#gus faithfull

[mayanhandballcourt]

Photographer Gus Faithfull

[omg-hellgirl]

what are your favorite rock biographies, of the ones you’ve read?

My Angie Bowie shirt reacting to David Bowie's death for illustrative reasons. Obviously, it's sad.

Oh well, I'm not well versed in biographies in general. My literary taste doesn't go much in that direction. Starting to read biographies was a somewhat impulsive decision due to curiosity, but I didn't really venture into biographies that weren't related to the Stones or David Bowie, the two subjects that interest me most.

As for that, although it makes me sob and cry and makes me have empathy triggers that I didn't know I had, Backstage Passes: Life on the Wild Side with David Bowie by Angie Bowie was the most memorable biography for me and made me realize a side of him that I never dared to consider before.

Many people have an aversion to Angie simply because David did the same, and because of that, they disregard the things she says. The story she told wasn't just half of his story; it was her story. She lived it and has the right to tell her version and her feelings. I won't even mention the erasure that fans try to make of her in David's life.

Angie, Cynthia Powell (Lennon), Chrissie Shrimpton, Marianne Faithfull, and other ex-girlfriends of famous singers have the right to tell their version of the story and deserve respect. Calling any of them liars for saying bad things about your idols — which are probably real — is ridiculous.

That said, her book is my favorite in that it leaves me simply devastated and heartbroken. I promise you won't be the same after finishing this book. Feel free to message me if you need a PDF to read it, but I encourage you to purchase if you can afford it.

In second place is Keith Richards' book, Life, because I had so much fun reading about his childhood and his grandfather, Gus. Writers' books about Mick Jagger, while good (I like and use them as a source), simply cannot compare to a primary source from someone who was as deeply involved as Keith. Keith focuses on his story, which makes sense, and doesn't really delve into his bandmates' relationships. It is a valuable material tho.

[howaminotinthestrokesyet]

No Stones Unturned: Keith Richards

Keith Richards’ interest in the guitar began at a very early age due to his grandfather. Gus Dupree had been a jazz musician during the big band era, who actually toured with a group called Gus Dupree and the Boys in Britain. His interest in the guitar began when his grandfather placed the guitar on a shelf out of reach of the young Richards. He made a deal with the young child that if he could reach the guitar, then he could play it. In interviews, Richards talks about using all kinds of boxes, cushions, chairs in order to get that guitar, His grandfather began to teach him very basic guitar lessons. The first song that he ever learned was “Malagueña,” a Spanish song. He was able to keep the guitar, but his father a war veteran who have been injured at Normandy did not share his son’s musical enthusiasm. Speaking of his father, upon his death Richards was given his ashes, which led to another humorous story about the guitarist. He said in an interview that he actually smoked his father‘s ashes.

Keith Richards attended Wentworth Primary School until 1954 with fellow classmate Mick Jagger. He also lived as his neighbor until family moves separated the two. The pair met again by chance years later on a train when Richards admired an album Jagger was holding. At the time, the latter attended the London School of Economics. He had sent away for Muddy Waters and Chuck Berry albums by mail to Chess Records in Chicago. They immediately bonded over their love of music. Soon after, they formed a band with mutual acquaintance Dick Taylor called Little Boy Blue. A few years ago, a recording for that very short-lived group was discovered and eventually put up for auction. An anonymous person purchased the recording, who turned out to be none other than Mick Jagger. The band folded when Brian Jones approached Mick Jagger about joining his blues group. This led Jagger to bring Richards along to the Bricklayer’s Pub to meet anyone else interested. Here they met Ian Stuart. The Rolling Stones were officially formed.

As previously discussed, a couple of key observations can be made about Richards and the band. First of all, unlike other bands that revolve around the rhythm of the drummer, the Rolling Stones has their tempo always set by Richards. They look to him in order to determine how fast or how slow they should be playing. On stage, this makes him more of the unquestioned leader as far as the music goes. Off stage, that role has alternated between him and Jagger, but now the singer runs everything. The other thing to be noted is that just like Ron Wood and Brian Jones each guitarist like Richards plays both rhythm and lead sometimes within the same song. This guitar weaving was developed by him and Brian Jones, but it is the talent of Richards that allows this to work so seamlessly. Actually, if you were describe his guitar playing overall you would notice that it stands out as in no way flamboyant or showing off. His solos get right to the heart of the matter, but you never see him venture off like his contemporaries Jimmy Page or Eric Clapton. Another quality of his guitar playing emerges in the acoustic guitar. He believe that playing acoustic was the key to maintaining his excellence as a guitar player. Certain songs like “Street Fighting Man” and “Jumpin’ Jack Flash” were actually originally recorded with acoustic guitar, then placed in a tape recorder and overdubbed using a louder speaker. In 1967-1968, he began to experiment with what are called open tunings. I will try not to get too technical here, but his inspiration for it was how a banjo is tuned. This became a trademark of the guitar sound in later years most notably the 1970’s like “Honky Tonk Women.” Vocally, Richards has sung on almost every Rolling Stones studio album with background vocals. He is also occasionally sung tracks on his own with the most notable one being “Happy” on Exile on Main Street in 1972. The song entered the regular concert set list, which led the band to have Richards sing one or two songs at every concert from then on. Another notable track was on Voodoo Lounge entitled “The Worst.” At a young age, As a student he stood out as an excellent singer in the choir, but when adolescence hit his voice changed, which led him to concentrate more on guitar from then on.

Jagger and Richards began their songwriting collaboration beginning with Andrew Oldham Loog coming on board as their manager. Coincidently, it was Oldham that told Richards to drop the S from his name for a time. A few years later he would add it back. Their first top ten hit was actually not for the band, but Gene Pitney. Another hit was “As Tears Go By” featuring Marianne Faithfull. Their first hit featuring the band emerged with “The Last Time” in 1965. Their major breakthrough came with the song “Satisfaction,” which included a famous riff Richards would later say came to him in his sleep. One of the qualities of their songwriting comes in the sheer variety including r and b, folk, reggae, disco, psychedelic, country, funk, and punk. Unlike other bands of the era, as popular music changed, so did The Rolling Stones. The basic process of the pair actually writing a song usually started with Keith producing the first chords and harmony. Mick would then complete the song with lyrics and a bridge. For the longest time, Mick would have to wait for Keith to create the music before he could start in on the track. This became the case with the recording of Exile on Main Street as he alternated between music and shooting up heroin.

Keith Richards has been active as a producer for the better part of his career, as well. Since 1974, he and Jagger have been credited as the producers of every studio album the band has made. The duo also has contributed as a producer for other artists working alongside other producers. For those albums, the pair are usually listed as the Glimmer Twins, which writers will sometimes refer to them in general. Some of the notable artists that Richards has produced for include Aretha Franklin, Ronnie Spector, Johnny Johnson, and a band signed to their record label, Kracker. In 1987, Richards formed the band the X-Pensive Winos as a solo project, which led to the release of the album, Talk Is Cheap. The album would go on to attain a gold status, and it still sells consistently to this day. The reason for the solo project came about because at the time of Jagger was increasingly interested in pursuing a solo album. This stood out as a time referred to in the band as World War III as Jager and Richards had a monumental fight in endangering the very existence of the band. An interesting sidenote to all of this was the band first originated for the Chuck Berry tribute film, Hail Hail Rock ‘n’ Roll. They would release a second album in 1992 entitled, Main Offender, while Richard‘s most recent release as a solo artist came in 2015, Crosseyed Heart.

As popular culture can attest, Richards has a reputation well deserved for his drug use. The interesting thing about it is that he fundamentally embraces that reputation. He has been arrested on drug busts at least five times throughout his career. The most famous one being at his Redlands estate in England in 1967 along with Mick Jagger. The bust cemented the reputation as the bad boys of rock and roll as well. Surprisingly or perhaps not, he has only served time in jail for the first bust. He was subsequently arrested twice in 1973, 1977, and 1978. Yet, one must know that for the Redlands arrest, which in retrospect was completely overblown by the authorities and the media; he only served one day in jail. As previously noted, he was arrested in Toronto in 1977 for heroin possession. At the time, they were planned to charge him with trafficking, which represented a fairly serious charge. His visa was confiscated, so Richards had to remain in Toronto for at least two months until the case came to trial. Thankfully for the guitarist the charge was reduced to possession. He was finally allowed to leave Canada to travel to United States on a medical visa in order to be treated for heroin addiction. For the most part, his use of heroin has always been the number one contributing factor to his legal problems. This final bust was probably the straw that broke the camel’s back when it came to his heroin use. The legal troubles from this caused such an inconvenience in his life along with court ordered heroin addiction treatment led him to being able to stay clean since 1978. Since that time, he has only used cannabis and alcohol, but never in moderation at times because that would just not be his style.

As previously stated, his decision to get clean in 1978 led to the end of his relationship with Anita Pallenberg. As that relationship was going downhill, he met model Patti Hansen in 1978, who the guitarist would marry in 1983. They have two daughters together born in 1985 and 1986. He wrote a children’s book about his grandfather introducing him to the guitar co-written by one of his daughters, Theodora in 2014. Her participation in the project made it all the more meaningful because she was actually named for the grandfather.

Actor Johnny Depp, who played Captain Jack Sparrow in the popular Pirates of the Caribbean film franchise previously stated that Richards was partially the inspiration for the character. He utilized a few of his mannerisms for the films. As life will sometimes meet art, the Rolling Stones guitarist actually appeared in the third and fourth films of the franchise. The name of his character was Captain Edward Teague. Coincidently, the other influence Depp used for the character was the Warner Bros. cartoon, Pepe Le Pew. These influences that were mentioned by Depp did raise concerns among Disney executives at first because they did not represent the wholesome image of their brand.

Growing up, Keith Richards was hugely influenced by a few notable artists. One of the first emerged in Elvis Presley in the mid-1950’s. The interesting thing about his admiration for Elvis came in the fact that Presley‘s guitarist Scotty Moore was probably much more influential than the king himself. Richards has stated previously that he listened to Elvis records more for the band, not just the singer. The second influence was Chuck Berry, who he later performed on the same bill with early in his career. This led to a funny story looking back, but maybe not so funny at the time. The Rolling Stones guitarist had picked up Berry’s guitar while he was out of the room. Berry came back seeing Richards holding his guitar, then promptly punched him in the face. He told him that nobody ever touches his guitar. Years later Richards would participate in the Chuck Berry tribute film Hail Hail Rock ‘n’ Roll, so time had healed those wounds apparently. The final influence emerged in many of the blues artists of the day, but if you had to name one it would have been Muddy Waters. The famed blues musician emerged as a giant influence on the band from creating their name to the music that they played. Richards played live with him a few times leading to a lifelong friendship. In 1982, in a BBC interview he was asked if the Rolling Stones could keep going for another 20 years. He answered that it is entirely possible using the example of Muddy Waters still performing and looking vibrant on stage at 80.

Keith Richards currently has three residences including ones in England, Connecticut, and Jamaica. The residence in England is actually the same house, the Redlands estate, where he and Mick Jagger were arrested for drugs in 1967. At home, his favorite dish to eat is shepherd’s pie. In his 2010 autobiography, he actually devoted a paragraph on the best way to cook this very British dish. The drummer from the band, the Stereophonics, once told a story that he had accidentally eaten some shepherd’s pie meant for Richards. He was immediately confronted by him, but no punches were thrown. If the guitarist is not working on any music, one thing that may surprise some people comes in the fact that he likes to read books. Although he never attended college, Richards reads quite a bit with a preference for history. He would say in an interview that if he had not become a musician, then he probably would have been a librarian. During his days of using heroin, he once said that he really regretted the fact that it prevented him from doing things like going to a movie or reading a book. Funny guy.

[mrjeremydylan]

My Favorite Album #216 - Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975)

Acclaimed Americana singer-songwriter Courtney Marie Andrews joins me to talk about one of high watermarks of Bob Dylan's career - his 1975 breakup album 'Blood on the Tracks'.

We talk about why this album is Dylan at his most emotionally transparent, how the album captures all the different colours of a relationship - and its disillusion, how Dylan has maintained his mystique for over 50 years, how turn a song written from trauma into something you can sign night after night, and why Courtney wishes she was compared more often to men.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Courtney Marie Andrews on Instagram, Facebook, Twitter and iTunes.

- Buy 'Blood on the Tracks’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

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[serpientenegrx]

R’n’R Book Club #1: La chica del grupo, Kim Gordon

El lunes 20 de marzo tendrá lugar la sesión de inauguración de nuestro flamante R'n'R Book Club, destinado a charlar en familia acerca de libros que tenemos muchas ganas de leernos. Las sesiones serán conducidas por Irene Bonilla, que vendrá expresamente desde Madrid. Estáis todos invitados, sólo tenéis que conseguir el libro y leerlo. Puntos de venta en Granada: Subterranea Comics Discos, Ubú Libros, Discos Bora-Bora, Discos Marcapasos. _____________________________________________ Sobre Irene Bonilla:

"Como la bola plateada de un pinball, me gusta oscilar aleatoriamente entre el cine y la música, el periodismo y el arte, Madrid y Granada. Profesora de cine, realizadora de videoclips, redactora, montadora, pinchadiscos, ex-londinense, francófila, madrileña y antimadridista. En la actualidad dedico la mayor parte del tiempo a dar clases de Narrativa y Montaje Audiovisual en la Escuela TAI y a tocar el bajo en Aeromozas (2º grupo emergente 2016 para "Disco Grande" de Radio 3). Antes lo hice en Underwater Tea Party (Junk Records, Green Ufos)." _____________________________________________ Sobre LA CHICA DEL GRUPO, KIM GORDON (Editorial Contra) Kim Gordon dio a luz a principios de los 80, junto al que sería su marido Thurston Moore y el guitarrista Lee Ranaldo, a uno de los grupos más innovadores, influyentes y prolíficos de la escena musical independiente norteamericana, Sonic Youth. La chica del grupo es el relato en primera persona de uno de los grandes iconos femeninos del rock, una mujer que, como Patti Smith, Janis Joplin o Marianne Faithfull, supo encontrar su lugar en un mundo fundamentalmente masculino y, a menudo, sexista. Dotada de un singular talento e inquietud para lo creativo desde su temprana juventud, Kim Gordon narra en estas apasionantes memorias el devenir de una vida dedicada a la música, al arte —su obra artística, entre la pintura y la instalación, ha sido expuesta en relevantes galerías—, la moda —fue una de las creadoras de la marca X-Girl— y, en menor medida, la interpretación —ha trabajado como actriz a las órdenes de directores como Gus Van Sant, Olivier Assayas o Todd Haynes—, pero también su fecunda historia de amor con Thurston Moore. Sin embargo, la que fuera una de las parejas del rock más longevas y creativas se disolvió tras veintisiete años de matrimonio, poniendo también punto y final a la trayectoria de un grupo que marcó un antes y un después en la música alternativa de los 80 y los 90. Gordon relata con una angustia aún latente cuando descubrió que su marido la engañaba con otra mujer y cómo, después de una retahíla de engaños y mentiras, decidió separarse de él definitivamente. Kim Gordon también rememora la electrizante escena musical y artística de Nueva York y algunas de las canciones más celebradas y perdurables de Sonic Youth como «Death Valley ’69», «Schizophrenia» o «Kool Thing», y recuerda con especial cariño su cálida amistad con Kurt Cobain, el líder de Nirvana. La chica del grupo explora de manera inteligente y crítica el punto de vista de una mujer que supo abrirse paso en un mundo donde aún hoy prevalece la testosterona, así como también las dificultades que acarrea traer una hija al mundo, conciliar la maternidad con las exigencias de la vida del rock y el arte, y la necesidad de encontrar un espacio propio donde dar rienda suelta a la libertad creativa.

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