#for the parallel version we can be as creative as we want. mush them all together in a coherent plot. we can do it

[rj-thorkyrie]

When I have more money, the first thing I'm going to do is make Thorkyrie canon the way thorkyrie fans want. Or if the fans don't want to give a f with mcu, then I'll make another movie with Chris and Tessa so we can take it as a canon Thorkyrie parallel. In other words, by ending the Thorkyrie fan's hunger, I ended the world's hunger. That's what heroes do.

[stormyrecords-blog]

new arrivals july 20th 2017

lots of used lps this week - kiss, bowie, hendrix, black sabbath. zeppelin. tons of new arrivals in the used vinyl world. a whole new bin of rock records and a whole new bin of jazz records. lots of fun listening for your summer - and all at great prices!! also - this week is the second week of the east dearborn musical event - tunes at noon. full desription and schedule just below the list of this week's new arrivals. items in stock thursday - july 20th 2017 Belfi, Andrea: Ore LP $21.99LP version with download code. Andrea Belfi (born 1979) is an international respected electroacoustic musician and composer. He began playing drums at the age of 14. He studied art in Milan, before becoming involved in experimental music and since 2002 he's been in collaboration with a wide range of artists, currently residing in Berlin, Germany. His new album Ore is released on the new UK record label Float which was founded by Sofia Ilyas, who was previously the label manager at Erased Tapes Records. The new label exists parallel to Float PR, the London based agency dedicated to the promotion of unique artists and projects, and Andrea Belfi is the first signing. Titled Ore, the album places the drums as its centerpiece, while textures are embellished and mutated through electronic manipulations and dark, eerie sonic details. Over the years, Belfi has built a sound-world that artfully combines a modest drum set-up with an equally concise electronics component. He has searched long to produce and refine the acoustic timbres of his music, but has now reached a certain point of fulfilment, courtesy of his Saari drum-kit from Finland. Melded seamlessly with the acoustic elements are a Nord modular and sampler. On Ore, Belfi attains a masterful synthesis of these two sonic realms. Belfi has gained a reputation for his energetic and charismatic performances, both as a solo musician and within numerous collaborations. 2016 saw him tour with Nonkeen, the German three-piece band headed by Nils Frahm. Belfi became an instant highlight following a sold-out gig at London's Barbican Centre, lighting the stage with an impressive and explosive drum solo that became one of the most memorable moments from the evening. "When I started the record I really wanted to find something very direct. I was looking for something very raw, something sonically and acoustically complex. The title Ore actually was suggested by my wife. I had to look up the meaning and loved the concept -- something raw that you can extract, and the refinement into a precious material. It's a very simple metaphor but there's a lot there, you can just put that word out and you don't have to explain too much. You give an input to the listener, and just leave it to the imagination." Mixed by Francesco Donadello; Mastered by Nils Frahm. Mitchell, Nicole: Mandoria 2LP  $29.99Double LP version. "Mandorla Awakening II: Emerging Worlds is Nicole Mitchell's second album for Chicago-based FPE Records. Recorded in May of 2015 at Chicago's Museum of Contemporary Art, it features her longtime collaborators Renee Baker (violin), Tomeka Reid (cello, banjo), Alex Wing (electric guitar, oud) and Jovia Armstrong (percussion), along with new members Tatsu Aoki (bass, shamisen, taiko) and Kojiro Umezaki (shakuhachi). Also in the mix is Chicago artist, scholar and poet Avery R Young, who brings her lyrics to life with visceral humanity. Composer and flutist Nicole Mitchell, once hailed by Chicago Reader music critic Peter Margasak as the 'greatest living flutist in jazz', continues the work begun when jazz visionary Sun Ra and his Arkestra first touched down on Planet Earth and told humanity that space (outer and inner) is indeed the place. As with contemporary Afrofuturist pioneers like cosmic jazz saxophonist Kamasi Washington, post-everything beat maker Flying Lotus, R&B cyborg Janelle Monáe and dystopian noise-rappers Death Grips, she uses Afrofuturism as a platform to launch her own, unique vision. Her vast sound often encompasses contemporary classical, globally oriented fusion, gospel, spoken word, funk-inspired groove research and even brittle shards of avant-rock. Mandorla Awakening II collides dualities such as acoustic vs electric, country vs urban, simple vs complex, while also sounding through intercultural dialogue between Black, European and Pan-Asian improvisational languages. The outcome is a creative music suite that blurs musical styles into recognizable fragments that weave a unique sound fabric, where human emotion and the struggles of today swim." O'Malley, S: Dread Live LP $25.992017 limited repress. Stephen O'Malley deploys the second in a trio of documents of his improvisational prowess following his crushing Fuck Fundamentalist Pigs, which was brought forward in tribute to the November 2015 Paris attacks and released in December 2015. The minimalist electric guitar mantra Dread Live was performed at Studio Helmbreker in Haarlem, Netherlands, on September 6, 2013, and recorded by Mathijs Ton, with technical support by the great Tos Nieuwenhuizen, using a hypercardioid ribbon mic with immaculate '70s valve amp backline. The set was programmed as part of the opening of the Dread -- Fear in the age of technological acceleration exhibition at De Hallen Haarlem, curated by Juha van't Zelfde. It renders 40 minutes of Sunn O)))'s O'Malley at his most depressive and heavy and is something akin to a slow-motion baptism by waves of tarry, blackened harmonic distortion, holding the listener under its sinking pressure. How low can you go? O'Malley knows. Mastered and cut by Matt Colton. Edition of 700 hand-numbered copies. O'Malley, S: End Ground LP $25.99Limited 2017 repress. End Ground forms the 3rd and final installment in a series of records documenting the solo prowess of Sunn 0)))'s Stephen O'Malley released on Sweden's iDEAL Recordings. It was performed on electric guitar thru Sunn model T amps, and captured on zoom H4 at Centre Cultural Suisse, Bad Bonn Carte Blanche, Paris, France, on October 18th, 2013. In solo mode, stripped of his usual accomplices and collaborators, O'Malley is no less than an elemental force. His durational meditations absorb and consume with steady-handed wave after wave of charred, sustained, and sub-harmonized chords casting the mesmerizing minimalist practice of La Monte Young into the physicality of Black Sabbath's original, heavy metal die. The A-side/first half of this 45 minute performance features O'Malley tentatively coaxing out languorous riffs which turn the air around him to a pensive, vibrating mush. As the 2nd half dawns he begins to deliver more crushing blows, drawing out and subsiding the chords with a patented, gut-wrenching and vivifying power that transcends rock, avant-garde, minimalism -- all of that -- to awaken dormant senses not usually experienced with other musics or concise temporality. As with many of the most affective heavy drone recordings by Sunn 0))), among others, a modicum of patience is required in order to attain the right state for reception, but once your mind and body are malleable, the impact is deliciously visceral, primal and whelming. Mastered and cut by Matt Colton. Individually hand-numbered edition of 700 copies. O'Malley, S: Fuck Fundamentalist Pigs  2 lp  $31.99 Stephen O'Malley on Fuck Fundamentalist Pigs upon its initial release in December 2015: "On 8 January 2015, the day following the Charlie Hebdo murders in Paris (the city I have called home for the last eight years), I started a week-long tour of Norway. During this jaunt I faced the toxic reality daily of the horrible blossoming events intermittently via television. . . . The Trondheim concert on 9 January (depicted here) happened on a particularly intense day in this timeline... and was personally a true example of the purging power of immersion in music. Through a web of emotions resolving distance, disintegration, the intense power of the moment and the brutal fundamentalist, cultural and psychological aspects behind. . . Like most of us I have also sometimes fallen for the constant baiting toward anger, outrage, paranoia and fear in the daily life, often but not always misdirected, but it is not debilitating by any means. It's clear that as an experimental guitar player I have absolutely no political power (or even ability to articulate in those forms) but it's important to take the opportunity to say 'fuck you' in these situations. To the fascist and fundamentalist movements. To the absurding of the worst sides of monotheistic belief systems. And not only the perpetrators behind these events but also on other sides including the reactive and opportunistic. Those with most to gain are the underlying authoritarians in our own societies who have opportunities to implement and increase their control even further for their gains. The 'security' changes we face in fact may also result in yet further increase in the loss of liberty and freedom. The reactions aimed toward increased separation of cultures, xenophobia, nationalism, and especially racism are highly regrettable. I hope these recordings offer a small sense of solace in the time, even for the few hundred who hear them. . . . For the concert on this record we had a massive backline with beautiful vintage Hiwatt amplifiers, and two PAs (including a Funktion One) in the small venue Blæst, the night hosted by Nymusikk. . . . This record is actually the third part of a trilogy of live solo guitar records we intended to be released on iDEAL during spring 2016." Mastered and cut by Matt Colton; Edition of 700 (hand-numbered) Langhorne, Bruce: Hired OST LP $24.992017 repress. "Classic 1971 Peter Fonda film soundtrack from Dylan side-man & folk scene impresario. Beautifully melancholy score performed with guitars, tonal effects, fiddle, banjo, sitar, and more that evokes high plains drifting, lonesome cowpokes. 'It's The West seen as Purgatory, its characters endlessly moving on, but Langhorne conjures beauty from the pain." -- The Wire. Palestine, Charlemagne: Arpeggiated Bosendorfer + Falsetto Voice  LP $27.99In 1974, Ileana Sonnabend commissioned Charlemagne Palestine to create a limited edition, double LP in conjunction with a performance to celebrate the opening of her new Soho gallery at 420 West Broadway. Charlemagne made several recording attempts, first at Swarthmore College in Pennsylvania where they had a Bösendorfer Imperial Piano in their theater. He recorded "Bösendorfer + Voice", "Voice Piece" as well as some Bösendorfer tests, with Mayo Thompson as producer and Kurt Munkacsi as sound engineer. These ecstatic Swarthmore recordings, recorded late at night in the big empty theater space, represented the original elements on which Charlemagne Palestine later created the piano pieces for Four Manifestations on Six Elements (ALGAMARS 004LP, MAGNE 008LP). For more than 40 years since these recordings were made, Palestine never went back to listen to them, but recently on re-listening to these Swarthmore recordings with Alga Marghen, he found several blissful, arpeggiated piano and falsetto voice studies which he feels now deserve to be heard. Included in the Alga Marghen VocSon series, this LP of two previously unreleased 1974 recordings finally see the light of day. Edition of 405. TUNES AT NOONevery thursday at 12 noon in dearborn city hall park at the corner of michigan ave and schaeferone hour of free music - bring your lunch and enjoy some fun in the sun!! 7/20 Lac La BelleLocal musicians Jennie Knaggs & Nick Schillace create music that blends history with the present via accordion, mandolin, banjo, ukulele, harmonizing vocals, and fingerpicking resonator guitar. With their separate experiences learning folk and blues in Appalachia, American roots bind Lac La Belle’s compositions with a heavy thread. For this performance enjoy some of their favorite old time, bluegrass and western swing favorites, alongside their original tunes. 7/27 Detroit Pleasure SocietyDetroit Pleasure Society plays the traditional jazz of New Orleans with a fresh twist and raucous candor. 8/3 Libby DeCamp"Libby DeCamp makes dusty folk and American Roots-inspired music with a lyrical edge and a classic three-piece energy, delivered with a haunting vocal closeness that reaches listeners of all kinds. Sweetly soulful "Broken Folk." 8/10 Michael Malis TrioMichael Malis is a pianist and composer based in Detroit, MI. Malis bridges the gap between original composed, complex material and the spontaneity of improvisation. His trio (piano, bass, drums),   featured on his latest album, has toured in the United States and Canada, and in September 2016, they performed at the Detroit International Jazz Festival. 8/17 Viands "Viands is a spontaneous collaboration between two auteurs of Detroit's underground music scene: Joel Peterson and David Shettler. The music they create is a deep, reflective and fearless alternate-reality keyboard meditation that draws on the pair's broad musical vision to explore new vistas.