#give me my dark depressing autumn and winter so i can thrive

[sophsun1]

ugh can summer please go away it's not welcome here 🥵

[angrycollectordaze-me-blog]

Essay代写：Van gogh's artistic achievements

下面为大家整理一篇优秀的essay代写范文- Van gogh's artistic achievements，供大家参考学习，这篇论文讨论了梵高的艺术成就。文森特·梵高是荷兰后印象派画家，表现主义的先驱之一，他献身艺术，大胆创新，吸收印象派画家在色彩方面的经验，形成了自己独特的艺术风格。梵高用短暂的一生向我们描绘了他对生命的热爱与追求，诉说了他的激情与疯狂，寓于具体的物象中，最终发展为纯粹抽象、表达情感的前奏，开启了新的艺术思潮和新的发展。

​Vincent van gogh was a Dutch post-impressionist painter and a pioneer in expressionism. He devoted himself to art, made bold innovations, absorbed the experience of impressionist painters in terms of color and formed his own unique artistic style. This paper first introduces the life of van gogh, through the appreciation of his works to show van gogh's artistic characteristics, and explains van gogh's artistic achievements and personal love for him.

Vincent brahman his goodness is high, sympathy for the poor, at an early age in order to "heal all the unfortunate people in the world," bo, a day in the mining area as a missionary, as miners to eat the worst food, sleeping on the floor together. He gave his house to those who needed more help. To take care of the wounded miner and widow. The seriousness of the spirit was that the church was discontented and had caused the church to become restless and lose its job. In this way, he began to touch upon painting, a career which made him destitute all his life and had to be accepted by the world. Successively by the Hague school representative Anthony Mao Wei some traditional counseling and guidance at that time, some of the Dutch painter for short periods of time, there is no doubt that he is not consistent with these. His friendship with the new painters of Paris gave him a new understanding of painting in general and a new breakthrough in it. All van gogh's outstanding and original works were completed in the last six years of his life, mainly during the Algonquin period, which is the formation of artistic personality, the complete embodiment of artistic life and the regeneration beyond and even eternal. In 1888, he suffered his first psychotic episode while arguing with his good friend gauguin passionately about the idea of art. In order to stick to his artistic point of view, he still stood alone in arles, France, a beautiful city where winter wind blew and summer sun blazed, and spring and autumn were not as beautiful as other cities. In 1889, he was admitted to st. remi's mental hospital. He committed suicide on July 27, 1890, at auvers on the Banks of the river des moines, France, and died two days later with that unfinished regret.

Van gogh's masterpiece the sunflowers, completed in the southern French town of arles. Almost in the plane with a kind of psychic temperament, bright but not solemn, traditional but not modern. Strong sulfur and light blue tones, the color contrast is intense -- the spiritual spark generated by passion and calm fierce collision, and full of enthusiasm -- the great expectation of life in the crime domain of life is strongly poured, and the overall picture expresses the generation, youth, aging and death of life simply and thoroughly. The strong expression of the spirit and the sunflowers towards the sun merge into one. Or decorative, tiled, crazy strokes, creating the illusion of rotary movement, showing the unrestrained life and vitality of expansion and decline. The sunflower in the painting is dynamic and different, and the whole is passionate and unrestrained. There are a few sunflower in the front of the picture, which are so old and even about to fall down, expressing the infinite rays of light that always bloom in life and will eventually wither and disappear. These sunflowers is bold and unrestrained and wither, it is showed the van gogh inner contradiction and struggle, his pursuit of freedom, long life, the pursuit of the most natural thing, and the clouds like flame sunflower, not just in simple sunflower's own vitality and also copy the vitality of a van gogh itself enthusiasm at the same time, to show the crazy van gogh warm desire and pursuit of life, the ups and downs of life and unhappy. Van gogh's "sunflowers" nobody knows, nobody knows, but who understands the spirit behind it. He transferred all his words and expressions to the brush in his hand to express his mind's pursuit of nature and life.

Van gogh's style of painting is not about the image of the eye, but about how things really feel - the thriving life of the landscape beating and echoing in his mind. He expresses the most authentic subjective emotion in his heart by fully describing the thing. Van gogh dedicated his life to painting, with his soul and blood wrote the final chapter of life. His paintings have a lot of dark colors, which truly reflect the feeling of miserable life in the society at that time, as well as the immaturity of techniques and the doctrines of fetters and traditions. He wants to create works that integrate man and nature.

Van gogh always saw the world as a beautiful place, and he was optimistic, even when he was rejected. He said, "as long as the living are alive, the dead are still alive." Even if the people around him do not love him, he will still give his love to others. His first work was almost always dull, depressing and dark. Later, however, a great deal of his works became sonorous and clear, as if to console the suffering of the world with a joyous song, expressing his strong ideal and hope. He yearns for freedom and strives for freedom and happy life in his life. But in doing so, he proved that he could live forever, in a spirit of strength and life. His works contain profound longing for life, passion for freedom and a little pain and discomfort. His strong personality and unique pursuit in form are far ahead of The Times, which are indeed hard to be accepted by people at that time. He grasps the object with the environment, he changes the reality again, in order to achieve the real emotional truth, inadvertently gives birth to expressionism. He directly influenced French brutalism and German expressionism to the extent that lyrical abstract portraits emerged in the early 20th century. His love for art remains the same, and in the face of an overwhelming disease, he says, "it is doubtful whether painting is beautiful or useful, but what to do? Some people are insane, but still love nature and life, because he is a painter! "My faith will not waver in the face of a disease that destroys me!" Others say he is a madman, but in the face of such a "madman" with crazy dedication to painting, how can I not worship him? In his short life, he depicted his love and pursuit for life to us, narrated his passion and madness, broke the limitation of impressionism and neo-impressionism, expressed subjective emotions in objective images, semi-abstract expressions, incorporated in concrete images, and finally developed into a prelude of pure abstraction and expression of emotions. It has opened up new artistic trends and development.

What was special and moving about van gogh was his absolute sincerity. The extreme innocence and compassion of the world at heart strikes against the cold, utilitarian, worldly, sentimental reality. Those paintings, which are full of the force of life and color, are the most original genuine desire in everyone's hidden sensibility. Is loneliness the choice or the ultimate destiny? The artist van gogh gave people an answer in the most extreme way possible. "Everyone has a fire in their hearts, and people passing by only see smoke." Some people are doomed only their own sad burning, longing and meaningless others stop.

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[2centsofsilver]

12/5/17 Tues

Today at 9:30am I took the bus to campus and met a friend/collegue A from G at Espresso Royale on State St. We talked about the piercing world and opportunities in apprenticeship/what it’s like being a piercer. I most definitely overstepped boundaries while being entirely aware of it by asking her questions about my employment that she isn’t allowed to tell me/doesn’t know the answers to. I’ve just been really fucking stressed lately to the point where even though I know how unprofessional/inappropriate things are, I don’t give a fuck and do them anyway. But I always make a point to say something like, “I’m sorry, I hope I’m not overstepping and if I am, I’m so sorry and understand we can’t discuss it, but I’m just wondering if blah blah blah” and then they respect the fact that I was already aware it wasn’t right and neither of us feel shame about it. After that Amanda walked me through the Diag, willing to walk me into the SSW to help me get to the ECC for an Art in Social Work Symposium. Rachel showed up which I wasn’t expecting. She came a little late, sat down, saw me, mouthed “hi’ and smiled. Then for the first half of the presentation, I was trying to take notes and concentrate while saying to myself repeatedly, “Don’t let Rachel make you feel nervous. She’s accepting and you’re here for you.” That was why I chose to sit at a front table by myself. I wasn’t sure how big the crowd would be (it was relatively big, but lots of people filtered out early due to classes). I stayed the whole time and found the discussion boring. I found the content extremely general and vague and really geared toward macro work - community outreach and organization. I didn’t know the event was going to be a panel for questions. I knew I had questions I wanted to ask, but was scared in front of all the students. I’m not a student so I felt even more uncomfortable like I wasn’t sure if I was even allowed to be there attending this. Since the entire 2 hour symposium was centered around incorporating the arts into social work, I refused to not speak. I raised my hand and mentioned being a deferred student on medical leave while also using the next year to weigh whether or not I want to do SW versus Art Therapy. I told them I got into a variety of AT schools and MSW schools for this fall last year and that I’ve been offered another opportunity in Portland for an AT Masters. Immediately Paula started shaking her head, gestured, and said the word, “Limited.” After providing this context, my first question was their thoughts on SW versus AT as a career path. Their answers were general and things I already knew that didn’t help me at all. They were opposed to AT as a career pathway. I talked about my passions and why I chose SW, feeling it encompasses everything and provides the opportunity that I can really do all the things I want- be a professor, be a therapist, work with any population (i.e. kids), publish books. The panel included 4 individuals: Another woman named Amanda who put this whole thing together (idk who she is), a first-year student with music background who self-designed her internship, her field supervisor at her field location named Paula, and Larry Gant- a professor in both the School of Art & Design, as well as SSW - a professor I had researched and referenced in my admissions essay, discussing my interest in taking courses from him given my career goals. People are right - he is dry and boring communicatively, but I have the utmost respect for him and plan to reach out to him in detail as soon as I can. I plan to reach out to the intern too (Sunny) and Paula.  The most concrete take-away I got from the symposium is the knowledge that I can create my own internship by writing proposals, researching field placements, and then talking with my field supervisor about designing my own program. This is what I want to do. I also received the empowering message: “Build your own career. You can do anything you want.” Paula spoke in opposition towards AT when explaining what therapy sessions as an AT would be vs. as a therapist with an MSW. She said things like, “Instead of working in a room with child and parents, you’re sitting with a child using puppets to talk about what happened. Instead of talking to client about issues they’re dealing with, you’re sitting on the floor painting those issues they’re dealing with.” I want to talk with her more about this because as a counselor/art therapist, I’ve always been under the impression you DO have counseling skills with the extra advantage of INCORPORATING the arts. At the same time, I felt a bit discouraged because I actually really like the prospect of that career and the examples she was providing, even though her point was that they’re limited. After the Symposium, I was looking down at the Atrium from above. It was so crowded down there, I’m SURE absolutely maxed out with all the people I know in the SSW. I was scared of seeing Max and Savannah. The first person I saw when I looked down was Erin. Then I looked up and saw Autumn right next to me. I started talking to her, but again (JUST LIKE YESTERDAY AT THE BUS STOP) couldn’t even hear her. I was so anxious and so stressed and so scared and nervous that I just wasn’t even listening, while trying to also listen and be a good fucking friend, jesus christ, I’m terrible. I texted Erin telling her to look up (even though I was in the bathroom- which was stupid. Why would I not wait till after I came back out to the window?) She said she didn’t see me (obviously). Then when I got back out there I texted her again saying “Look up.” I saw her look up and shrug her shoulders like “wtf” and then turn around and see me at the window. She smiled and waved and texted me. I stood there texting her back for a couple seconds. Then I told her to wave again and went on my way. Sunny came out of the ECC and I took that as an opportunity to ask for her contact info even though at the time I didn’t really care for it (now I’m glad I did it because I think she actually can offer some good information to me regarding this self-designed field program), but it was more out of anxiety, I stopped her, asked her for her contact info, so that if people I know did see me, they’d see I was busy/occupied/and aka confident.  She gave me her email and I started trying to text it to myself and accidentally started texting it to Savannah. I flipped the hell out saying “Oops, sorry, wait, I tried to text it to myself and ended up almost sending it to someone I absolutely cannot send things to” and she laughed. For the first time I almost felt above all this shit. Then I utilized this as an opportunity to walk out of the SSW with someone. We were talking and she asked if I live in A2 and I said Ypsi and as we walked through that doorway past OSS and into the upper commons, she told me she likes Ypsi better because it has better coffee shops. I sorta did a combo of a scoff and a laugh. I have no idea why I thought it was so funny? ANXIETY. I was passing a crowd of people and I wanted them to see that I was talking to someone, involved, confident, comfortable, and thriving. Not: Slouched over, nervous, weird, awkward, a failure, misplaced, or visibly uncomfortable). After that I thanked her for putting on the event and said it was nice to meet her, and then I veered right and sat down on the cement bench where Rachel and I had sat yesterday, but closer to the entrance so that people I knew COULD see me if they were walking in and out of the building. But I looked down at my phone and started playing on it in fear they would see me. This is my life. This is social anxiety disorder. At that point I got an incoming email from Joy reaching out to see how I am doing and inviting me to Hungerwise regardless of whether or not I’m all caught up. I flipped my phone horizontally and began writing a response, thanking her for her concern, saying I’m sorry I missed 3 weeks in a row, I’ve been immensely depressed and struggling, but would like to come tomorrow etc etc, but question whether I should just take the next class instead, but asked if I had to re-pay for it, blah blah blah. At that point, I look up, and there’s Savannah. Walking out of the building towards Espresso Royale with a short and petite dark haired person- it may have been Monte. It was then when I realized (and subsequently got EXTREMELY depressed) that Savannah was moving on. Making other friends and highly immersed in a program that I’m no longer a part of, as much as I still try to be. Like this was her life- coffee between classes like her and I used to do, but with new friends. Every right (obvs.) to make new friends, I want her to thrive and be happy. Just something about seeing that was so hard for me. And then I remembered that I’m an overwhelming friend. That’s what I’ve been told. Max specifically said, “Many people have shared with them that I am overwhelming to be friends with.” My depression from all of this is that kind that makes you feel frozen. Aside from the fact that it’s also winter- it just makes you feel like dead ice. After that Espresso thing, I hopped up, and walked quickly to the bus. At the bus stop I looked back down the street and saw her and the Monte girl rushing back into the SSW. It was the green coat. They were far away. I was sad. I wondered if she could see me. I wondered if she saw me sitting there at the SSW. I wonder if she can see how I carry myself, how sad I am, and whether or not this also makes her feel sad. Or if she’s moving on into the wind leaving me behind. After that I drove to therapy and tried to explain to Amy all of what happened on campus yesterday and today- all the stuff about Savannah and running into her 3 times and the anxiety and how sore my body is. How I cry everywhere I go, how I feel frozen and depressed. How I feel like nothing and have lost my authentic self, worried all I am is a byproduct of my new diagnoses. That my whole life, everything I’ve ever said or done, has been a product of my PTSD and codependency. Talked about Rachel. Talked about the CoDA thing. I want to talk to her about the idea Rachel gave me of passing on control to a higher power. A higher power being a god/deity, religion, nature, art, the group itself, or the spiritual universe.  I also have the topic of rituals on my mind from the Fakir Intensives conversation I had with Amanda this morning. A psychologist once tried to diagnose me as a fucking sadist. Did you know in the piercing world, rituals for the very reason I’m into piercing, exist as healing experiences to let go of things no longer wanted by being sensually put through pain/physical support, not as kink and not as weirdo-ville, but as an individual request for personal freedom. Peace out, 3:50am.

[darkartandcraft]

An Interview with Dylan Garrett Smith

Dark Art & Craft had a chance to ask the artist and printmaker Dylan Garrett Smith a few questions about his life and artwork. Dylan creates his works with a wide array of mediums informed by ecology, occultism and darker themed subjects. Find our conversation within;

For those that don’t know your work, can we have a brief intro and what type of art you produce?

My name is Dylan Garrett Smith and I'm an artist and printmaker.  I create images inspired and informed by ecology, occultism, and humanity's relationship with - and the continually growing distance from - the natural world, using ashes, chalk-lead, and ink on black cotton-rag paper.  I also create screenprints, murals, paintings, fragrances, designs for shirts and album art for bands and brands with darker aesthetics, as well as having two bands - KVØID (experimental metal with my friend, David S. Fylstra) and Low Spirits (depressive surf-punk).

What art or style are you currently working in?

Regardless of the medium, I've always had a more tight, illustrative style, but over the last few years I've been focusing on light, texture, composition, and narrative.  I think my style and the artist's hand is always present, but to me, focusing on these aspects of art have been important to me.  Being that working on black paper using lighter media (rather than darker media on white paper) makes more sense to by brain, I think that's also another way that my style stands apart from a lot other people creating work with similar ideas or themes.

Do you have any favorite clients who you’ve produced work for? We noticed recent work from Mastodon and Baroness..

Working on designs for Mastodon, Baroness, and APMD was an absolute blast.  Those three bands always got heavy rotation in my studio, so it was exciting to work with them.  I just love working on different projects, so whether I'm hearing a band for the first time after they contact me or if it's one of my favorite bands like Mastodon, Baroness, and APMD, I'm looking forward to getting to work.  Ultimately, I love any client that contacts me and says "we love what you do- check out our album and go wild".  That's how I have the most fun and that's how you get my best work.

Your work at times relates to the music community, what musicians do you draw inspiration from if any?

Aside from the bands I just mentioned, I'm constantly listening to Woods of Desolation, Addaura, Rudimentary Peni and Neurosis.  All of them have different, unique sounds, but the similar thread amongst them that I love is how they create atmosphere, mood, and emotion.  I get lost in the images they put in my head and how it makes me feel.

Many of your works include occult or dark themes, do you consider these central to your work?

Absolutely.  My study of and interest in occultism is also tied to my interest in ecology and they both inform each other.  To me, their connection (and my connection to them) is very personal and important to my creative process and the images I make.  It's much more and deeper than the use of someone else's sigils to make something look "dark" or "evil", which I purposefully stay away from.  I'm more interested in creating a narrative based off of a concept and allowing the viewer to put the story together for themselves.

What kind of creative patterns, routines or rituals do you have?

Rituals and routines are very important to me creatively.  Meditation helps me shift into the mindset I need to be in to work and dreams have always been important to my creative process.  I've created pieces in dreams from ideation to completion, which then informed the images and techniques I've used.  Scent also plays a critical role in my studio practice.  There are certain incense I only burn in my studio so it's easier for me to shift into a creative mindset.  Associating scent with my work practice and mediation has been helpful and if you have issues calming your mind enough to create, I suggest giving it a try.

What tools and process do you use to create?

For visual art and design, I always sketch ideas first, sometimes multiple times, to finalize composition, work out issues, edit, etc.  From there, I transfer the sketch to my black paper.  I primarily use ashes, chalk-lead, and ink on black cotton-rag paper.  I use ashes and a cotton chamois that I made from an old shirt to tone areas where I want a more medium grey and I use white chalk-lead and black ink to push and pull light and shadow, build texture, and add detail.  Once the piece is finished, I scan or photograph it (depending on how large it is) and prepare the files digitally for whatever application they'll be used for.

What is the climate of the art community in Lehigh Valley or Pennsylvania in general? Has being located here helped or hindered your output?

My fingers are very far from the pulse of the art community in the Lehigh Valley and have only shown there two or three times in the seven years I've lived here, but I'm often associated with the artist scene in Philadelphia since I show my work with a lot of my friends from there (and it's only an hour from where I currently live).  Philly's artist scene is absolutely fantastic and dark art is thriving there.  But for me, personally, I prefer living outside of cities, and visiting for exhibitions, shows, to see friends, etc.  Being closer to nature is important to my creative process and living in Brooklyn and Philly wasn't helpful to my creative output or my overall mental health.  Being able to spend time in the woods whenever I want or need to is a never-ending source of inspiration.

Is your work inspired by your locale?

Absolutely.  I try to spend as much time in nature as I can, my experiences are always informing my art, but even when I lived in cities where this wasn't always an option, I was pulling from past experiences and my study of occultism and the natural world.  I also tend to illustrate plants and animals that are native to Pennsylvania or the northeast since that's where I grew up and still live.

What role do you feel the artist has in society?

Over the years, I've thought about this a lot and I believe, ultimately, the role the artist plays in society - or the role the artist should play in society - is to make the audience think about something they haven't thought about before.  This doesn't necessarily have to be a political or sociological message; it can provoke an emotional response or force the audience to think about a narrative they haven't ever considered before, but they're thinking about it and it's new to them.  And this is very different from my feelings on the role designers play in society.

Do you consider darker themed art cathartic or a tool for challenging the viewer? Or something else completely?

I think darker art can be both cathartic and challenging for the artist and the audience.  A lot of people have natural curiosities about the darker aspects of life (and death), which can make darker art not only comforting for them, but also challenge their own ideas or beliefs about the unknown - and I feel this applies to both the artist and the audience.  Through the artist's exploration of ideas, the audience is also able to go on that journey and ask themselves those questions.

What are you doing when you’re not creating or working on art? What (other) interests do you have?

Aside from creating visual art, I love spending time in the natural world, watching films, finding new music, reading books on occultism, ecology, and anarchism, as well as weird and horror fiction.  I also enjoy writing for a few projects I'm working on with friends and creating fragrances.  It began as a hobby that I wanted to learn after I started having issues with my eyes as a result of myasthenia gravis and now I'm planning on releasing a number of fragrances for Autumn and Winter of this year.

Do you admire any artists / photographers? (dark themed or not) what work inspires you? Who should we be checking out?

I have so many favorite artists - I'm always finding new, creative people that are doing such incredible things.  My partner, Crystal Lee Lucas, is a fantastic photographer and I'm always in love with the images she creates.  Paul Romano, Jeremy Hush, Jeanne D'Angelo, Michael Bukowski, John Dyer Baizley, Seldon Hunt, Justin Bartlett, Jamie Winn, Bonethrower, Skinner, Florian Bertmer, Randy Ortiz, and Stephen Kasner, are some of my favorite artists, many of which I've developed friendships with over the years through art and exhibitions.

Thank you for your time, where else can we find you?

The two best places to find me are on my website, www.dylangarrettsmith.com, and on Instagram at @dylanxvx!  If you're reading this and my aesthetic fits your band or brand and you'd like to work with me, feel free to email me through my site or at dylanxvx@live.com!