#fuck you ken penders. give us back scourge

[d4rk-x-w0lf-17]

reread the sonic archie issue that my friend gave me back in high school (issue 191) and i completely forgot about this page

this entire page still throws me through a loop because why would they have sonic hesitating to say no to scourge's offer?

we all know that sonic would say no without any thought because he'd never throw away his morals for power, that's just not how sonic is. but, here he is. hesitating to dismiss scourge's offer. not even after metal sonic interferes does sonic reject his offer

i'm now curious that since there's a multiverse, was there ever a timeline in which sonic accepted his offer?

[toaarcan]

Scourge the Hedgehog: The Bad Fanfic Apotheosis

Y’all are gonna hate me for this one.

This is something of a followup to my previous post, Fiona Fox: Depth vs. Prominence, and inspired directly by the discussion I had with a friend in the comments section of the DA upload of it.

Part 1: Fanfic vs. Canon- Genesis of the Recolour Elements of the Archie Sonic the Hedgehog comic have long been compared to a bad fanfiction, particularly the parts of the story written by Ken Penders, though other writers like Bollers, Chacon, and Flynn have drawn that label too. I'm one of the people that's done it, and that's largely because I hold fanfic and official material to very different standards. There are certain things you can do in fanfic that you can't do in official material, especially with franchises like Sonic, and especially with more niche parts of said franchise, like a comic series. Of course, there are also certain things you can do in both, but you probably shouldn't. And Scourge is one of them. What exactly the process behind Scourge's creation was is something that's been debated. For a lot of people, he's considered to be a parody of the then-rampant "Sonic Recolour" fad, wherein fans would take screenshots of Sonic X, and other official artwork, and then edit it in Microsoft Paint, or another similar program, to create their own characters and stories. Now, this was long decried by other fans, myself included, as incredibly lacking in creativity and originality. It also had an "Ew, cringe" reaction, due to the often-shoddy editing, text-to-speech voices, and usually some top-tier mid-2000s Nu Metal for the music. These days, it's much easier to look back and say "These were mostly made by kids who were just having fun, and it's completely harmless", and it becomes apparent that a lot of the people that were making fun of them and criticising them were grown men, at which point you kinda realise that this "internet fad" was basically just bullying a bunch of children for not being up to the creative standards of some adults. Everybody was looking for the next Chris-Chan, but Chris-Chan is a near-unique entity, as only one other person alive has ever managed to combine that sheer void of talent with a monumentally repulsive personality, and that person is Ken Penders. But Sonichu is the least interesting thing about Chris, and Chris became the laughingstock that he is because of his inability to avoid posting his entire life on the Internet, which was something of a rarity in those halcyon days before the rise of modern social media. Sonichu was a gateway to the actually interesting content also on his channels, whereas these recolour-creators didn't have anything like that, just endless Windows Movie Maker slideshows. And, like, Chris was in his 20s when he became the Internet's punching bag for the first time, and while he's a horrible person, so were the people that dedicated their time and effort to trolling him- His story is fascinating, but it has no heroes. And into this collective cocktail of grown men shitting on preteens, so Ian Flynn introduced Scourge the Hedgehog. Is Scourge a parody of Sonic recolours? I sincerely hope not. The reason for that is twofold, and I'll discuss how his portrayal generally doesn't seem to be mocking those tropes further down the page, but the second issue with the idea that he is a parody is best explained by Sir Terry.

Parody can never punch down, and as a then-24 year old man writing official canon for a franchise, mocking a bunch of 10 year olds on the Internet for making bad stories would definitely be punching down. And, as I said, nothing about the way Scourge is written is in any way poking fun at the tropes of these fancharacters and stories. It's pretty much all played completely straight. So not only do I hope Ian wasn't trying to mock these fancharacters, but there's also little reason to believe that he actually was.   He's not a parody, he is a send-up. And on the one hand, it's kinda nice to throw a bone to those kids. But on the other hand... is Scourge really the character you want to represent your part of the fandom in official material? A cruel, violent, abusive, vicious monster that spends his time palling around with a girlfriend that the writer reforged to be the most unlikable character in the entire comic? Yeah, can't say that's what I'd want if I were one of those people, but he seems to be popular enough, so maybe I'm in the minority there. But now we get to the meat of the problem. You see, the way Scourge is written is one of those things that you can do in fanfic, but you shouldn't do in canon. Part 2: What is a Mary-Sue? The term "Mary-Sue" gets thrown around a lot these days. It's gradually lost all meaning, and has slowly become a term for "Female character that I don't like," mainly used by whiny, easily-offended Broflake Youtubers, who get all pissy that Star Wars films aren't specifically catering to them, to the point that you only have to make a girl be good at something in a movie and these pissbabies lose their shit. I liked Episode VII and VIII more than I, II, or VI, get fucked. But what, then, is a Mary-Sue? And why is it relevant to Scourge? The answer to that first question is a lot more complicated than it might seem. Not just because there are now several different varieties of the trope, but also because the trope itself evolved as it began to be applied to non-fanworks, and additionally because the name itself is somewhat non-indicative. A male Mary-Sue can exist, though these are normally referred to as "Marty-Stue" or "Gary-Stue", or more cynically "The Protagonist". Check out the average Batman comic these days and you'll see what I mean. Originally, the term applied only to a self-insert character in a fanfic, that was an overly-idealised version of the author, dramatically overpowered, hugely popular, normally dating whichever member of the cast the author wanted to bone, or sometimes multiple partners at the same time, along with a few other traits. It's actually pre-Internet term, originating in a Star Trek fanzine when "Mary-Sue" was created as a parody of other fans' similar characters. Over time, the trope evolved to the point that, while the "author avatar" feature is still a pretty big indicator, it's not really necessary. So while there are probably plenty of people out there who want to be Batman, not every character that is a Mary-Sue is someone for the author to project themselves onto, and not every author avatar is a Mary-Sue. Generally, the important features of a Mary-Sue are now: 1) Receives a great deal of favouritism from the author 2) More powerful than the rest of the cast, often to the point of absurdity 3) Faces zero consequences for their actions. 4) Liked by characters that have no reason to do so 5) In a relationship with a character that has no reason to date them, previous relationships be damned. 6) Most importantly, the story will bend over backwards to give them easy wins, even in situations where they logically should struggle. You're probably starting to get where I'm going with this, and if you're not... Part 3: Creator's Pet Scourge is a Creator's Pet. He gets shown a fair bit of favouritism from Ian Flynn, primarily the guise of how much focus he gets. Scourge is the most prolific villain in Ian's run, aside from Eggman himself. While other, better villains like Mogul and Naugus were being imprisoned repeatedly until one retired and the other became a dog, and a huge chunk of the comic's remaining antagonists were being subsumed into the Eggman Empire, Scourge was only moving up, not only being the villain of Ian's first two issues on the book, but continuing to make sporadic appearances for the next twenty issues, before appearing as the new leader of the Destructix under Finitevus in the Enerjak Reborn arc, followed swiftly by a stint as the Big Bad in Bold New Moebius. Does he actually deserve this level of importance? You be the judge, but personally, I don't think so. Even within those stories, Scourge gets special treatment, the biggest and most obvious being Metal Scourge. Now, personally, I think Metal Scourge was a better character than Scourge himself, but the fact that, of all people, Scourge got a Metal counterpart before anyone else, including Knuckles, who had such a counterpart in the games for over a decade by that point.  Especially since, well... Metal and Mettle is a fun story, but it doesn't really do anything for Bold New Moebius as a whole, does it? It's basically pure filler, only really serving to add another dead Metal Sonic to Ian's list and stall the plot out for a bit longer. And, of course, the most clear indicator of Scourge's favouritism is that he was he first Archie character to receive his own Sonic Universe arc, and the only one to do so without needing two or three SEGA characters also making up the rest of the lead cast. "Lockdown" isn't a particularly good story, but its existence speaks to not just the insane popularity that such an unworthy character received, but also Archie's willingness to indulge that. Sonic Universe was largely intended to tell stories revolving around the members of the SEGA cast that, for whatever reason, weren't able to regularly appear in the main book. This... frequently got broken, with Sonic, Tails, Sally, Bunnie, Antoine, and Amy all taking centre-stage in the book before obvious candidates like the Chaotix got a look in, some of them twice over, but Scourge was the only time they were willing to try a story based entirely around one of their characters, and they gave it to the already extremely prominent Scourge. It's pretty clear that Ian loved using this character, and did so as much as possible. YMMV on whether that's good or not. Part 4: Scourge OP plz nerf Let's be real, he's overpowered as fuck. Now, overpowered characters aren't necessarily bad, but it's significantly harder to write an OP character than an on-average one, and Scourge didn't work out so well. From the moment he turns green, he's basically unstoppable. The one time he actually seems to remotely struggle is actually in 161, where he looks ever-so-slightly winded after curbstomping Sonic and Shadow at the same time. From then on, while he does start to slowly even out with Sonic, he also continues to utterly demolish basically everyone else, especially his easy conquest of Moebius. It's been suggested that conquering Moebius should be easy, because the big threats are all good, kind people there, but that somewhat ignores that there are anti-versions of the heroes kicking about too. All the (Mostly) benevolent rulers of the Primeverse should be tyrannical despots there, and there are excessively powerful entities like the Anti-versions of Merlin and the Guardians, not to mention whatever horrors Anti-Gerald would've unleashed on the world, and that's without the Suppression Squad themselves. While the comic has generally treated Sonic as being able to stomp the entire rest of the FF, well, who says it has to be a fight? Why the fuck doesn't Patch just poison him? I mean, the obvious answer is "Because then Bold New Moebius won't have a main villain", and sometimes contractual villain immortality has to be a thing, but a good writer should be able to avoid putting the characters in that position. Following on from that, Scourge gets to fight basically the entire FF and Suppression Squad at the same time, (Sonic and Amy are absent and Fiona is on his side), and he's winning until Sonic shows up. Then directly after that is the hedgehog brawl, and despite Sonic managing to get everyone against Scourge, he easily manages to escape and break out his Super form. Even after spending his time in the No-Zone completely powerless, Scourge manages to break out the moment he gets his powers back, despite the prison being full of characters who should be equally or more powerful than him, and the police force that caught them all, basically unchallenged. Scourge never faces an actual challenge in the comic. He never struggles, and the one time he actually loses? Ian makes up some new lore on the spot, which is contradictory to SEGA lore from the same year, and then uses that to have Sonic trick Scourge into depowering himself. Not only does Scourge never struggle with anything, but he also never actually loses a fight. Part 5: When will you learn, that your actions have consequences?! Probably never, because Scourge's actions never have consequences. Throughout his entire run, Scourge gets to go wherever he wants, do what he wants, with or to whomever he wants, and he never has to deal with the fallout of the decisions he makes. Absorbs the energy of a matter world into his antimatter body? He's better than fine, it only made him stronger. Turns up in Knothole with his secret girlfriend's hated arch rival by his side? Never mentioned again. Blows Fiona's connection to him, costing Finitevus' operation a potential spy in Knothole, where Knuckles is? Not even considered a factor. Ditches Finitevus to go and make Moebius into an egopolis? Finitevus isn't bothered, and supports Fiona's efforts to rescue him later down the line after than plan backfired on him. Blinds Patch in one eye out of jealousy/spite? The guy that poisoned Armand and Max, took a torch to Antoine's personal life, took advantage of Sally's frayed mental state, emotionally damaged Bunnie, and tried to assassinate Elias to get what he wanted lets him get away with it. Openly announces that he's going to destroy both worlds? Conveniently does it when he's alone with Sonic so nobody can tell Fiona what she's letting herself in for. He eventually does get sent to jail, but he breaks out with ease the next time he turns up. Because, y'know, that's just what we want to see. Villains never having to deal with karma. Part 6: What does anyone see in him? Scourge doesn't quite get the "everyone loves him" treatment, but he still gets a whole lot more respect than he's ever earned. Both Sonic and Zobotnik are portrayed arbitrarily deciding that maybe there's a shred of good in this monster, and this is the part where I stress that he's abusive again. Maybe if I repeat that enough it'll sink in. Despite knowing full-well the sort of person Scourge is, Sonic's response to Scourge's crappy cribbing of the "One Bad Day" speech is to try and turn it around and claim that Scourge only needs a tiny bit of decency to be a good person, and this is outright untrue, and given what we see of Scourge later, I'm frankly disgusted that Ian tried to pull this with a character he'll pretty much unambiguously portray as an abuser. Zobotnik's case is even more baffling. We're introduced to the guy in the Lockdown arc, and it's implied that he's effectively a tyrannical warden, ruling over the No-Zone with an iron fist, taking an almost sadistic delight in punishing the inmates. But yet, for whatever reason, he decides that it's a good idea to try and rehabilitate Scourge, for no adequately established reason. Even on the other side of the morality line, we have Finitevus, who apparently respects Scourge enough to not just make him leader of the Destructix during the Enerjak Reborn arc, despite him very clearly not being a leader, and not being liked by any of his comrades except Fiona, but then when he promptly ditches the whole plan toward the end, Finitevus apparently decides that he not only wants to get him back, but is willing to go to great lengths and risk losing the only team of mercenaries dumb enough to work for a guy who is quite open about his intentions to "purify the world with Chaos fire" in order to do it. And speaking of, the most egregious case of this comes again in Lockdown, where the Destructix all end up siding with Scourge. Across the second half of the arc, Scourge learns his new team's backstories, and despite them clearly showing traits and beliefs that should make them respect him less, this somehow works in his favour, and he manages to wrest leadership of the team from Fiona. Especially galling is that it appears that Fiona loses their respect early on because of her faith in Scourge, who to them, looks pathetic, but then they end up supporting him anyway, despite doing nothing to earn it. But wait, one's missing... Looks like it's that time again. Part 7: Oh right, he's an abuser. It's time to talk about Fiona. Fiona's heel turn is really, really effective at selling you on the idea that Fiona is a vile, cruel, and selfish person. It's a dramatic, "big bang" moment that, in basically a single panel, got an entire fandom to hate a character. Now for some it was more of a "Love to hate" thing, but there are plenty of people out there who just really hate Fiona for this single moment. And when you're introducing a new major villain, maybe that's what you want to accomplish. What it doesn't do, however, is sell you on her motives for taking that course of action. Fiona, for the rest of her existence, mainly antagonises Sally, whom she has no worthwhile connection to on either side of her turn, other than being the evil  Sally to Scourge's Evil Sonic, and stands around or clings to Scourge's arm, looking smug about her abusive relationship. And yes, it is abusive, verbal abuse is still abuse, and the implications that he's physically abusive are present too. I know this is something that Scourge's fans don't really want to accept, but it's true, and we're going to get into that later. For now, what matters is that this character's run as a villain mainly consists of: Fiona: "Hey Sugar-Queen, look at how much my boyfriend yells at me and insults me, and probably beats me when he's angry. I make smart decisions and you suck." We never come to understand why this character, who is so motivated by her belief that everyone will eventually double-cross her that she has decided to start lashing out at people before they can turn on her, is willing to put her faith 100% in someone so repeatedly deceptive that he first approached her by pretending to be someone else. Like, in terms of bad first impressions, that's up there with arriving at a job interview in full clown regalia. The comic makes no effort to show why these characters like each other. Scourge allegedly likes her because she chooses to turn evil and join him, rather than being born evil, but this clashes with not only the fact that Fiona is a genuinely good person before this, who makes a solid effort to stay loyal to her friends first, and is lured into villainy by him, but also the fact that she blames everyone but herself for her current situation, but especially with the fact that all of the foreshadowing for Fiona turning evil consists of people not trusting her because she has a shady history. Scourge claims to appreciate that Fiona is a good person that chooses to be evil, but the narrative has a clear message of "If you started evil, it doesn't matter if you try to become good, you will always revert to type." Which isn't exactly a good message, Ian. In return, all we get from Fiona's side is that Scourge "has no expectations of her and just wants to have fun", which clashes entirely with how we see them interact in subsequent arcs, where Fiona frequently looks disturbed or apprehensive, or just bored, while Scourge yells at her and threatens her for not meeting his standards. Seriously, why do people ship this? But okay, okay. Scourge is a good liar, and Fiona's established paranoia and history do make her vulnerable to manipulators like him, so maybe she falls for his lies and gets taken for a ride. That could happen, sure. Doesn't really explain why she becomes a horrendous person all of a sudden, but whatever. Maybe he convinced her to do it as a sort of hazing, and a means of ensuring she couldn't go back. That fits with his abusive nature (You might also notice that this the explanation I used in Revival). But why does she stay? And why does she refuse every out she's given? Why, after everything that pulled her to his side has turned out to be bullshit, does she remain devoted to him? Now, you can argue that due to the abuse and the manipulation she's suffered, she believes she has to stay with him, and that's a fair shout, but her appearance in Journey to the East is kind of a stumbling block for that theory, because we're shown a Fiona who is fully capable of functioning without him, and even after making efforts to establish herself... the next time we see her she's gone back for him. And now... well, it's time to talk about that "A" word I've been bringing up a lot in this section. Scourge is abusive. I've frequently referenced that he verbally abuses Fiona every time she displeases him across the book, but the most telling scene is this one from Issue 190.

"You do not want to be sent back with me." Translation: "If I get sent back, and you're sent back too, I'm going to beat the shit out of you." Fiona (With her invisible left arm) isn't excluded from this threat. Fiona isn't surprised by this threat either. Nor does she not take the threat seriously. She looks like she's expecting to be struck. He beats her. And please, nobody say that "he's just angry", that's apologism. Now, I dunno if this was in the script, or if Fiona's face was something Yardley did on his own, but given that this arc ends with Super Scourge announcing his intention to destroy both Mobius and Moebius, simply because he can, regardless of the collateral, I'm willing to bet that this relationship wasn't a happy, stable one. But, unfortunately, this element was never made clear enough. Now, your mileage may vary on whether you think Sonic the Hedgehog comics are the appropriate place to discuss abusive relationships or not, but we've got one now, and Ian dropped the ball. This wasn't a Joker/Harley, where the pairing was clearly abusive but also sold DC/Warner millions of dollars worth of merch, this wasn't a RWBY, where Adam took three years to show up and had already won a huge number of fans from his admittedly cool design and powers, so people already liked him before they even knew what his personality was like. Ian had full control over this, no merch to worry about, and Scourge's prolific appearances gave him plenty of opportunity to make it clear that this was an ugly, repulsive thing that Fiona needed to get out of ASAP. And he didn't. Because panels like this, and all the yelling, clearly weren't enough for the fandom. No, you point this detail out to them and they'll make excuses, try to pretend it didn't happen, or just get offended, or worst of all, outright say they don't care and still ship it. We have fanartists who became real official artists creating stories where this garbage-fire pairing is used for sad feels, not because Fiona got stuck in a relationship with a controlling, violent monster, but because oh no they really loved each other and now Fiona's dead isn't it tragic don't you feel sorry for Scourge? No. No I don't. I feel sorry for the thousands of teenagers who support an abusive relationship because Ian was too cowardly to make it clear that the relationship in question was just that. Now, do I think that Ian is an intentional abuse apologist? No. Do I think he wimped out of taking the necessary steps to make it clear that this was bad because he didn't want people to dislike his shitty pet villain? Oh yeah, I do. Scourge's reputation was more important to Flynn than appropriately and sensitively portraying a destructive, damaging relationship between a woman and her monstrous partner. Well, I say "Woman", let's not forget that Fiona was meant to be sixteen, and realistically if you take her timeline into account she's more likely to be about fourteen. Real fucking classy. Part 8: Effort? What effort? So, now we get to our final criteria. And frankly, it's the easiest one to cover. From the moment, Scourge turns green, his life becomes a cakewalk. Everything he ever wants is handed to him with zero actual struggle on his part. Wants to be stronger than Sonic? He is. Zero side-effects to using a Chaos energy form from a mirror universe, or having a Super transformation interrupted, he just seemingly gets to be half-Super forever. Wants another leg-up on Sonic? Here's Fiona, sans personality. Sonic says he's just a lame ripoff of himself? He conquered a planet in a week, look at how cool he is. Also his team all roll over and make him their leader even though they hate him and they could easily kill him. He gets to walk through the entire FF/Squad teamup, and the Hedgehog teamup, and then when he gets to the No-Zone, Zobotnik, who has kept far smarter and more dangerous characters locked up for decades arbitrarily decides to reform him and gets completely suckered by him. The Destructix fully throw in with him, despite him never actually earning their respect. He never loses a fight where he wasn't depowered first. You know what the irony of this is? Ian has a character whom he is contractually obligated to never have lose for longer than an issue or two. And honestly, he wasn't awful at disguising that. Sonic gets a few wins that feel too easy, but for the most part, the issues with this rule mainly manifest in Sonic's limp responses to the tragedies happening around him, and a sprinkling of minor failures and pyrrhic victories ensure that the rule looks more like shoddy writing in a few places unless you're explicitly told about it. And even then, he still manages to make it look like Sonic struggles to attain those victories, that he has to actually put his back into it every time. He is challenged. Scourge isn't allowed to be challenged. That's the irony. Ian has a protagonist who he is not allowed to have lose, and Sonic still manages to be avoid looking like a boring invincible hero, while Scourge just never faces anything that can actually pose a threat to him. Powerful opponents crumple before him. Characters' personalities and development shift to suit his needs. The plot warps to benefit him. Because heaven forbid Scourge actually have to work for his wins. Who needs stakes when you can have the writer on your side! Part 9: In summation... I think you should've all twigged where this is going by now, so let's wrap up. 1) Does Scourge receive a great deal of favouritism from the author? Yes. 2) Is Scourge more powerful than the rest of the cast, often to the point of absurdity? Yes. 3) Does Scourge face zero consequences for his actions? Yes. 4) Is Scourge liked or respected by characters that have no reason to do so? Yes. 5) Is Scourge in a relationship with a character that has no reason to date him? Yes. 6) Most importantly, does the story will bend over backwards to give Scourge easy wins, even in situations where he logically should struggle? Yes. According to these criteria, Scourge the Hedgehog is almost a textbook example of a Mary-Sue. Which is probably why something as disgusting as him got away with so much. I guess, then, that his role in Revival, and a lot of the stuff before that, is the unfortunate reality of a Mary-Sue who suddenly has to deal with the fact that they're no longer getting that special treatment from the writer. That now their actions have consequences, that now the universe doesn't shape itself to their desires.

[rachelbethhines]

The Antoine and Bunnie Retrospective - 132

The 25 Recap - 6th Era

So this might be the most decisive of eras yet...

The 6th era includes….

Sonic the Hedgehog 126-150

“Two steps forward one step back” is the phrase that comes to mind when discussing this era. A lot of effort went in to reexamining what went wrong in previous eras and improving upon those problems, while also setting up a whole host of new bullshit to work through. And then there are many instances where the writers prove they didn’t learn a damn thing. 

Major events of the era are….

Sonic figures out the Bem cured Robians and meets Tails’s parents while traveling through space - StH 129 

Sonic returns home and finds he’s been gone for a year - StH 130 

Mecha and Adam are introduced - StH 130

Mobuis Years Later series begins - StH 131

Bunnie’s and “Antoine’s” breakup is revealed - StH 133

Sally breaks up with Sonic in the infamous slap moment - StH 134

“Antoine” becomes King Max’s personal bodyguard - StH 134 

Tommy Turtle joins the FFs - StH 137 

 Finitevus and Knuckle’s baby brother Mace is introduced - StH 139

Angel Island is rescued from Eggman - StH 141

The Egg Grapes are first seen - StH 141

Amy officially becomes a Freedom Fighter - StH 142

M25YL ends - StH 144

Shadow meets Hope - StH 145

Nicole and Sally swap bodies temporally - StH 146 

The Chosen One Arc finally comes to an end - StH 149 & 150 

Scourge replaces Sonic and reveals that “Antoine” was Patch all along and the real Twan is held captured on anti-mobius - StH 150

Favorite thing about the era: Consequences 

My biggest complaint about the previous era is that nothing felt like it mattered. Individual stories had little impact with those around them and even important ones were handled with little gravitas. Here though, there’s more of an effort to have interconnected stories and a fully fleshed out world. Actual story arcs return, Knuckles and the Chaotix are part of the main cast and not off doing their own thing, events that were previously seen as insignificant or were ignored for a long time come back to bite the characters in the ass, and most importantly events during this era set up important developments for later on.

Least favorite thing about the era: Character Assassination

Or should I say attempted character assassination. Fortunately other writers would come in and fix or better yet build off of the OOC writing that was rampant during this era. Creating arguably stronger stories and better character development out of the mistakes of this era. That is perhaps why I don’t hate the 6th era as much as most. I knew before going into it that most of the out of place character moments would right themselves out. (Well that and there are some genuinely damn good arcs here)   

However, I don’t blame a single person for despising the writers for what happened during this era. Characters like Rotor becoming cheap mouth pieces for the creators’ political beliefs despite not fitting the character’s previous seen actions. Sally being deliberately written as unlikable just to jump start yet another forced love triangle. Antoine being written as a villain, undoing years of character growth, all for sake of contrived drama. Ugh!   

Favorite Antoine Story: “Hero to Zero In No Time At All” Sink or Spin I - StH 150 by Ken Penders    

I would include the whole arc here, but half of it is in the next era, so... meh. This story technically wins by default as this is the only story to feature the real Antoine in the era. Outside of the pointless flash back in “One Part Ooh-La-La and Two Parts Treachery!” it’s really Patch on screen. That said this is still a major, major development for Twan. One that will come to shape his character from now on. 

Favorite Bunnie Story: “Finale” Home IV - StH 133 by Karl Bollers    

Bunnie has more of a presence during this era than her significant other, but she still winds up taking the back seat a lot to the other power players of the book. (ie. the game characters) Home is the only story where she gets to physically take part in the proceedings and one of the few times she’s saved the day since the 2nd era. It also has the added bonus of furthering her development by introducing the break up. And regardless of how poorly that plot point would develop later; it’s effective and well handled here. 

Favorite Buntwan Story or Moment: Bunnie missing Antoine in “Love and Loss” - StH 144 by Romy Chacon and Jon Gray (uncredited) 

So the only time we see Bunnie and the real Ant together is during the flashback in StH 137. Unfortunately that story A. shit and B. completely redundant as it tells us nothing new about the characters or their relationship.  

However “Love and Loss” makes the absence of their romance the focus. Reaffirming why they’re such a great couple while also revealing new insights into their flaws as characters and how that effects their romance together. 

If the comic took more time for introspective stuff like this instead of the “oh he loves me; he loves me not” bullshit, I would probably be a bit more favorable towards it’s romantic drama. It of course becomes all the more frustrating when you realize that Romy Chacon wrote both this and “One Part Ooh-La-La and Two Parts Treachery!”. Which means the writers are capable of doing more, they’re just too fucking lazy or too self adsorbed do so. 

Favorite Single Story: "Circuit Me" - StH 146 by Romy Cahcon 

While I’ll praise some of the arcs during this era, the one off stories were a mite on the weaker side of things.  "Circuit Me" stands out because it happens to have some emotional heart to it. Nicole finally learns about human emotion as she and Sally switch places. This also becomes a starting point for both Nicole’s character development and some major plot points in the future. 

Favorite Story Arc: Return to Angel Island - StH 138 - 141 by Karl Bollers 

While Home is still one of my favorite arcs its held down somewhat by Bollers more annoying excesses *cough* the slap *cough* . However,  Return to Angel Island, is near perfect. Showcasing just how good Penders’ concepts and ideas could be in the hands of other writers. And while the relationship drama is still present it’s handled much more maturely and shown to have real consequences on the characters’ behaviors and outlooks outside of just will they/won’t they triangle BS. 

Favorite Artist: Jon Gray 

I was a fan of Jonathan Gray’s work long before I started reading Sonic. He’s done a lot of work for various Disney comics and I find his unique style very appealing. There’s a lot of flow, energy, and movement to his action. Even in more subtle scenes, like the one above, he has a clear way of presenting emotion through a character’s body language. He’s also fantastic at large group scenes, giving everybody, no matter how minor, a story of their own in the background. His world just feels alive. 

I know that he’s not everyone’s tastes, but I often point to his work when I’m trying to describe the difference between personal style and actual bad art. Like Spaz or Sam Maxwell, Gray’s art can be off model and exaggerated but there’s an intended purpose behind that. These artists have control and can reel in the excesses when needed and unleash their zany action upon the page to give the illusion of movement. Unlike say, Ron Lim or Jerry Gaylord who also frequently go off model due to personal style, but lack energy or focus. Making their subtle scenes stiff and their action scenes poorly laid out and confusing.  

Yeah, I still maintain that this isn’t the absolute worse era, but it’s still pretty damn close. Fortunately there’s a light at the end of the tunnel folks. So tune in next week when we start on the 7th era and the end of the Bollers/Penders run. 

[kellodrawsalot]

Top five worst Sonic Archie issues

So a while back me and @greenyvertekins��� talked a bit about our favorite Sonic Archie moments, I was thinking of doing a TOp five/top ten favorite Sonic archie issues but honestly the moments I and Greenyvertekis mentioned were pretty much my favorite/best issues. So if you want to read here! most of them are also from the best written arcs so .....

Then I thought, wouldn’t it be fun to do a top five WORST Sonic arche issues instead? :) (warning Im from the Netherlands so my English is bad, feel free to spell correct me!)

Number 05 Issue 172

Going pretty low in the list because despite this being one of  my least favorite issues it should be noted that this was the start from the comic getting better and better at this point, this ugly-face just was the blacksheep from that collection.

Not only was the cover a bad reminder that the comic was seen as bad-furry-romance-drama which I really hoped the comic wanted to distant itself from it, the entire issue is a sadlyalso  bad-furry-drama. It starts off with Amy Rose confronting Fiona Fox about the rumors that she heard from Tails that she is cheating on Sonic with Scourge, (the Green Edgy Sonic recolor) Now the story of Fiona Fox is a pretty sad one, she never had much of a character to begin with. She was first introduced as a robot in her child form to lure Tails into a trap. It turns out that Eggman based her off a real person: Fiona Fox who someway or another was left behind by Mighty and Sonic in Eggman’s prison and she manage to escape but stil holding a grudge and got angry at them for it, That is mostly what I remember her from in the past issues. From then on she would just be background character number 55 a freedom fighter with no dialog, the only times I sort of remember her was that she liked the idea of using guns, and that Sonic was afraid for Tails to be rejected by the too-old-for-you girl Fiona.Sonic wanted to talk to FIona about this issue and she mentions she still thinks SOnic is selfish for leaving her behind but that his sacrifice in issue 125 made her change her mind somewhat, That’s it. Now the weird story behind Fiona is that Karl Boilers planned to use her as a second-love interest for Sonic after Sonic broke up with Sally. Sonic was supposed to enter a relationship with Amy Rose shortly after the Sonic/Sally break up. (Keep in ind that Amy Rose back then was still 10 years old mentally at that time YIKES.) and Fiona for whatever reason was to become a rival to Amy for Sonic’s affections. Now Ken Penders apparently interfered with this idea and Karl and Ken changed it into...Fiona Fox becoming Sonic’s girlfriend instead...out of the blue....out of nowhere. At least with Amy you knew she had a crush on Sonic but with Fiona? why would Sonic ever enter a relationship with a girl he hardly interacted with and with a girl his best friend was crushing on? ..moving on various issues later and writer Karl Boilers and Ken Penders were no longer on board and new writer Ian Flyn entered into the picture it was by then far too late to clean up this mess and I could tell from the comic’s writing that Ian wasn’t sure what to do with Fiona, he tried to give her a more Sally-personality with a bad history but that felt tripped and forced. He knew he had to break the two characters off and he thought the best way to do that was to reveal that Fiona Fox became a bad-girl who fell in love with Scourge due to the events off Sonic 150 (dont worry that issue will be brought up later)

Not only did this came out of no where, it felt forced even if Fiona had no character it felt like she really was just a pawn of a writer not sure what to do with her. It also didnt help that the issue ends in a weird anticlimatic way  and in the next issue most of the characters dont even talk or seem to be phazed with Fiona’s betrayel and  Sonic would be slightly flirtatious with Sally and Amy in the next issue too, (Really Sonic you just got dumped.) The issues saving grace is a cute side story with Amy Rose and Julie Su training together and some decent/good art overall.

Number 04 Knuckles the Echidna issue 32

Yes Knuckles does count as part of the Sonic series, and if the list would be Knuckles comic focused this would have been number one. Not only was this the last issue of probably the most boring arc I ever read It also nailed the coffin on the Knuckles series as it was canned after this issue. It introduced two very uncreative very Un-SegaSonic like characters: Monk and Hunter whose design and motivations are as generic as you can imagine. Ken Penders tries to make you feel for the Monk-character but I dont think anyone was convinced. I own this issue as well and HONESTLY I forgot I even read this issue as a child it was that forgettable, even in my Knucklesfangirl phase as soon as I finished reading the last 3 issues I forgot about it, It also doesnt help that the covers while nicely drawn by Galan were cluttered and too busy, Ken Penders did the book’s art and while he did a perfect job drawing Hunter his cartoon characters were always off-model and the way he draws large mangaeyes didn’t look well. In other words the art wasnt good either.

I only remember these issues  because of @hedgehogscantswim​ review, which I suggest you guys read into as they go into much greater depth on their blog on the flaws of the art, the character designs of Monk and Hunter and the overall big problem the last issue has.  

Number 3 Sonic issue 134

Oh Yeah let’s talk about the big one, let’s talk about the issue that caused many Sonic fans to drop the comic, lets talk about the issue that split the fanbase in half and what made the Sonic-Archie comics the laughing stock of Sonic spin offs for years to come until Ian Flyn joined and the much later soft-Reboot. If the Sally/Sonic/Mina love drama didn’t convince people that the comic had badfurryromance drama this issue sure did.

Sonic sacrificed himself in issue 125 to save the world,  but was transported to a different planet cause science, he survived and had space adventures with Aliens, met up with Tails parents somehow...(Really those issues are all a blur too me at this point.) he came back to Mobuis only to discover a year has passed since then, he reunites with his nowwithlonghair girlfriend Sally and by issue 125, Sally makes it clear to Sonic that she wants him by his side as she is sort-of forced by her parents to no longer be on the battle field. However Sonic cant possibly do that, he is the hero after all, he cant be tied down Sally clearry suffering from trauma after Sonic’s death begs him to stay by her side, Sonic  tearfully tells her he can’t and Sally takes Sonic’s rejection pretty well and says that she knows being a hero is in Sonic’s blood and decides to reject her parents wishes and join her boyfriend and the rest of her friends on the battle field.

No wait Never mind, she SLAPS him across the face and calls him Selfish and breaks up with him afterwards.

Not only did this issue came in the worst possible time when the Sonally/Sonamy ship wars was rampant in the Online Sonic fandom communities. The motivation and reason for Karl Boilers to do this was in such a bad taste as well. Karl who MOST Likely was aware of the growing popularity of the Sonamy ship and the hatred the sonamy fanbase had for Sally, from people calling her a marry sue, a slut because her lack of pants, ugly due to her brown color sceme, and other funny-horrible things because shipping is serious business, Probably wanted to win and be favored by a part of the Sonic fan base and had outlined plans to have Sonic and Amy Rose become an official couple in the comics. (Even if Karl wrote Amy Rose as a 10 year old mentally girl with a body of a 12 year old together with a 17 year old teen Sonic.) They had to become a couple. How to do this you ask? by breaking Sonic/Sally up and portraying  Sally out to be a selfish cunt of a woman, not only was this so disgustingly out of character and a slap to the face to the sonally and Sally fans, it was all to make the fans to transaction to the idea of Sonamy instead. It didnt help Sally’s position in the fanbase and she along with Chris and Elise would be among the list of the most hated characters where extreme Sonamy fanbrats now had valid proof on their side.It would take years for Sally to recover. To add insult to injury the only nice thing about the issue is the introduction of new artist John Gray (whose animish-cartoondisneyish style was colorful, pleasant and very pleasing to the eye! was more then needed at that time since the art quality standards was low back then. )John has stated he did NOT like working on this issue either due to the content and story. I am so thankful that Sally has been much better written for years now.

Number 02 Sonic Super Special issue 07 Crossover with Image Comics

Where to start with this, oh boy oh boy. I put this very high on the list because this has to be one of the worst crossovers spin ofss I have ever had the pleasure of reading. and I mean that the Powerrangers/TMNT crossover was more enjoybale that this mess. This is also very high on the list not only because the art was below average and many characters were off models but Mister Ken Penders used this crossover special to shoehorn his own ‘’characters’ from his comic book series the Lost Ones. (who btw got canned after only volume 01) his characters got the most attention out of everyone else. A image-comics with Sonic crossover already sounds sort of weird and silly but hey I am Spawn fangirl, I am intrigued. But I dont even get that.

(oh wait, this is fucking it, Spawn appears for about a page to say no to Sonic and then leaves thats it??) FOR FUCK SAKE....

Honestly @robotnikholmescomicblog​ gave this comic a great review and I suggest going to their tag of Ken-Penders-Why as they bring out most of the flaws of Ken Penders writing and they said it better then I ever will.

Overall the issue is just a mess, with shallowcheap cameos of image characters, Sonic and the freedom fighters being DICKS to most of the human characters for no reason, a very anti climatic ending and a giant commercial for Ken Penders doomed and boring characters that nobody gave a dam about) characters that he planned to use in ‘’The Lost ones’’ and Knuckles 20 years later. With a character hinting to become Knuckles’s greatest enemy yet with a very ugly boring design that could rivals Hunter. (btw none of these concepts go anywhere, Lost Ones was canned, and Knuckles 20 years later didnt come in fruition the way Ken Penders wanted.)

and number 5, worst issue Sonic issue 150

This is my most least favorite issues up to date and why you might ask

well for one thing the art is okay, I give it that but it doesnt even start with Sonic,

no we get a quick-reveal  of AntiSonic pretending to be the real Sonic flirting with all the girls in knothole

We get uncomfortable panels of Mina Mongoose almost cheating on her boyfriend with Sonic, Sonic and Bunnie making out and falling asleep next together, Sonic being creepy at Amy ect and none of the girls seem to realize that this is obvious not the real Sonic but ANti-Sonic. Everbody fails to notice that Sonic is  trying to flirt with all the girls he gets his eyes on. Only Tails seems to quistion it. Shows how much his own friends seem to know him. Or his own freaking family. The real Sonic is stuck in anti-mobuis and is busy trying to convince them that he is not AntiSonic, it’s very boring and dull. Also since the real Ant was stuck in anti Mobuis couldn’t he have tried to come back to his own world with Sonic? I dont know that just confused the heck out of me, The extra side story also doesn’t help, Its the conclusion to TailS ‘’the Chosen One’’ which was,,,pretty lame too with bland-art, and has the unfortunate of introducing the fanbase to the still-hilarious Titan Tails

(OHfuckmethat’sstupid.)

So the stories are stupid, the art is okay and lame. Why is it so high on the list?

It’s THE 150 anniversary issue and this is how Karl and Ken apparently wanted to celebrate it? It also doesn’t help that the cover is really underwhelming and boring compared to the 125th issue but that’s it’s least of its problems. A short while later Ian Flyn and Tracey joined the team and Ken and Karl left. For the better. But talk about a lame way to celebrate a 150th milestone. What a waste.