#guido de boer

[kundst]

Guido de Boer (Dutch 1988)

Straight Forward (2024)

Ink and pencil on paper (30 x 42 cm)

[visual-poetry]

by guido de boer

[ztxtz]

Guido de Boer - Lowkey

[black-arcana]

Ex-DELAIN Singer CHARLOTTE WESSELS Explores 'Heavier Sound' On Upcoming Solo Album

Charismatic Dutch singer/songwriter Charlotte Wessels is set to release her new studio album on September 20, 2024 via Napalm Records. The LP's first single, "The Exorcism", will arrive on May 16, 2024.

Wessels's album promises a cohesive exploration of fear and liberation, as well as spellbinding melancholia and dark, catchy elements meeting progressive and heavier soundscapes. Charlotte and her band will bring this story to the stage on October 4, 2024 at Utrecht's TivoliVredenburg.

The former DELAIN vocalist's earlier solo endeavors, "Tales From Six Feet Under" (2021) and "Tales From Six Feet Under Vol II" (2022) already gained Wessels a remarkable number of devotees, but for the upcoming release, Wessels is raising the bar significantly. While still writing and producing the songs in her Six Feet Under basement home studio and sharing their first incarnations with her patrons, now she's taking the songs to the next level with a band of her fellow ex-DELAIN cohorts Timo Somers (guitars, additional arrangements),Otto Schimmelpenninck Van Der Oije (bass) and Joey Marin De Boer (drums) as well as Sophia Vernikov (piano/hammond),contributing to the new, heavier sound. The album also features arrangements by Vikram Shankar (SILENT SKIES, PAIN OF SALVATION),cello by Elianne Anemaat, mixing by Guido Aalbers (MUSE, COLDPLAY, THE GATHERING) and mastering by Andy VanDette (PORCUPINE TREE, VOLA, DREAM THEATER).

Wessels states: "This album is significant, for on the one hand, telling such a deeply personal journey — through its unintended theme of fear and obsessive thoughts — and at the same time, representing the joy of finding the song's true forms with everyone involved in the making of this record. There were moments in the studio with the band that truly reminded me of why I love making music in the first place, and I don't think I've ever been as excited about music going out into the world. This is the album I want to re-introduce myself with, and I'm so glad to do it with this amazing team."

In a 2022 interview with Spain's The Metal Circus TV, Wessels was asked how she feels about the fact that DELAIN made a comeback with a new lineup. A short time earlier, DELAIN released a single, "The Quest And The Curse", featuring keyboardist, founder and main songwriter Martijn Westerholt alongside new singer Diana Leah, original guitarist Ronald Landa and original drummer Sander Zoer, plus bassist Ludovico Cioffi. Charlotte said: "I'm trying not to engage with it too much, honestly. I've seen positive responses about it, which I think is good. But I do try to keep some distance and just focus on what I'm doing rather than checking that out, because I still don't feel like that will make me happier per se."

In February 2021, Westerholt announced the dissolution of DELAIN's previous lineup. At the time, he explained: "For the last year or so, the collaboration within the band ceased to work as well as it once had. Some of us were no longer happy with the current roles in the band. We all tried very hard to find a solution for over a year, but sadly we were unable to find one. As a result, we will all be going our own ways and pursuing our own endeavors.

"I am very sad our cooperation has come to end, but at the same time I am very grateful for all the years we were able to work together. Together we toured the world, shared highs and lows, and met with many successes as well as times that pushed us to learn and grow. We all enjoyed meeting our fans and making new friends all over the globe."

At the time, Wessels said about her departure: "I know that you might have questions about the 'why' in all of this. I fully understand and respect that. Simply put, it is the sad conclusion of more than a year of trying to find solutions to built-up grievances. Part of me feels like I'm letting all of you down, I'd like you to know that this decision was not taken lightly and I apologize to those of you who had high hopes of seeing all of us together live on stage again after lockdown. Until recently, I thought this might still be in the cards for us as well."

The new DELAIN lineup made its official live debut in August 2022 at the Riverside festival in Aarburg, Switzerland.

Photo credit: Tim Tronckoe

[theart2rock]

Charlotte Wessels kündigt für September ein neues Album an

Die charismatische niederländische Singer/Songwriterin CHARLOTTE WESSELS wird ihr neues Studioalbum am 20. September 2024 über Napalm Records veröffentlichen! Die markante erste Single "The Exorcism" wird am 16. Mai 2024 veröffentlicht. Wessels' Album verspricht eine zusammenhängende Erkundung von Angst und Befreiung, sowie fesselnde Melancholie und dunkle, eingängige Elemente, die auf progressive und härtere Klangwelten treffen. Wessels und ihre Band werden diese Geschichte am 4. Oktober 2024 im Tivoli Vredenburg in Utrecht auf die Bühne bringen. Sichern Sie sich HIER Ihre Tickets! Die früheren Soloprojekte der ehemaligen DELAIN-Sängerin, Tales From Six Feet Under (2021) und Tales From Six Feet Under Vol II (2022), haben Wessels bereits eine beachtliche Anzahl von Anhängern eingebracht, aber für die kommende Veröffentlichung legt Wessels die Messlatte deutlich höher. Während sie die Songs immer noch in ihrem Heimstudio im Keller von Six Feet Under schrieb und produzierte und die ersten Versionen mit ihren Fans teilte, hebt sie die Songs nun mit einer Band aus ihren ehemaligen DELAIN-Kollegen Timo Somers (Gitarren, zusätzliche Arrangements), Otto Schimmelpenninck van der Oije (Bass) und Joey Marin de Boer (Schlagzeug) sowie Sophia Vernikov (Klavier/Hammond) auf die nächste Stufe und trägt so zum neuen, härteren Sound bei. Das Album enthält außerdem Arrangements von Vikram Shankar (Silent Skies, Pain of Salvation), Cello von Elianne Anemaat, wurde von Guido Aalbers (Muse, Coldplay, The Gathering) gemischt und von Andy VanDette (Porcupine Tree, VOLA, Dream Theater) gemastert. CHARLOTTE WESSELS erklärt: "Dieses Album ist bedeutsam, weil es einerseits eine sehr persönliche Reise erzählt - durch das unbeabsichtigte Thema der Angst und der obsessiven Gedanken - und gleichzeitig die Freude repräsentiert, mit allen, die an der Entstehung dieses Albums beteiligt waren, die wahren Formen der Songs zu finden. Es gab Momente im Studio mit der Band, die mich wirklich daran erinnerten, warum ich es liebe, Musik zu machen, und ich glaube nicht, dass ich jemals so aufgeregt war, Musik in die Welt hinauszutragen. Dies ist das Album, mit dem ich mich neu vorstellen möchte, und ich bin so froh, dass ich es mit diesem großartigen Team machen kann."     Lesen Sie den ganzen Artikel

[krisztamayer8]

Getting Responses from some creative. Was really happy to hear back from Guido de Boer as he inspired a lot of my work in typography. The free form hand lettering approach he takes is always been really intriguing to me. He mentioned a work shop which I have followed up on. Going to the workshop would really help me to understand the process he takes on when approaching a project. As well as experimenting with lettering at fast paces.

[atelieryona]

Inspiratie Typografie

Guido de Boer — Hij gebruikt letters op een hele interessante manier, het is bijna geen tekst meer, maar een beeld. Ik wilde eerst een dynamische poster maken. Guido doet dit ook.

[mnzz-salmagundi]

[ilovetheater-nl]

Repetities “Sint Mysterie” feestelijk van start. In Hilversum zijn vandaag de repetities begonnen van de door Plzier Entertainment geproduceerde Sinterklaas voorstelling “Sint Mysterie”.

[nfcwproject]

Dears and Dearests, browserbased.org  #nfcdab cordially invites you to the opening day of Near Enough? - the Amsterdam edition of the 3rd Near-Field Communication Digital Art Biennale - in the Tolhuistuin Garden on Sunday 05-08-2018 at 2pm. Initiated in 2014, #nfcdab is a do-it-youself or do-it- with-others? digital art biennale that travels on wireless technologies, light waves and electromagnetic fields to access content. The idea of the biennale is to take advantage of the potential of near-field (mis)communication and other sharing technologies for making web-based digital art accessible in outdoors settings to slack-keep presence. The biennale will be open from 9am to 8pm each day from Sunday 05-08-2018 to Sunday 12-08-2018 with the exception of Saturday 11-08-2018. Participating: Alan Sondheim, Alex Zakkas, Alexander Christiaan Jacob (DON'T WANT US TO USE "DEKKER"-NAME), Alex Ness, Amelia Marzec, Annie Abrahams, Anita Lugomer, Andrzej Kołomański, Anon, Anthony Stephenson, Artem Gavrilyuk-Bozhko, Ayshe Kizilçay, Ben Grosser, Bjørn Magnhildøen, Bob BrueckL, Bransha Gautier (NOT "BRANISLAVA NIKOLIC”), Chih Yang Chen, COROZIA, Cyborg Art Collective (CHARLES M. ALAN), Daniel Temkin, DESPER, Diana Galimzyanova, Domenico Dom Barra, Dominik Podsiadły, Diego Bernaschina, Diego Faskner Silveira, Diego Fernando Ospina Melo, Egbert de Boer, Emilie Gervais, exonemo, FACEGRUBER, Filipe Matos, Florian Kuhlmann, Frère Reinert, Guido Segni, HYENAZ, - Hyeseon Jeong, Kihuun Park, Jiha Jeon, UBERMORGEN -, Iza Koczanowska, iXtupor, Jacob Kok, Jagoda Dmochowska, Jan Robert Leegte, Janusz Brudniewicz, Jarkko Räsänen, Jarosław Potoczny, Joana Chicau, Joubin Zargarbashi, Juan Manuel Morales, Julie Libersat & Adam Love, Kappala Kumar, Karina Palosi, Karl Heinz Jeron, Konstantina Mavridou, KRYST, KRZESKI, Kyriaki Goni, Lanny Quarles, Leroy Brothers, Maarten Schuurman, Marcus Guttenplan, Mario Santamaria, Martine Folkersma, MEKUSO, Mike Wessling, Mira Boczniowicz, Morten Skogly, Nick Mattan, Nikos Voiatzis, Olga Guse, PANDY WARHOU, Paweł Marcinek, Paweł Mikułowski, predictiveartbot.com, Rad0van Misovic, Robert Lisek, Sander Veenhof, Sarawut Chutiwongpeti, Silvia Gatti, Szymon Karpierz, Tibor Horvath, VERBALIZER, Ynfab Bruno (DOESN'T WANT TO USE "FANNY BRUNO”), Zsolt Mesterhazy & many more to come! Programme: Opening: Sunday 2pm on 05-08-2018. We will start with an Omnigaze gathering organized by Joubin Zagarbashi. Omnigaze is the annual action during which attendees around the world look at the same point in the sky at the same time. If you would like to join us for the Omnigaze, please make sure to be there before 13:45. For more information visit http://joubinzargarbashi.com/omnigaze. After Omnigaze, Marta Colpani will be present in the garden to observe and make live sketches of your hands holding your phone or tablet. Members of browserbased.org will also be hanging out to chat with, for some smudging of touch screens and chugging down beers until the garden closes at sunset! During the week you’ll be welcome to hand model for Marta Colpani! Closing: Sunday 12.08.2018, in the afternoon you can attach some virtual fabrics to your body with the latest augmented reality fashion experiment by Sander Veenhof and Jacob Kok! A featured section of sounds.near.enough will be open for contributions throughout the show! Visit us to find out more! Plus don't forget to bring your barcode scanner! No data plan? No cry, we got wifi! Available open networks will be: - Near Enough?; - Russian Roullette; - bitcoin prices realtime, etc. Hope to see you there, browserbased.org and #nfcdab

[kundst]

Poster Max Kisman for “Zwart op Wit” (Black on White) exhibition in the Moving Gallery Utrecht ( March April 2024)

.

[windcycleworks-nl]

WiND60: JOOST's FULL-CUSTOM ROAD DISC

Pure Road geometrie gecombineerd met perfecte fit op basis van uitgebreide bikefit en praktijkervaring

Custom buizenmix van Columbus Life, Zona en Spirit

Oversized balhoofdbuis i.c.m. oversized carbon voorvork (Columbus Futura Disc SLX)

Specifiek voor draadloos schakelen (SRAM Etap), dus geen kabelstops etc.

Custom afwerking van uiteinde zitbuis

Aanlasnok voorderailleur

Interne geleiding remkabel door onderbuis

Speciaal lakwerk door Unlimited Colors met graphics ontworpen door letterkunstenaar Guido de Boer (die zijn eigen kenmerkende draai heeft gegeven aan het WiND-logo). 

Headset: Chris King I8

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UPDATE: WiND60 als complete fiets

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[righteoustuff]

The Stroke - Animation Video The Stroke by Vincent de Boer The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey. The drawings of the film are used for the 10th vinyl release of Ill Considered. All 338 records come with 12 unique drawings: one second of the film. Order the vinyl record and original drawings The Creation of The Stroke by Bram Broerse, Studio Airport 'The Creation of The Stroke' shines a light on the 2-year long process behind the collaborative effort of artist Vincent de Boer and London based jazz band 'Ill Considered'. One Second of The Stroke All 4056 drawings of the animation film are divided between 338 LP boxes. One of the 12 drawings serves as the cover; the remaining drawings can be seen in a bundle. This way, 338 people share an artwork that took Vincent and his collaborative partner Hans Schuttenbeld nearly 1,5 years of preparation and 9 months of drawing, including many long days and nights spent in Vincent's isolated studio in the forest. The Stroke sprang from the urge for a creative exchange of artistic energies. Vincent has created all Ill Considered album covers in response to the music and when he changed the order of the process, new challenges and possibilities arose. The Stroke tells the story of a brush stroke: a trace of a movement performed by the artist with his instrument, the paint brush. As the only non-musician member of Ill Considered, Vincent invites both the viewer and the musicians into a realm of strokes while exploring whether an album cover can transform into a music video. This has led to a multi-sensory artwork that connects the musician with the audience and the artist. "It was almost a relief to finally see the animation Vincent had been working on for so long. We’d had a lot of anticipation for this day and you can hear the release of tension in all the takes. It was great to be able to try a few different approaches and they all seemed to work well with the visuals as Vincent is so attuned to what we do. Definitely a memorable experience." In addition to the first take of the recording session, two extra improvised takes are included on the record; both very different and reacting to the film in unexpected ways. It is possible to view the film to all takes: simply play the record and the (muted) video on the Ill Considered Bandcamp page at the same time. *The live show that was planned during the program of Le Guess Who 2020 On/Off unfortunately got cancelled due to the national virus measures.* Film production and direction by Vincent de Boer and Hans Schuttenbeld Emre Ramazanoglu on drums Idris Rahman on saxophone Satin Singh on percussion Liran Donin on bass Recorded at The Pool, London Engineered/mixed/mastered by Emre Ramazanoglu Realised with support from: Stimuleringsfonds (Creative Industries Fund NL) 3D Animation by Jasper Hesseling With help from: Daddy Bones Pim Tieland Bram Broerse Marike Verbiest Johan Rijpma Nick van Steen Phae van Osta Roosmarijn ten Hoopen Guido de Boer Martijn van de Zuidwind Simon Lakos Julian Tjon Sack Kie Carlien Peijsel Ramon Goedvree Kapitaal Utrecht Libertas Pascal Words of gratitude: Minem Sezgin Marta Wörner Dedicated to: Leon Brichard A Film by Vincent de Boer, 2021, All rights reserved ©. Unauthorized copying, reproduction, hiring, lending, public performance, sharing and broadcasting is prohibited.

[artwalktv]

Watch the 'making of' film: https://bit.ly/39UFHiT Order THE STROKE vinyl + hand drawn frames: http://www.bit.ly/34yX59L A Film by Vincent de Boer The Stroke is a hand-drawn animation film that reverses the roles of audio and visuals for a music video. Improvised on its very first viewing, the music for The Stroke was the immediate response of the musicians to the artistic and emotional visual journey. The drawings of the film are used for the 10th vinyl release of Ill Considered. All 338 records come with 12 unique drawings: one second of the film. All 4056 drawings of the animation film are divided between 338 LP boxes. One of the 12 drawings serves as the cover; the remaining drawings can be seen in a bundle. This way, 338 people share an artwork that took Vincent and his collaborative partner Hans Schuttenbeld nearly 1,5 years of preparation and 9 months of drawing, including many long days and nights spent in Vincent's isolated studio in the forest. The Stroke sprang from the urge for a creative exchange of artistic energies. Vincent has created all Ill Considered album covers in response to the music and when he changed the order of the process, new challenges and possibilities arose. The Stroke tells the story of a brush stroke: a trace of a movement performed by the artist with his instrument, the paint brush. As the only non-musician member of Ill Considered, Vincent invites both the viewer and the musicians into a realm of strokes while exploring whether an album cover can transform into a music video. This has led to a multi-sensory artwork that connects the musician with the audience and the artist. "It was almost a relief to finally see the animation Vincent had been working on for so long. We’d had a lot of anticipation for this day and you can hear the release of tension in all the takes. It was great to be able to try a few different approaches and they all seemed to work well with the visuals as Vincent is so attuned to what we do. Definitely a memorable experience." In addition to the first take of the recording session, two extra improvised takes are included on the record; both very different and reacting to the film in unexpected ways. It is possible to view the film to all takes: simply play the record and the (muted) video at the same time. Full project info: https://bit.ly/2YOZxW7 Film production and direction by Vincent de Boer and Hans Schuttenbeld Emre Ramazanoglu on drums Idris Rahman on saxophone Satin Singh on percussion Liran Donin on bass 3D Animation by Jasper Hesseling Recorded at The Pool, London Engineered/mixed/mastered by Emre Ramazanoglu Realised with support from: Stimuleringsfonds (Creative Industries Fund NL) With help from: Danny Bones Pim Tieland Bram Broerse Marike Verbiest Johan Rijpma Nick van Steen Phae van Osta Roosmarijn ten Hoopen Guido de Boer Martijn van de Zuidwind Simon Lakos Julian Tjon Sack Kie Carlien Peijsel Ramon Goedvree Kapitaal Utrecht Libertas Pascal Le Guess Who Words of gratitude: Minem Sezgin Marta Wörner Dedicated to: Leon Brichard https://bit.ly/39UHKU3 A Film by Vincent de Boer, 2020, All rights reserved ©. Unauthorized copying, reproduction, hiring, lending, public performance, sharing and broadcasting is prohibited.

[copyuntilyousteal]

Lettering by Guido de Boer — WePresent | Hollywood Cool and Bradford Salt, an essay on David Hockney by Raven Smith

[futuristicallytoocollectorworld]

Sylvester, Or: An unlucky day to be a pigeon from Caroline Koning on Vimeo.

This short film is my entry for the Sundance Ignite Youth Competition 'What's Next?'

Mila sits at the edge of her bed. Suddenly, a pigeon flies into her room. Mila tries to 'shoot' the pigeon, and it drops half dead. Mila traces back the owner to deliver the dying bird. Still, she wonders about her recently discovered 'powers'... What will she do next?

Credits Written & Directed by: Caroline Koning Produced by: Anne van Kuijk, Rosiane Kuijper, Caroline Koning DOP: Tibor Dingelstad, NSC Focus Puller: Tom Duiker Boom Operator: Brandon Grotzinger Sound Mixer: Matthijs Klijn Sound Design & Music: Guido Maat Editor: Wouter van Luijn Colorist: Joppo in de Grot

Special Thanks Cake Film & Photography Dierenhandel Hoogendoorn BV Moeder Anne Casting De Grot Maloney Media Audentity

Jolanda de Boer Clarisse Venekamp Anouk Dingelstad Max Maloney Eeva de Frel Kirsten van den Hogen Niels den Otter Ella Sonke Charlotte Koning Liesbeth Bakels