, Catwoman, Poison Ivy) as they learn to develop and harness their super powers, work as a team and strengthen their friendships, while still getting their homework done on time.

  DC Super Hero Girls is an all-encompassing universe based on the well-known DC characters.  DC Super Hero Girls encourages kids to discover their own super-heroic potential with new animated content, including webisodes, TV specials, and made-for-video movies; as well as a merchandise program across toys (including action figures and action dolls), costumes and role play, apparel and accessories, publishing and many other categories, and supported by best-in-class partners including Mattel, LEGO, Rubie’s Costumes, Jerry Leigh, and Random House, among many others.

  About Warner Bros. Animation

Warner Bros. Animation (WBA) is one of the leading producers of animation in the entertainment industry, producing and developing projects for multiple platforms, both domestically and internationally. WBA’s TV series include Justice League Action, Teen Titans Go! and the upcoming Unikitty! for Cartoon Network; Be Cool Scooby-Doo!, Bunnicula, Dorothy and the Wizard of Oz, The Tom and Jerry Show, New Looney Tunes and Wacky Races for Boomerang; Mike Tyson Mysteries for Adult Swim; Right Now Kapow for Disney XD; Green Eggs and Ham for Netflix; and Young Justice: Outsiders for the upcoming DC-branded digital service. As home to the iconic animated characters from the DC Comics, Hanna-Barbera, MGM and Looney Tunes libraries, WBA also produces highly successful animated films — including the DC Universe Animated Original Movies — for DVD, Blu-ray®  and digital media. One of the most-honored animation studios in history, WBA has won six Academy Awards®, 35 Emmy® Awards, the George Foster Peabody Award, an Environmental Media Award, a Parents’ Choice Award, the HUMANITAS Prize, two Prism Awards and 20 Annie Awards (honoring excellence in animation).

  About DC Entertainment

DC Entertainment, home to iconic brands DC (Superman, Batman, Green Lantern, Wonder Woman, The Flash, etc.), Vertigo (Sandman, Fables, etc.) and MAD, is the creative division charged with strategically integrating across Warner Bros. and Time Warner.  DC Entertainment works in concert with many key Warner Bros. divisions to unleash its stories and characters across all media, including but not limited to film, television, consumer products, home entertainment, and interactive games.  Publishing thousands of comic books, graphic novels and magazines each year, DC Entertainment is one of the largest English-language publishers of comics in the world.

  About Cartoon Network

Cartoon Network is Turner’s global entertainment brand and the # 1 animation network in the U.S., offering the best in original content for kids and families with such hits as, Adventure Time, The Powerpuff Girls, Steven Universe, We Bare Bears and The Amazing World of Gumball. Seen in 192 countries and over 400 million homes, Cartoon Network inspires the next generation of creators and innovators by engaging its audience at the intersection of creativity and technology. Its award-winning pro-social initiative, Stop Bullying: Speak Up is an acknowledged and often used resource for kids and adults looking for tools that can assist in dealing with the ongoing issue of bullying.

Turner, a Time Warner company, creates and programs branded news, entertainment, sports, animation and young adult multi-platform content for consumers around the world. Turner brands and businesses include CNN/U.S., HLN, CNN International and CNN.com, TBS, TNT, TCM, truTV, Cartoon Network, Boomerang, Adult Swim, Turner Sports, Bleacher Report, FilmStruck, Super Deluxe, iStreamPlanet and ELEAGUE.

[newgenfencing]

5 Factors to Consider Before Installing Vinyl Fences in Wakefield

Consider these factors before installing a vinyl fence in Wakefield. Check the vinyl's quality for durability in Wakefield's climate. Opt for low-maintenance options with a smooth surface. Set a budget, explore styles, and get quotes from reputable fencing companies. New Generation Landscaping & Fence offers top-notch vinyl fences in Peabody, MA, and Wakefield, ensuring quality, aesthetics, and security. Trust their expertise for exceptional fencing services that align with your property's needs. Click here to learn more - https://medium.com/@newgenerationfence/5-factors-to-consider-before-installing-vinyl-fences-in-wakefield-cd4466dfc393

[newgenfencing]

5 Questions to Ask Fence Companies Before Hiring Them

Property fencing is not just about looks; it's security. So, in your quest for a new fence, finding the right fencing companies in Wakefield is vital. Check their experience, licensing, and insurance. A reputable fence contractor in Peabody, MA, should hold the necessary permits and insurance. These questions guide you to the best fence contractor. Opt for a Peabody, MA, fence company with experience, qualifications, and professionalism. For more, explore our blog on fencing companies in Peabody, MA, and Wakefield: https://tempaste.com/FWaR11r2Jt6

[newgenfencing]

Most Reliable Fence Companies In Peabody, MA

Searching for reliable fence companies in Peabody, MA? Look no further! New Generation Landscaping and Fence has years of experience in fence installation and repair. They offer a wide range of materials and styles to choose from. Contact them today for a free estimate!

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Making the Fence Company Selection Process Easier

Finding the right expert to assist you is essential if you want to secure a sizable piece of land since adding a fence to the perimeter is a crucial decision. A trusted metal fence installation Peabody contractor will help you avoid many mistakes in the future, saving you time, money, and hassle. Read this blog to make the fence company selection process easier. Click on this link to read more - https://newgenerationfence.blogspot.com/2023/07/making-fence-company-selection-process.html

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Trustworthy Fence Company in Massachusetts

New Generation's fence contractors in Peabody and Danvers are dedicated to providing top-quality fencing solutions for residential and commercial properties. From wood and vinyl to aluminum and chain-link, they offer a wide range of materials and styles to choose from. Contact them today if you are looking for the most reliable fence company in Massachusetts.

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Five Major Benefits of Installing Vinyl Fence

Fences of various varieties are installed for both commercial and residential constructions. We’ll talk about vinyl fences and their advantages here.

Maintenance is minimal

Wakefield vinyl fence is simple to clean with a hose and requires no rigorous or frequent upkeep. In fact, it takes very little maintenance. Vinyl holds its colour beautifully, so property owners won’t have to worry about staining or repainting it. They will also save money and time on repairs and upkeep.

Strength

Vinyl is approximately five times durable as wood. It will not degrade or succumb to rust or bugs, thus it will survive for decades. Because vinyl does not absorb moisture, it will not blister, degrade, or peel. This fence type is simply perfect and safe to install near a swimming pool.

Flexibility

Strength and flexibility work well together. Whether a location is with high winds, heavy rain, or harsh winters, the flexibility of the vinyl fence will help it to remain upright and attractive.

Affordability

Wakefield vinyl fence is a fairly economical fencing choice, especially when considering the cost of maintenance. It is substantially less expensive than wood or iron, and it gives even more savings when property owners consider the fence’s upkeep and lifespan. They won’t have to pay for paints, stains, or treatments, and the fence will last for a long time.

Privacy

The vinyl fence provides total seclusion. One-piece panels are available which eliminate the normal gaps between separate posts. As a result, vinyl is ideal for backyards, pool enclosures, and perimeter fences that conceal trash or mechanical equipment.

Vinyl fences have increased in popularity over the years owing to their minimal maintenance requirements, affordability, and durability. New Generation Landscaping & Fence provides a diverse range of fence options. The company is always eager to assist their clients in finding the best one for their needs. Customers may choose from a variety of vinyl fences Peabody MA.

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