tagged by @autistic-council-spectre for a game!
Rules: post the names of all the files in your WIP folder regardless of how non-descriptive or ridiculous. Let people send you an ask with the title that most intrigues them, and then post a little snippet of it or tell them something about it! And then tag as many people as you have wips.
i am NOT tagging that many people uhhhh how about @heniareth, @notebooks-and-laptops, and @msarduenna
and oh man writing down ALL of them?????? okaY, gonna have to put these under a cut cause i have a slightly large number because adhd:
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wip: scifi thing
wip: stoke the flames
wip: young protag story
wip: michaelgerry
wip: fae gerry and vampire michael
wip: operation zev
wip: something dragon age
wip: silhouette
wip: fire emblem thing
wip: ff7 thing
wip: statement of tim spooky~
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wip: gerry gaem
wip: anders thing
wip: doctor who
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wip: hotel california story
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wip: disco elysium story
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wip: next chptr of to become something greater
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wip: andraste/solas/the maker
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wip: misfiled
wip: kingdom hearts story
wip: dirty things
wip: sten/warden
wip: uprooted
wip: switcheroo
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Start a Heartland Rumor
Just like the title says, start a Heartland rumor. It can be as serious or absurd as you like.
Disclaimer: This is all for entertainment purposes. I take zero responsibility for any lame-o who thinks this is really real.
My rumor:
Stephen Amell returns to the series as Nick Harwell, but his competitive polo-playing days are over. After Caleb fails to get him interested in jousting, Georgie suggests... horseback archery. After a few missteps, Nick eventually excels at the sport.
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Long-running CBC series Heartland introduces new faces for Season 15
It’s a testament to the gentle leanings of CBC’s Heartland that the character of Katie does not seem to endure a lot of coming-of-age melodrama in her life.
The young teen, who is now played by 13-year-old Calgary actress Baye McPherson, is not completely without strife in the first couple of episodes of the show’s 15th season. But the conflict is pretty benign. She spends the early goings of the season trying to convince her mom Lou (Michelle Morgan), that she and her bestie Parker (played by Ava Tran, a newcomer to the cast in Season 14) are responsible enough to be babysitters. In fact, the two seem rather obsessed with proving this to Katie’s stubborn mother.
“Katie is very, very kind and loves her family a lot, like all Heartland characters,” says McPherson. “I think she can be a little feisty. She takes after Lou in that way. But I think she is really loyal and will do just about anything for her family.”
Beyond her adventures in babysitting, Season 15 will also have Katie and Parker getting into a few other youthful escapades, although McPherson doesn’t want to give spoilers. There might be a bit of conflict between the two best friends at some point. Other than that, the season will feature some nice mother-daughter time between Katie and Lou.
Her character is not new to Heartland fans. But McPherson is a new face on the series, replacing Ziya Matheson in the role this year. McPherson has acted in short films and school plays and danced for Decidedly Jazz Dance Works and Alberta Dance Theatre, but Heartland marks her first major role on television. Luckily, acting runs in the family. McPherson is the daughter of Calgary-based actress Anne Hawthorne. Her older sister, Saylor, is also an actress.
McPherson first became interested in acting when her mother organized some acting classes. Since then, she has studied the craft in Vancouver and Los Angeles. But on her first, nerve-racking day on the Heartland set in High River this summer, McPherson says she was most grateful for the hands-on help she received from her family.
“It was very, very nice to have my mom with me,” she says. “My sister was always helping me with lines and my mom was too and always reminding me to work on my backstory. They were super helpful. It would have been a much more stressful time without them.”
The family ties are a nice touch for such a family-friendly series. McPherson admits she didn’t know much about Heartland until she landed the audition and began to do her homework. But she is part of a tradition for the Sunday-night family favourite. Most seasons find the writers and producers introducing a few new faces. The sudden and dramatic departure of main character Ty Borden (played by Graham Wardle), who died at the beginning of Season 14, was certainly a game-changer for the series. But, for the most part, Heartland’s main cast of Morgan, Amber Marshall as her sister Amy Fleming, Shaun Johnston as their grandfather Jack Bartlett, and Chris Potter as their father Tim has remained steady since Season 1. There have been some well-known actors passing through the ranks as recurring characters over the years, including a pre-Orphan Black Tatiana Maslany as Amy’s romantic rival for Ty and a pre-Arrow Stephen Amell as a polo player. But as the show’s young protagonists aged, Heartland’s producers and writers have also been careful to introduce more permanent young characters to help keep their younger viewers engaged. That has included Georgie (Alisha Newton), who became a main character after arriving as a precocious 12-year-old orphan back in Season 6. Ava Tran’s Parker was introduced in Season 14 as a brainy pre-teen who added some comic relief to an otherwise unusually dark, grief-filled season.
But one of the most reliable ways Heartland has introduced new characters is through kindly probation officer Clint Riley, played by veteran Calgary character actor Greg Lawson. Riley has been a recurring presence on the Bartlett homestead since Day 1, when he brought a troubled Ty to the ranch to meet Grandpa Jack, Amy and Lou. Since then, he has also introduced the troubled Badger (Jack Knight) and the troubled Luke (Lucian-River Chauhan) to the family for similar reform in Seasons 2 and 12, respectively.
In Season 15, Clint returns with a troubled new charge named Logan, played by 17-year-old Drew Davis. Unlike Katie, Logan has some serious teenage baggage to deal with and a character arc that isn’t dissimilar to Badger and Luke’s.
“I don’t want to spoil too much because there is a lot of mystery to the character and how Logan progresses,” says Davis, in an interview from his home near Toronto. “Logan is part of the group home that comes to the ranch and there are a bunch of challenges and mystery throughout the town at that time. He starts to take a liking to horses and, throughout his storyline, there’s this natural tug of whether he’s going to be staying or leaving. His father is in prison, so there’s this constant pull between him feeling ostracized from this new way of life that he is experiencing on the ranch and where he was before.”
Davis comes to Heartland with quite a bit of experience on television in both live-action and voice-over roles, making his debut at the age of five on Rookie Blue before landing stints on the children’s musical Big Top Academy, the tween sci-fi comedy Annedroids and a recurring role on Orphan Black. As with McPherson, acting is a family business for Davis. His younger sister Millie is also a busy actress with credits that include Orphan Black (she and her brother played siblings) and the Odd Squad. Their father, Wayne Davis, is an actor who has starred in The Handmaid’s Tale among other titles. He also runs the CharActors Theatre Troupe with their mother Megan, a summer camp that teaches children and teens performing arts in Thornhill, Ont.
Like McPherson, Davis did not know much about Heartland before landing the audition. But after spending the summer on set, he has some theories about its enduring appeal.
“Everybody can watch it and has some character they can relate to, or a relationship they find interesting within the show,” he says. “I think it’s a nice escape. You have people who live the life on the ranch and the sort of life that Heartland depicts and they enjoy it because they can relate to it. You also have the people, similar to me, that this is very far from anything they have ever experienced. It’s very interesting to see a completely different way of life.”
Heartland airs Sundays on CBC.
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On @kqbhla 101.5 FM or lpfm.la in browsers, you know it’s #whiplashmix time! #communityradio #communitybuilt #kqbh 01: "Glitches" feat. Amel Larrieux by the Roots 02: "Fallen Angel" by TIX 03: "Because I’m Me" by the Avalanches 04: "Forever More" feat. Algebra & Phonte) by Anthony David 05: "Watermelon Sugar" by Harry Styles 06: "Spread My Wings" by Troop 07: "Georgy Porgy" feat. Faith Evans by Eric Benet 08: "All The Stars" feat. SZA by Kendrick Lamar 09: "Nights Like This" by After 7 10: "Look At Me, Look At You (We’re Flying)" by Marlena Shaw 11: "Thank You" by Diana Ross 12: "The Principal" by Melanie Martinez 13: "Seul Au Monde" (DJ HT Remix) by Corneille 14: "Summertime Anthem" feat. Chubb Rock by Eric Roberson 15: "Forget" by Roosevelt 16: "Never Stop" by the Brand New Heavies https://www.instagram.com/p/CRaFIJIsxjE/?utm_medium=tumblr
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making a list of my da kids so I can investigate my past notes for them/ not forget them -reia amell -heather amell -falafel mahariel -Bernice cousland -Jolene hawke -Georgie Hawke - Roscha Hawke - Rowan Hawke -Marae Lavellan - Sascha Cadash
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di Antonio De Signoribus
ALTIDONA – Con il concerto di domenica 8 dicembre ( Accademia Malibran, Sala Colonna, ore 17.15) si conclude la settimana magica e di grande musica con il pianista russo Georgy Tchaidze, che ha incantato tutti per il suo modo di tramettere la musica e di provocare emozioni intense,fin dal primo istante che ha messo le mani sulla tastiera.
E domani ci sarà il gran finale con un omaggio a Hector Berlioz, in occasione del 150° anniversario dalla morte. Protagonisti del concerto il soprano Rossella Marcantoni, il violinista Aldo Campagnari e, naturalmente, Georgy Tchaidze. Ecco il programma della serata da non perdere:
F. Liszt ( 1811-1886)
Oh! Quando je dors (H. Hugo)
C. Frank( 1822-1890)
Sonata per violino e pianoforte in La maggiore Aldo Campagnari – Georgy Tchaidze
Hector Berlioz ( 1803-1869)
Les nuits d’été, Op. 7, n.1
Testo: Théophile Gautier
Rossella Marcantoni – Georgy Thaidze1) Villanelle (Quand viendra la saison nouvelle) – Allegretto
Toni popolari, atmosfera primaverile; melodia fresca e leggera ripetuta con leggerissime varianti in tutte e tre le strofe.
2) Le spectre de la rose (Soulève ta paupière close) – Adagio un poco lento e dolce assai
Grande drammaticità con momenti di grande di passione e ripiegamenti nostalgici. Sontuosa, ampia, melodia che più volte aumenta di forza e poi rapidamente precipita.
3) Sur les lagune (Ma belle amie est morte ) – Andantino
Costruita intorno a un ritornello triste, quasi un grido di disperazione, la melodia altalenante suggerisce il quieto dondolio di una barca sulle onde. La voce sottolinea il valore espressivo delle parole e segue l’andamento prosodico dei versi.
4) Absence (Reviens, ma bien-aimée!) – Adagio
Ritenuta la più bella delle sei liriche, è la prima ad essere orchestrata; Berlioz la presenta a febbraio del 1843 in un concerto di beneficenza al Gewandhaus di Lipsia, invitato da Mendelssohn. Melodia semplice, essenziale, e per questo efficace, che esprime la desolata solitudine di chi è lontano dalla persona amata.
5) Au cimetière (Connaissez-vous la blanche tombe) – Andantino non troppo lento
La disperazione è ancora più profonda; l’atmosfera angosciosa permea tutto il brano. L’accompagnamento degli archi è quasi spettrale, incupito dalle dissonanze del clarinetto.
6) L’île inconnue (Dites, la jeune belle) – Allegro spiritoso
Toni più leggeri cercano di dare sollievo alle angosce; è soltanto illusione: vaga e incerta è l’isola sconosciuta dove l’amore regna per sempre).
“I concerti che ha tenuto Tchaidze sono stati straordinari e L’Accademia, ancora una volta- sottolinea il direttore artistico della rassegna internazionale, Rossella Marcantoni-è riuscita a coinvolgere un grande interprete del pianismo mondiale che, nonostante sia costantemente richiesto e presente nei più importani palcoscenici internazionali, ha offerto una grande testimonianza dell’importante realtà dell’Accademia Malibran, che ha conquistato un suo spazio, non solo In ambito marchigiano, ma anche in quello nazionale e internazionale”.
Rossella Marcantoni, soprano. Fondatrice e presidente dell’Accademia Musicale Internazionale Maria Malibran. Docente di Canto presso il Conservatorio Statale di Musica “Bruno Maderna” di Cesena, tiene master classes e corsi annuali di canto presso varie Istituzioni anche estere. Nel 2010 ha fondato l’Accademia Musicale Malibran, della quale è Presidente – Direttore Artistico, avvalendosi della consulenza di un team di professionisti sia nel campo della musica che del mondo dell’arte in generale.
Nel 2014 ha ricevuto la medaglia d’oro – Premio della Fedeltà al Lavoro e del Progresso Economico dalla Camera di Commercio di Fermo con la seguente motivazione:
“A Rossella Marcantoni – La dedizione per l’insegnamento, un costante impegno per la valorizzazione delle nuove generazioni ed il grande talento l’hanno fatta distinguere nel panorama internazionale. Apprezzato soprano e stimata docente di Canto presso il Conservatorio ” Bruno Maderna di Cesena”, è Presidente e Direttore Artistico dell’Accademia Musicale Internazionale Maria Malibran di Altidona (FM) Marche-Italy”.
Si è brillantemente diplomata in Canto presso il Conservatorio “G. Rossini” di Pesaro e laureata in Discipline Musicali – Musica da Camera – con il massimo dei voti e la lode presso il Consevatorio G. B. Pergolesi di Fermo.
Ha perfezionato il repertorio lirico, con il M° Antonio Tonini a Milano, quindi con il soprano Maria Alos a Roma; il repertorio cameristico, con i Maestri Sergio Segalini, Pier Narciso Masi, con i soprani Elly Ameling e Liliana Poli.
Ha frequentato l’Accademia d’Arte Lirica e Corale di Osimo e l’Accademia Rossiniana del Rossini Opera Festival di Pesaro, su invito del M° Alberto Zedda. E’ risultata vincitrice del I° premio dei seguenti concorsi di canto: 42°Concorso per giovani cantanti lirici della Comunità Europea “Adriano Belli” di Spoleto, Concorso Internazionale “Giacomo Lauri Volpi” di Latina, Concorso Internazionale “Vincenzo Bellini” di Roma, Concorso Internazionale “Voci nuove per la lirica “Filippo Marchetti” Città di Camerino.
Si è esibita al Teatro alla Scala di Milano, Teatro Nuovo di Spoleto, Ravenna Festival, Rossini Opera Festival, Teatro Petruzzelli di Bari, Teatro S.Carlo di Napoli, Teatro Comunale di Bologna, Teatro Chiabrera di Savona, Teatro Lauro Rossi di Macerata, Teatro Ventidio Basso di Ascoli Piceno, Teatro Giovanni Udine, Teatro Coliseo Albia di Bilbao, Teatro Nazionale dell’Opera di Spalato, Festival della Valle D’Itria di Martina Franca, Fondazione dei Concerti Niccolò Piccini di Bari, Camerata Musicale Barese, Rassegna Internazionale Musica in Irpinia, etc … per gli Amici della Musica, Amici della Lirica e Gioventù Musicale di molte città.
Ha cantato in Germania, Inghilterra, Spagna, Croazia, Polonia. Il suo debutto è avvenuto nel 1989 al Teatro Nuovo di Spoleto ne “La Sonnambula” di Vincenzo Bellini nel ruolo di Amina. Aureliano in Palmira di Rossini (Zenobia), Il Matrimonio segreto di Cimarosa (Carolina), I Capuleti e i Montecchi di Bellini (Giulietta), Rigoletto di Verdi (Gilda), Don Carlo di Verdi (Voce dal cielo), La Serva Padrona di Pergolesi (Serpina) La Grande Duchesse de Gérolstein di Offenbach (Olga), Memento di Centazzo (Clotilde, La Monaca Badessa), Simultas di Centazzo (Isotta da Cuzano), Gloria e Magnificat di Vivaldi, Requiem di Mozart, Carmina Burana di Orff, Stabat Mater di Haydn, Sinfonia N° 9 in Re min.Op. 125 “Corale”di Beethoven sono solo qualche esempio del repertorio lirico, lirico-sinfonico da lei affrontato al più alto livello con direttori come Muti, Gelmetti, Kuhn, Panni, Aprea, Zani, Villaume, Scheiko, Mak e registi come Vizioli, Zeffirelli, Pizzi, De Tomasi, Hampe, Richter.
La vivace curiosità, unita al gusto dell’approfondimento e alla necessità di nuove sperimentazioni, l’hanno fatta approdare alla musica contemporanea, interpretando numerose composizioni in prima esecuzione assoluta e a proporsi con successo in recitals, opere multimediali, concerti spettacolo con programmi di rara inventiva ed originalità nell’ambito di prestigiose Rassegne e Festivals con altri solisti e con voci recitanti autorevoli come quelle di Glauco Mauri, Pamela Villoresi, Eugenio Allegri, Ugo Pagliai, Paola Gassman, Massimo Dapporto, Moni Ovadia, Francesco Guccini.
Ha inciso per le case discografiche Dynamic, Edipan, Accord for Music, per Bongiovanni, ha inciso in prima mondiale il CD Albe – opera omnia di musica vocale da camera- di Domenico Alaleona, per produzioni Gog & Magog il CD L’Anima de vino una sera cantava, il CD Les Fleurs du Mal en Musique Léo Ferré/ Charles Baudelaire per la casa discografica Movimento Classical di Milano.
Il CD recensito da Aldo Nicastro sul mensile Musica mette in evidenza la particolare qualità timbrica della voce di Rossella Marcantoni, definita luminosa…..brava la cantante a far valere la facoltà di aderire al dettato baudelairiano con un appropriato recitato drammatico, che a dispiegarne la fortissima valenza dissacrante…. Ha registrato per RAI TRE, oltre che per radio e televisioni di molti Paesi. Rossella Marcantoni esegue, fra l’altro, versioni inedite delle «chansons» del grande cantautore francese Léo Ferré di cui è anche interprete dei recitals esclusivi Les Fleurs du mal en musique (Baudelaire – Ferré) e Suite pour Léo.
Tiene regolarmente Master Classes di Perfezionamento di Canto Lirico e Cameristico in diverse Istituzioni italiane e straniere. Numerosi suoi allievi sono risultati vincitori di importanti concorsi di canto lirico nazionali ed internazionali, fra i quali anche del prestigioso Concorso di canto di Spoleto È invitata a far parte della giuria in Concorsi Nazionali ed Internazionali e come commissario esterno agli esami di Canto e Musica Vocale da Camera nei Conservatori Statali di Musica al Santa Cecilia di Roma, L. Perosi di Campobasso, G. Pergolesi di Fermo e altri.
Aldo Campagnari,violinista. Si e’ diplomato in violino sotto la guida di Pierantonio Cazzulani e Armando Burattin, perfezionandosi con Massimo Quarta. Dopo essere stato primo violino di spalla nell’Orchestra Giovanile Italiana, suonando sotto la direzione di R.Muti, C.M.Giulini, G.G.Rath, G.Sinopoli, ha collaborato con l’Orchestra del Teatro alla Scala di Milano.
Dal 1997 è membro del Quartetto Prometeo con il quale ha vinto premi in prestigiosi concorsi internazionali (Primo premio assoluto a Praga, Bordeaux, ARD Monaco) e viene chiamato ad esibirsi dalle più prestigiose società concertistiche internazionali, collaborando con artisti come Mario Brunello, Alexander Lonquich, Veronika Hagen, Reiner Schmidt, Michele Campanella, Antony Pay, Enrico Pace, David Geringas, J.G.Queiras, C.Widmann. Ha effettuato registrazioni per Rai Radio 3, ARD (Monaco e Saarbrueken), ORF (Austria), Radio Ceca, BBC (Belfast), Brilliant, Sony ed ECM.
Nel 2012 col Quartetto Prometeo e’ stato insignito del Leone d’Argento alla Biennale di Venezia. Nel 2006 ha fondato il Quartetto Prometeo Festival ed ha diretto dal 2006 al 2009 il festival di musica contemporanea ContemporaneaMente a Lodi. E’ violinista di Alter Ego (Roma) quintetto con cui sperimenta la musica di oggi, collaborando con i maggiori compositori del nostro tempo in tutto il mondo.
Ha insegnato all’ Orlando Festival in Olanda, alla Pacific University della California, Accademia Chigiana di Siena e presso il Conservatorio di Trento, di Alessandria, presso l’ Istituto Musicale “Vittadini” di Pavia ed al Conservatorio di Bari. E’ docente presso il Conservatorio di Rovigo e insegna Quartetto d’ Archi al Conservatorio Superiore di Lugano.
Ingresso 10 euro. Info e Prenotazioni: 338 8219079. È possibile acquistare il biglietto la sera stessa del concerto. Seguirà, come sempre, un Brindisi con i pregiati vini della Tenuta Cocci Grifoni di Ripatransone.
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How To Earn 0.02 - 0.5 Bitcoins Fast And Easy
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All I Need is a Miracle Mike and the Mechanics
wrestled
The Way To Market Station Aislers Set
of the anamorphic
stress mantra
iconx review samsung
pek k’ny remix 2016
Bro-Dum
basejump
threes company
aлeксeй вoрoбьeв
smotra md
sola audio
fichis y debryanshow
tal le temps qu’il faut
comedy channel india
The Ten Commandments Of Love Bob Marley
frank ed
brake rotor price
julian bugier
wage war
Viva America
georgi
makeupvlogger
Revolve Trevino
continuity test calculus
Deng lu Ri ben
fachkräftemangel
Down With This (J-Rod Remix) Showtek
mikhail osipov
美食旅客
Burnin’ Paul Taylor
gootecks urien
for intentional
prague’s
lava
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Anders telling stories to the apprentices <3
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Ostagar, before everything started to get real messy.
Alistair isn't used to the fact that Circle mages gossip even more than the clergy do. And they're also kinda thirsty.
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I have created my Perfect Boy George in bg3 cuz i missed him and he's off on adventures now, ready to go be gay smite evildoers
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Anders and George are besties but there's at least some judgment on Anders' part that his mage buddy acts like a tank
(Dialogue thanks to @miraculan)
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just a buncha dumbass 20-somethings on their way to kill an archdemon (they got snowed in for a couple days so naturally it was time to party)
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I am thoroughly enjoying Awakening, I fully wish it was longer! Here’s a buncha companions and my Warden
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George got himself introduced to Garrett's HRT Rune Guy specifically because he wanted a beard.
(just testing out how he'd look with one, I like both looks on him!)
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the Circle mages are used to close quarters, so even when they become Wardens, they stay all snuggled up
Will Amell (left) belongs to @miraculan-draws, George and Heli are my terrible sons
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