#for instance: i probably don't want to do a pattern that's just one big piece like this again.

[brostateexam]

19% done and I am learning some things about myself.

excited to be done with the leather armor and to be back to stitching in the more brightly colored bits in a few more sessions

[soft--dragon]

hello soft—dragon!! i’m very sorry to be a bother, and i don’t mean to rush you on any terms.. but i was wondering if you have any tips for beginner artists? like maybe what to do if you have writer’s block?

again i am not forcing you to answer at all and am just curious as you are a great role model of mine and i have admired your work ^^

so get to this whenever you can, or don’t! anything’s ok with me, have a wonderful day/night/morning/evening/dawn!

Hi Fengári :D 💙

You're not being a bother at all sweetheart, don't apologise for sending a message, my inbox is open to everyone <3

Any tips for beginner writers? Well, I'll list some and we'll see if they're any help to you ^^

When starting out a new fic/mini story, I tend to think about the general plot or storyline I want. It never has to be concrete, it usually changes with time so giving yourself that flexibility to shift ideas around is helpful. Consider what you want the outcome to be for the characters and something you want to happen to them - e.g they get a hug, they get a kiss, they get hit, they get sad, they get angry, ect. When you have the idea of the story plot, you can make a start on the writing

What I sometimes tend to do with writing, is create some set up or scene setting because I like creating an in-depth scenario for my readers. The story background before the main plot will be very dependant on characters and universe the characters are set in. By giving more context you're providing a clearer image for the reader to visualize.

Sometimes I struggle with an intro, so what I do is either start at the middle and move forwards, or write the ending itself first. When that's done, I'll work backwards to make an intro and link the start, middle and end to have a clean, concise flow. It's an odd method, but it works for me as I'm setting the main point and just having to add the extra bits around it to make a fic

Dialogue, to put it simply, sucks ass sometimes. Writing speech for characters can be really difficult to articulate and seem accurate to the people talking. When I write, I tend to put on a video or episode with the person I'm writing about so I can hear their speech patterns and figure out ways they'd speak to others. That helps create an accurate depiction of your writing subject

This is probably me being picky, but I hate using the same word twice. For instance the word 'said' is very overused in books sometimes, so it's really good to add more variety. Words like 'chirped', 'snarked', 'spat', 'hissed', ect are all good replacements and gives more insight into how the character is speaking. Repetition of a word can be annoying and take you out of the story, this is something that's happened to me before

Punctuation. Grammar. Correct paragraphing. These are important. While it can seem like a grievance to do so much work for your fic, it is so good to see it and helps the flow of the story. A story with a lack of grammar and punctuation can be difficult to read, and that will lose you readers. By putting in the effort to correct your story's punctuation, you're strengthening your writing abilities. Reading your story aloud will provide some insight into where to put commas or end the sentence. Adding a comma or full stop after a character speaks helps with the pacing of the story. Making the paragraphs fairly big won't seem overwhelming for the reader, keep them at a moderate size

Writers block is the absolute worst. I hate it. My way of coping with it is jotting down story points I want to happen and working on it in bits and pieces to build up the flow again. They never have to be concise at the start, they could go; "Character A is looking over the water" to "Character B rips Character A's arm off". How did this happen?? That's what you're picking apart to build up.

Another thing I do to handle writers block is read other people's stories and headcanons, it helps spark your own ideas and how you could integrate them into your story. One thing I will say, and I cannot lament this enough, DO NOT JUST STEAL THE IDEA FROM SOMEONE ELSE AND CLAIM IT AS YOUR OWN. You're more than allowed to gain inspiration from them, of course you are, but outright stealing the concept is just wrong. Anyway, reading other people's stories is also really cool because holy shit some people are talented and deserve praise for their stuff. Reblog! Comment! Give Kudos! Bookmark! Talk in the tags! Whatever platform you're using to read, make sure to give the writer praise and love because it helps them keep creating!! <3

It's always good to look back on your work with fresh eyes! If you're struggling to write something, take a break and work on something else then return to it. You'll notice any typos, mistakes or story issues by coming back after a while, and you'll be able to continue the story (trust me this works)

If there's anything else you need some tips/advice/help with writing, my inbox is open ^^ I hope you're having a wonderful day/night love (/p), thank you for sending in your ask :D

[patchun]

after many hours in UM and 1cc'ing with every character, i can finally present my card tier list! some of these rankings are based on personal preference. for instance, some tier lists have placed remilia at s tier, and i don't DISAGREE with that. it's a really good card, but i just don't enjoy it as much. so in a way, this is very much "the casual player's tier list". i will explain some things below if you're interested:

S tier

Saki is in S tier because her card is ESSENTIAL, in my opinion. The damage difference is really important for every character, and at least as far as I can tell, it doesn't drop off late-game, either. If someone informs me that it does drop off when you hit full power, i'll be removing it.

Now you may ask: why Miko? Sumireko and Piece are so good, and you just talked about how good Remilia is. Well, I like Miko because with those other cards, I tend to accidentally try to use them as death-bombs. And of course, that never works. None of the active cards function as death bombs, so that false sense of comfort does me in more times than not. For that reason, Miko's active is good for me, because if you want to use it well, you have to use it preemptively. There are cards I know I struggle with, or midboss sections like stage 4, 5 and 6 mid - that Miko can handle so long as you use it at the right time. Byakuren isn't ESSENTIAL for Miko to be good, but it makes the active a lot better and reduces cooldown. If you have Miko, Byakuren probably goes to S tier.

A tier

That said, if you can't get a Miko, Sumireko is the second best bet. Her little circle of invulnerability can come in really clutch if you can use it at the right time (or remember to use it at all LOL). Byakuren would go in S if Sanae, the definitive best character (those who say Reimu is... you're crazy, snakes are too powerful), actually needed it. But she doesn't. Sanae's bomb is already insanely strong, and she doesn't really need Byakuren's help. That said. With Byakuren she becomes even stronger. So in retrospect, I think I should have put Byakuren in S tier. It just feels good, and that's important!

Speaking of remembering to use ability cards and bombs, though... Eirin can be a real run saver. Near the end of the run, you can start getting tired. If you have a silly death that could have been prevented, you may get discouraged. In those situations, it can be easy to snowball into a defeated spiral and keep dying over and over, without even bombing! But Eirin has the power to prevent that. More experienced players may find this one useless, but if you're just trying to 1cc these games for fun, Eirin can be quite good!

Mokou is good if you can afford her for obvious reasons - but be careful not to spend too much power later on to get this card. The later stages become quite difficult when you're low on power - you can go into a loss snowball really quickly because you can't clear enemies quick enough so the screen fills with bullets. To get Mokou you kind of need to be on a positive snowball.

B tier

For B tier, the top three equipment options really depend on who you're playing and what you need. For Sanae and Reimu, I think Mini-Hakkero is really good. Based on my testing, Hakkero is better than Needle and Missile, so in comparison, the other two are probably not worth it.

Sakuya B has in my experience been a GREAT card for both Marisa and Sakuya. The knives can be hard to aim, but they seem to do quite a bit of damage, so they really help to make up for the lack of range on both Sakuya and Marisa. Honestly though, I think they'd be fine on anyone. I haven't seen anyone talking about them but... yeah, they're underrated. Another thing is: they feel good.

Then, yin-yang orbs - I just think these are nice to have. They're better than snakes as equipment primarily because they can hit behind you, but I also think they have more consistent dps. Snakes miss a lot more often, which isn't really a big deal when you're Sanae who has 4 snake outlets, but it is a big deal when there's only one snake.

Alice doll - I'm pretty sure this is good. It moves quickly, homes in on stuff, can hit behind you, increases DPS, isn't too expensive. I like to take this when I see it.

Then, lives. Lives being only 80 money can be a big deal. In quite a few of my runs, I've taken lives 3/5 stages because I was just not very lucky with card selection, but I still managed. Lives are very strong if you can manage to not waste them and remember to use bombs.

Yachie's card is good if you can get it early - it wouldn't be in B tier except it's very, very cheap. Only 140 iirc. Now, the UFO... why did I choose that as my best bullet eraser? You may say: patchun, you've said in the past that Okina is really good for erasing bullets! And yes, you're right, you're right - but Okina is really only consistently useful for that one Chimata card, and once you learn that card, it's not very difficult to avoid. Plus, UFO can help with that card too! UFO doesn't give a fuck what it touches, it will erase it. It doesn't have a cooldown as far as I can tell, so it just erases everything in a circle around you constantly. I rank it this high up because UFO saved my ass MANY, many times against Misumaru, who is in my opinion the toughest boss in the game. UFO can destroy yin-yang orbs, so it makes several of her patterns a lot easier. Not even Sumireko can destroy yin-yang orbs. If you happen to see UFO and nothing else, and if you don't think you'll be distracted by it, try it out.

Few more comments

I think Sanae Frog is good on Marisa and Sakuya. Not better than the equipment cards in A tier, but good if you see it. I think anything that helps with Marisa and Sakuya's horrible range is great for them.

I've seen Sannyo card ranked pretty highly, and maybe if you get it early on it is, but I don't feel like it's worth a place in your starting deck, personally.

Mamizou can be good if you've already snowballed as a way to prevent a downfall. But I don't think she's worth picking up early at all. And Keiki's bullet erasing is good, but I found it often erased something I didn't need it to erase just to fail at erasing what I did need it to erase. Probably better than nothing, but far from a must-have, and the no-CD on the UFO and backdoor having very little CD makes them stand out for erasure.

I've heard good things about Aya, as well, but I personally never take my hand off the shoot key. Yuyuko's card may save you in a miracle situation but it's just very unlikely, honestly might be more startling than helpful. You generally know when you're about to die, so when you suddenly don't, it's like... your brain hasn't processed correctly, so you probably just die soon after. Sakuya left-right knives suck. Don't use them lol.

And finally, Utsuho is such a funny card. But... power is such an important resource in this game, with how snowball-y it is, that I could never justify using Utsuho on a serious attempt. I'd love to see some Utsuho challenge runs though.

[schraubd]

I Have To Talk About Omar and Melton-Meaux, Don't I?

I really don't want to. I really, really don't. But sometimes something falls too close to your wheelhouse to ignore it. And with separate antisemitism controversies hitting both Rep. Ilhan Omar (D-MN) and her main Democratic primary opponent Antone Melton-Meaux within a few days of one another, I -- writer on antisemitism and former resident of Minnesota's 5th congressional district -- probably can't sit this one out. As much as I want to. Which I do. Both candidates are under some fire for things put in campaign communications. Melton-Meaux released an "FAQ" which included the questions "Why do you have so much support from Jewish people/pro-Israel people" and "Will the money you received from the Jewish community influence your policy decisions?" (to the latter of which he replied "no" and noted his opposition to many policies undertaken by Israeli Prime Minister Bibi Netanyahu). Omar's allies said that by implying that Jews only care about Israel-related issues and supposedly conflating "Jewish people" and "pro-Israel people", he was invoking in veiled fashion a dual-loyalty trope. Omar sent out a campaign mailer accusing Melton-Meaux of being in the pocket of conservative, big money interests, with all of the named donors being Jewish (plus a "Michael from Scarsdale, New York"). This was alleged by Omar's opponents to be an allusion to his opponent being "bought" by Jews (cf. fellow Minnesota Rep. Tom Emmer (R) sending out a mailer naming three Jewish billionaires who had "bought" control of Congress). What do I think? Most importantly, while I don't think there is no fire behind this smoke, obviously a lot of the high dudgeon on display here from both sides is really just shots-of-opportunity. That's not exactly surprising, given the nature of politics and all, but still disappointing. I also reiterate my point that while people outside of the 5th District only care about this race for Israel/antisemitism/Islamophobia reasons, the dynamics within the district are generally concentrating on other things (including whether Rep. Omar is more concerned with her national profile than with the particular needs of her district). On the specifics: Melton-Meaux's FAQ is clearly styled as responding to "questions" that amount to hostile whisper-campaigns (i.e., that he's a stalking horse for far-right Jewish and/or pro-Israel interests). On one level, this is why I don't really see the first question as conflating "Jewish" and "pro-Israel" -- aside from the fact that they are listed separately, in context it denotes two variants of a similar question he receives (and the questioners probably aren't too fastidious about the distinction). But the problem with such whisper-campaigns is that it can be really hard to respond directly to the allegation without in some way legitimizing or retrenching it. Imagine being asked if a candidate supports "the gay agenda" -- you can't really answer "yes" or "no", because the entire way the question is framed makes answering it a trap. This is why you don't accept your opponents' framing of questions, as any halfway competent campaign should know. Doing otherwise means you suddenly are putting out statements answering questions like, well, "Will the money you received from the Jewish community influence your policy decisions?" There's no good answer to that question, which is a good sign that Melton-Meaux shouldn't be asking it to himself. To the extent that some Jews cringe while reading it, he has no one to blame but himself. As for Omar. While all of the named persons in her mailer are Jewish, none of them are specifically identified as Jewish (the theme of the mailer is that many of his opponents' donors are backing him solely because they hate her, which is probably true).  But on face, this doesn't distinguish her mailer from Emmer's, or Trump's 2016 "closing argument" ad which featured Hillary Clinton and then three Jews associated with money -- George Soros, Janet Yellen, and Lloyd Blankfein (none of whom were explicitly identified as Jewish either). For those in the right circles, Scarsdale is well-known as a very Jewish and very rich town (hence its appearance in the "JAP battle rap", featuring "two hard-as-nails she-brews from SCARSDALE!"). It is fair to say that few people in Minnesota are likely to know this though (had she called out donors from St. Louis Park, by contrast, everyone in her district would know what she meant even as nobody outside the Twin Cities would have a clue). On the whole, my real takeaway is feeling more convinced than ever about the need to think about antisemitism less as a question of motives and more as a question of impact. It strikes me as implausible that Melton-Meaux was intentionally trying to antagonize the Jewish community by loudly disavowing his support; it was an awkward effort by a novice campaign staff to respond to a smear -- but one that nonetheless retrenched the perception that the Jewish community is a force one needs to declare his independence from. Melton-Meaux may be a political newbie, but he has an obligation to be attentive to that dynamic and not blunder into traps quite that obvious. With respect to Omar, I likewise find it highly unlikely that her campaign staff went on a hunt for rich Jewish donors to her opponent in a sly bid to dog-whistle at her opponent being owned by the Jews. Nonetheless, it is probably the case that the Jewish associations of the people cited -- while not likely to be picked up by many if not most of her readers -- likely do help make the attack land more effectively for those who do spot the pattern. I've written elsewhere about how one thing antisemitism does is it greases the wheels of plausibility; when you're trying to tag your opponent as in the bag for big Wall Street money (or Marxism, or "globalism" for that matter) it just feels more right when there's a Jewish hook to go along with it. It's in accord with deep-seated background intuitions, it makes the entire package feel more harmonious. This is one reason why I think someone in the Omar campaign could have reasonably been expected to check and see whether everyone they're talking about is Jewish -- and if not, find some different names (one has to think that there are some non-Jewish rich people who also are pumping money into her opponent's campaign, yes?). But ultimately, I think this is all relatively small fries. The hypocrisy is perhaps more bothersome than anything else. I get the frustration from Omar's allies that they think she's constantly being pelted with small-ball nonsense on the antisemitism front, and so perhaps they think turnabout is fair play when they can accuse Omar's opponent of being the "dual loyalty" trope guy (you can almost feel the catharsis from here!). But either they think stuff at this level is fair game or they don't; they can't have it both ways unless they really do believe that antisemitism can legitimately be treated as instrumental political football. And on the other side, regarding the conservative media ready to stand up and shout about "yet another instance of Ilhan Omar being antisemitic!" -- unless they're willing to concede that the bulk of the Jewish community was absolutely correct in saying that the contemporary GOP, what with its brazen targeting of Soros, Bloomberg, Steyer, etc., is shot through with antisemitism from root to branch, they need to sit the hell down. As always, however strong or weak you think the case for Ilhan Omar being antisemitic is, it's far less strong than the case for the GOP being antisemitic. If I have to listen to one more attempted gotcha from the Republican Jewish Coalition about Jewish Democrats staying out of the 5th District endorsement game, when they're affirmatively trying to put this guy into a Minnesota U.S. Senate seat, I'm going to have an aneurysm. Okay, I've done my duty. As a palate-cleanser, please read this lovely column by a Minnesota Jewish Republican explaining, in touching and heart-felt terms, why he considers Ilhan Omar a dear friend. It really is a nice piece of writing from a man whom I have to assume has decided he never wants to have any role in Republican Party politics again, because any public dictation about Ilhan Omar that's friendlier than "she's a she-devil" is grounds for immediate ex-communication from the party. And, just so nobody thinks I'm endorsing one way or the other (I'm not, and will not), read as well this column from Avi Olitzky explaining why he is such a fan of Melton-Meaux. via The Debate Link https://ift.tt/2ZUSIUn

[the-zodiacs-written-in-the-stars]

Chapter 18: Angelique Lamour

You make a beautiful mermaid, you know.”

“What do you want, Tony? You only give out free compliments when you want something.”

Angel smiled into her mirror at the image of Tony standing behind her. The heterochromic model ran a hand through his hair and pouted at her. He was looking pretty good himself as a merman, with the various shades of purple adoring his torso and face, patterns of scales making him look completely different. Continuing to smile, Angel fixed her hair a bit. Most of them had been finished with make-up, but the shoot couldn't start without the star; Poseidon. So they were all currently waiting for the finishing touches on today's center-piece.

“I was hoping you had some hot guy you could set me up with”, sighed Tony.

“...Are you serious?”, asked Angel surprised and turned around in her chair. “You?”

Tony huffed and crossed his arms. “Look. I'm aware I'm an absolute catch and I have no problems batting my eyelashes at a guy and make him buy me a yacht. But that's all so... superficial.”

Heaving a dramatic sigh, Tony sat down on Angel's vanity, pouting at her. “Kit's been talking all about the cutesy little dates that Joss has been having with that hot lady doctor Laureen set them up with. So, I figured, maybe stop seducing rich guys who just want sex, maybe ask a good friend to set me up with someone they think is a good match. Congrats, you're the friend I chose because Kit is too much of a lesbian to even acknowledge that men could be dating material for others, she just wiggled her nose at me and glared in a very disturbed way. So. Set me up with a guy.”

Angel smiled at that and perked up a little. Tony was right, Joss had been happier in the past two weeks than Angel had seen them in a long time. Maybe if finding a date yourself isn't working, trusting a good friend can work. She was more than happy to help. Just to deflate a little.

“I... don't exactly know a lot of gay guys. Or, you know, guys on the gay-spectrum. Uhm. Would you say that like that? Like, bisexual and pansexual men”, elaborated Angel before pausing. “Actually no never mind I just had an absolute genius idea! Oh!”

She suddenly jumped up in excitement and got her phone out. Tony raised a suspicious eyebrow.

“Do not make me regret this, Lamour!”, warned Tony seriously.

Angel just giggled delighted while texting before holding up her phone and taking a picture of Tony. Look at that pretty face. Fancy a date with him? 28, professional model, hobby baker and artist at heart. He's a cutie! And you've been a sulking single for OVER a year now!!!

“Just you wait”, chimed Angel and pulled up a picture. “Look at this. Would want to date him?”

Tony made a drawn-out humming sound. “Cute. Freckles. Bit of a kitten-vibe and I'm more of a puppy-person. But sure. Nice to look at. Seems... familiar somehow.”

“He's my ex. Jamie, the pub-owner”, offered Angel, tilting her head.

“Mh. Business-owner”, whispered Tony. “Nice. Okay, sure. If he's on board, set us up for a date.”

Angel made a delighted noise at that, before someone cleared their throat next to them. Both models turned to look at Noxia Black. The photographer looked incredibly unimpressed, a glare on her face as she tapped her fingers against the side of her camera.

“If you two are done playing dating app, you're at work here”, grunted Noxia annoyed.

“Sorry, boss lady”, grinned Tony and Angel sheepishly.

“I'm not the boss lady. She is”, stated Noxia and jerked her head toward Sonia Gold.

It wasn't necessarily regular for Sonia to sit in on a shooting herself. Tony and Angel exchanged a curious look. Granted, this was a huge shoot for this campaign. Poseidon had first been presented as a competitive swimmer, showing off the swim-suit line-up together with other such sea deities. After the first big ads had been aired and plastered all over the streets, showing the athletic Olympic gods in Chiron Training gear, they now wanted to broaden the campaign and double down on the mythology. Poseidon presenting a gold-medal to an actual Olympic gold-medal winner, with the other models who played the Olympian gods dressed as mermaids and mermen surrounding them as bystanders. Angel absolutely loved the pitch for this one – and the costumes!

“Don't be bothered by the boss”, assured Sonia with one of her charming smiles.

Sonia Gold fascinated Angel. She was downright perfect. Always perfectly dressed, with no wrinkles on her clothes, not a hair out of place, make-up, shoes and jewelry always fitting the outfit. She was the perfect image of a business woman the way Angel had always pictured them.

“What can we do for you, Miss Gold?”, asked Tony, his smile matching hers.

He looked amazing with the silk wrapped around his lower body, his upper body painted purple and with scales. The only thing missing about his outfit so far were the contact lenses meant to make him look like a predator. Angel understood that; she hadn't put hers in yet. They always irritated her eyes so she'd rather wait until they were necessary.

“When I was getting ready this morning, I was thinking about the shoot and a piece of my private jewelry caught my eyes. I thought that it would work wonders with the costume-design for you, Angelique”, explained Sonia and opened her purse.

She got a black box out and opened it to show a breathtaking pearl-necklace to Angel. It was a three-strand necklace with pearls of various white and blue shades and different sizes. The biggest pearl at the front of the upper strand looked as though it had an H on it. How curious.

“This looks beautiful and expensive”, noted Angel softly.

“Oh, believe me, it is”, laughed Sonia. “You truly think I own a single piece of jewelry worth less than 50k? Sweetheart, please. I couldn't embarrass myself like this.”

“So when you say that, just... how much is this one?”, asked Tony slowly, motioning at the pearls.

“250k”, replied Sonia with a smooth smile. “So try not to lose it and return it to me later.”

“W... What? I can't wear this”, sputtered Angel flustered. “Sonia, please.”

“Oh, nonsense. I have over half a dozen pearl-necklaces”, dismissed Sonia casually. “I saw the design-pitch from Elizabeth and knew something... eye-catching was missing. This, this will do. I want this campaign to be perfect. Now, back to work, people.”

“You heard the boss lady. Back to work”, repeated Noxia louder. “Let's get this shoot started.”

~*~

Angel had a skip to her step as she walked the halls of Gold Standard, heading toward her best friend's desk. Joss looked deep in thought, hunched over their laptop. For Angel, who had come to the US from France, it had been strange to talk about a single person with plural pronouns because they were gender-neutral. That just did not naturally exist in the French language in the way English offered 'they' and ever since meeting Joss, Angel had come to appreciate this special thing about the English language. Because while Joss mostly preferred either 'she' or 'he', Angel was not a mind-reader and when not with Joss – which was generally the main instances when one used pronouns for people – Angel couldn't always know what pronouns Joss preferred that day, unless she had talked to Joss that day beforehand. Angel had voiced that confusion to Joss after the two had first become friends and Joss had encouraged her to use neutral pronouns then. Most working close with Joss knew and respected that. And some days, particularly when Joss was already stressed and telling people what they preferred was just too much work and too exhausting on top of everything, Joss just generally went with 'they'.

“Yo—ou look like you could use a cupcake.”

Smiling, Angel placed a cupcake with blue frosting in front of Joss. Blinking a few times, Joss looked up at her. After taking a bite from the cupcake, Joss offered Angel a small smile.

“Thanks”, mumbled Joss around the bite. “Sugar and food was exactly what I needed.”

“Wonderful. So that will make it easier to get details about your date”, stated Angel eagerly.

“Oh no. No. Don't”, groaned Joss. “Why are you so invested in my love-life?”

“Call me Amor, I seek love-stories”, chimed Angel. “Come on, please. You've been so busy lately, you and Sunny must be going on a ton of dates, right?”

Joss shifted a little and cleared their throat. “It was... very nice. Unexpected, to be honest. I've never been to a charity gala before. Gave me an excuse to wear that fancy cocktail dress you gave me for my last birthday. Savitri was... flustered and gaping at me. It was... a nice feeling?”

Angel giggled a little at that and sat down on the edge of the desk. “I like this new thing you have going on. With the smiling and the staring at your phone with a far-off look when she texts you.”

“Shut up”, grumbled Joss and tossed a piece of cupcake at Angel. “Did you just come here to torment me and interrogate me, or did you want something else...?”

“Yes, I wanted to go get lunch with you. And before that, I wanted to drop these off with Sonia again. They're... hers. She gave them to me for the last shoot.”

Her fingers played with the pearls. Joss narrowed their eyes at Angel. Some days, Joss presented as very feminine – with the hair, make-up, heels and wearing a skirt-suit. Angel had come to realize that the most strict of dress-code, pants and vest, when Joss would also be binding and usually had the hair up in a bun, usually meant that Joss was presenting as a guy that day. Angel, as a model, knew that clothes by far weren't everything. And then there were the more ambiguous days, or the days where even though Joss was feeling female, she still had no mind/focus/time to put thought into make-up or hair, so it was tricky to judge based on looks alone. Angel had to admit, it had fascinated her a lot at first – when she had come to Los Angeles, she had just been nineteen and only had a vague understanding of trans people existing, but a broader spectrum? She had tiptoed a lot and probably asked many inappropriate questions, but Joss had been very indulgent and patient. Which, Angel now knew, was really not something Joss had owed her and, the more often Angel saw it, saw people who did not understand anything about Joss' gender-identity, the more Angel understood just why. It really couldn't be Joss' responsibility to explain everything to everyone. Moments like those had Angel realize just how easy her life was, being CIS and also being straight. Well, the whole being pretty, white and from a well-doing European country also helped.

“Sonia is out on a lunch-meeting with Carroll Lewis”, informed Joss.

“Carroll Lewis? Like the CEO of Red Queen Records?”, asked Angel in awe. “Oh. I mean, I know they work together on many occasions, but... oh, basically all my favorite musicians are under that label. She has such a keen eye for talent, it's amazing.”

“Mh”, grunted Joss with that furrow-browed look.

“What? What is it?”, asked Angel curiously as the two of them left Joss' desk behind.

Joss led the way to the elevator. “I... have a bad feeling about her. Something about Miss Lewis is... peculiar. And not in the quirky, adorable way you are peculiar.”

“Hey”, huffed Angel with a pout. “I think I may take offense to that.”

Joss quirked their lips as they entered the elevator to make their way to get lunch.

~*~

They barely made it into Liddell's Sweets, by pushing past panicking people. Angel gulped and felt herself immediately pushed behind Joss. She stared wide-eyed over Joss' shoulder just to see the chaos. Costumers, turned to stone. Statues now. Behind the counter, a purple-skinned, scaled version of Laureen Liddell, hissing – no, her hair. Her hair was hissing. Her dreadlocks having come to life and turned into dozens of snakes. Angel squeaked high-pitched.

“What is that?”, exclaimed Angel.

“You need to get out of here”, ordered Joss seriously. “Now.”

“Oh, I am not leaving without you!”, stated Angel sternly, grabbing Joss' wrist.

Joss tried to wrangle out of her grip, but for someone as petite and dainty as Angel, the model really had an iron-grip when it came to protecting those she loved. Only around the corner did Joss manage to shake Angel off, but the blonde still stood close, glaring fiercely.

“What were you planning?”, hissed Angel. “You're my best friend, I won't have you throw your life away trying to save people when you are clearly not qualified! The police, or the local superheroes, are going to take care of this, I'm sure.”

Joss' lips thinned and their face hardened. “Angelique, this is not the time for arguments, this-”

Before Joss could continue with the preaching, a bright blue glow emitted from the pearl-necklace. Moments later and there was a... fish... floating right in front of Angel's face, bubbles – no, that was actual water but it looked like bubbles – floating along with the fish.

“Hello, I am Pisces. Please cease the quarreling, it is unproductive. That in there is Como Berenices, a powerful constellation under the element of fire. Her stare can burn the life away from a person. I am water personified. Pisces, leader of the water-signs. Best equipped to fight them.”

“I... I... The fish is talking. The fish is talking, Joss”, hissed Angel.

“So... Pisces has been laying around at Sonia's place unused”, whispered Joss wide-eyed. “Of course, she is not born under your sign so even if she found the pearl and thought it pretty, it was useless for her because the Zodiacs can only attach themselves to someone born under their sign.”

“What are you talking about? Zodiacs, like the superheroes?”, asked Angel surprised.

“But... You said that Sonia gave you the necklace? You, specifically?”, asked Joss, looking at Angel.

“Hello? Can we please focus on Coma Berenices in there?”, requested Pisces, flapping her fins.

“Yes, Sonia gave them to me, but... So, am I a superhero now?”

Angel looked from Joss to Pisces, completely overwhelmed. The little fish nodded and smiled.

“Close your eyes and concentrate on your costume and a weapon of your choice”, instructed Pisces.

Nodding, Angel did as she was told. She made a delighted sound when she opened her eyes again and turned to look into the window-front of the long-since abandoned store next to them. Most businesses around had already been evacuated thanks to the villain-attack on the café. She was wearing a strong, if her wishes had been fulfilled bullet-proof, shirt with frills running out looking like scales, her waistline highlighted like she remembered seeing mermaids in cartoons, the skirt light and wide enough to allow for good leg-movement. Her shoes were sturdy boots matching her shirt and her mask in color. Light blue, nearly cyan. Her lips were a darker shade of blue, matching the shells woven into her long, blonde hair. A braid was far more practical for fighting. And in her hand, she was holding a trident as long as she was tall.

“You look ridiculous”, whispered Joss softly. “How does a professional model have zero taste in fashion, I just... don't understand that...”

“How is that the reaction you have to me becoming a superhero and just... sparkle-changing into a new outfit! There is a flying, talking fish right there!”, exclaimed Angel frustrated.

Joss looked at her fondly before rubbing their cuff-links. A blinding, white light surrounded Joss and when it faded, they were wearing a gray cloak over a black and white checkered outfit. On their shoulder sat a black and white owl. But not like a snow-owl black and white, no one half was entirely black and, split in the middle, the other half was white. How... huh.

“This is Gemini, my partner. I've been... working in the shadows until I joined the Zodiac alliance recently”, elaborated Joss with a sigh. “Pisces. You sure it's a good idea to send Angel in there? She hasn't had a day's worth of training, not with her powers or her weapon.”

“Oh, please, dear”, huffed Angel offended, whirling her trident once. “You think I'd cook up a weapon I can't use at least some? I've learned to fight with a staff and I've actually fought with lances before, on horses, when I was working the medieval fair during high school. This? Can't be that much harder. Same principle, just got three points instead of one.”

“The important thing is: You need to concentrate. Your focus is your main weapon. If you focus, you can control water”, stated Pisces seriously. “How much and how far your reach is, that depends on just how well your grip on your concentration is.”

Angel locked eyes with Joss and nodded firmly. Together, the duo ran out from the alley and right into Liddell's Sweets. Joss immediately reached out to cover Angel's eyes. Right. Looked like Medusa, had the powers of Medusa, probably. When Joss removed their hand again, everything around them was foggy. They could vaguely make out shapes, but such a thing as actual eye-contact was impossible. Angel turned to look surprised at her best friend.

“Gemini is under the element of air. I learned to... work with that”, whispered Joss. “Make the air thinner, warmer, colder, thicker. Fog... is pretty easy. But now we have to stay alert.”

“Okay. So. What is this? I mean, this... thing... is... possessing Laureen?”, asked Angel confused.

“Sort of. Your power, your costume, your weapon, they come from a symbiotic bond with Pisces. This is... a more parasitic kind of bond”, replied Joss quickly. “We need to wash it out. In my experience, knocking them out severs the bond. An unconscious body can't be used. When they part, we have to collect the... pearl. Contain it. Got it?”

“Exhaust, wash out, take the jewelry. Simple enough”, nodded Angel seriously.

The hissing of snakes was the only warning before teeth sank into Angel's arm. She screamed and tore her arm away from the vicious Medusa-like monster that used to be this kind, sweet baker.

“If we hurt it, do we hurt her?”, asked Angel panicked.

“It... depends”, sighed Joss. “I don't know for this one. Some are capable of protecting their host.”

Angel stumbled over a petrified customer on the ground. Were they dead? Would they turn back? No time to think on that. Her head snapped up and she zoomed in on the bar.

“Okay. Okay. Okay. Can you distract her?”, asked Angel. “Buy me some time.”

“Sure. Be... careful, Pisces”, requested Joss concerned.

Joss kept their head down as they started fighting hand to hand against the alien symbiote in front of them. Angel hurried over to the bar, turning on the faucet, using everything she could find that was liquid – coffee, tea, even the water from the flower-vases on the table. Closing her eyes, she lifted all the water and aimed it at Laureen-not-Laureen. The snakes screeched as Angel surrounded them in a cocoon of water, causing Joss to immediately back off.

“Pisces. What are you doing?”, asked Joss loudly.

“You said passing out makes them part. So I make her pass out without hurting her. Well. Without hurting her too much. She just has to lose conscience. So. Shut up, because I don't wanna drown her and have to concentrate over here”, barked Angel out.

Joss looked honestly taken aback by that, but remained quiet after. Coma Berenices struggled, until she didn't and her form floating in the pillar of water became limb. A purple light faded from her and left Laureen, snakes turned back to limb dreadlocks. Angel immediately dropped the water, while Joss hurried over to give CPR. When Laureen was spitting water all over, Angel picked up the small marble. Purple and glassy. She blinked curiously and pocketed it.

“What... happened?”, asked Laureen, voice raspy.

“Nothing to worry about. You are safe now, random citizen”, assured Angel.

Joss raised an eyebrow at that, though they then urged Angel on to leave the café behind while the petrified customers slowly turned back human. The two made it around the corner before turning back to their civil identity. Angel handed the marble over to Joss.

“I'll take care of this”, nodded Joss, frowning. “But there are other things that worry me more. Sonia had a Zodiac, just like that. And then knew to give it to someone born under that sign. Then she happens to be out for lunch so you can't give a three-hundred thousand dollar necklace back.”

“You're... not suggesting that Sonia Gold is... involved with this, right?”, asked Angel worried.

With a head-shake, Joss sighed. “Come on. Let's go get lunch, Angel.”

Read here on AO3!

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[itsbenedict]

Two-Faced Jewel: Session 6.5

A half-elf conwoman (and the moth tasked with keeping her out of trouble) travel the Jewel in search of, uh, whatever a fashionable accessory is pointing them at. [Campaign log]

Last time, Looseleaf and Saelhen fought their way to the top of the evil torture tower of the evil torture wizard- only to find out that the guy's been dead for at least a year, and that a dragon has apparently been squatting in his tower. Not content to wait another week to find out what this means, we had an off-schedule mini-session wherein the party finished exploring the unexplored nooks and crannies of Lumiere's Tower.

The first thing to deal with is the thing blocking their return down the stairs- there's a weird big metal coffin-looking dealie that waddled up to the stairs on the fourth floor, but couldn't chase them any further. Going back down, though... they could take a window, but they figure there's no way this thing could be a serious threat. It can barely move, after all- they can probably just push it right over!

Looseleaf pokes it with a stick, and its front splits open down the middle, revealing a giant maw of horrible spikes which snaps at her threateningly.

So it's an iron maiden! Adorable! Still doesn't have legs, or arms, so it's fine, right? They can just stand on the stairs and

whoops nope it's got animated canvas straps inside it that shoot out and ensnare orluthe like a chameleon tongue. okay. so maybe this monster is dangerous actually.

The ensuing fight makes heavy use of a mechanic in D&D called "called shots", where you can take disadvantage on an attack roll in exchange for inflicting some kind of injury on the opponent by hitting them in different specific body parts. They don't want to let Orluthe get shut inside and take a fuckload of stab damage, so they jam Looseleaf's quarterstaff in the doors, slice up its canvas straps, and by force of numbers manage to render nearly all its appendages impotent. The poor torture instrument has disadvantage on all its attack rolls after the called shots go through, and it can't land any more hits! The party eventually wears it down, and Looseleaf lands the finishing blow by scrambling its spirit.

All that's left in their way is the translucent red barrier blocking off the 3rd/4th floor stairs. Not finding anything on the fourth floor to shut it off, they just go via the window like before. Back down on the third floor, Looseleaf uses her spirit sight to notice that the barrier is connected magically to some runes inscribed on the central pillar- it looks like there's some sort of creepy puzzle involving stabbing creepy dolls with creepy doll-sized knives.

Not interested in risking whatever the consequences of solving the puzzle wrong are (given that they already have a way up and down), they move on.

While they're there, Saelhen decides to take another crack at the trapped chest she couldn't open earlier. Rather than risk the trap, she first spends some time expertly disarming the trap built into the lock, before working on the lock itself. A couple good rolls later, and they acquire the treasure! Which is... 60 gold pieces, and a piece of paper with a list of words.

Saelhen fails her Nature check, but Looseleaf recognizes the words on the paper as... the names of craters and other geographical features of the moon.

[WAR_FLASHBACKS.jpg]

No one's quite sure why a list of moon landmarks would be locked up in a highly-secure chest protected by a poison needle trap, but no one rolls high enough on Religion to puzzle it out.

Moving on down, they reach the second floor, which appears to be a laundry room of some sort. The sort where the irons and ironing boards and scrub brushes are alive, and appear to be washing the same clothes over and over and over to the point where most of them have been reduced to sparklingly clean rags. Seems like these animated household objects have been stuck on a loop for a good long time!

There's what appears to be an intact magical cloak hanging on a clothesline in there, but the party opts not to try and take it- doing so would likely provoke some protective laundry automatons.

Saelhen's plan to lure the scrub brush away from the washtub (for... reasons??) fails, since the brush doesn't seem to want to leave the tub- and it's visibly disappointed when Saelhen gives up.

So, they head down to the first floor, finally! As they head down, they're noticed by more animated knives... but it seems these ones have been tasked with cooking a delicious meal, which they happily serve up to the tower's guests! The wheelbarrow from before is there, too, supplying the kitchen with food. The only question is... who's been eating this stuff? Why is the table not covered in rotten, uneaten banquet, if the wizard's been dead? Who's been putting grocery money in the wheelbarrow?

Other things of note in the room...

Benedict I. (GM): The shelves around the center seem to be festooned with various trophies and awards. Looseleaf: trophies. what, like, participation trophies??? school trophies? piano recital trophies?? Benedict I. (GM): These would actually be somewhat recognizable to most of you- you've seen similar things in trophy cases at school. The plaques beneath them seem blacked out in various places- a lot of [REDACTED]. Looseleaf: warball champions of the 1034 school year? Benedict I. (GM): Often built into the plaques. Saelhen du Fishercrown: huh who redacts a plaque Benedict I. (GM): Like, there'll be a flat section of the plaque painted black like it was engraved that way

Looseleaf, with a 20, Investigates a bunch of pertinent information. For instance, a diploma:

Hal Lumiere, PhD in [______]. Blacksky University, Department of Restricted Arts

It appears Hal Lumiere was an alumnus of Blacksky's School of Restricted Arts- the same place Vayen is from. Lumiere was apparently something of a darling there, considering all the awards- but no one in the party has ever heard of him. Except maybe a certain someone who's not telling.

Looseleaf also finds some unopened mail! One is illegible, written in Abyssal, the language of demons.

(Lore note on demons: demons are just like other monsters- evil things that come up from below the mountains and cause trouble. They aren't generally aware of their origins beyond waking up in a deep cave, usually, and aren't motivated by much except causing conflict and hurting people.)

Another letter is written in Common, with just plain awful handwriting:

"hey Lumes why tf arent you home today u fuckin flake ass fairyboy. who am i supposed to get that dank good ouch from if youre off on magic adfentures. this months number shits are: 14.3 6755 304° and then the little bar thing was on the green side but wobbly. now gimmeeeeeee"

It's a bit of an enigma- but even more enigmatic is the third letter Looseleaf finds, written in a hand Looseleaf recognizes. Looseleaf knows who this letter was written by.

"Dr. Lumiere- find enclosed the new spirit hollowing diagrams and the corrected sigil of Aaaaaaagh. This should satisfy our agreement, so I'll leave you with a warning: the lesser gods are not to be trusted." "Yes, their revolution is our best shot at the Project- that much is obvious, barring a road to apotheosis. I understand we need to work with them. I doubt we'll have further contact, so I won't ask you not to reignite this argument- but insofar as it's at all relevant to you in the future, I favor your approach over Kron Green's." "But again, they are not to be trusted. The enemy of our enemy wishes mainly to supplant them, and despite their alliance, not all of them share the same aims. In particular, the one you've taken an interest in seems utterly hostile to the Project. " "If we are to impact the cosmic boardstate, we must play the game. Trust is the abdication of discovery. Choose your allies carefully." And then it is signed with a mark. The mark is of a book, facedown in the way that ruins the spine, sort of shaped to look like a skull. And the initials "Y.T." Looseleaf: youtube. the villain of our story, youtube. Saelhen du Fishercrown: trust is the abdication of discovery, what a goddamn motto Looseleaf: oh my god she's being so edgy well, that is characteristic of her.

She also finds what appears to be a trophy- but the trophy is shaped to look like a globe. Not of the Jewel, but of the moon. Obviously, they take it.

Some experimentation with the moon trophy seems to indicate that the locations marked on the paper from the chest draw out a sort of connect-the-dots pattern, which might be used elsewhere for some purpose. Whatever the pattern is meant to be used for, there's no indication of it here. All that can reasonably be inferred is that it has some connection to the School of Restricted Arts.

Meanwhile, the bookshelves have a few more things of interest. Amidst textbooks on neurology, magic, and speculative religion on a lower shelf, they find a hand-bound book that seems out-of-place.

Benedict I. (GM): Inside, it appears to be a diary. "i m choss n ths iss MY BOOK," it begins.

It appears to span several years of diary entries, from year 259 to 266- ending seven years before the current date, 273. The handwriting gets progressively less atrocious, and the entries are very sporadic- riddled with apologies to the diary for forgetting to write in it.

Benedict I. (GM): Choss, apparently, is a little girl who grew up in this tower. Initially she was very fond of her dad, the owner of the tower. Looseleaf: initially, huh. that's... a... great sign. Benedict I. (GM): Dad is a cool wizard who does fun magic all the time, which she helps with! She is very proud of how much pain she can withstand, and she's developed this sort of self-image as a connoisseur. Of pain. Saelhen du Fishercrown: hell Saelhen's face is getting progressively... stiffer, as she reads. Not angrier, per se, just... flatter. Benedict I. (GM): She helps out with the experiments except for not being allowed to take the hoods off the subjects in the lab. Looseleaf: Lumiere what the shit. Benedict I. (GM): And when there's no subjects, she fills in, and does a very good job, the best job. There's an entry describing how she designed a security system for her dad- she made some dolls and dad enchanted them so they open the door if you stab them right! She's very proud of it. You now know the order of stabs to disable the barrier. Anyway, the later entries seem to represent... entirely standard teen angst. Looseleaf: Hmm. Benedict I. (GM): Dad is being boring and not letting her do the experiments she wants to do and not letting her visit the towns and ugh dad. She gets fed up with him, and the last entry is about how she's leaving to go start her own life in Wheat. Looseleaf: REALLY NOW. Saelhen du Fishercrown: WELL. Looseleaf: ...god, maybe those rumors about wheat being full of insane murderous murder-os weren't, wrong. Saelhen du Fishercrown: if she is in fact a baby dragon Looseleaf: which is not at all guaranteed, by the way.

If you recall from a few sessions back:

To speak with a dragon is to be condemned to some sort of great misfortune, brought about by your own hand. You know the Simurgh from Worm? Listen to its song for too long, and you become sort of a sleeper agent of self-destructive carnage? It’s like a diet version of that. Whatever path your conversation with the dragon puts you on, it’s invariably bad for you, somehow. The metallic dragons, who’re ostensibly “good”, will still ruin your life in some way just by talking to you, even if your immolation does some good for the world on the way out. Nobody wants to talk to a dragon.

Also discovered in CHOSS BOOK is a brief account of a time she had to go to the basement, using the secret entrance underneath... something. Looseleaf almost immediately checks under the table they're sitting at, and finds... yep! A trapdoor leading to the basement!

Next time: the basement awaits!

[bathardkingdomcollection-blog]

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