#gold digger prank 2017

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Liked on YouTube: I'm Dating a Gold Digger: Bethany & Michelle | UDY Pranks 2017 https://www.youtube.com/watch?v=6ay_1ohSfvE

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Gold Digger Prank 2017 | Pranks In India | Utsav Martolia

Gold Digger Prank 2017 | Pranks In India | Utsav Martolia

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[larriefails]

i don't know if you've ever talked about this before, but as a relatively new harry fan, i was quite shocked to see how people online would talk about his friendship with nick grimshaw when he did his promo with him in 2017. it seemed to be a mixture of larries thinking nick is a sort of 'gold digger' by being friends with him or they think nick has been trying to steal harry from louis for like 7 years now. they also seem to think louis hates nick..but then he went on his show?

Harry is always shipped with his friends, it’s a thing. It happens with Alexa Chung, even though she clarified from the first second they were just friends. It happens with Daisy Lowe, even though there’s literally no reason to believe anything ever happened other than them sitting beside each other and her giving him one of her rings (Harry steals rings from people, dating or not, it’s his Thing). It happened with Michael Clifford, from 5SOS, when they were very close in 2013. People shipped Harry and Ben Winston a lot as well

Harry and Jeff, Harry and Lou Teasdale. Harry is the most popular ship with all his bandmates, except maybe Liam (because of Ziam), but I’d argue Zarry is more popular. Larry and Narry are the most popular of Louis and Niall ships by miles

So obviously Harry and Nick were no exception, the problem is that Nick is actually openly gay, and that meant that it wasn’t that far fetched

Nick was also perpetually single, and Harry, well

They shared clothes, had tons of sleepovers. There were tons of rumors about them everywhere and it transcended fan shipping. In fact, fan shipping has always been very mild for them, considering the circumstances. The media and rumor mill has always been a bigger motor for this than fans, strangely enough

Back in May 2012, this happened

They play Call or Delete, a game where they both have to scroll through their contacts list, stop randomly and either call whoever they landed on and prank them, or delete their number

Nick landed on Sam Teasdale, Lou Teasdale’s twins sister. Harry’s PERFECT IDEA for a prank was “Tell her you’ve fallen in love with me” because Harry has the best ideas...

Nick does tell her, Sam doubts for a second (flat out asks if she’s on the radio), but ultimately says that once she’s sure he’s not winding her up, she’ll help him

This was Nick and Harry’s dynamic. Larries were terrified. Do I think anything happened? No. Both Harry and Nick denied it. I think that two men that like men can be friends with nothing happening (who knows how Harry’s journey was regarding that at that point). But the denials didn’t come until mid 2013 and later, and Harry and Nick were THIS close since 2011. Too late, Larries were already threatened and already despised Nick

The whole gold digging and using him for attention thing... it’s a tired accusation that they use with basically everyone that Harry befriends. Even the likes of Cindy Crawford. There was never anything to back it up. In fact, at one point, Nick got quite annoyed with the Harry-related-attention and, never one to hold his tongue, was very obvious about it

As for Nick and Louis’ relationship. No, it was actually tense. I can’t really rehash all that went down, but I believe it was in 2013, Louis tweeted that he couldn’t get out of his hotel room (they were in Australia, I think?) because of the paps, something like #papsaretwats and Nick and Finchy started talking about it in their show (freshly the Breakfast Show, Nick was in night time before that)

Nick said he couldn’t really read the tweet because it was “sweary” and I can’t remember if it was him or Fincham that said something about “we love whiny popstars”. I mean, it was typical banter idk

Louis didn’t like it and he posted

Chris Moyles was the previous Breakfast Show host. It was a bit of a low blow. ILY Louis but... yeah... What Nick said didn’t warrant it

Then Nick just...

And then they talked about it a bit more on his show. And Eleanor got involved as well. I don’t know. It was childish but it existed. Nick and Louis not liking each other is actually canon and not something Larries invented, for once

I do think they got over it with time. It really wasn’t that big of a deal

[tkmedia]

SSSniperwolf net worth: How much is the YouTuber worth in 2021?

Alia "SSSniperwolf" Shelesh, best known for her variety of content, most recently her reaction videos, has been on the platform for just over eight years. She accrued over 22 million subscribers on YouTube for her initial gaming content on the platform.At 28-year-old, SSSniperwolf is also a cosplayer in her second channel, Little Lia, where she posts videos displaying various skills, including cosplay building and baking.However, SSSniperwolf is not without controversies. In 2015, she claimed that fellow YouTuber GirlGoneGamer faked footage of her gameplay. In 2016, the Shelesh sued for slanderous comments about Engimahood until its dismissal in 2017.Most recently, in 2019, SSSniperwolf received the Nickelodeon's Kids' Choice Award for Favorite Gamer through her content was mainly reaction content as of that year.Overall, SSSniperwolf is among the top forty YouTubers in the country and among the top 100 in the Social Blade rankings. But how much does she make in revenue from her highly tractioned success?

Exploring SSSniperwolf's possible revenue and overall net worth

Per her Social Blade page, the internet star's YouTube views average around 680 million views per thirty days. According to the site, SSSniperwolf's estimated monthly earnings are between 171K to 2 million dollars.In her most recent YouTube videos, she does not have embedded ads. Using her most recent video titled "Gold Digger Pranks That Went Too Far" and the lowest amount regarding YouTube CPM, cost per thousand impressions, valued at around two dollars, her lowest estimated revenue per video is eight thousand dollars. With the highest CPM in the United States teetering between eight and ten dollars per thousand, SSSniperwolf's revenue per video could top off at forty thousand dollars.As far as investments, SSSniperwolf bought a 2.9 million dollar home in Las Vegas, Nevada, in 2019.Currently, SSSniperwolf does not have active sponsors for her YouTube videos. However, she recently collaborated with makeup brand Anastasia Beverly Hills for a 25 pan eyeshadow palette.SSSniperwolf is not ranked among the twenty top-paid YouTubers, previously beat out by Jeffree Star and Blippy. She is also rated at 112th in the most subscribers and 133rd in terms of viewership.Also read: "People are dramatic": Hype House's Thomas Petrou "apologizes" for insensitive comments made towards Lil Huddy in BFFs podcastHelp Sportskeeda improve its coverage of pop culture news. Take the 3-minute survey now. Edited by Ravi Iyer Login to reply Read the full article

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Top 5 "Gold Digger" Pranks of the Week April 2017

And again with gold digger pranks. Hope these pranks don't really reflect the community and how things are going on these days. Notice how things change when they know he's rich.

[2700fstreet]

OPERA / 2017-2018

The Barber of Seville

APR 24 OPEN REHEARSAL

Washington National Opera

Music by Gioachino Rossini Libretto by Cesare Sterbini Based on the play by Pierre-Augustin Caron de Beaumarchais

Who’s Who

Figaro: a barber, surgeon, matchmaker, etc. (baritone—a middle-range male voice) Count Almaviva: later disguised as “Lindoro” and “Don Alonso” (tenor—the highest male voice) Dr. Bartolo: a doctor (bass—the lowest male voice) Rosina: his ward (mezzo-soprano—a middle-range female voice) Berta: his servant (soprano—the highest female voice) Don Basilio: Rosina’s music teacher (bass)

Take a listen… So…first things first. It’s not too often an overture is almost as famous as the opera itself, but thanks to a cover by Bugs Bunny and numerous other references in pop culture, this opening music has become a standalone hit. Even Rossini knew it was super catchy—he used musical material heard in this introduction in a total of three operas.

So, What’s Going On?

Spain, the seventeenth century.

Almaviva (pronounced ahl-mah-VEE-vah), a young, handsome, and ridiculously wealthy count from Madrid, has a problem: He’s caught feelings for a girl who lives miles away in sunny Seville.

Almaviva’s packed up all his things, adopted a humble disguise (just in case his girl turns out to be a heartless gold digger), and moved to the lovely lady’s hometown. He’s also managed to track her down in the house of Dr. Bartolo (BAHR-toh-loh), who’s a well-known physician in the area. Sadly, though, that’s as far as Almaviva has thought his plan through. Now, he just sits beneath her balcony and sings cheesy love songs in the hope of getting her attention.

But the count’s luck is about to change.

By an unbelievable coincidence (just go with it), Figaro (FEE-gah-roh), an old friend and servant to the count, has set up shop in Seville as a barber, surgeon, pharmacist, gardener, matchmaker, and all-around Mr. Fixit. Amazingly, he has an “in” with Dr. Bartolo: Figaro is the doctor’s favorite factotum, or handyman. Happily reunited with Almaviva, Figaro explains the count’s beloved is actually the doctor’s adopted ward.

Take a listen…

You may not know The Barber of Seville, but we’re willing to bet you’ve heard this song before. In Figaro’s introduction aria, “Largo al factotum” (“Make way for the factotum!”), he boasts about his local celebrity status while simultaneously complaining about his needy clients. This piece requires the breath support of an athlete and the crisp pronunciation skills of a world-class rapper—an operatic performance practice called “patter.”

Turns out Bartolo’s ward is just as interested in Almaviva as he is in her. His serenades have caught her eye (and ear) and, despite being kept under lock and key by the paranoid doctor, she boldly introduces herself by dropping a note out of her window: Her name is Rosina (roh-ZEE-nah). And she wants to know about her singing suitor’s intentions.

Caption: The count’s romantic tunes have a positive effect on Rosina.

But let’s not get ahead of ourselves here. There’s someone else with an interest in Rosina: Dr. Bartolo. Out on the street, Figaro and Almaviva overhear the old man as he lets slip he has plans to marry his ward.

Shocked, Almaviva decides to up his game. With Figaro’s help, the count answers Rosina’s note by presenting himself to her as “Lindoro” (leen-DOH-roh), a poor pretty boy with nothing to offer but his heart.

Rosina thinks he’s dreamy and flirts back. Convinced he’s won her affection, the count conspires with Figaro to use the barber’s connections in order to shake things up in the Bartolo household. If anyone’s going to marry Rosina, it will be “Lindoro.”

Take a listen… In her aria, “Una voce poco fà” (“A voice (from) a short time ago”), Rosina entertains herself by thinking about all the traps she’ll set for her tyrannical guardian so she can eventually have her own way and run off with her new crush. Listen for the series of flashy passages of fast notes in the soloist’s vocal part (a skill known as coloratura). Some of these notes were written by the composer, but some have been improvised by the singer—a type of vocal display that’s become tradition over the years. Rossini probably wouldn’t have minded the changes; in his day, when a melody was repeated, it was common for the singer to give the repetition her own unique and beautiful spin without altering the basic structure of the song. (Press the “CC” button for an English translation.)

Sadly, though, Dr. Bartolo’s not entirely as stupid as he looks. Thanks to Don Basilio (bah-ZEEL-ee-oh), Rosina’s music teacher and one of Bartolo’s cronies, the doctor learns that Count Almaviva is in town. Bartolo has heard through the grapevine that the count has designs on Rosina (but has yet to discover Almaviva’s been making moves on Rosina in disguise). As a result, Basilio suggests they hatch a plot to discredit Almaviva with some slanderous fake news.

Take a listen… Meanwhile, elsewhere in the doctor’s house: Figaro visits Rosina to warn her about Bartolo’s marriage plot and suggests she write “Lindoro” a love letter as proof of her affection. Rosina’s one step ahead of Figaro, however—she’s already written a note behind Bartolo’s back. Check out the vocal pyrotechnics here:

Caption: Rosina surprises Figaro with a pre-written letter for “Lindoro.”

Later, the ever-suspicious Bartolo discovers how Rosina’s been communicating with her unknown Romeo. Yet before the doctor can punish her, a drunken soldier stumbles into Bartolo’s home asking for room and board. (Guess what? It’s actually the count...disguised as “Lindoro”…disguised as a local military man. Again, just go with it.) The prank spins out of control, however, when the ruckus he makes disturbs the neighbors and the police come knocking at the doctor’s door. Not to worry, though: The count privately explains he’s actually a nobleman, and the police back off. Still, almost everyone is severely confused.

Take a listen… Chaos abounds in Bartolo’s home as Figaro, the count, Rosina, Bartolo, his servant Berta, Don Basilio, and the police try to figure out exactly what’s going on (we’re guessing you can feel their pain). Listen for the metallic ringing of the sistrum, a rare instrument used to symbolize the banging sounds reverberating in the characters’ bewildered heads.

Are you still with us?

Okay, moving on…

Let’s recap: Rosina and the count (posing as “Lindoro”) still dig each other. Figaro’s still trying to get them together for good. Bartolo knows a nobleman named Almaviva is interested in Rosina but has no idea the guy who keeps popping up at his doorstep is actually Almaviva in costume.

Smash-cut to…

Take two. Almaviva puts on a disguise… again.

This time, the count tries to get closer to Rosina by posing as a substitute music teacher—“Don Alonso” (ah-LOHN-soh)—sent by an ailing Don Basilio (except Basilio knows nothing about it, of course). In an effort to get into the doctor’s good graces, “Alonso” produces Rosina’s love letter, claiming he stole it from Count Almaviva, who everyone knows is after the doctor’s ward. “Alonso” suggests he can use this letter to turn Rosina’s affections away from her beloved by telling her the count has given her correspondence to another woman as a cruel joke. Bartolo loves the idea. (Remember, though: Rosina really doesn’t know of any “count” at this point. This is all in Bartolo’s head, and Almaviva is taking advantage.)

Rosina enters and instantly recognizes “Don Alonso” as her secret love. Figaro then arrives and distracts the doctor so the count and Rosina can make some serious eye contact. The barber also manages to secure a key to Rosina’s window so the lovers can elope that very night. Things are going pretty well until Basilio bursts in, clearly not sick and clearly very confused. To make matters worse, Bartolo overhears the count chitchatting with Rosina, realizes the whole “music lesson” has been a setup, and goes absolutely crazy. Figaro and Almaviva scurry away, but the count never has a chance to tell Rosina why he’s given Bartolo her love letter.

Furious, Bartolo decides to try out “Alonso’s” letter plan—with one important twist. He tells Rosina that her disguised admirer is actually a secret agent for the wicked Count Almaviva, that her false suitor has given her love note over to the count, and that both Figaro and her mysterious lover plan to hand her over into Almaviva’s clutches. (Remember: Rosina has no idea that “Lindoro” and the count are the same person.)

And the gamble pays off. Feeling bitter and betrayed that her letter has been trifled with and worried that “Lindoro” is a spy for a random creepster count, Rosina agrees to marry her guardian.

But will the story end there? Can Figaro help undo this mother of all mix-ups? Will Rosina uncover “Lindoro’s” true identity and be able to forgive him for his deception? (Hint: It’s a comedy, so there’ll probably be some sort of wedding…but who will be our bride and groom?)

Good to Know

If you feel like you’ve heard the name “Figaro” before, that might be because you’re thinking of The Marriage of Figaro, which is a completely different opera by a completely different composer (Mozart), but about the same guy. The Barber of Seville (or Il barbiere di Siviglia, in Italian) is actually one of several operas based on a trilogy of plays written by a French author named Pierre-Augustin Caron de Beaumarchais (1732–1799), which follows the ups and downs in the life of Figaro, a talented working-class jack-of-all-trades, and also sheds light on the less-than-exemplary behavior of Figaro’s wealthy employers. All of the three plays (The Barber of Seville, The Marriage of Figaro, and The Guilty Mother) were ultimately turned into operas—and The Barber of Seville was actually transformed into an opera more than once.

In fact, when his version first burst on the scene, Rossini’s Barber wasn’t even the most popular setting of the story. That honor went instead to an alternate adaptation by then-operatic rock star Giovanni Paisiello, whose supporters were reportedly so loyal that they mercilessly heckled Rossini and his singers on the night of the new Barber’s premiere in 1816. Yet though Rossini’s version wasn’t an instant success, it soon made its way to London, Paris, Berlin, and, eventually, New York. Today, Rossini’s Barber of Seville is among the most frequently performed operas in the world.

Side note: If you were to read the Beaumarchais plays in chronological order, The Barber of Seville comes first and The Marriage of Figaro comes second. This makes Mozart’s opera a sequel to Rossini’s, even though Mozart, whom Rossini idolized, wrote his piece earlier (weird, we know).

Check This Out…

The Barber of Seville was written in a nineteenth-century Italian style known as bel canto (literally, “beautiful singing”), which featured songs designed to demonstrate the beauty, speed, and agility of the human voice. Listen up for arias featuring Olympic vocal feats such as rapid-fire melodies or long, extended phrases where each syllable takes up several notes and the singer has to stretch their vocal range from the highest to the lowest extreme…and then back again. (Keep in mind: Lots of bel canto arias were written in two parts, so when a soloist starts singing a lovely, lilting tune, you can bet a cabaletta—a galloping melody with occasional freewheeling improvisation—will follow.)

Notice how Almaviva’s voice and gestures change with each new disguise. Even though it’s the same man in every scene, do you think it’s believable he’d be able to fool so many people? Is he able to fool you at any point during the show?

How the set, costume, and lighting designs help recreate seventeenth-century Seville and give you hints about the story and its characters. Do the sets and costumes give you any clues about the differences in social class between someone like Figaro and someone like Bartolo? Does the lighting provide you with a sense of how hot it must be in sunny Spain? Does Rosina’s simple white dress seem to represent or foreshadow anything specific about who she is or who she might become?

The moments of speech-like singing that occur between songs. These are usually accompanied by a keyboard instrument, the harpsichord, and are collectively known as “recitative.”

How Rossini uses instrumental effects to depict a rainstorm. Would you know a storm was brewing even if you didn’t have the lighting or stage directions to tell you? How? (Hint: Think plucked strings and swirling winds.)

Think About This…

Who exactly is the hero of The Barber of Seville? Does the story have more than one protagonist? Based on the melodies given to each of the characters, whom you do believe Rossini intended the hero (or heroine) to be? Who do you feel makes the biggest impact on stage and within the music? Why?

It’s common for lead female singers in opera to be cast as sopranos (the highest female voice available), and yet Rossini wrote Rosina as a lower-voiced mezzo-soprano with a darker sound. As such, he often takes tremendous advantage of the character’s lower range (like when she sings about behaving like a “viper” if she’s been pushed too far). Do you feel this voice type suits Rosina? Do the lower notes give you any added insight into her character?

Take Action:

In the aria “Largo al factotum” (see above; it’s the “Figaro! Figaro! Figaro!” one), Figaro describes himself as a resourceful Renaissance man who gets things done—a quick-thinking, highly sought after, frightfully-fabulous factotum.

Care to rise to the Figaro challenge?

Try adding one or two extra skills to your list of talents so you can adopt the title of “factotum” for yourself. Investigate some digital tutorials or local classes in fields you’ve always wanted to try and start exercising some new brain cells. Think you’d make a great illustrator? See if there’s an art teacher who offers training sessions online. Have a feeling you’d make a wonderful chef? Sign up for a weekend cooking class at your neighborhood college or adult education program.

Now here’s the important part.

Take your newfound skill and use it to spread some love across your community (kinda like Figaro). Got some violin lessons under your belt? Show off your musical prowess at a nursing home or shelter. Spent your free time learning all you can about soccer on YouTube? Volunteer your services and help coach a little league. If you’re comfortable with social media, post pictures and stories about how you’ve used your new abilities for the greater good with the hashtag #imthefactotumofmytown.

Explore More

Go even deeper with the Barber of Seville Extras.

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All photos by Cory Weaver.

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Major support for WNO is provided by Jacqueline Badger Mars.

David M. Rubenstein is the Presenting Underwriter of WNO.

WNO acknowledges the longstanding generosity of Life Chairman Mrs. Eugene B. Casey.

WNO's Presenting Sponsor

Generous support for WNO Italian Opera is provided by Daniel and Gayle D’Aniello.

© 2018 The John F. Kennedy Center for the Performing Arts

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Liked on YouTube: EXPOSING GOLD DIGGERS PRANK IN ROBLOX https://t.co/S7wj81CDJT

— IFinallyGotItRight (@IFinallyGotItRi) August 22, 2017

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