#guriu

[nuttypenguintyphoon]

BiPhoria: Aspen, Hatler Gurius

Devyn Lux

[girlsbigones34]

What a sweet capture the sexy bondage muse was!.

Aliya Brynn, Ariel Demure, Erica Cherry, Eva Maxim, Julia Robbie, Kasey Kei, Rebel Rhyder, Rose Lynn, Alpha Wolfe, Bryce Beckett, Dereck Defendi, Hatler Gurius has a beautiful face, a best body, natural play and a delicious uncut peewee! CONTINUE...

[encontrasteveracruz]

Entrega SEDATU obra del “Módulo Deportivo Miraflores” #EnContrasteVeracruz #Córdoba Córdoba, Ver.- La Secretaría de Desarrollo Agrario, Territorial y Urbano (SEDATU), hizo la entrega-recepción al presidente municipal, Juan Martínez Flores, y a la síndica única, Vania López González de la obra del “Módulo Deportivo Miraflores”, realizada con una inversión de 16 millones 253 mil 063. 42 pesos. Asimismo, la administración municipal, efectuará las acciones complementarias para determinar la operatividad y posterior apertura al público. En la reunión, el Subdelegado de la dependencia en Veracruz, Carlos Loyo Hegler, presidió la firma de la documentación a fin de brindar la formalidad que indica la reglamentación correspondiente. El coordinador jurídico del Ayuntamiento, Antonio Martínez Hernández, mencionó que parte de los acuerdos, fue el mejoramiento del pasto de la cancha de fútbol por parte de la SEDATU. Las acciones que se implementaron en esta obra fue la construcción de gradas y espacios de juegos para menores de edad, entre otros. En este proceso de entrega - recepción estuvieron también el Director de Obra Pública e Infraestructura Municipal, Jorge Landero Medrano; y el Coordinador Municipal del Deporte, Guillermo Bautista Muñoz. https://www.instagram.com/p/Co92O-guriu/?igshid=NGJjMDIxMWI=

[cecilpetra]

バイ フォー ナウ Vol.2

バイ フォー ナウ Vol.2 スタジオ： BiPhoria 時間： - 女優： Charlie Valentine Dillon Diaz Draven Navarro Eliza Eves Hatler Gurius Jesse Stone Marilyn Johnson Ricky Larkin Tony Sting DVD・DVD販売サイト DVDオアシス DVD・DVD販売サイト DVDオアシス, DVDを安く大量にオンライン販売

[redacaonacional]

Turista morre em acidente com carro dirigido por adolescente em duna no CE

Turista morre em acidente com carro dirigido por adolescente em duna no CE

SÃO PAULO, SP (UOL/FOLHAPRESS) – Uma turista de 35 anos morreu na tarde desta segunda-feira (17) após o veículo de passeio no qual ela estava capotar na Duna do Guriu, em Camocim (CE). Segundo o Corpo de Bombeiros, a vítima, natural de Mato Grosso, contratou um passeio com um adolescente de 15 anos, que se passou por guia e dirigia o veículo no momento do acidente. "O adolescente ia guiando o…

[noticias-dos-jornais]

Turista morre em acidente com carro dirigido por adolescente em duna no CE

Turista morre em acidente com carro dirigido por adolescente em duna no CE

SÃO PAULO, SP (UOL/FOLHAPRESS) – Uma turista de 35 anos morreu na tarde desta segunda-feira (17) após o veículo de passeio no qual ela estava capotar na Duna do Guriu, em Camocim (CE). Segundo o Corpo de Bombeiros, a vítima, natural de Mato Grosso, contratou um passeio com um adolescente de 15 anos, que se passou por guia e dirigia o veículo no momento do acidente. "O adolescente ia guiando o…

[tmotomagazine]

View this post on Instagram

A post shared by Marcel Mano 👨‍💻 Assessoria de Comunicação | TMoto Magazine (@dumanomarcel)

Reposted from @sertoesexperience Já imaginou sentir a adrenalina de surfar nas maiores dunas do litoral cearense? A #SertõesExperience te leva para viver essa experiência com toda a emoção e expertise do #Sertões! Junte seus amigos e venha viver essa aventura 🇧🇷. Para saber mais, entre em contato pelo direct ou número na bio 😎 #Sertões #Jericoacoara #Tatajuba #camocim #guriu #destinosnacionais #Brasil #lugaresincríveis #UTV #moto #motoride #UTV #SertõesExperience #Sertões2022 #Sertões #Rally #RallyDoSertões #RotaDasEmoções #motos #motoride #MotoEmJeri #Jeri #JeriAdvRide #prea #kite #kitesurf #canam https://www.instagram.com/p/CcLi3KMDEif/?igshid=NGJjMDIxMWI=

[jarbasaraujos]

Amei conhecer esse lugar, cheio de lugares chiques pra tirar foto. E agora ninguém pode dizer que eu não tenho uma foto sorrindo no feed hein 😬💕 #guriu #guriú #sorriso #guriubeach #praia #florestadasraízes #raizes #instagood #ligtroom #ceará #belezanatural (em Floresta Das Raízes Guriú) https://www.instagram.com/p/CFr0ZGejGMf/?igshid=1ipu132knr0cd

[pedro-nascimento-arts]

#ig_ceara #ig_voandonasalturas #ig_brasilnafoto #ceara #fortalezaordinaria #fortalezaceara #OPOVO #instagrambrasil #natgeo #igersbrasil #instagood #vcnouol #jericoacoara #oparaisoeaqui ##guriu #barcos #dnfotografia #fotografoscearenses (em Guriu-Camocim-Ce) https://www.instagram.com/p/CFl9zxrnguo/?igshid=fpdsvixxx5k3

[viajandocomgabi]

𝚁𝙾𝚃𝙰 𝙳𝙰𝚂 𝙴𝙼𝙾𝙲̧𝙾̃𝙴𝚂: 𝚁𝚘𝚝𝚎𝚒𝚛𝚘 𝚙𝚎𝚕𝚘 𝙲𝚎𝚊𝚛𝚊́⁣ ⁣ Quem tá acompanhando os stories já sabe que essa árvore da foto é chamada de Árvore da Preguiça e é um símbolo daqui. A força do vento empurrou ela durante anos e ela foi crescendo assim. ⁣ A espécie chama Mangue de Botão e aí estão algumas ideias de fotos, só lembro vocês de não subirem nela, para preservar e ela viver plena muitos anos mais, tá bom? 🤎⁣ ⁣ E agora vamos de ROTEIRO PRO CEARÁ, pra vocês planejarem a sua #MaxExperiencia no site da @maxmilhas que deixei nos stories. ⁣ ⁣ DIA 1️⃣: Passamos 1 tarde e 1 noite em Fortaleza. Conhecemos o Mercado Central, a Catedral Metropolitana e a Praia de Iracema. Almoçamos no @cafevidafortaleza. ⁣ ⁣ DIA 2️⃣: Começamos a Rota das Emoções 9am. Visitamos as Dunas do Cumbuco, Lagoa Cristalina, Praia do Pecém, Mirante da Taiba, Praia da Lagoinha. Por do sol lindo em Flecheiras e pernoite no @pousadajanelasdomar. ⁣ ⁣ DIA 3️⃣: Seguimos viagem depois de tomar muito espumante 😅😎. Passamos pela praia da Emboaca, Mirante do Mundaú, Praia da Baleia e Praia da Sabiaguaba ( Linda e cheia de coqueiros). Depois conhecemos Icaraí de Amotanda e Miitas, onde fizemos o passeio de barco pelo Túnel do Mangue… Chegamos em Jeri a noite. ⁣ ⁣ DIA 4️⃣: Fizemos tour de buggy pela lado Leste. Começamos pela Árvore da Preguiça ( onde pegamos fila), depois fomos pro Biraco Azul Caiçara ( vídeo do pulo vergonhoso kkk), Lagoa Azul ( que tava marrom) e Lagoa do Paraíso ( choveu e só conseguimos fazer 1 vídeo⁣ Kkk). Terminamos na Lagoa do Amancio ( parece nome de corno ou é impressão minha? 😅). ⁣ ⁣ DIA 5️⃣: dia livre , mas eu trabalhei. Demos umas voltas pela vila, mas recomendo curtir a praia e o por do sol nas dunas.Fazer aula de surf ou Kite. Nosso hotel em Jeri: @hakamaorijeri. Comemos no Rest do Francisco por R$10 o Pf veggie 🌱. ⁣ ⁣ DIA 6️⃣: HOJE… Partimos de Jeri e no caminho vamos passar pelo Mangue Seco e Guriu ( aquelas raizes altas para tirar fotos), depois vamos para as dunas. Por último paramos pra almoço na Lagoa da Tatajuba ( amo! Tem redes pra relaxar e tirar fotos lindas e normalmente tem água verde). Fim do dia em Barra Grande , Piauí. ⁣ (at Árvore Da Preguiça) https://www.instagram.com/p/CRbsz8Er01X/?utm_medium=tumblr

[mashkaromanova]

Tikhon Nikolaevich Kulikovsky, Olga Alexandrovna Romanova and Guri Nikolaevich Kulikovsky, 1920. The second picture is a drawing done by Olga.

“Dear Siocha,

Yes, our letters crossed and the day after signing my photo, I received your long letter. Thank you for all the old Kodak photos.  It is funny but the only ones that made me happy were the ones of the group from Carlsbad, yours and your house - the others, not. Why?! I don't even understand myself. Maybe we have become so different, so changed from the days when we were 16-18 years old and even sad and shall say nothing. If you have any views from Gatchina or some very old photos - the feeling would be different - views of a place that one loves - it is always the same... I often feel great joy at seeing Gatchina.

Two years ago, I saw, day and night, the same place in the park. It is funny/strange and I do not know why myself but it lasted almost a year. The area, I can describe it to you: One goes out through ‘your’ door, go down the stairs and go out - cross the beautiful lawn, the bridge too and turn left and walk along the peninsula. We have both lakes on either side. We get to the green bench, behind the bench one can see the marble vase and further over the lake, the green pavilion... One turns one's back to it and then in front of our eyes is the place that I love so and that I saw so very clearly whilst sitting on the grass on the hill (half mountain). I see the beautiful old palace - the lake, the trees, everything really and I am smelling the little violets that smell so nice as it is always spring time when I think of Gatchina. Are you there? How I love that place.

What have you read in the magazine La Revue des Deux Mondes? I do not know the article. In a newspaper here, there was an article on Pekin about my aunt Ella and others who had been with her but it is not true as she, Serge M and the young Constantines had all been buried in another place (I saw the photographs of the religious ceremony) but nothing more and even that would not have prevented you from sleeping. Siocha, we don't hear anything here. Mummy reads the newspapers and certainly would have mentioned something because life in Hvidore is monotonous. On Wednesday, it will have been a week since my sister left us. She went to London to see her sons who are on holiday and from there she will go to Paris for the christening of Andriousha's son! We call him Michael.

Maybe she will come back in the Autumn or in Winter but travel costs so much and she lives from selling her belongings little by little. We cannot know when all of this will end with so many big children who only spend money. Yes, Siocha please write down the poem of the Sailors by Victor Hugo. The sailors, I would like to remind myself of it. I read a lot of English books which I find at my cousins', the sons of Uncle Waldemar, the eldest two are already married and each has a son of his own.

This morning in the garden, Tikhon sat on a watering can like this [next to this she drew the drawing in the second picture] but it tipped backwards and all the water which was inside went all of over Guri who was behind... I laughed a lot. Misfortunes happen all the time to Guriu!... Nikolai Andreevich, the children and I send you our love, Your old student and friend, Olga.”

- Olga to Ferdinand (‘Siocha’) Thormeyer, 16th August 1920

[reinaldobarataferreiraposts]

Guriu CE, Brasil.

[sk19972]

DORIAN GRAY - An Opera (Prologue)

http://tricostylistpathophobic.blogspot.com/2016/05/the-picture-of-dorian-gray-from.html?m=1

The Picture of Dorian Gray – From the Composer’s Perspective

https://youtu.be/83upL-GUriU

This article was first published in The Wolfian, “a magazine dedicated to delivering political articles on liberalism and social democracy, as well as philosophical, constitutional and intellectual discussion.” The Wolfian is readily available online from both Amazon and iTunes.

The issue of setting a story well-known by the general public to music, especially writing an opera based on such a story, is one of distilling from the text the essence that must be encapsulated by the music, without throwing out the details that make the tale so particular to other readers. This issue is doubled in the case of Oscar Wilde’s novella The Picture of Dorian Gray (1891), for this work, more so than any of his other plays and books, is an odd synthesis of philosophy, somewhat dark comedy, and gothic horror. The challenge is therefore to write music that thus evokes each strand of Wilde’s writing, be it a “difficult” or rhythmically, harmonically or melodically complex philosophical monologue, as I have found most of the music of the now complete Prologue seems to be; or bleak, aggressive and turbulent passages suggestive of gothic horror music; or even lush, or otherwise light and charming comic music – without any single one of these strands overpowering the general effect of the music. My solution, as much as I might say I have one, is really two-fold: firstly, to find inspiration in music of previous generations, in the passacaglias of Henry Purcell, Georg Friedrich Handel’s arias, Benjamin Britten, Claude Debussy and Richard Wagner’s operas, and extract some understanding from their works as to precisely how they fit these particular strands of literature combined by Wilde; and secondly, by following Wilde’s text, as it is a guide in itself as to how to set the text – Wilde perfectly balanced philosophy, comedy, and horror in his novella, who am I to try and change this balance?

As a composer who also sings, I find that much of my composition is influenced by the composers I regularly find myself singing. In Britain, most young, classical singers are taught to sing using repertoire from German Lieder and English song, that is, distinctly avoiding opera until the voice has suitably developed the much larger volume that is usually required to sing with the large orchestras utilised by Wagner, Verdi and Puccini. Therefore, I should say that my biggest influence, certainly in the instrumentation of this work, is from earlier baroque and classical-era orchestration, with reduced numbers. This is in order to allow singers with lighter voices to be able to sing this music, allowing for greater choice in the quality of acting, and the delivery of Wilde’s excellent text to the audience - This is also somewhat inspired by the concept of a chamber-opera, typified by Britten’s opera The Rape of Lucretia (1946), which was scored for a drastically reduced orchestra, and although I use a few more instruments than Britten in Dorian Gray, keep an eye out, Britten will be littered all over this article. In the case of Dorian Gray, I estimate that the orchestra may consist of around 30 players, That is, single wind (with a basset horn or bass clarinet taking the place of the bassoons for a rounder, warmer sound) 4 trumpets, 2 horns, 4 trombones, a harp and off-stage piano, and reduced strings, without double-basses, compared to the usual 70-100 players in a symphony orchestra. With a cast of 8, plus a small chorus of maybe 8 or 12 singers, a total of 50-odd performers in an opera is much lower, and therefore more intimate, than in the colossal cycle, Der Ring des Nibelungen (1876) by Wagner, with 34 soloists, a massed chorus, a full symphony orchestra with an enlarged brass section, which requires the soloists to have truly gargantuan voices and vocal stamina.

However, that is not to say that I have entirely disregarded Wagner’s music as an influence – indeed, he is probably one of the biggest influence on Western Classical music since Beethoven’s epoch-marking innovations in the early 19th century. His use of leitmotif (a small musical phrase, rhythm or progression associated with an idea or character, developed primarily by Wagner in Der Ring des Nibelungen and his later operas) from Der Ring onwards has influenced so many that his reach is practically inescapable. I certainly haven’t attempted to avoid it, particularly in the Prologue to Dorian Gray. There are several ideas that one might point to as being leitmotifs, but the one I believe is the best example, first occurs in b.81 of the Prologue (c.03:50), and is an idea that I link either with Art as an idea, or the Picture, or directly with Dorian himself. The rise and tumbling fall of the flute melody (the top line) is actually accompanied by possibly two other ideas that could be regarded as leitmotifs. Firstly, the demi-semi-quaver run up to the zenith of the flute melody is an effect I have used frequently in the prologue to indicate an idea, either musical or philosophical, rising to the fore in someone’s mind (It also creates a graceful way to blossom into a new melody). Moreover, the accompanying rising and falling quavers on the stave below (here, the clarinet) is used as an accompanying figure often when discussing aesthetics, and is not simply an accompanying figure for the flute melody. Thus, I have tried to represent the text (Here, “Why he is a Narcissus” and then, “But beauty, real beauty, ends where an intellectual expression begins…”) through the music by the use of motivic writing.

This Prologue is based on the first two chapters of Wilde’s novella, which mostly consists of a discussion of the nature of art between Sir Henry Wotton (baritone) and the painter Basil Hallward (tenor), followed by the arrival of Dorian himself (counter-tenor) and Sir Henry’s first monologue about youth, beauty and hedonism. Such philosophy requires textures that enhance the conveyance of the text; for this, I looked at the vocal music of Benjamin Britten, particularly his opera Billy Budd (1951). Britten makes use of heterophony (several instruments performing the same general melody, with rhythmic differences, ornamentation and decoration) to strengthen the vocal line frequently in this work, such as in John Claggart’s monologue http://tricostylistpathophobic.blogspot.com/2015/01/youtube-wednesday-reviewing-christmas.html, in which the villain declares his lecherous hatred for the hero, Billy. The Trombones are clearly playing mostly the same notes as the villain sings, however, they often do not coincide. Similarly, I used the effect to create a strength underneath the soloist, by accompanying the baritone with the French horn, whilst the viola and clarinet play a rolling triplet accompanying figure, as he sings about the sorrows of growing old, (c.29:15). This can, however, when combined with slower accompanying figures, create a slow, dragging and turgid effect. This is suitable when used with the hedonistic, jaded Lord Henry, but is not at all suitable for the more pure and idealistic artist Basil. To find a suitable mood for Basil’s monologues, I drew inspiration from a romance from Anton Rubinstein’s under-appreciated opera The Demon (1871). Rubinstein utilized a fast, pulsing semi-quaver triplet motif to accompany a promise from the Byronic demon to his lover that she will be “queen of the universe” (https://youtu.be/IIjpB3QuQZI?t=15) With Basil’s monologue, I used full wind and strings to accompany the tenor, with an accompanying melody plucked on the 1st and 2nd violins, as he explains the inescapable effect that Dorian has had on his art – he is everywhere, all pervading. He can be found in certain colours, the curves of certain lines. He is all Basil’s art.

The final notable inspiration I drew on in the Prologue is from Henry Purcell, the English baroque composer, with influences (again) upon Benjamin Britten. The influence manifests itself in Dorian’s lament over the Picture, in which he mourns the fact that (for the moment) the portrait will not age, whilst he, the sitter, will; the portrait will always remind him of his mortality. I set this to a passacaglia (an originally Spanish dance form, which involves a constant bass ostinato, and is usually in 3-time), because, as in many baroque pieces it creates a sense of tragedy through the constant bass line, but the ever developing harmonies over the top. This was used notably by Purcell, but fell out of fashion somewhat in the classical era. It was finally revisited by Britten in the 20th century, particularly when he used one in his opera Peter Grimes (1945) - other composers of the 20th century are also known for their use of passacaglias, among them Arnold Schoenberg, Alban Berg, Anton Webern and Dmitri Shostakovich, but (as usual) Britten was my touch-stone. My passacaglia, (c.32:25), is somewhat irregular, though, as it is in 4-time rather than the more usual 3-time, and, unlike most baroque passacaglias, it is a vocal piece, whereas most were purely instrumental. In this respect it resembles the famous chaconne “When I am laid in earth” from Purcell’s opera Dido and Aeneas (c. 1687), https://www.youtube.com/watch?v=uGQq3HcOB0Y even down to the unequal phrase lengths between the voice and the orchestra.

Hopefully this little piece should give any listener to my work a guide to the influences present in the music, and demonstrate the attempts made to balance the three strands of Wilde’s writing. On that note, I hope it serves to illustrate that, as Wilde himself is my guide to the structure of the music here, much more of the music is philosophical for most of the work so far. Going forward, I worry that this creates a rather slow burning Prologue, and therefore the music of the next few scenes must be significantly more varied, be it through the charm of Dorian’s visit to Lord Henry’s town-house, or the farce that is the performance of Romeo and Juliet, with the bombastic, middle-aged Romeo, a wooden, distracted Juliet and a ridiculing, outraged audience.

[kayawagner]

Calculated Risks Episode S2E21: Crashspace

Publisher: Aegis Studios

Welcome to Season 2 Episode 21 of Calculated Risks, in which we play Dungeons & Dragons 5th Edition! IN THIS EPISODE: Shipwrecked on the threshold of Xeffon's territory, the party must decide how to deal with the mad mage and his deceptions. Join the Calculated Risks: An Eberron Adventure Facebook Fan Group

Listen to Calculated Risks: An Eberron Adventure on iTunes, Spotify, Anchor & more!

The Faithful of Eberron is NOW ON DMsGuild! https://www.dmsguild.com/product/257238/The-Faithful-of-Eberron

Dungeon Tales #2 is NOW AVAILABLE at https://www.dmsguild.com/product/249537/Dungeon-Tales-2 Submit YOUR adventures to newdungeonadventures at gmail dot com for a chance at inclusion in Dungeon Tales #3! LGBTQ, POC, Female, Non-binary creators WANTED!

New from Bob at the DMsGuild! Mordenkainen's Lost Notebook: https://www.dmsguild.com/product/252689/Mordenkainens-Lost-Notebook Spells from Kara-Tur 2: https://www.dmsguild.com/product/252856/Spells-from-KaraTur-2

New From Travis: DMs Guild

The Haunt 2: https://www.dmsguild.com/product/253875/The-Haunt-2

Haunt 2 Fantasy Grounds: https://www.dmsguild.com/product/254477/The-Haunt-2-Fantasy-Grounds

The Lady of Trollskull Priory: https://www.dmsguild.com/product/252105/The-Lady-of-Trollskull-Priory

Yearning to Breathe Free Fantasy Grounds: https://www.dmsguild.com/product/253424/Yearning-to-Breathe-Free-Fantasy-Grounds

Pugmire Canis Minor: The Pugmire System Guide for OGL 5E Creators: https://www.drivethrurpg.com/product/252746/The-Pugmire-System-Guide-For-OGL-5E-Creators Bizarre Bestiary: https://www.drivethrurpg.com/product/251279/Bizarre-Bestiary Scarred Lands 5e Slarecian Vault Blood & Ink: Tattoo Magic https://www.drivethrurpg.com/product/250986/Blood--Ink-Tattoo-Magic

Wracklings: https://www.drivethrurpg.com/product/251509/Wracklings Pugmire Canis Minor Bizarre Bestiary https://www.drivethrurpg.com/product/251279/Bizarre-Bestiary

EBERRON at the DMsGuild! Gurius's Guide to Stormreach: https://www.dmsguild.com/product/250064/Guriuss-Guide-to-Stormreach Magical Things of Eberron: http://www.dmsguild.com/product/248899/Magical-Things-of-Eberron Spells & Formulae of Eberron: http://www.dmsguild.com/product/249479/Spells--Formulae-of-Eberron Wandslinger's Guide for Eberron: http://www.dmsguild.com/product/248632/The-Wandslingers-Guide-for-Eberron Wayfinder's Guide to Eberron https://www.dmsguild.com/product/247882/Wayfinders-Guide-to-Eberron-5e TWITCH CHANNEL NOTES: On Monday, October 22nd at 2 PM CST we return to Scarn for Scarred Lands: Myths and Matchmakers! On Monday, October 22nd at 5 PM CST we speak with Alan Tucker on the DMs Guildhall https://www.dmsguild.com/browse.php?author=Alan%Tucker EXTREME DROWESS: Roja's Quest part 4 premieres Wednesday, October 24th at 8 PM CST! We return to Eberron on Friday, October 26th at 10 AM CST for Calculated Risks: An Eberron Adventure!

Starring: Alina Popescu, Mihai Suteu, R.P. Davis

Gamemaster: Travis Legge Associate Producer: Corey Frang Executive Producer: Steve Heiden

If you prefer video, you can watch the episode on YouTube below! Please be sure to like, comment, share & subscribe!

This episode is set as Pay What You Want. If you like what you hear, and would like to help us make more of these, please consider dropping a few coins (or dollars) into purchasing this episode. You can also support future episodes of this show while getting sneak peeks and other perks by supporting Travis Legge on Patreon!

Price: $0.00 Calculated Risks Episode S2E21: Crashspace published first on https://supergalaxyrom.tumblr.com

[kehlaniteam]

"I hate you niggas" ICYTWAT X DIVINE COUNCIL X PLAYBOI CARTI TYPE BEAT (Prod By Lord Guriu)

[edu-br]

em Dunas De Guriu