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embracing-the-ineffable · 7 months

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Ineffable discontinuity and the Bentley's roadtrip transformation: new back doors and other changes (after it was yellow), and Crowley... didn't notice?!*

*Also, as a side observation, did he leave the Bentley window open during the ball and everything that happened after? Why?

Have you been longing to be even more perplexed by the ineffable discontinuity of Good Omens season 2? Do you love endless data in the form of screencaps? If so, then please join me on this wild ride! Here are some highlights:

Top photos: Season 1, episode 6, after Adam reboots reality; S2e2, before Aziraphale's e3 road trip. The Bentley is a gray and black 2-tone car with 2 doors (only 1 handle is visible on each side).

And on the bottom is s2e5, while Crowley is driving, it's a solid black car with 4 doors and smaller silver hubcaps.

(edit: For those of you thinking about the different Bentley models used in s1 vs s2 (discussed in detail below), or the difference between the full car and half car set, just those three full car pictures above demonstrate that the new s2 Bentley model is NOT the reason for this mid-season shift. For more details about the half car set plus other ways to tell the Bentleys apart - without talking about color - see my newer post with handy diagrams, here.)

And the s2 interior?

Here's e1, after Crowley talks to Shax, and e3, as Aziraphale arrives in Edinburgh (which is also when the Bentley debuts as a 4-door). And look at this blocking - how both characters are posed so similarly with their backs to us in these shots!! It's so deliberate! :

And look at the seats! In e2, Crowley is talking to Shax again, and in e5, Crowley just parked the Bentley before the ball:

When Crowley, who is so tuned in that he senses the car is yellow and driving too slow even from a distance, sees the "new" Bentley in e4, he doesn't act as though anything has changed, he just happily and purposefully walks up and opens the back door that was never there to put his plants inside.

THE BACK DOOR THAT WAS NEVER THERE

For that matter, Crowley and Aziraphale both seem to be unaware of the changes! This feels like both a metaphor and a functional plot device for season 3. There's more discussion at the end of this post!

Thanks to comments and observations awhile back from @bbbitchvibbbez , I did some careful searching for s2 scenes featuring the Bentley, and this post is the labor of love and irrational obsession result!

If you want to see lots more Bentley screencaps and discussion, including Crowley nonchalantly using the new back door, and possibly also leaving the Bentley window open during the ball and everything that followed, please keep reading:

Some background and context:

Ok, so there was a different Bentley "actor" for s2. The s1 actor was a 2-door, the s2 actor is a 4-door. If you look carefully, you'll see that in s1 the backseat side windows are smaller than the front side windows. In s2, they're the same size. I talk more about the windows - with handy diagrams! - in my newer Bentley post, here.

There's also been some controversy about the interior color of the s2 Bentley, black vs brown, and how that could relate to the s2 body swap theory; here are details about that from @lonicera-caprifolium and @picturesque-about-it. I don't think my findings support (or disprove) that theory, but take a look at what I found and see what you think!

(*Please don't ask Neil about any of this, he's already given us the answers he wants to give, and he's not going to spoil the surprises in s3 now by telling us what's really going on!*)

Here's the episode/scene breakdown:

S2e1 on the street with Shax - gray, two toned, two doors (one visible door handle on a side), brown interior - both the seats and the inside panel of the door. Notice how the door is hinged at the back, and opens opposite the way most modern cars do (this is called a suicide door):

More s2e1 photos, the Bentley is in a lot of scenes this episode and as far as I can tell it stays the same gray 2-door for the whole episode, but it's frequently in dark lighting to make it harder to tell it isn't actually black (I've brightened most of these shots). It also has larger silver hubcaps, and I notice consistent brown seats (these interior pics are from three different scenes):

In s2e2, the Bentley is only in two scenes, and it's the same as s2e1. Now, you can see in the larger photo below that it's obviously not the SAME as s1 - the backseat side windows are too long - but the production team DID try to make the new Bentley "actor" look the same as in season 1. It's a gray 2-tone car with 2 doors (1 handle visible on each side) with larger silver hubcaps. As an aside, what's with the red lights on the car in this shot?? I mean, yes, it's a reflection of another car's brake lights, but why put that onscreen?

Also, in case it's relevant, Crowley is wearing his turtleneck throughout this episode, and still has the silver-sided glasses from e1:

Ok, now we have s2e3, and as Crowley meets Muriel and gives Aziraphale his car keys, we see he's no longer wearing the turtleneck, AND this is when his glasses change to black-sided ones:

Outside, we see the Bentley looks the same as the rest of s2 thus far, as Aziraphale sets off for Edinburgh. Gray 2-tone, brown interior (with window bullet hole decals very visible), with larger silver hubcaps. There's only one handle visible, so it's still meant to look like a 2-door:

Ok, here's where things start to change! Azi is driving and the Bentley is yellow. The seats might (?) be black, there's still only one door handle on the side, the silver hubcaps are still larger. But when he "changes it back", NOW it's black:

And by the time he pulls into Edinburgh, Transformation Complete. (Did Something Else Happen?? Or is this an effect of Aziraphale finally being welcome to take care of this extension of Crowley? More speculation at the end!) It's a black 4-door, two handles clearly visible on the side, with smaller silver hubcaps:

And the interior? The door panel, at least, is black now - and it has a texture that wasn't there when it was brown. Here's e1 next to e3 (and appreciate, again, this very intentional parallel blocking of the two actors!):

In s2e4, we see the Bentley in two scenes; at the beginning when Aziraphale meets Shax-as-hitchhiker, where we see the bullet holes and the black door lining, and at the end when the Bentley is reunited with Crowley:

When Aziraphale parks the Bentley back at the bookshop, we see the bullet hole decals and that it's still a black 4-door:

So he goes to meet Crowley, they come back with the plants. We can see that the camera is to the rear of the car, and the front of the car is to their left. They're standing on the left side of the car. If Crowley opens the door, we won't see the interior door panel, right? Because the Bentley doors are hinged on the back, instead of the front, so the door will open towards us:

WELL. Mx "I can feel when you drive below the speed limit" and "change it back!" Crowley very eagerly walks up to the BLACK car, greets it with some sweet baby talk, and then opens the suddenly-existing BACK door with a hinge on the front (so it opens away from us) as if this is All Perfectly Normal, and we can (barely) see the door lining and it's BLACK and textured:

A few more shots of Crowley, standing at the brand-new back door of the Bentley, still wearing those black-sided glasses:

And in case you're wondering, in s1e2 when Anathema gets a ride in the Bentley, she climbs into the backseat from the front driver door, and she climbs out through the front passenger door. There wasn't a back door on either side. Here she climbs into the Bentley, and you can see Crowley fold down the front seat, and there's clearly only one door on that side, and it's hinged at the back. (When she gets out on the passenger side, it's harder to see, but you can tell that door is also hinged at the back.) :

In s2e5, Crowley drives the Bentley to the bookshop, and then we only catch a few small glimpses of it while Aziraphale is recruiting shopkeepers to the meeting/ball. Here's Crowley driving the black 4-door Bentley with small silver hubcaps, and here he is getting out of the car with black seats. The front door is still hinged at the back, as it always has been. The window is open - his hand is reaching through to open the door - so we can't see the bullet hole decals:

The next time we see more than a hint of the Bentley, it's the end of s2e6 and Crowley is standing next to it, watching Azi leave with the Metatron. It's still black, with 4 doors and black seats and smaller hubcaps. We don't see the bullet hole decals, but perhaps the window is still open from when he parked it in e5? (And WHY would he leave the window open? Was someone supposed to come by after he parked it to deliver something to the Bentley, or take something out?) Emotional photos ahead:

I over exposed that last picture, to make the colors really easy to pick out. The seats are absolutely, definitely black.

So... what does it mean? Why did it happen, and why didn't Crowley notice or react?

I love the metaphor that Aziraphale subconsciously created a back door for - or into - Crowley, especially with all those references to the "back channels" of communication between heaven and hell. I'm thinking it could represent - or actually be - another way for them to communicate, or like another entrance to his heart; it's something that Aziraphale doesn't realize he changed or added and that Crowley hasn't noticed yet either, even if he's making use of those changes on some level. I'm sure other metaphors could also fit!

And I'm reminded of something @theeminentlyimpractical said, "Crowley, despite his whining, fully accepts the idea of "our car," which fundamentally transforms the Bentley". That post was liked by Neil, so there could definitely be something to this "our car" transformation line of thinking.

So, was the transformation a subconscious effect of Aziraphale finally being welcome by Crowley to drive the Bentley, and caring for and taking responsibility for this part of Crowley? Or did Aziraphale consciously do this, or did Crowley? Or maybe the Bentley is sentient, and it chose to be bigger/different now, to accommodate both of them. Or did the change happen in response to Something Else We Didn't See?

Is Crowley's (and Aziraphale's) apparent non-reaction another example of an unreliable narrator or some memory tampering? Is manipulation of the Book of Life involved? Are there multiple timelines? Is someone time traveling? Or is it just that Aziraphale and Crowley already discussed the changes off screen, before Aziraphale left Edinburgh?

If Crowley noticed the changes, I would have expected a comment about them. Either, "change it back!" or a reluctant, "those are changes I can live with", or... Something. But instead, the production team went to some trouble to make sure the hints are there, but hard to spot (you can review the similar, careful s1 hints about the appearance swap here, from @fuckyeahgoodomens); as opposed to, for one example, the way they very clearly pointed out Maggie's mysterious spelling mistake, both on screen and in the dialogue. So I feel reasonably certain the Bentley's transformation is a careful, subtle hint about a Secret Something Important That Will Be Revealed In Season 3. I think it's both a metaphor and a plot device*.

What are some of your favorite metaphors? Your most reasonable theories? What about some of your biggest, wildest, most improbable theories?

*And if you enjoy Good Omens metas, theories, clues, etc, I have a big pinned collection of those from the fandom, here!

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embracing-the-ineffable · 7 months

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The Ineffable Detective Agency Presents: The Main Bookshop Clock's Hands are BACKWARDS and Other Revelations!

(Good Omens Season 2, Episode 1)

We can't trust the way we've been reading the bookshop clock next to Aziraphale's desk, because the Hands are Reversed* for some (or all?) of the season!!

Plus a Time/Clock Disruption shortly before the double half miracle!

And possibly another Time/Clock Disruption when Gabriel first arrives at the bookshop! Did Gabriel (or whatever he had in the box) cause the hands to reverse?!

And more questions about Gabriel and what Other Thing might be going down in the up!

*Sound unbelievable? To us - @meatballlady and @embracing-the-ineffable at our new @ineffable-detective-agency - too, but let us share our proof:

Welcome to our Ineffable Detective Agency! We've been doing some digging the past few weeks; among our research has been recording each sighting of in-universe timestamps - Crowley's watch, Nina's phone, Maggie's watch, Aziraphale's clocks, and more! Our main findings are summarized here (if you're looking at a reblog, you can check for updates on the most recent version, here), with detailed screenshots below.

Main Findings - Episode 1:

Aziraphale's main bookshop clock next to his desk is frowning for Reasons! Maybe this is one: during most or all of episode 1, the minute hand is the one with the wider arrow, and the hour hand is the thin long one. (Proof is in the very next section, and it changes everything we think we know about reading that clock!)

Edit - New Finding! There may have been a time/clock disruption when Gabriel first arrived at the bookshop, which could have CAUSED the hands to reverse.

There's ALSO a big time/clock disruption when Gabriel appears at the top of the stairs, after the apology dance and before the double-half-miracle. Perhaps the clock's ability to show the time accurately is disrupted by something like a powerful 25-Lazarii miracle?

Shax and Crowley initially discuss something "going down in the up", far sooner than when Gabriel shows up in the bookshop. ("my arms were aching 'cause I had to carry that box for so long....")

Shax later tells Crowley that the previously-discussed trouble involves Gabriel, and even that conversation next to the Bentley (at 10:35 or 11:35) was well before Gabriel arrived at the bookshop (at 4:20, no matter how you read the clock's hands; screenshot below). Is there some OTHER trouble in heaven that started before Gabriel left?

Or, if Gabriel's arrival caused a time/clock disruption, perhaps Aziraphale forgave Maggie's rent at 11:23 and Gabriel arrived shortly after, which lines up more neatly with Crowley's 10:35 or 11:35 phone call/conversation with Shax.

This all might mean the time jump (or clock disruption) after The Kiss is different than we thought. (Yes, we know Neil is misdirecting everyone about there being a time jump at all by calling it a "continuity error"; he's performing magic for us, and we're still in the middle of his act! His misdirection is part of the trick!) The times are still weird in the last episode, whether you read them the typical way or the new, reversed way that we're suggesting, and we're still working on getting clearer images. Stay tuned - or help us research!

Quick sidenote: If anyone would like to verify our work or join in future sleuthing (ESPECIALLY IF YOU CAN VIEW/ SCREENCAP IN 4K), we would be very grateful!!

Now, let's talk about the clock hands.

Typically, in typical clocks all over the typical world, the hand with the big wide arrow is for the hours, and the thin long hand points to the minutes. But the main bookshop clock next to Aziraphale's desk is frowning, so who knows what it's doing? Here's the A-B-C sequence from episode 1 that convinced us to read the hands in reverse:

A) Jim shows up naked, knocks, and Azi stops his music with a dramatic groan. Both clock hands point to 4, so this should be 4:20 no matter what hand is for the minutes:

B) Jim tries hot chocolate when the wide arrow hand has traveled just past the 5. This is either 4:26 (reversed) or 5:20 (typical):

C) Aziraphale opens the box, and Gabriel says "I love you". It's now 4:30 (reversed) or a misaligned 6:20 (typical):

Ok, the sequence of A) Jim arrives, B) Jim drinks hot chocolate, C) Jim says "I love you", fills about 6 minutes of onscreen time. If we assume A-B-C makes more sense as 4:20-4:26-4:30 than 4:20-5:20-6:20, that means the wide arrow hand is sweeping across the minutes and NOT indicating hours!

Those three time points are also bookended by the moments Azi reads Maggie's note and forgives her rent, and later, Crowley's discovery of Jim in the bookshop:

As Azi reads Maggie's note, let's play "spot the clock":

Did you see it?! Yep, we catch a tiny glimpse of the clock through a space in the bookshelf, in what might be the most cleverly concealed but clearly deliberate bit of staging in the entire season (!!). If you've been thinking that we're looking too closely at little unimportant details that don't matter, the way the clock is so carefully made visible here - and in focus - strongly suggests to us that this is important:

It looks like 3:58 (reversed) or 11:20 (typical); given that Azi is interrupted while listening to his 21 minutes of Shostakovich at 4:20, it would make sense that he read the note at 3:58. That means the wide arrow hand is reversed, pointing at the minutes there, too.

[ Edit: BUT, there's also this moment, when Maggie's rent is forgiven; her watch shows 11:23 or possibly a reversed 4:57 (turn it the way Maggie would read it):

So one more possibility is that the bookshop clock hands were typical when the episode started, Azi read the note at 11:20, and forgave Maggie's rent at 11:23. Then when Gabriel showed up, the bookshop clock jumped ahead to 4:20 and its hands reversed!? ]

Later, Crowley meets Aziraphale at the coffeeshop, then they return to the bookshop. Right after "I. Am. Dusting." - there's the OTHER bookshop clock on the west side of the building. It's hard to see, possibly 5? That could fit with Azi and Crowley meeting at the coffeeshop sometime shortly after 4:30pm.

So, if we continue reading the main bookshop clock in reverse, let's see what else happens in episode 1:

Maggie and Nina, trapped in the coffee shop, are freed by Crowley. Just before Nina's phone starts receiving messages, it reads 21:02 (ie, 9:02pm):

During the apology dance, the clock behind Aziraphale says 9:06 (remember! read the hands in reverse!) This makes sense, if Nina's phone said 9:02 a few minutes earlier:

The clock behind Crowley (the one on the west side of the bookshop) says 9:02 or a misaligned 11:45; if its wider arrow hand points to hours like a typical clock, and not like the sad reversed clock next to the desk, then it could be reading 9:02, possibly a few minutes slower than the desk clock:

Then Jim appears at the top of the stairs and nothing makes sense; the sad clock next to the desk looks like it says 12:40 - a forward jump of 3 hours and 36 minutes!! (Alternatively, it says 8:02, which means it went backwards by an hour! Either way, it's weird, and we'd love a better picture if you can get one!):

And the clock still shows the same time after the miracle, just before the episode ends:

As episode 1 ends, we certainly have even more questions. Did time jump when Gabriel first arrived?! And again, after the apology dance? Or were there whole scenes or conversations that we didn't see? Or did time actually jump forwards or backwards in that moment? Or was the main bookshop clock's ability to accurately show the time interrupted by something like Gabriel's arrival with the mysterious contents of his box, and again by a powerful 25-Lazarii miracle before the double-half-miracle??!

There are 5 episodes to go! Will our sad bookshop clock consistently tell time with reversed hands for the rest of the season? Maybe! Is it becoming untethered from Actual Time as it reacts to the Eldritch forces around it? Possibly!

And what about our other findings? What ELSE is going on in Heaven? Where did Gabriel go after he left, and how long did that take? How long does the elevator ride last? Why was his box heavy, and what was inside?

Stay tuned for the details as we collect them! We'll add links to new posts here, so check the latest version for any updates! And please get in touch with @meatballlady or @embracing-the-ineffable if you would like to help with sleuthing, including getting better resolution screencaps of clocks and all the tiny watches!

Be well, fellow ineffables! Solve Clues and share your findings!

PS: There's a huge list of Clues and metas, here!

#good omens meta #good omens analysis #Ineffable Detective Agency #Ineffable discontinuity #good omens timeline #Good omens clocks #Good omens mystery #good omens clues #Clues with a capital C #good omens screencaps #good omens spoilers #good omens season 2 #good omens 2 #timey wimey #renew good omens #aziraphale #crowley #good omens gabriel #good omens

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