#fynboerne

[i12bent]

Thorvald Hagedorn-Olsen (June 1, 1902 – 1996) was a Danish Academy-trained painter. He was friends with the Fynbo-painters but followed his own path artistically with his use of heavy earth colors and shapes.

Above: View from Marbæk over Roskilde Fjord, ca. 1941

[incongruous-faggot]

shout out to Danish dialects

[michaelj1968dk]

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[dkavisen]

Fremtiden for Svendborg Sygehus ligger klar

Fremtiden for Svendborg Sygehus ligger klar

Regionsrådet besluttede 26. september, hvilken profil Svendborg Sygehus fremover skal have, og hvilket sygehus fynboerne fremover skal køre til. I fremtiden skal fynboerne så vidt muligt køre til det nærmeste sygehus, og Svendborg Sygehus vil blive styrket indenfor blandt andet planlagt kirurgi og medicinsk udredning. Hvilke opgaver skal Svendborg Sygehus løse i fremtiden, og hvor vil…

[i12bent]

Lars Swane (Oct. 19, 1913 - 2002) was a Danish artist who specialized in color lithographs of flowers and objects in a window with a pleasant landscape backdrop. His parents, Sigurd and Christine Swane, were both artists, and part of the Fynboerne group.

[i12bent]

Knud Kyhn (March 17, 1880 - 1969) was a Danish animal and landscape painter and porcelain/ceramics sculptor, who created many animal figurines for the three major, Danish porcelain factories: Royal Copenhagen, Bing & Grøndahl, and Kähler.

He trained at the Royal Academy and Zahrtmann's school, and traveled widely to observe animals and birds, esp. in Northern Europe. His style of painting aligns with that of Fynboerne, esp. Johannes Larsen.

Above: Vandrefalken jager, 1945 - oil on canvas (SMK)

[i12bent]

Niels Hansen (June 22, 1880 - 1946) was a Danish marine, landscape and portrait painter, regarded as one of the four great Fynbomalere. He studied briefly at Zahrtmann's school and spent some time in Paris where he picked up some influence from the Impressionists, and other than that he was self-taught.

Hansen was a co-founder of Grønningen and frequently showed at Charlottenborg. He settled on the small island of Thurø, south of Funen, and lived there for 25 years, not least because he could indulge his passion for yachting there.

Above: Portrait of Niels Fischer (enjoying a pipe and a Red Tuborg), 1917 - oil on canvas (SMK)

[i12bent]

Thorvald Hagedorn-Olsen (June 1, 1902 – 1996) was a Danish Academy-trained painter. He was friends with the Fynbo-painters but followed his own path artistically with his use of heavy earth colors and shapes.

Above: Fruen med ny hat, kunstnerens hustru, 1946 - oil on canvas (SMK)

[i12bent]

Christine Swane (May 29, 1876 - 1960) was a Danish artist, whose brother was Johannes Larsen and who was married to Sigurd Swane, both prominent members of Fynbomalerne.

However Christine wanted more than becoming just another regional landscape painter, and she developed her own brand of post-Cubist still life painting, almost always held in green, blue and yellow colors.

She chose Grønningen as her artists' association, and worked across media with ceramics, textiles and paint, creating many decorative works as well as canvas art.

Above: Opstilling med kardemomme, 1948 - oil on canvas (SMK)

[i12bent]

Peter Hansen (May 13, 1868 - 1928) was a Danish painter, considered one of the three original members of Fynboerne, a group of primarily landscape painters, who were the core students at Zahrtmann's alternative Academy, Kunstnernes Frie Studieskole in the late 1880s.

Hansen was a native of Faaborg on Funen, and kept his house there which served as a summer base for him and his painter friends, Fritz Syberg (who married his sister) and Johannes Larsen. During winters Hansen and his family lived in Copenhagen. and he painted urban social realist sceneries. He also mastered portrait and genre painting.

Above: Landskab ved Lerbjerg, no year but after 1903 - oil on canvas (Brandts)

[i12bent]

Lauritz Mikkelsen (Feb. 25, 1879 - 1966) was a Swedish-born, Danish painter. He studied at the Royal Academy in Copenhagen in the 1890s and later settled on the island of Funen. He is sometimes associated with the group of Fynbomalere...

His art was mostly animal and landscape painting, and he is well represented at Danish regional museums.

Above: Græssende Køer, 1954(?) - aquarelle and ink on paper (Privately owned)

[i12bent]

Alfred Simonsen (Dec. 16, 1906 - 1935) was a Danish landscape painter, who died very young from phlebitis, leaving only about 35 canvases behind. Simonsen studied at the Royal Academy, and was a co-founder of the artists’ group Corner. His work is similar to his contemporaries in the groups Fynboerne and the Odsherred painters.

Above: March Landscape, 1934 - oil on canvas (Trapholt, Kolding)

[i12bent]

Karl Schou (March 9, 1870 - 1938) was a Danish landscape painter, trained at Zahrtmann’s school. He usually painted in small formats with a restrained palette, but occasionally he did epic murals, for instance for Rigshospitalet in Copenhagen. His motto was “To paint is to be quiet.”

He is represented well in Danish museums, and also in the Norwegian National Gallery. The painting here is privately owned, though.

View of Mjøsa, Norway, 1928 or 1937 - oil on canvas

[i12bent]

Ernst Syberg (Jan. 12, 1906 - 1981) was a Danish landscape painter in the Funen and Odsherred tradition. His father Fritz Syberg was a Zahrtmann disciple, but Ernst was autodidact as a painter, having studied law before changing careers.

He showed at Kunstnernes Efterårsudstilling from 1933, and became a member of Corner in 1934.

Above - a landscape study in oil - no date given (1950s-70s), found at Gallerie Zeuthen.

[i12bent]

Elisabeth Neckelmann (Nov. 6, 1884 - 1956) was a Danish autodidact painter (she did receive some home training from her stepfather, Peter Hansen, and drawing classes from Fritz Syberg). She was associated with the Funen painters, like Hansen, and did many flower and landscape paintings up in Odsherred. She was also an accomplished portrait painter, and her portrait of Queen Alexandrine (1943) still hangs at Kvinderegensen in Copenhagen.

Neckelmann was a lesbian and active in improving conditions and financing for women artists. She chaired the Society for Women Artists for 30 years.

Above: Rooftops, Copenhagen, no year - oil on canvas (Privately owned)