#for now I just wanna make sure I don't kill the moon lesbians

[alicelufenia]

Terrified to continue my main save until Minthara's spoiler bug is fixed, so I jumped ahead a bit and previewed Durge!Alice and well I knew she was gonna be absolutely fucked but I mean

God's Least Tired Princess

Her vibes are so rancid even from minute one I love it

dad im scared 🥺

Oh yeah she's gonna be just fine

me when I when I purposefully spread false information in my camp

[theradioghost]

I don't know if you're still doing podcast recs, but if you are, I really like dramas, horror, sci-fi, honestly anything that gives you the feels (especially if it has lgbtq+ rep). I am not much of a comedy person though unfortunately. The only podcast I finished was tma and I really loved it.

The recommendations are always on tap here, whenever my askbox is open! You might wanna check out:

Archive 81, for a found-footage horror about mysterious archives of tapes full of encounters with otherworldly horror, dark rituals, cults, and a long-suffering archivist with the same name as the show creator who plays him, which despite all that could not possibly be more different from TMA and yet easily matches it as one of the best horror stories I have ever enjoyed. The sound design on this show is basically unparalleled – where TMA has fairly minimalist sound design, A81 goes all out. Quite a few lgbtqa+ folk also.

I Am In Eskew, for a surreal, Lynchian horror about the city of Eskew, where it’s always raining and the streets are never the same twice, as narrated by a man who is trapped there and the woman hired to find him. Take the most viscerally disturbing episodes of TMA as a baseline for how intense this show is, then imagine the Spiral built a city and invited all the other fears over for a party. Also right up there as one of my favorite horror things ever, and recently ended, so you can listen to the whole thing right now.

Within The Wires, for a found-footage scifi dystopia, telling stories from an alternate-history world. Three of the four seasons focus on lgbtqa+ leads, and the first season, a set of instructional meditation tapes provided to a prisoner in a shadowy government institution, is still some of my absolute favorite creative use of medium and framing device ever.

Kane and Feels, for a surreal noir-flavored urban fantasy/horror hybrid, about a magically-inclined academic (and sarcastic little bastard man) named Lucifer Kane and his demon-punching partner with a heart of gold, Brutus Feels. They share a flat in London, they bicker like an old married couple, and they fight supernatural evil. This show WILL confuse the hell out of you and you will enjoy every second of it.

Alice Isn’t Dead, for a weird Americana horror story about a long-distance truck driver, criss-crossing the US in search of her missing wife. Along the way she discovers that both of them have been drawn into a dangerous secret war that seethes in the empty and abandoned expanses of America, and that inhuman hunters have begun to follow her. Also finished! And as the title kind of gives away, the lesbians do not die!

Janus Descending, for a sci-fi horror miniseries about two scientists sent to survey the remains of a dead alien civilization on a distant planet, only to learn all too well why the original inhabitants have disappeared. You hear one character’s story in chronological order and the other in reverse, with their perspectives alternating, which is done in an incredibly clever way so that even technically knowing what will happen it still holds you in suspense right to the end. Also, it made me cry, a lot.

SAYER, for a sci-fi horror with a touch of dark comedy, and probably the single best use of the “evil AI” trope I have ever seen. Tells the story of employees of tech corporation Aerolith Dynamics living on Earth’s artificial second moon, Typhon, in the form of messages from their AI overseer SAYER. The first season is great, the second season is okay, and the third and fourth seasons are fucking amazing.

Tides, for a really interesting sci-fi about a lone biologist trapped on an alien world shaped by deadly tidal forces. It’s different from just about any other sci-fi I know, focusing more on the main character’s interactions with and observations of this strange new world, where she’s very aware that she is the alien invader. (Also I don’t think any of the characters are straight.)

Station to Station, for a thrilling sci-fi mystery where a group of scientists and spies on a research ship (the ocean kind) discover that the time-warping anomaly they’re studying might be causing people to vanish from existence. Corporate espionage and high-stakes heartbreak abound. (And once again I’m not sure anyone is straight.)

The Strange Case of Starship Iris, for Being Gay And Doing Crime IN SPACE! Or, decades after a war with an alien species leaves humanity decimated and under the control of totalitarian leaders, the lone survivor of a research mission joins up with a ragtag crew of rebels and smugglers to figure out why the very government she worked for tried to kill her, and to stop them from inciting a second war. 100% lgbtqa+ found family in space heist action and it’s glorious in every way.

Unwell, for the horror-ish Midwestern gothic story of a young woman who returns to her hometown to help her estranged mother after an injury, and discovers that there is something just a little bit wrong, not just with her mother, but with her mother’s house, and with the whole town. Subtle and creepy. The protagonist is a biracial lesbian, one of the other major characters is nonbinary, the cast in general is super diverse.

The Blood Crow Stories, for an lgbtqa+ focused horror anthology! The four seasons so far have been the stories of an ancient evil stalking the passengers of a WWI-era utopian cruise ship, a dark Western mystery about a group of allies trying to stop the mysterious killer known only as the Savior, a 911 operator in a cyberpunk dystopia who starts getting terrifying phone calls from demons, and strange and deadly goings-on at a film studio in the golden age of Hollywood. Everyone is Very Gay and anyone can die, especially in season 1.

The Tower, for a melancholy experimental miniseries about a young woman who decides she’s going to climb the mysterious Tower, from which no one has ever returned. Quite short and very, very good.

Palimpsest, for a creepy, heartbreakingly sad and yet incredibly beautiful anthology series. Season one is the story of a woman who suspects her new home is haunted, season two is a turn-of-the-century urban fantasy about a girl who falls in love with the imprisoned fae princess she’s been hired to care for, and season three is about a WWII codebreaker who begins seeing ghosts on the streets of London during the Blitz.

Mabel, for a part-horror, part-love story, the kind of faerie tale where you feel obliged to spell it with an E because these are the kind of faeries that are utterly inhuman, and beautiful, and dangerous. Anna, the new caretaker for an elderly woman, leaves messages for her client’s mysteriously absent granddaughter Mabel. An old house in Ireland has a life and desires of its own, few of them friendly. Two women fall in love and set out for vengeance against the King Under The Hill. Creepy, strange, and gorgeously poetic.

Ars Paradoxica, for a sci-fi time travel Cold War espionage thriller. Physicist Dr. Sally Grissom accidentally invents time travel, landing herself – and her invention – in the middle of a classified government experiment during WWII. As the course of history utterly changes around them, she and what friends she can find in this new time must struggle with the ethics of what they’ve done, and the choices they’ll have to make. An aroace protagonist, Black secret agents, time-traveling Latina assassins, Jewish lesbian mathematicians, two men of color whose love changes the course of time itself, this show says a big fuck you to the idea that there’s anything hard about having a diverse cast in a period piece and it will break your heart, multiple times. Also finished!

The Far Meridian, for a genre-bending, poetic, at-times-heartwarming-at-times-heartbreaking story about an agoraphobic woman named Peri who decides to begin a search for her long-missing brother Ace after the lighthouse in which she lives begins mysteriously transporting to different places every day. I can never forget an early review that described this show as “the audio equivalent of a Van Gogh painting.” Suffice to say it is beautiful, and fantastically written and put together.

What’s the Frequency?, for a Surrealist noir horror mystery set in mid-20th-century LA. I’ll be honest, I’m not sure I can really explain what goes on in this show, but it features a detective named Walter “Troubles” Mix and his partner Whitney searching for a missing writer. Meanwhile, the only thing that seems to be playing on the radio is that writer’s show Love, Honor, and Decay, which also seems to be driving people to murder. Fantastically weird, deliciously creepy.

Directive, for a short sci-fi miniseries about a man hired to spend a very, very long trip through space alone, which doesn’t seem all that sad until suddenly it hits you with Every Feel You’ve Ever Had, seriously I don’t want to spoil it so I won’t say anything more but listen to this and then never feel the same way about Tuesdays again.

Wolf 359, for honestly one of the best podcasts out there, containing all of the drama and feels, seriously this show ended over two years ago and I still cry literal tears thinking about it sometimes. It has definite comedic leanings, especially in the first season which reads a bit more like a wacky office comedy set in space, but it takes a sharp turn towards high stakes, action, and feelings and that roller coaster never stops. Take four clashing personalities alone on a constantly-malfunctioning space station eight light years from earth, add some mysterious transmissions from the depths of space, toss in some seriously Jonah-Magnus-level manipulative evil bosses, and get ready to cry.

or, may I suggest Midnight Radio? It’s a lesbian-romance-slash-ghost-story completed miniseries about a late-night 1950s radio host in a small town who begins receiving mysterious letters from one of her listeners, and I have been assured by many people and occasionally their all-caps tweets that it provides ample Feelings! (also I wrote it.)

[noctuascion]

I'm gonna make 2 requests, because I'm greedy and a little Cryptage starved right now. Also, you write so good and you have this way of turning a phrase that makes me super jealous so here goes. 1) FAKE DATING! Just... always with the fake dating. 2) Not sure how the lore works on your au but if it's applicable, either vamp crypto accidentally exposing wolf mirage to silver or wolf mirage exposing vamp crypto to sunlight.

;; Be as greedy as you want, sweetums. I love writing your prompts and also love you so it works out. uwu

Also, anything to keep me from falling asleep lol

I'll write your second request in a different post, but it'll be a bit. I write kinda slowly chjdjw ;;

--

Elliott Witt has had a lot of things happen to him. He's had first loves, first kisses, first everythings. He's done a lot in his life, but, in all his years of living and loving, he didn't think fake dating his rival would ever make the list. It did, though, as much as both of them resented it.

One of the promotional managers had called them in for a quick meeting. Basically, he laid down that they were to start appearing in public more and that they were doing it together. At first, Elliott had been on board. Having more time in the limelight sounded amazing, but then came in Park, who was now going to be his boyfriend.

Now, he's not saying Park's disgusting or revolting or that he isn't comfortable enough with his sexuality to be able to freely hug and tell his buddies he loves them (because, well, his only friends are a lesbian and a drug addict for the most part), but he's straight, a ladies man! Sure, the kid's pretty and everything, but he's not feminine either. He has his own special type of charm that's not entirely easy to put into words. (He has nice legs, though. Elliott will give him that much.)

He's glad, though, that he's not the only one entirely against this. Park managed to miss a lot of meet 'n greets, forgoing seeing his fans and opting out of photo shoots. He's rarely seen in public, and, if he is, he looks about as shady as a drug dealer—hiding his face, oversized clothing, etc. He hates the spotlight, Elliott quickly figured out, and that was his only real issue with this whole ordeal.

And when Elliott pointed out that he seemed to be perfectly fine with dating him, he called him what he assumes are curse words and insults in his native tongue before telling him he'd sooner date Nox.

However, their word was final, and the two were now a "couple" in the eyes of the public. Their fellow competitors were allowed insight on their little "agreement," and they did what any supportive friends would do: they laughed and wished the new couple a happy life.

Today was their first official "date" as a couple, so Elliott intended for it to be at least somewhat decent for them. He was aware Park hated public places, but they wanted them to be seen in public together. He couldn't please both parties, so he decided a small, family restaurant would be their destination. There wasn't a lot of people that normally visited, but Elliott was a personal fan of the food served there. The atmosphere was warm and friendly and he's sure Park would appreciate that much.

Why am I trying so hard again…?

Shrugging, he pulled on his second nicest jacket—a nice yellow shade that went well with his white shirt and blue jeans. His hair was done up in its usual style, though he lacked the goggles he normally wore, so his hair fell in his eyes a bit. He was sure Park wasn't going to try too hard, so he didn't either. It was a casual outing, after all; no need for either to wear anything extravagant.

Well, Elliott was wrong when Park met up with him wearing a white turtleneck, a nice black blazer, and matching slacks. He suspects a turtleneck because he's at least trying to hide his cybernetic implantations without being too obvious and still looking like effort was put in. There was such a stark color difference, though—he felt like the sun next to the moon.

"Oh, h-hey, you look…" Elliott trailed off, unsure if he should give a genuine compliment or play it off like a joke—but he's already stuttered, so he may as well commit, "… good—you dress up nice."

"Paquette and Wraith helped." He huffed, stuffing his hands into his pockets. "I wouldn't have put in so much effort otherwise."

"Such a heartbreaker, Kim."

Elliott chuckled before reaching out and opening the door, gesturing for him to hop inside his car. The hacker rolled his eyes before slipping inside, the trickster shutting it before hurrying to the other side.

"Where are we going?" Park asked once Elliott was inside, turning the engine on and beginning to leave the complex.

"I know you don't like public places, and a movie is a terrible first date, so I picked out a small family restaurant that has some of the best lemon cakes I've tasted. Not to mention some people will see us, together, so it'll make the higher-ups happy, y'know?"

"Hm. You're smarter than I thought you were."

"I'm full of surprises, sugar."

"Don't push your luck with this 'dating' thing, Witt."

"Oh! That reminds me—we should probably establish some boundaries." Elliott took a right, keeping his eyes on the road but focus elsewhere. "Personally, I don't really care. So long as we don't have sex, I think I'm good otherwise. How about you?"

"No kissing, holding hands, touching in general, stupid pet names, or sex."

"… Well, you've eliminated every possible way of showing we're 'dating.' Anymore you wanna ban there, kid?" Elliott sighed, stopping at a red light and looking over to where Park was seated, glaring out the window. "This is definitely more like a friendly outing, if anything, but no one's gonna talk about us if we just seem like friends. Higher-ups will have our necks."

"I take back what I said earlier. You're an idiot if you think I care about whether or not they're happy with what I do."

"All right, fair point. Can we at least hold hands? That shouldn't be too much to ask."

Park sighed, pinching the bridge of his nose and sinking into his seat. "Fine. If it'll get them out of our business, we can do that. But only for a few seconds."

"Gotcha. Man, whoever dated you in the past must've been as touch-adv—avd—ad—ad… adverse as you."

"…"

"…"

"…"

"… Holy shit—you've never dated anybody."

"Shut up."

"No, no, that just makes this whole thing worse!" Elliott began driving again once the red light changed to green. His eyes returned to the road as well, though he was no less focused on the topic at hand. "You're experiencing a date for the first time with someone you don't even like, a-and that's not fair!"

"I—"

"No, y'know what? No, you're getting a date. Getting everything! You're getting the ol' Mirage charm, gonna get swept right off your feet."

"Witt—"

"No buts! You're being dragged out of your cave and getting screwed out of a first date with someone you're actually interested in. The least I can do is be as good to you as possible."

Park only stared at him, silent, before an amused breath left him, letting himself smile. "Okay."

—;;

Park wasn't a conversationalist, Elliott quickly found out. He was very quiet and reserved, which didn't help much either. He was, however, a great listener, and Elliott loved to talk, so, in a way, it worked out for the better.

The small restaurant they were seated in was relatively quiet, but they could hear hushed whispers about them being together, seated in a secluded booth that helped alleviate any anxiety Park might have with being seen by a bunch of people.

The holographic expert had ordered himself a steak, medium rare, with a salad on the side. He opted out for any alcohol, since he was the driver and he had no idea if Park was comfortable dealing with someone drunk, so all he ordered was some tea. Park, though, only asked for steak fries and a soda.

"Y'know," Elliott said after taking a sip of his tea, "you should get more meat in your diet. Helps build muscle, gets some meat on your bones."

"Hm…"

"C'mon! You also never join us for dinner. Or lunch—or, actually, I don't… see you eat. You eat, right?"

"Yes."

Elliott hummed in suspicion, a hand smoothing down his beard, though Park's stoic gaze didn't relent any. "All right… What do you normally eat?"

"Usually from whatever takeout menu is closer."

"… How are you even standing right now?" Elliott looked sad for a moment before shaking his head. "Let's make a quick deal here—"

"We've already made a deal."

"Let's make another. If you agree to come out of your cave for breakfast, lunch, and dinner, I'll agree to do whatever you want. Anything. Well, except really bad stuff. Like, I won't kill someone. Too far."

It was Park's turn to hum, taking a sip from his straw, before placing the glass on the table. "I benefit from this more than you do."

"I get the benefit of helping my sweet sugar plum get better, even if it's just a little bit."

Park raised a brow. "What did I say about pushing luck?"

"Ya love me. You wouldn't leave me on our date like this… Well, I hope not."

Park wanted to roll his eyes, say "I would and I will," but he didn't. He kept silent, giving Elliott a look, who seemingly took the hint and changed subject.

"So, have you ever been asked out before?"

"Isn't that a bad topic for dates?"

"Just curious. Feel free to not say. Besides, it's not a real date."

"Don't let them hear you say that." Park stirred his drink with his straw absentmindedly, watching it fizz up at his ministrations. "No, no one's ever asked me out."

"Really?"

"You sound surprised."

Elliott laughed in disbelief. "Well, yeah! I mean, you're…"

"What?"

"I dunno—gorgeous, beautiful, cool and mysterious! You'd think girls would be all over you."

"I'm not exactly pleasant to be around, Witt. I'd think you'd have figured that out by now."

The trickster waved a hand, like he was denying Park's claim. "You're rough around the edges, but you're not horrible." He shrugged, taking another sip from his drink. "I'm sure someone out there's just dying to wanna date you! Or maybe you haven't met them yet. Who knows!"

Park let another faint smile curl his lips, looking into his drink. "Who knows, indeed."

—;;

Day two of their time as a couple was during a duos match (of course it was just them), and Elliott had counted this as possibly his most unlucky match.

They had landed at Epicenter and Park landed on top of the tower, alone, and Elliott landed on the ground with two other squads, one consisting of Nox and Octavio and the other being Natalie and Ajay. Nox had trained his sights on him immediately and began chasing him down (the sadistic bastard), and he had to rush to find a gun. All he could find was a P2020, and it wasn't exactly a fair match against the scientist's Spitfire.

Neither of them had any shields, but just a couple of shots from the toxic trapper's gun was enough to down him, slipping on ice and colliding with the hard ground.

"Oh—fuck!" the trickster cursed, trying to crawl away from the man towering over him. "C-C'mon, Caustic, don't you have anyone else to shoot at?"

"No."

"That's a lie and you know it."

However, before Nox could kill him off, the sound of a Sentinel going off, following by Nox quickly being down, sent a wave of relief through his system, looking over onto the cliff to see Park perched atop it, the bolt-action sniper in his hands.

No scope. That's kinda hot.

The hacker had shot off a few more rounds, and Elliott could hear Octavio shout in pain, before he began sliding down the hill, swapping out his sniper for a Wingman. The revolver was shot off twice before Nox's death box suddenly popped up in front of him, signaling the end of that squad.

However, they still had Natalie and Ajay, though they'd been injured by Octavio. They were clinging to D.O.C.'s healing up until Park tosses a grenade where they were healing. Natalie hadn't escaped fast enough, and she ended up downed, whereas Ajay was only injured.

She put up a fight, firing off her Alternator with frightening precision, and, had Park not hit his shots, he would've been killed off.

However, the man calmly approaching his fallen teammate was enough of an indicator that he won that battle, only a few wounds and scratches indicating his prior struggle.

"Kid, if I didn't know better," he said, pausing to let out a grunt at the syringe being plunged into his chest, "I'd think you're trying to show off and steal my heart."

For a moment, Park was silent, helping Elliott back to his feet, before a smirk crossed those dashing fractures, looking up at the other with a faint sense of mirth dancing in his eyes.

"Did it work?"

For once in his life, Elliott was left stunned, mouth open, unable to formulate a response, before the surveillance expert left to loot.

He regained his senses after a moment, blinking himself back into reality, and shutting his mouth.

Kid's full of surprises.

—;;

Their third date wasn't for the public. Their third date wasn't even suggested by Elliott. Park had just grabbed Elliott by the arm, dragged him out to god-knows-where, late at night, and laid down on a small hill. He didn't say anything, didn't give any explanation, and, honestly, Elliott didn't expect anything less. He just laid down beside the other, looked up at the stars, and let out a breath.

However, as Park's own mind was clear, hands resting on his stomach and a leg bent at the knee, Elliott's own was filled with thoughts of confusion, his hands behind his head, acting as a pillow.

Park was such a strange guy. One day, he acts like he's the bane of his existence, and, the next, he's smiling and making quips that make Elliott's heart race. Elliott's been with a lot of people, and he's learned a lot from his time with them, but there's never been a time where they've made him feel like… this.

They never badger him about his gross, smelly hair spray, they never playfully banter with him, they never push him off of exploding trains, and they certainly never made him speechless, never made him feel like he lost the ability to function. They never treated him like a person. They always just treated him like… Mirage.

"Hyeon?"

"Hm?"

"I don't think I'm straight."

"Mm. What makes you say that?"

"Because I think I'm in love with you."

Park smiled, letting out a quiet laugh. "You don't even know how I feel about you."

"I don't. You're weird, and you're never forward w-with how you feel, but… I just… thought you should, y'know, know, since we're doing this whole… thing."

"Mm. The fake dating thing?"

"The fake dating thing, yeah."

"… Do you want it to be fake anymore?"

Elliott turned into his side, Park own head moving to meet his gaze. "No."

"Mm. Good." Park's head turned back to the stars, shutting his eyes. "Neither did I."