#funk hammond organ

[musicollage]

Brother Jack McDuff - Down Home Style. 1969 : Blue Note.

! acquire the album ★ attach a coffee !

[hammondcast]

Jon Hammond Announcement On AFN Nu Funk Live

#WATCHMOVIE HERE: Jon Hammond Announcement On AFN Nu Funk Live 

Jon's archive https://archive.org/details/jon-hammond-announcement-on-afn-nu-funk-live 

Youtube https://youtu.be/cVXCEQOHnXE 

FB https://fb.watch/lUwSPgGayc/ 

Instagram https://www.instagram.com/p/Cu4vJy8Lw7Q/ 

Jon Hammond Announcement On AFN Nu Funk Live

by

 Jon Hammond 

Jon Hammond -- AFM Local 47

AFM - American Federation of Musicians

The awesome musicians and staffers and elected officers of Local 47

Musicians Union totally rock!

#musicians

#musiciansunion

#wages

#workingconditions

#donlombardi

#dwdrums

#americanfederationofmusicians

 Publication date

 2023-07-19

Usage

 Attribution-NonCommercial-NoDerivs 4.0 International

Topics

 AFN Europe, Radio, Radio Broadcast, Concert, Funk, Frankfurt Headquarters, AM Radio, Hammond Organ, Funky drums, Neumann Tube Microphone

Language

 English

Jon Hammond announcement AFN Radio live concert broadcast AFN Europe Alumni AFN Europe Powerlite Show broadcast in AM on the 872 kHz frequency James Preston drumsBarry Finnerty guitarJon Hammond organJoe Berger engineer#AFNEurope #radio #funk #broadcast

Addeddate

 2023-07-19 17:41:08

Identifier

 jon-hammond-announcement-on-afn-nu-funk-live 

 Topics

 AFN Europe, Radio, Radio Broadcast, Concert, Funk, Frankfurt Headquarters, AM Radio, Hammond Organ, Funky drums, Neumann Tube Microphone

Language

 English 

Topics, AFN Europe, Radio, Radio Broadcast, Concert, Funk, Frankfurt Headquarters, AM Radio, Hammond Organ, Funky drums, Neumann Tube Microphone, Language English

[jazzandothersounds-blog]

Reuben Wilson

Love Bug listen here

(English / Español / Italiano)

An essential reference in the history of funk and the Hammond B-3 organ, Reuben Wilson (1935-2023) was one of the many soul jazz organists to emerge in the late 1960s, fortunate enough to be among the few to be signed to Blue Note Records. At a time when the label was going in a less purist direction, none of his works for the label achieved a strong following at the time, but were rediscovered much later by a new generation of fans who did not disdain their commercial licenses to become instant cult objects among fans of the genre. Wilson's music, a blend of jazz, pop, jazz fusion and funk, inspired the likes of Sly Stone and George Clinton, and through the work of Acid Jazz label artists, Gilles Peterson and contemporary DJ samples, continues to exert a profound influence on the music scene.

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Referencia imprescindible en la historia del funk y del órgano Hammond B-3, Reuben Wilson (1935-2023) fue uno de los muchos organistas de soul jazz que emergieron a finales de la década de los 60, con la suerte de estar entre los pocos que lograron firmar con Blue Note Records. En una época en la que el sello apostaba por una dirección menos purista, ninguno de sus trabajos para el sello lograron una fuerte aceptación en su época, pero fueron redescubiertos mucho más tarde por una nueva generación de fans que no desdeñaban sus licencias comerciales para convertirse instantáneamente en objetos de culto entre fans del género. La música de Wilson, una mezcla de jazz, pop, jazz fusion y funk inspiró a gente como Sly Stone y George Clinton, y a través de los trabajos de los artistas del sello Acid Jazz, de Gilles Peterson y de los samples de DJs contemporáneos, continúa ejerciendo una profunda influencia en la escena musical.

------------------------------------------------------------------------------

Riferimento imprescindibile nella storia del funk e dell'organo Hammond B-3, Reuben Wilson (1935-2023) è stato uno dei tanti organisti soul jazz emersi alla fine degli anni Sessanta, abbastanza fortunato da essere tra i pochi ad essere scritturato dalla Blue Note Records. In un periodo in cui l'etichetta si stava orientando verso una direzione meno purista, nessuno dei suoi lavori per la casa discografica ottenne un forte seguito all'epoca, ma furono riscoperti molto più tardi da una nuova generazione di fan che non disdegnarono le loro licenze commerciali per diventare oggetti di culto istantanei tra gli appassionati del genere. La musica di Wilson, una miscela di jazz, pop, jazz fusion e funk, ha ispirato artisti del calibro di Sly Stone e George Clinton e, attraverso il lavoro degli artisti dell'etichetta Acid Jazz, di Gilles Peterson e dei campioni DJ contemporanei, continua a esercitare una profonda influenza sulla scena musicale.

Source: Pasión por el Jazz y Blues.

[randomvarious]

1997 London Playlist

Back with some dance goodies from '97 that came from the world's most musically vibrant city, London, where all sorts of electronic genres were able to flourish quite unlike anywhere else in the world at the time. This week I added a deep breakbeat banger to the Spotify version of this playlist by a duo called Drum Club, who in '92 released their original version of "U Make Me Feel So Good" on dance legend William Orbit's pioneering progressive house label, Guerilla. Five years later, though, Drum Club's own Lol Hammond, aka Girl Eats Boy, remixed the song for a re-release on another UK progressive house label called Jackpot too, which gave us this beaut that laid its drum breaks over a super soothingly satisfying backdrop of lush strings and soft, subtle horn, as the sampled vocal from the original version made its grand return 😌. Currently unjustifiably sitting at less than 1,000 plays.

The Drum Club - "You Make Me Feel So Good (Girl Eats Boy mix)"

And then for the YouTube update, I added that one, plus another couple Guerilla remixes that can't be found on Spotify too, including a trance take on West London group React 2 Rhythm's 1991 song, "Intoxication," that was done by the legendary duo of John Digweed & Nick Muir, aka Bedrock, that's currently only sitting at 3.6K+ plays; and a progressive house mix of UK duo Fuzzy Logic's 1992 tune, "Obsession," that was done by the trio of Shango and Danny Howells, which is pushing towards 4.3K plays. "Intoxication" has this lovely bed of colliding and stringy synths that Bedrock drop a bunch of bleepy and old school knob-twiddling acid on top of, and then "Obsession" is one of those tunes that's good for slotting into the middle of a mix to maintain a steady vibe before you really start to ramp up to a mesmerizing climax. It lingers for a bit, but after its breakdown, it adds some nice string pads to complete the whole thing. Vocalist Erire dips into some gravelly passion and some aquatic organ work is mixed in too 👍.

React 2 Rhythm - "Intoxication (Nick Muir & John Digweed's Bedrock mix)" Fuzzy Logic - "Obsession (Shango & Danny Howells' Illogical Infactuation mix)"

And this playlist is also on YouTube Music.

So, three new tracks added in total this week, from three separate dance genres, all of which were remixes of songs that were originally released on the great Guerilla label. Spotify version of the playlist is now at 14 songs that clock in at 91 minutes, but over on YouTube, we're now at 25 songs that clock in at 173 minutes. So if you want a whole lot more of that dope 1997 London underground stuff, check out the YouTube playlist!

And here's the list of comps and mixes that I've used so far to put this playlist together:

Goth's Undead (1997, Cleopatra Records) 00 : 50 (1997, Soma Quality Recordings) Monsieur Dimitri's De-Luxe House of Funk by Dimitri From Paris (1997, DMC Publishing Ltd.) Jackpot Presents Guerilla by Phil Perry & Danny Howells (1997, Jackpot) Skampler (2001, Skam) Soma Quality Recordings - Volume 4 (1997, Soma Quality Recordings) Club H Vol.2 by Harry the Bastard (2000, Statra Recordings) Hi:Fidelity Lounge - Volume One: Subterranean Soundtracks (1999, Guidance Recordings) Eclectic Electric (2000, eMusic) Spundae Presents Interpretations by Jerry Bonham (1998, Spundae) DJ-Kicks: by Kid Loco (1999, !K7) 4am Eternal (A Truly Twisted Post-Club Chill-Out Selection) by Osymyso (2000, Mixmag) Amberdelic Space II: Angel of Ecstasy (1997, Dressed to Kill) Alt. Frequencies Presents Disco Moonlight (1997, Worm Interface) Essential Selection, Vol. One by Fatboy Slim & Paul Oakenfold (2000, London Records 90) E=wMC2000: The Equation For Quantum Groove Theory (2000, eMusic) A Jedi's Night Out by Tom Middleton (1999. DMC / Mixer) Architecture Volume 2 by Terry Francis (1998, Pagan Records)

And here's some links to more 90s London playlists too:

1992: YouTube / YouTube Music 1994: YouTube / YouTube Music 1995: YouTube / YouTube Music 1996: Spotify / YouTube / YouTube Music 1998: Spotify / YouTube / YouTube Music 1999: YouTube / YouTube Music

Breakbeat update next week!

Enjoy!

More to come, eventually. Stay tuned!

Like what you hear? Follow me on Spotify and YouTube for more cool playlists and uploads!

[thesporkidentity]

Hammond B3 Organ Cistern

Gabrielle Calvocoressi (1974- ), Published 2018 (as far as I can tell)

The days I don’t want to kill myself are extraordinary. Deep bass. All the people in the streets waiting for their high fives and leaping, I mean leaping, when they see me. I am the sun-filled god of love. Or at least an optimistic under-secretary. There should be a word for it. The days you wake up and do not want to slit your throat. Money in the bank. Enough for an iced green tea every weekday and Saturday and Sunday! It’s like being in the armpit of a Hammond B3 organ. Just reeks of gratitude and funk. The funk of ages. I am not going to ruin my love’s life today. It’s like the time I said yes to gray sneakers but then the salesman said Wait. And there, out of the back room, like the bakery’s first biscuits: bright-blue kicks. Iridescent. Like a scarab! Oh, who am I kidding, it was nothing like a scarab! It was like bright. blue. fucking. sneakers! I did not want to die that day. Oh, my God. Why don’t we talk about it? How good it feels. And if you don’t know then you’re lucky but also you poor thing. Bring the band out on the stoop. Let the whole neighborhood hear. Come on, Everybody. Say it with me nice and slow    no pills  no cliff  no brains onthe floor Bring the bass back.    no rope  no hose  not today, Satan. Every day I wake up with my good fortune and news of my demise. Don’t keep it from me. Why don’t we have a name for it? Bring the bass back. Bring the band out on the stoop. Hallelujah!

[allmusic]

AllMusic Staff Pick Various Artists More Original Raw Soul

Taken from the "vaults" of Hotpie & Candy Records, More Original Raw Soul appears to be a just-uncovered archival find of rare '70s uncut James Brown-style funk. The telltale fat bass and porno wah-wah guitar, augmented by golden horn sections and gritty Hammond organ vamps, are straight out of the era of denim suits and wide lapels.

- Zac Johnson

[arterrorist]

Traveling record shop haul.

West Coast OGs are not a common thing in my part of the World, so when I see the names of Shelly Manne, Red Mitchell, Jimmy Giuffre, Bob Cooper on the cover I don’t think twice. Didn’t know these albums, but all the hopes were fulfilled at the first listen.

Jimmy Smith is something else. Organ player associated with soul jazz, which I’m not a biggest fan, but his records for Blue Note (this record label is always a quality sign when it comes to their classic years) are said to be more ambitious than his later albums. I’ve decided to give him a try. I’m gobsmacked by the level of his inventivness and virtuosity on his instrument (Hammond organ). It was recorded in 1956 and you may hear the proto funk, proto rock and even proto trip-hop! The record starts like it would be a Portishead album thanks to sound acrobatics. Volume knob on organ? Guitar maybe? Don’t know. Wild stuff💥

[johnkatsmc5]

Z.O.U “Z.O.U” 1975 France Prog Rock

full youtube

https://www.youtube.com/watch?v=naAmR-l7LV0&ab_channel=AlexandrMarkevich

French band from the early 70s, formed by ex-member of Zoo. Z.O.U means Zön Orchestra Unlimited.This band acquired a kind of "mythical" status amongst Magma fans, when 3 of its members joined Magma in the late 1970s,but there is not Magma traces here, though there are indeed R.I.O. traces and some early YEZDA URFA twists on side B.....~ Somehow we missed this rather famous French band (full name: Zon Orchestra Unlimited), which, according to rumors, is finally going to be re-released by Musea on CD. Apparently, its long acquisition on vinyl was caused by the fact that this disc was released at the "major" Polydor. A new project from one of the founders of Zoo - the Hervé brothers - with vocalist Maria Popkievich, who continues their research in the field of jazz rock. Later, most of the team joined the late line-up of "Magma", but the music here is not at all zero-like, but very pleasant. A blend of soul, funk, progressive, and jazz with Maria's clingy vocals and catchy, pulsating piano chords. A kind of more mainstream Cos with a lot of soul, but good arrangements and a rather non-standard approach to the material distinguish them from the host of similar rock records. In addition to the piano, there is a very nice "Hammond" organ and electric guitar, although things are rather song-oriented. The 12-minute epic is divided into several vocal fragments and is not as progressive as one might think, although some rhythmic breaks can be found there. Recommended!....~ Credits Bass Guitar, Vocals – Michel Hervé Directed By [Direction Artistique] – Claude Dejacques Drums – Stéphan Hervé* Engineer – Didier Périer Engineer [Assistant] – Franck Redlich* Guitar, Vocals – Joël Hervé Keyboards, Xylophone, Synthesizer [Synthorchestra], Guitar, Vocals – André Hervé Vocals – Maria Popkiewicz Written-By – André Hervé (tracks: A1 to A3, B1a to B2), Maria Popkiewicz (tracks: A2, A3, B1a to B2), James Seals/Dash Crofts* (tracks: A4) Tracklist  I Love You 4:50 She's A Girl 2:58 Pick Up Pull 3:58 Humming Bird 4:20 Puzzle Head (12:38) One Minute Wonders Hope Chant "Where" Retrospective Requiem Ad Infinitum Bouggy Zouggy (Rétro Rock) 2:50

Z.O.U “Z.O.U” 1975 France Prog Rock

https://johnkatsmc5.blogspot.com/2025/05/zou-zou-1975-france-prog-rock.html?view=flipcard

https://johnkatsmc5.tumblr.com/post/783255721988997120/zou-zou-1975-france-prog-rock

[burlveneer-music]

Big Boss Man - Bossin' Around - at long last, a new album from this groovy organ quartet

Big Boss Man have been fusing 60s R’n’B, Soul, Latin, Funk and Bongo-Hammond-Fuzz since ’98. They’ve released four studio albums, and eight 7” singles, and have appeared on countless compilations. The quartet’s explosive live shows are legendary, and they’ve been blasting stages since their earlier days in The Loafers, Skooby and Espadrille, amongst a few others. ‘Bossin’ Around’ has been simmering for some time! Ten years since their last studio album, and four 7” singles in-between, these twelve tracks are ready to unleash. With guests providing trumpet, flute, saxophones and trombones, Big Boss Man have fused a mix of Soul-fuelled 60s R’n’B, Hammond Jazz, Latin and Mod Funk, and have almost gone back to their roots too! Big Boss Man continue to make what the people call ‘proper’ music. Line Up: Nasser Bouzida - Hammond, Percussion. Trevor Harding - Guitar. Badger Burgess - Bass Guitar. Desmond Rogers - Drums.

[hammondcast]

Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ with Phoebe Snow The Lady in The Harbor

Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ with Phoebe Snow The Lady in The Harbor Youtube: https://youtu.be/-arE0A0s1K4 

Stephen Ferrone played drums on this track and I played Dr. Lonnie Smith's Hammond B3 organ, backing up the late great Phoebe Snow with full choir - we recorded it in Jon Grossbard's Planet Sound Studios in the 251 W. 30th Street music building - Tonight I'm going to see Stephen play at The Baked Potato - this song gets played on TV every 4th of July Weekend promoting Statue of Liberty National Monument

https://youtu.be/-arE0A0s1K4 "The Lady in The Harbor"

written by Stephen Lemberg

Wishing everybody a beautiful 4th of July Holiday folks!

Jon Hammond

#ladyintheharbor

#PhoebeSnow

#kenburns

#stephenlemberg

#statueofliberty

#4thofJuly

#steveferrone

#JonHammond

Stephen Ferrone Plays Pocket Funk Live Jon Hammond Trio Jazz Kneipe

by

 Jon Hammond 

Play POCKET FUNK HERE: http://ia803106.us.archive.org/33/items/StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe/Stephen%20Ferrone%20plays%20Pocket%20Funk%20live%20Jon%20Hammond%20Trio%20Jazz%20Kneipe.m4v Jon's archive https://archive.org/details/StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe 

Usage

 Attribution-NonCommercial-NoDerivs 4.0 International

Topics

 Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ

Language

 English

Stephen Ferrone plays Pocket Funk live Jon Hammond Trio Jazz Kneipe circa 1994 Frankfurt Germany - Jon Hammond organ, Barry Finnerty  guitar, Stephen Ferrone  drums  #Ferrone  #Kneipe  #Funk  

http://www.HammondCast.com

Addeddate

 2018-06-19 05:09:44

Identifier

 StephenFerronePlaysPocketFunkLiveJonHammondTrioJazzKneipe 

Great to see / hear Stephen Ferrone tonight on the David Garfield Band at The Baked Potato in Studio City! Jon Hammond

#stephenferrone

#thebakedpotato

Topics

 Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ 

Language English, Topics, Ferrone, Funky, Pocket Funk, Frankfurt Germany, Jazz Kneipe, Hammond Organ

[letra-letra]

The days I don’t want to kill myself are extraordinary. Deep bass. All the people in the streets waiting for their high fives and leaping, I mean leaping, when they see me. I am the sun-filled god of love. Or at least an optimistic under-secretary. There should be a word for it. The days you wake up and do not want to slit your throat. Money in the bank. Enough for an iced green tea every weekday and Saturday and Sunday! It’s like being in the armpit of a Hammond B3 organ. Just reeks of gratitude and funk. The funk of ages. I am not going to ruin my love’s life today. It’s like the time I said yes to gray sneakers but then the salesman said Wait. And there, out of the back room, like the bakery’s first biscuits: bright-blue kicks. Iridescent. Like a scarab! Oh, who am I kidding, it was nothing like a scarab! It was like bright. blue. fucking. sneakers! I did not want to die that day. Oh, my God. Why don’t we talk about it? How good it feels. And if you don’t know then you’re lucky but also you poor thing. Bring the band out on the stoop. Let the whole neighborhood hear. Come on, Everybody. Say it with me nice and slow    no pills  no cliff  no brains onthe floor Bring the bass back.    no rope  no hose  not today, Satan. Every day I wake up with my good fortune and news of my demise. Don’t keep it from me. Why don’t we have a name for it? Bring the bass back. Bring the band out on the stoop. Hallelujah!

gabrielle calvocoressi - hammond b3 organ cistern

[blendmishkin]

"I Miss Those Days" is the first single taken from the forthcoming Theory of Mind album by Blend Mishkin & Soul Sugar coming later this year. The song features the talented Georges Perin on vocals and it is available in all streaming platforms today.

Soul Sugar, a disciple of jazz master Dr. Lonnie Smith on the Hammond organ and a veteran in the French music scene worked with Kid Loco, Blundetto and more is known for his intricate reggae-jazz masterful improvisation and brings a distinctive mellowness and complexity to the song. His use of the Hammond organ and Clavinet adds a layer of depth and authenticity.

Blend Mishkin, a versatile artist, who has mixed and moved across reggae, dub, soul, as well as world music, introduces elements of funk rhythms to the mix. His production techniques, combined with the rich, analog sound of the vintage instruments, creates a sonic landscape that is both timeless and inspired.

released September 26, 2024

Georges Perin - Vocals Soul sugar - Hammond Organ, Clavinet Blend Mishkin - Keyboards Eugenio Negri - Drums Vassilis Nitsakis - Bass

Composed by G. Mantas, G. Metenier, G. Perin Arranged and Produced by Blend Mishkin Mixed by Blend Mishkin and Thanos Amorginos at Downstroke Studio Mastered by Pete Maher Cover Design: exidas.com

[independentartistbuzz]

The Vaniers Channel Their Love of Footy Anthems on Upbeat Rock Single “Painted Town”

Toronto rock trio The Vaniers are diving into their love of early 2000’s post-Britpop, acid funk, and electronica on new single, “Painted Town.”

Inspired by the FIFA footy anthems they grew up listening to, the song is built around a pulsating piano line performed on a Hammond Cadet organ that bassist/vocalist Diego Paz had sitting in his basement.

“Painted Town” is a pump up song - it’s meant to get you stoked and ready for whatever’s around the corner. At the same time, there’s a strong sense of nostalgia here for us, going back to music from our childhood that unknowingly would impact us as musicians much later on in life.  You could say that this song was written for our ten year old selves, sitting in front of the TV with the volume way up. – guitarist Alex Iacobellis

Known for delivering scorching live performances and dazzling crowds, The Vaniers have become a staple in the Toronto music scene, celebrated for their high-octane shows and catchy tunes. The breakthrough for the band came in 2019, marked by the release of five singles and a tour across the Toronto circuit. Their debut EP, Who Are You To Say? hit the scene on March 19th, 2020. In 2021, The Vaniers collaborated with producer Nixon Boyd of Hollerado, recording their full-length LP titled All Together Now!, released on June 3rd, 2022. The album’s release was met with acclaim and celebrated with successive sold-out shows at Horseshoe Tavern the next night and Lee’s Palace the following month.

In 2023, The Vaniers started working towards their sophomore LP, to which they have released three singles from so far: “Faces,” “Charlie,” and “This Dog.” The full album is slated for a late 2024 release.

[myalgicpierrot]

[ID: A photo of a chocolate chip muffin against a white background with three annotations to the side.

First arrow at the very top of the muffin reads: "yay! chocolate!!"

Next arrow slightly below, indicating the area above the wrapper: "the best thing ever."

The last annotation has a large curved bracket, with a poem;

"The days I don’t want to kill myself are extraordinary. Deep bass. All the people in the streets waiting for their high fives and leaping, I mean leaping, when they see me. I am the sun-filled god of love. Or at least an optimistic under-secretary. There should be a word for it. The days you wake up and do not want to slit your throat. Money in the bank. Enough for an iced green tea every weekday and Saturday and Sunday! It’s like being in the armpit of a Hammond B3 organ. Just reeks of gratitude and funk. The funk of ages. I am not going to ruin my love’s life today. It’s like the time I said yes to gray sneakers but then the salesman said Wait. And there, out of the back room, like the bakery’s first biscuits: bright-blue kicks. Iridescent. Like a scarab! Oh, who am I kidding, it was nothing like a scarab! It was like bright. blue. fucking. sneakers! I did not want to die that day. Oh, my God. Why don’t we talk about it? How good it feels. And if you don’t know then you’re lucky but also you poor thing. Bring the band out on the stoop.

/End ID.]

[thoughtswordsaction]

The Vaniers: Unleashing Early 2000’s Post-Britpop, Acid Funk, and Electronica in “Painted Town”

Photo by Mike Neal Toronto rock trio The Vaniers are diving into their love of early 2000’s post-Britpop, acid funk, and electronica on new single, “Painted Town.” Inspired by the FIFA footy anthems they grew up listening to, the song is built around a pulsating piano line performed on a Hammond Cadet organ that bassist/vocalist Diego Paz had sitting in his basement. Known for delivering…

[8dpromo]

Ursula 1000 - Get Down With Us Tonight (Insect Queen Music)

8DPromo · Ursula 1000 - Get Down With Us Tonight (Insect Queen Music)

Ursula 1000's latest single, "Get Down With Us Tonight," is a funky, time-bending journey that seamlessly blends the best of the past and future. Released on Insect Queen Music, this two-track offering showcases Ursula's signature style of mixing retro vibes with modern electronic party starters. "Get Down With Us Tonight," is a showstopper, featuring chunky soul drums, growling Hammond organ riffs, and a rousing horn section that transports listeners back to the golden age of Stax Records. Ursula's incorporation of acid embellishments and cool male vocalese rhythms adds a futuristic twist, making it feel like the 1960s have collided with the 2040s on the dance floor. It's a sexy, irresistible invitation to let loose and do the timewarp again. And, for the DJs, Ursula has included an instrumental version of the track, allowing them to work their magic without the vocal bits. "Get Down With Us Tonight" is just the beginning of a string of new songs leading up to Ursula's forthcoming album, set to release later this year. As an artist who has consistently pushed boundaries and defied genres, Ursula 1000's latest offering is another shining example of how the producer crafts infectious, dance-floor-ready tunes that span decades and styles. So, put on your go-go boots and get ready to groove – Ursula 1000 is back, and he's bringing the party with him.

Jon Wesley (Insomniac) – “No one does it like Ursula 1000. Love the vibe and those big-ass, booming drums. Can't wait to play it.” Umbo (Timewarp Music) – “Loving it! BIG drums and a great funky feeling.” Kid Loco (Flor) – “Groovy, groovy and funky.” Sneak-E Pete (Blunted Funk) – “Total party rocker. Can’t wait to play this out.” Jon Fugler (XLNT radio show) – “Hugely enjoyable.” Eric (Mountain Chill Radio) – “I was lost without any recent sounds from Ursula1000's Hammond, until now.”

Available Now From: Bandcamp, Beatport, Apple Music, And Spotify.