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incarnateirony · 4 years

Note

i think there’s a distinction that needs to be made. i think those with power over dabb & co are the ones who are exuding more habits of queerbaiting, while dabb and co aren’t. and because those execs are more or less invisible, the blame/fault is put on dabb as he’s the perceived figurehead of everything in the show when he’s not. anything he may want to put in the show can be easily vetoed by a higher exec so

Okay so I said I wouldn’t touch related issues facing wanky-side, but while this runs the line this is such a genuine, and valid thought process it feels worth addressing.

So in short: Yes. But no. But yes. But no. But we’ll see.

What do I mean by that? I’m going to put this behind a cut. But first of all I want to thank this Nonnie for at least trying to critically think about where the problems lead to. This is FAR BETTER CRITICAL THINKING than I see in this discussion most of the time and this. More like this. Nuance, discussion, idea trade, history. Let’s do it.

Okay, so.

How can it be yes no yes no maybe eenie meenie miney mo?

Because it really depends on what part of this 15 year legacy show we’re talking about.

What I’m about to say isn’t going to be popular, but I’ve said it before, I just can’t find the ancient ass post discussing it.

We’re going to rewind. Like, a fucking lot. A lot, a lot. This is going to be a history ride, and you’re probably going to wonder how it connects to the conversation at first, but bear with me.

Ignoring any personal frustrations I have with the casting of season 4 – frankly a chapter of this FUCKING show that haunts me somewhere in the ballpark of, “If my friend wasn’t dismissed as not white enough and got the role, would we have Misha, Destiel, any of this, would the show be on, would she have been chased off as the other actresses?” – and frankly these are the things people don’t even fucking *think* about.

TLDR a bajillion years ago CW made a casting call and we got this super cute character named Anna that Dean was slated to bend over in two seconds flat, as old canon used to be before modernly growing. The actress expressed discomfort, and frankly went over with the audience about as well as wet cardboard. And like, while I agree that a lot of women were hated for misogynistic reasons in this show, she really was about as interesting as a plank of plywood to me once she got past her first performance or two.

At the same time, this handsome bastard named Misha Collins auditioned for a bit role originally intended for 3 episodes and quickly extended to 6. But, identified as lightning in a bottle and with on-fire chemistry, while Anna waffled for *several* reasons, summarily, their story ends swapped. That’s… not like *exactly* what happened but it’s *basically* what happened. Anna became the herald and contagonist instead of Cas, and Cas quite frankly took on the role of the goddess.

With Lisa already entered before Anna, there’s no evidence whatsoever she was intended as endgame. Story flip. Thank you for everything last night on earth fall by angel banishing almost like this was foreshadowed woohoo! But… don’t lend towards a relationship. No point. Given, they made a few jokes on set at that point, but it wasn’t really an idea *they thought anyone took seriously*.

Coming from a phase where most of the leads were introduced to “slash fandom” by Wincest, which they literally used to torture and prank each other, the idea of this being anything serious really wasn’t on their radar. The one I remember most was Misha choosing to sit on Dean’s side of the bed as Cas in the famous “What were you dreaming about?” and Sgriccia being like “that’s kinda gay” “nah keep it”

I mean, is that… queerbait at that point? I don’t think it’s fair to really call it that. They respectfully tried to scrub out the leading romantic edges from what would have been Anna’s story, but ultimately, the human psyche kind of recognizes 8000 years of storytelling history subconsciously when using the Hero’s Journey narrative, so it was resonant. Nobody was crazy for seeing it. That didn’t mean it was right, that didn’t mean it’s what they were consciously leading anyone for.

Hell, Jensen didn’t even know what the fuck Destiel WAS until season 7 (”Deathstiel?”) due to the way cons, circuits, and fansites kept the conversation force-muted at that point. Anything they had floated somewhere in the area of “hah that is kinda gay I guess”, and even that there’s no evidence of being frequent.

Kripke left, the show petered, social media was new, and summarily, Sera Gamble was a dumbass and listened to the wrong crowd that seemed super big back when big accounts were a whole 10K followers and you had 50 asshats screaming as a coordinated group about Ruining The Show™. Ratings tanked, somewhere between Misha being fired and the show turning into a parody of itself with dick jokes that made it seem like Gamble was trying to target 11 year old boys for her audience, and like, that’s it, that was the season.

Until that nosedive spiral essentially turned into a shorthand apology reversal, a panicked and roughly written script that was *SO GAY* that *EVEN MISHA FUCKING COLLINS* couldn’t seriously choke out the dialogue. It was cheap, it was out of character, and as Jensen put it, the dialogue might as well have had him petting and sobbing into Castiel’s coat while essentially being like I SLEEP WITH YOUR COAT EVERY NIGHT TO REMEMBER YOUR SCENT UWU and shit that just LITERALLY vaulted from alien fascinated staring into desperate teenage gay drama in the body of a 30 year old man.

So yeah. Did I consider it reasonable to change that? Fuck yes I did.

Was what Sera Gamble did queerbait? Yes, actually. And she did it again in the Magicians. You see, Gamble had fucked over an audience, and then tried to exploit that audience in reverse when she realized she fucked over the *wrong* audience, but had zero intent of fulfillment.

And then magically, Sera Gamble didn’t fucking work there anymore after a whole like, year and a half as showrunner.

Now, at the same time, Dawn Ostroff was leaving the CW. Jensen’s had some pretty fierce words about Dawn Ostroff not understanding the show and how to manage it, but whatever. Bye, Dawn. Hello… MARK FUCKING PEDOWITZ. But at the same time, WELCOME BACK CARVER and most of all HOWDY DO NETFLIX, so nice to make a guaranteed deal with you (that ended as of this year due to a CBS merchandising meltdown).

When Carver came back, he said a lot of things. He… very tactfully called Gamble’s era trash by phasing it like “:) Watching the show :) since I left :) I realized :) a lot of our mythology :) has been difficult to follow :) so I went :) back to basics :) please help”, and others, like mentioning he had a three year plan on his desk. So 3. Season 8, 9, 10. He had notes for his S10 finale in mind and everything! Great stuff.

Now the fandom, at this point, generally didn’t pay attention to the network or production. In fact, the actor worship around here is some other kind of wild and I don’t know how after 15 years people haven’t figured out that it isn’t how to go about paying attention. Either way – plot switches, showrunner switches, author switches, and NETWORK LEADERSHIP SWITCHES.

Now, this little part here is speculation – but I am 99% sure that when Carver was pulling SPN out of the cancellation toilet, he had bigger things to inform the new execs about than “btw I might make it gay.” Like “Hey, since CW just got its netflix deal, if you give us another year we can import fresh demographic while bringing back Collins’ old fanbase by setting him back as a regular.” SURE, SOUND GREAT, MAKE MONEY, THX.

Cool. Cool. Make sense so far, you still with me?

Because at this point, S8 into early S9, fandom had gotten itself into all kinds of a stir. It was about to go canon, rite nao, said a bunch of bloggers, who at that point WERE pretty much chasing wallpapers and Tshirts and making the most bizarre uncorroborated parallel interpretations like “IF U PARALLEL IT TO MOBY DICK-” WHAT WHY WHERE– ??? BUT cAS = fISH

Okay, my fucking annoyance at what counted as lit crit in those days aside, we’ll get back on track. Everybody started vibrating for this shit because, you know what, S8 did resonate pretty strong, almost like authors were toying with ideas. I’m not gonna get into stuff about Robbie, I THINK fandom knows the statements he’s made and I don’t just mean the whole Destiel being canon tweet both antis and bitters descended on him to eviscerate him about. About what? Calling it queerbait!

So here we go, the great advent. About a year after a dramatic network shift, a CW exec was like :))))))))) I’D LIKE TO LEARN ABOUT THIS FANDOM THAT IS SUDDENLY MAKING ME MONEY!! WHAT SHOULD I DO??? TO TWITTER! HASHTAG TALK TO THEM!

[logs in]

Beep boop. “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” “Destiel?” the FUCK is a Destiel? Wait what no I don’t know what you’re talking about representation isn’t our intention with these characters. “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT” “QUEERBAIT”

And then the network exec got so slammed he deleted twitter entirely and everybody popped confetti and felt accomplished and did NOT realize how fucking BAD that was. And frankly, anyone that did kinda didn’t want to admit it, because taking responsibility for that tire fire was… not… attractive. In fact, several folks are still around to this day, bitter blogging or making weirdass meta or accusing other people of wallpapers and Tshirts because that’s what they did so *YAY, PROJECTION!*

My own frustrated bitterness aside, I’m going to place some questions down, and not so much answer them as, now that the reader has really taken history in, let them decide:

At this point… is this queerbait?

Because this is when the queerbait yelling began. It’s when every fan with even a moderate platform or site blasted it out there.

It’s when the fandom made DeanCas a big problem.

And it’s also literally the same time Carver left his very first recorded, known direction with a romantic tilt, “The note I got from Jeremy Carver was to play it like a jilted lover, so that’s what we played there,” on LGBT author Bobo berens’ very first episode. Everyone runs circles around that modernly, or goes “SEE??? QUEERBAIT!” without realizing what the FUCK just happened here.

So, SPN went from cancel rating line to their most successful show between 7 and 9. Suddenly corporate sees their successful product *ON FUCKING FIRE* so do you know what happens?

Fuck it this IS one line I’ll break: Corporate panicked. They changed their press packets. If you noticed a bunch of media-adjacent people and their friends suddenly get bitter as FUCK in season 10 after still surviving the S9 mess, here’s fucking why. Because now that everybody spent the last YEAR trying to burn down the product yelling about shit that corporate had been literally blindsided by, they added temporarily a new section to the packet that included sexuality. They were, at that moment, suddenly listed collectively as heterosexual men. SEE, WE AREN’T QUEERBAITING IF WE TELL YOU THEY’RE STRAIGHT *will smith pose*

Congrats fandom, you have now officially made Destiel A Huge Problem™ to the corporate behemoth behind the shiny pictures. The iron curtain dropped. This is what you could call “Protect the Product Mode” if you will.

Now again, at this point: Is it queerbait?

Because at this point, S9-10 was rolling out. We all know it, Cain, Collette, *gestures off into infinity* But let’s fall back to Carver’s statement. 3 years. 8, 9, 10. You know what else happened season 10?

A bunch of shit, including shit Carver *wrote himself for the season 10 finale* got filmed, then cut. Coincidentally, it was all very gay shit. Things that pulled forward the Crowley/Abaddon Cas/Colette Sam/Abel parallels, arguing over who was who’s boyfriend, Rowena mentioning about them both being shattered at the Altar of Winchester (15.3 is calling), the secret admirer dream, I could go on. I mean, this shit literally would have shifted the entire storytelling arc to full-frontal taking that parallel and addressing it right up in your face. First you’ll kill your mistress but you’ll get it done, and then you’ll kill your wife. He’s your boyfriend no he’s YOUR boyfriend. You’ve BOTH been shattered at the Altar of Winchester. Really, this is what you dream about? Your secret admirer Cas?

K? K. K?

Is it queerbait for Carver to have entered with a plan? Is it queerbait for Carver to have been interrupted on that plan despite attempting to pursue it? And is it queerbait for the network to still lock down on that plan so close after the event?

You see why this conversation gets increasingly complex.

S11 rolled around, Carver was half in half out, Dabb was stepping in, big gay heart songs, take what you will out of that entire mess, and by S12 Dabb entirely took over and we started entering the era we are in today.

So let’s address where we’re at today.

Now :) I can’t say anything for sure :) because anybody that’s been to or worked on marketing stuff definitely has an NDA :) but let’s play for a minute. Let’s say with the stone wall up, a set of creators still wanted to actually *go somewhere* with this story.

“But!” remembered the network, “Remember the tire fire?! And all the people that hated the gay?! What about our profit?!”

“No,” a creator might say, “Tides have changed.”

“We’ll see,” a network might say, “Take it to market testing.” At which point, one would enter a few years of polling how the general audience reacts to this.

Now, if they were seeing promising numbers, they might be given a bit of rope. Why, let’s … just pretend. Totally. Totally pretending. That Dabb pitched this idea to take up Carver’s mantle. Let’s say that started S12ish when he took over. Let’s say they ran through hiatus. And then… authors might be given a little bit of a line. “Looks good, but we’re not sure,” said a network quite fond of its split conservative/liberal demographic, “Try it out a bit and see how it goes.”

And so an author room that would be full of LGBT creators fed out good faith groundwork. They might even be like YALL ITS NEVER TOO LAAAAAATE TO START ALL OVER AGAIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIN and just throw their whole boy howdy cowboy into that shit and get great ratings.

What if even if the results came back positive leaning, the network ho’ed and hummed and stayed noncommital? Might the creators scale it back while still writing it lowkey just in case they got flashed a greenlight? I know I sure would, woudn’t you?! Or I guess would you prefer we drop the whole thing cold and stop writing anything vaguely in the direction?

Difficult question, in reality, isn’t it?

So in this TOTALLY HYPOTHETICAL SITUATION, this leaves the authors holding the bag, waiting for a sign, and being held with limitations. And just in case anybody thinks “BUT AUTHORS CAN DO WHATEVER THEY WANT!! AND!! OTHER SHOWS!!!”

K have we come down to reality yet? So, sure kids, try the gay, we’re interested, but you can’t like, go Full Gay Frontal with it. You gotta imply the gay. Wouldn’t want to offend conservative america! Besides! We’re totally exploiting marketing making this LGBT content for you over here! *jingles a carrot on a stick* LOOK AT HOW MUCH WE’RE FLEECING ADVERTISING PROMOTING ALL THIS GAY STUFF FOR YOU AREN’T THE RAINBOWS GREAT?

Some creator of limited LGBT content: How’s the marketing looking?

Some network: EH! We’ll see!

Some creator of limited LGBT content: K guys we’ll scale it back to not upset them but don’t drop it.maybe we can have them hold hands at the end or if we’re lucky maybe they’ll say we can do the whole thing

Some LGBT creators: K

Making sense still? STILL WITH ME?

So at this point… is this queerbait, or is this business?

Put aside the emotional reaction. Realize this really only hit scale in S9, hit front line S10, and hit potential corporate discussion in this TOTALLY theoretic universe around S11-12. We’re talking 3-4 years. Not 10. And we’re talking only a few of it really being tested.

So again I ask, history minded: Is this queerbait, or is this business?

That’s where the nuance and complication comes in, and let it be said I am in no way defending the CW. I fucking hate the network. They have literally personally screwed over real friends of mine and I hope they choke on a whole bag of dicks with their bullshit, but honestly, the shit I have seen and heard would make people stick their heads in the sand like scared and ashamed ostriches for every time they trumpet “BUT OTHER SHOWS” – you don’t know what’s going on in those shows. You don’t know how they’re getting hardballed on budget decisions, you don’t know what that show’s marketed demographic is about, you don’t know what they demand cast how, you literally don’t have a fucking idea unless you’re up in that disaster zone.

And even IF you’re in that disaster zone, unless you’re truly in the upper echelon, you only know so much.

Now let’s pretend, again, totally metaphorically, and absolutely not inspired by a real person at all, that someone worked with the crew for a while and, because they saw support inside creeping upward siiiiince mmmm gosh we’ll say season 12 since that’s our advent and totally not when anybody specific started working there and telling fandom ladder fans what they thought they saw going on, only to get sad and bitter and angry and eventually leave, and all those friends, still abiding old bitterness from S9~, now get angrier because of somebody else’s burnout on their ITK level and perspective, even if that was *probably* aggravated by other work stress conditions as well, but hey! WHO KNOWS!?!?! :)))) What a weird hypothetical though and I’m getting weirdly super specific on it aren’t I so LET’S MOVE ON.

We’re in S12-13 discussion category now.

So my question is, from this perspective… when do you call queerbait? When not swept up in misguided hysteria… at what point do you say “Yeah, you know what, yup, that’s all queerbait”?

So we’re gonna take a bit of a break here for a second and really process all of that hypothetical world, where a creator pitched going for it, and got it put into market testing, and was given enough rope to hang themselves on if the network changed its mind.

After only a few years of conscious thought on it… do you even think the network is truly consciously misguiding specifically those fans, or do they see it as giving the fans something they want while testing the idea of possibly truly giving it to them?

Because here’s what fandom misses – the corporate perspective. And again, I’m utterly not fucking justifying the CW as a whole, but people look at this from the angle of fans, and then argue what they think is representative dialogue from the angle of fans, often while missing all of this history. All that history up till S9? That’s all very real. But looking at history in perspective… who are you going to blame for that? Is it fair to hold S4-9 to that five year stretch of queerbait when that was… pretty much fandom manufactured from blissful ignorance to begin with? I mean if you want to go yell at Sera Gamble Specifically okay (please don’t) but beyond that like– that shit? Is that anybody’s fault? Do you blame a company for actually shutting DOWN the talk of it on a press angle? Can we call that and S10 queerbait then? Was Carver’s attempt at writing through it queerbait? Was trying to continue the story in S11 after theoretic shutdown queerbait? These are all genuine questions that are not asked enough. Most people don’t even realize they need to be asked.

So back to Totally Theoretic Land, where S12ish market testing would have been going on to see if people really thought it was Gay N Shit. Like a lot of people in an overwhelming majority after the amount of apprehension the straight old dude running the network has ever since the goddamn tornado of horse shit that happened like a year after he took over. Probably not the fondest fucking memory for him either. Probably also why he dismissively called most of that demographic “casual fans”, because in Smug White Guy Brain, “tru” fans would have all known, I guess, exactly the shit I’m telling you in history backtrack so, look at the silly girls wanting the gay shit :) Ahhhh girlllllls

Okay so, my impression of douchebags aside, let’s give it 12-13 hiatus to give the first test rope lead and 13-14 hiatus for the next, only to have at best noncommital and uncertain numbers and authors, theoretically, cautiously pulling back while writing it as generally established and implicit, as if it might, I don’t know, go from BIG GAY DRAMA to DEADASS DOMESTIC all of a sudden despite ITS NEVER TOO LATE TO START ALL OVER AGAIIIIIIIIIIIIIIIIIIN cuz get it, they started over, after he came in his room and played him. *elbows* You all get it right?

K. So maybe numbers changed. Maybe they don’t. Maybe I’m not comfortable talking in this hypothetical, maybe I don’t have access to this hypothetical AU’s current marketing data as of this year, I just don’t know! We don’t know where those cards fell.

But if, at this point, after 2-3 years of market testing, and leading authors on, and giving them enough rope to hang themselves with to get themselves accused of queerbait just for trying to lay good faith groundwork for a cohesive narrative, because fans don’t care that 2 open closet LGBT authors are on deck or that there’s totally theoretically probably and in no way fingering anyone at least one closeted author on deck, or at least publicly so, their coworkers would probably know. But I mean. That’s just. :) statistics. Right?

K whatever moving on. If at this point they’ve been boggley bounced around… you know, I gotta say. At this point… I might actually call queerbait if the network stonewalls it. At this point, they’ve had a few years to really get their shit together, and if they’ve just used it to play yo yo with LGBT creators trying to make content then yeah, go suck a whole bag of dicks.

The problem being with the lack of nuance in this conversation, you’re right, Dabb and co would catch it rather than the guilty party, which is why I HATE faux activism culture. If you’re going to be an activist pay the fuck attention to what you’re being an activist in, don’t bite the hand that’s feeding you just because it was a PBJ and not filet mignon, go after the bastard 1%’er that’s eating all the goddamn filet mignon. But nobody will. It never works like that. And then everybody wonders why this continues – be it in this show, or on other networks.

But hey. Maybe this theoretic network got enough material to change their mind. Maybe another executive got promoted that might help one of the other creators argue it to corporate with their new shiny title. Maybe they can convince someone. Convince them of what and to what level, who knows. Maybe just continue telling the established story, give them a divorce, mention marriage, divorce, dead wives, breakups every 0.2 seconds while they go through a classically framed dark point in the romance everybody with brains and eyes understands because, again, historic storytelling we literally all recognize, but pretend we don’t when stomping about personal representation lines? Or hey! Maybe it’ll go further. (Don’t hold your breath.) Throw in some other shit that even a straight guy would look at and be like “two dicks one chick that shit’s gay bro” because WE LITERALLY ALL FUCKING KNOW WHAT IT MEANS EVEN IF IT’S IMPLIED BECAUSE THE NETWORK IS A BUNCH OF PUSSIES.

…*stops, breathes*

If you can’t tell this is a very long term topic of frustration to me, because nobody, absolutely nobody, wants to introspect and think, you know, maybe it wasn’t queerbait back then, maybe we SHOULDN’T have set a corporate exec on fire about it, that might have been fucking bad.

There are other ways to be an activist than to scream queerbait into the void at whoever is unfortunate enough to cross your paths. One of the best examples I can remember is Exorcising Emily collecting demographics on fandom, and testimonials from LGBT fans about resonating with the content – no fanfic, no fanart, no attacks – and sent copies of this to several powerful creative names.

Now… if with this history… if, from season 9 to 12… one of those names became a creator. If, by some FLUKE of imagination… he still had that book around… and even gave it to his freshly joined new employees like 2 weeks after they started working there–

oh wait and i oop

The mentions would be much as you expect, antis screaming and demanding her job (QUICK, somebody tell Andrew Dabb that she’s READING ANDREW DABB’S OWN BOOKS THAT HE CHOSE TO KEEP AROUND FOR THREE YEARS).

Has Dabb’s era seemed… more plugged in? More resonant? Better and stronger in its storytelling? More hooked into fandom?

See, that’s what well thought activism can do. Well thought activism can structure an entire movement. Poorly thought rioting thinking itself as activism can cause the literal opposite effect of what it wanted. That is how these things contrast each other. And that is something fandom needs to DEEPLY consider.

…but is it queerbait for him to try to continue the story? Even if, say, we drop the marketing talk, because TOTALLY nobody can ACTUALLY know because AGAIN anyone that DOES would have an NDA so we DEFINITELY can’t say anybody knows anything for sure, because anyone that said jack shit would probably get sued so hard their descendents down in whatever homo superior evolution 1000 years into the future would feel it, so you know. We’ll put aside this totes theoretical shit and ask

…If he just was told no– would you prefer to just drop the storyline entirely at this point?

Again. Genuine question. And difficult. And something poorly thought queerbait screaming can actually cause, too.

So here we are in the land of the final season. Whether you consider it network queerbait or not – again, they can choke on the whole bag of dicks at a network level for all I care for ANY number of reasons, even well beyond the domain of Supernatural, and may all their bacon burn from here into the next life – it’s a lot more complicated than fandom has ever let it on to be, because letting it on to be what it really is, in full perspective, also demands a lot of introspection and acceptance, and we all know nobody in this fandom can ever make a mistake ever and they’re all fucking perfect darlings.

It’s a complicated answer to a simple idea… and unfortunately I don’t think this fandom will ever really sit here. They’ll yell “VICTIM BLAMING” because it’s buzzy, they’ll yell “HIDING YOUR GAYS” which I mean, yeah, but let’s talk about what led us here. They’ll yell a lot of things. But they will rarely quietly think, and study, and hone down to what’s going on in the world out there beyond what they have, at this point, become obsessively hotlocked on.

Supernatural, as of 15.7, has already taken several steps further than it ever is before. No, that’s not a signal of me saying [Your Personal Goalpost] is going to happen. But it’s a sign that if they have a line, they’re testing it with every strength they have.

Going back onto the Fateful Advent: Cain. The mentor– who was never going to stop; I can’t stop samuel; he was never going to stop; I will never stop; Rowena, the mentor, never going to stop, shattered, at the altar of Winchester. Long ago, when Cas was human, Dean sealed him away, and now, he’s doing the same to him. So Shirt Of Bad Decisions Deanmon basically karaokes with his friend like the Crowley days, REPEATING the Crowley dialogue but infinitely harder to dodge, as if some sort of calculated method of cat’s cradle of How To Write The Gay was discussed. Man, whoever wrote that kind of shit would probably even publicly thank whatever big gay mastermind helped them map out THAT level of stuff. Wouldn’t it be funny if most of that shit had been written by a gay dude that’s still around and it’s still popping back up in the show louder and harder to dodge than before? That’d be fuckin’ wild, man. Oh, fucking WAIT.

And this is why I hate the way shipping culture thinks it’s doing activism. Most of the time it’s cosplaying as an activist and at this point it’s become more of a furry convention than it has any kind of organized rights movement. Nobody’s out here fighting for the rights of these LGBT authors this year, nobody’s helping them get a voice, and in fact, often scream at them or bury what voice they’ve had as not enough.

And I want to fix it.

Desperately.

And frankly, I don’t know how anymore.

But what we’re not talking about is some 3-5 year show that came in early and started intentionally fucking at you. We’re looking at happy coincidences, so let’s check with our gay king, the father of Wayward that everybody coincidentally accepted as canon with far less because of a (meaningful) third party line DeanCas had elsewhere but hey it didn’t have antis so suddenly it counts; let’s check with him about that.

That’s my king. That’s my king that wrote the first recorded episode to be intentionally directed as jilted lovers. My king that gav eus Colette. My king that gave us the mixtape. My king that gave us the PR framed breakup. My king that gave us Cas leaving Dean. That’s my King. That’s my gay king who has been fighting his ass off, only to be hung out to dry by a fandom that doesn’t even care to look where or how to scream, or maybe consider that perhaps screaming isn’t the option.

Is he yours yet? Have I broken through to a single soul on this?

That’s my king who wrote about the necessary evils in 2003, before the youngest in this fandom were born and while many were still in diapers or kindergarten; about the unfortunate necessary evils that he loathes and acknowledges about moderate queer content gaining exponential amounts of platform compared to whatever is considered hardline aggressive at the time, about how that incrementalization is what helped our media landscape evolve to this day.

And he isn’t wrong.

And he’s getting roasted for doing just that.

And I really wish I could just psychically make everyone fucking stop.

But I will say one thing.

“It’s network queerbait!” I mean

Yeah

That

Because… realistically? like 99% of modern queer content is queerbait, even stuff with canon queer content.

ESPECIALLY on the CW.

If you’ve noticed CW panicking the last year and trying to slap rainbows and DARE TO DEFY on everything, it’s because their entire fucking ecosystem just got fucked over by CBS wanting 100% merchandising profit like it already took 100% digital profit and Netflix was basically like “miss us with your bullshit” and broke the CW contract which was *HOW PEDOWITZ BANKROLLED MOST OF HIS NETWORK*. Now? Now CW has to carve a niche. So LOOK AT ALL THE FUCKING PRIDE COLORS ON– OUR– STRAIGHT–CHARACTERS??? BUT WE HAVE GAY ONES LIKE LEGENDS OF TOMORROW AND *flips notes* THAT SIDE CHARACTER LESBIAN ON SPN.

*gets a whisper* What they killed her? Shit. Maybe bring her back. AND THERE’S THIS PERSON OVER ON JANE THE VIRGIN oh that just got cancelled uhhh VAMPIRE DI-wait fuck. Well we’ll just make one of the chicks in this shitty charmed reboot CBS just forced down our throat and killed Wayward over, that’ll fix it *jazz hands*

TV is a business. Businesses make money. The entire LGBT battle is basically us industriously proving we can make money. It’s about rights and visibility on our end, but on their end it is *always* about money and I really don’t think anybody really groks what that really means.

So “it’s the network! Queerbait!”

…yeahhhhh.

…welcome to working in television. Now you just have to sit and think about how many other times this has completely missed your radar.

The network will never get a shit about you, they give a shit about your money, and that’s just the reality of capitalist america whether we like it or not. When it’s 2143 and bernie sanders’ floating head in a jar is president and andrew yang’s base income shit is in effect and we’re all a socialist country and the world has figured out how to run high cost businesses like TV on the power of unicorn farts, they might actually give a shit. But they don’t. There may be a few advocates WITHIN the company that do, but as a whole body, the network will never give a shit. They don’t care if you’re black, white, straight, gay, disabled, male, female, beyond what, explicitly, that totals to in dollar signs depending how they feed you, when and where.

So it’s not like... *just* a queer rights issue, it’s an “Anything Trump’s America may consider offensive on their television” issue. It’s businesses weighing who they think pays their bills while making it and beyond that who they think is the safest investment to make the most money.

As a side note: Personally, I’d consider it dumb as fuck to not do it. SPN will taper within a few years down to just trekkie-esque addicts unless they find a way to get a new burst of viewership and boy howdie do I hope so, but how much Pedowitz overvalues the conservative US demographic, or certain international markets, I don’t know. I’m not in his head and I don’t have this year’s marketing numbers beyond basic live, +3 and +7 ratings, and digital calls. And just general nielsen released demo. But how he’s added that all up? Can’t say. And I sure ain’t gonna bank on him not being a dumbass, when he’s famous for it, so don’t go get your hopes up either.

#supernatural #representation #queerbait #intersectionality #business #corporate #marketing

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vampanic · 4 years

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okay here’s what i remember from THE CON

i can’t remember if the ticket was cheap or pricey. i don’t know why. i wanna say it was more expensive or of equal value to a bigger con and i justified it to my parents and myself because it was the first one. but i went because i thought the idea of a con that was centered on the various fandoms popular on this site at the time was a genuinely neat idea. i also thought, okay let me just go because it’s another one to attend.

i should note: that have been to a lot conventions in my time. i’ve been to acen twice i think? i’ve been to nebkon twice. sadly i have never been to c2e2 or flashback chicago (which i may never get to go to now whoops) and i’ve been to wizard world chicago i wanna say 4 times?

now at these cons (mostly wizard world) these fandoms aren’t as present. in fact, the main demo of that con was adult to middle age to older visitors as well as families, so usually teens and young adults would find each other at this con (whether planned ahead or by accident there) and freak the fuck out over our cosplays or mutual love of whatever.

so because of this again the idea of a t.umblr con was exciting to me, even though i was already at the end of being interested in those fandoms (as i’m sure most people were at the time)

okay so first, this con was far. wizard world and acen are held at the rosemont convention center which while kind of far from where i live, is accessible by train via downtown or via one of chicago’s big airports. i always got a ride though which with summer traffic, took forever. so much like that this con was a journey away.

the hotel the con choose i remember thinking it seemed new, but it was far from where i lived which inpacted the amount of time i spent at the con and the decision to only go two days (i didn’t return the last day because it was a shit show)

i went to this con by myself because i think at this point i had already had a falling out with my friend who i went to cons in the area with (she did not attend that i know of). i wore two cosplays that i had made already for other things, gwen stacy and america chavez. this would have been the ideal place for me to cosplay something more niche, but i just didn’t care that much about it. maybe i didn��t think it was worth it at the time since it wasn’t going to be a big con.

so i get there and there’s no long line to get my badge in fact i don’t even remember a line at all. which, for me, was bizarre. every con i’ve been to before had huge lines even on off hours to get badges. but whatever. i cant remember if where i got my badge was in the the same room as where the ball pit was or not. but yes, i did go into the ball pit and i was silly in it with some other people because

idk you see a ball pit you go in the ball pit? in hindsight i know it’s not acceptable to have this at a con, but shit i guess i was high on life at the time. someone took a pic of me in the pit, but i have never seen it.

i remember seeing some very impressive cosplays at this con. i also bought some really great art in the dealers room which was small. (here’s the artist. also this was nonfandom art. i don’t remember buying anything else from anyone because i don’t think i saw anything i liked/could afford) there was no unlicensed night vale merch sold here that i remember, but i do remember receiving free unlicsenced night vale like pamphlets from a random vendor and also there was a vendor who was giving away a large piece of night vale fan art with a purchase of over something dollars i dont remember.

panels: i don’t remember there being many panels or even very interesting panels. panels i remember going to include: bisexuality in media/bisexuality representation (which was put on by the bisexualbooks tumblr), ask an avenger (which was put on by various marvel cosplayers), and a panel that was about female characters in supernatural (i was a spn stan back in the day jsyk).

the bi one was good. i remember it being the most like a panel that you’d go to at a larger convention. they had slides and info and they took questions and had several speakers.

the avengers one was what we’d call today “cringey” but it was cute. it was exactly what it sounds like. avengers cosplayers sat up on a stage answering questions in character. i believe that all the cosplayers had rp and/or ask blogs which is why they were chosen.

the supernatural panel was, like the bi one, complete with slides and various speakers, but from what i remember it was mostly going down the list of female characters in the show. i remember from the fandom that there a good chunk of people who love the characters, but they’re often killed off or abandoned and this is something a lot of fans did have gripes with. this is gonna sound fake when i say it, but this did happen, we got to charlie and someone said “yeah i like charlie she’s cool because she’s a lesbian but she doesn’t act like one like she’s still feminine” and i spoke up and said “well yeah it’s cool she’s a lesbian, but what do you mean she doesn’t act like one. like queer female character shouldn’t have to be feminine to be seen as good rep.” and people clapped. i know that sounds fake, but please believe me because this is a setting where people are inclined to clap when they agree with statements. people clapped at others too.

i also attended the costume contest, the night vale panel, and the meet and greet with doug jones.

the contest was fine. there was one individual at this con who i can’t name because i didnt know their name, but they cosplayed as ed from edd ed and eddy and they were in character the whole time to the point of discomfort. it wasn’t just for the contest i found myself in a cards against humanity game that they were in and it was even there and it was weird.

then the night vale panel happened and ooooooooohhhh boy

this was the most filled room in the whole con. a main reason i went to this con was to see them and im pretty sure this was everyone’s main reason to go. i known someone from other cons who came from florida to see this. (fun fact: we were mutuals on various platforms and had hung out at various cons and i knew their name, but they could not remember mine and i thought that was bogus so i ghosted them. dont know if i was justified in that but whatever)

so here we all were waiting. for over an hour. during this time people talked and i remember someone cosplaying the glow cloud went up and down the isle with a little glow cloud baby in a stroller and we all laughed and cheered. people started playing card games. we kept busy. for me though.

this was one of the most boring cons i’ve been to honestly. i’m having trouble remember a lot of it and that’s because i went solo. i had no friends there. i cosplayed gwen from like the 60s and this was before spidey joined the mcu and before itsv was a thing so spidey was basically an niche fandom (i was active in the tasm and dane deha.an fandoms at this time and the latter became toxic as fuck but that’s a whole other story) or something older comic fans liked.

my other cosplay was america chavez from young avengers which never got that popular either (though kate bishop and kid loki where more recognized, but for their connection to bigger marvel names). so it wasn’t like other cons where my cosplay was an ice breaker and i could join groups. i was alone.

so a lot of the con for that reason was awkward and waiting for night vale was like being the person texting in the corner at a distant relative’s party because they know no one.

so they finally come on stage to say that night vale will not be performing and people went ballistic people were shouting and the person said “we have doug jones in the next hall you should go over to that” and someone yelled “WE DON’T WANT TO SEE HIM”

i went to see doug jones and i was previously unaware of what his name was but i knew who he was. he talked about his work and acting process and did a meet and greet after. mr. jones was a delight and i’m wondering how they even got him there in the first place. he was leagues above this.

i had to leave the con early that day to go to my brother’s football game, but i believe that was the night they “protested” at the con and i kept seeing on tumblr that it was cancelled. i decided not to go back the next day because i was unsure of what was happening and because it was too far.

and the rest is history. i’m sure i went to other panels, but i can’t remember them. i do remember going into the room where they were watching pacific rim, but it was on a shitty projection screen and i wanted to go to a panel instead.

it’s shitty what happened with the con. and a lot of the unrest came from literal teens who were cheated from money who didn’t know how to act, but all the responsibility goes to the people who organized it poorly. The concept of a tu.mblr con i don’t think should have been inherently bad. i think it would have been cool to have a con that focused on more niche interests. but shouldn’t have been as big as they wanted it to be for the first go.

anyway that’s most of what i can remember. it’s kind of blur because i spent most of it by myself and there wasn’t much to do so i didn’t even spend the whole day there.

quite frankly, i’m glad i wasn’t there when they started singing les mis because i have no idea how i would have acted.

#[out of coffins]#/under a cut because it's long

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