#he only celebrates because tintin loves christmas so much

[professorcalculusstanaccount]

whatever you celebrate (or whatever you don’t) give yourself a congratulations for making it through this year. im proud of us

[akamarulover]

Bilgamesh or mirio

Im doin both fam u know it

Gilgamesh

First impression: Very sparkly. Pretty strong too but mostly the big gold sparkle man. Also has a sick ass lion thats pretty legit. 

Impression now: High maintenance AF. Fuck this bitch who costs me all my QP all the damn time like??? Im ALWAYS farming for more skill items for him. Got wayy to invested in The Epic of Gilgamesh for him. Also I watched all of Fate/Illya (which was mostly terrible) just to see Ko-Gil. 10/10 Love the gold sparkle man.

Favorite moment: hmmmmmm his fight with Berserker in Fate/Zero was one of the coolest fights I’ve seen. Also the first time he unleashed EA bc damn that shit looked SO GOOD. 

Idea for a story: Fate/Strange Fake becoming adapted into anime form. He and Enkidu tag tam the grail war together like a couple of guys bein dudes. Actually that would be cool is a grail war with 2v2 matches pairing up famous historical pairs. 

Unpopular opinion: Gold archer rules, Red archer drools

Favorite relationship: You know I can’t pick between GilSaber and GilEnkidu. 

Favorite headcanon: Ya boi loves getting his ass kicked. Anyone who can do that (or match him) goes right on top of his favs list. 

Mirio

First impression: Goofy Tintin lookin weirdo. I did immediately join team TinTinFucker tho back when people thought he bullied Shinsou (which was weird???)

Impression now: BEST BOY. My everything. Kinda dumb but that adds to his charm. Big and buff and strong and lovely and perfect. An Angel. Silly and happy and uplifting to all. #1 senpai and #1 brother figure and #1 hero in my heart.  My husband.

Favorite moment: ALL. Ok but the Overhaul v Mirio fight is absolutely my fav fight in the series thus far. That was PEAK emotional Good Shit. 

Idea for a story: LISTEN back during Christmas time I had this really cute idea for Mirio to take Eri out of the hospital for a day to go celebrate her first Christmas party. And I wanted it to be super fluffy and sweet. And he was gonna get her like cake and a big teddy bear and spoil her with candy and love and fun. And now my prompt (while not Christmas themed lmao) is being used, ALMOST TO A T, in the canon manga itself. And I am still beside myself with happiness and love for everything Horikoshi has blessed me with in my life. And PLEASE I need him to be a big presence in her life OK I NEED THIS.  

Unpopular opinion: I don’t think he and Tamaki are particularly compatible. Like for the most part even in the manga flashbacks, they seemed to me only like classmates and at most casual friends. Tamaki obviously noticed him and looked up to him because he was radiant and inspired everyone. In Mirios own flashbacks, it was his father who inspired him. Saying they both drive each other forward really seems like a stretch imo. 

Favorite relationship: He and Eri. They’re just,,,,,so cute. I adore how strong he has been able to stay for her. And I’m weak af for that found family shit. They both lost SO MUCH to Overhaul. Its like,,,meant to be. They gotta stick together now. Like yall have no idea how much I want him to be there for all her major life events from now on. But also he and Deku is GOOOOD. Because the #1 senpai tropes always kill me dead. 

Favorite headcanon: He strikes me as not being particularly interested in relationships, so ace/aro :9 But at the same time also very physically affectionate. Will be very casual and comfortable with most people very fast. I see both him, and especially Nejire, being very affectionate (with everyone) in that way. Since they’re like that, and together often, people may think they’re dating But at this point its not anything they ever brought up with each other or even thought about. And to add in I see Nejire as pan/poly. 

Send me characters!

[londontheatre]

Sonia Friedman Productions present THE BIRTHDAY PARTY By Harold Pinter. Directed by Ian Rickson

Toby Jones, Stephen Mangan and Zoë Wanamaker to appear in major revival of Harold Pinter’s The Birthday Party

Ian Rickson will direct Pinter’s masterpiece celebrating 60 years since it was first performed

Tickets from £15 with over 20,000 seats £30 and under

The production will play at the Harold Pinter Theatre for a strictly limited run from 9th January to 14th April 2018.

Further casting will be announced soon

The Birthday Party Tickets on sale from Noon 12th September 2017

Sonia Friedman Productions is thrilled to announce a new production of Harold Pinter’s The Birthday Party which will run at the Harold Pinter Theatre, 60 years since the play’s debut, from 9th January to 14th April 2018 with an Opening Night on Thursday 18th January 2018. Tickets go on sale today at midday, with priority booking from 9am.

Stanley Webber (Toby Jones) is the only lodger at Meg (Zoë Wanamaker) and Petey Boles’ sleepy seaside boarding house. The unsettling arrival of enigmatic strangers Goldberg (Stephen Mangan) and McCann disrupts the humdrum lives of the inhabitants and their friend Lulu, and mundanity soon becomes menace when a seemingly innocent birthday party turns into a disturbing nightmare. Truth and alliances hastily shift in Pinter’s brilliantly mysterious dark-comic masterpiece about the absurd terrors of the everyday.

Following critically-acclaimed productions of Betrayal, and Old Times, Ian Rickson returns to direct a new production of Harold Pinter’s landmark play, The Birthday Party. Starring in this comedy of menace are trio of Olivier Award winners, Golden Globe Award-nominated Toby Jones (The Girl, Tinker Tailor Soldier Spy, Infamous), Tony Award-nominated Stephen Mangan (The Norman Conquests, Jeeves and Wooster, Episodes) and Tony Award-nominated Zoë Wanamaker CBE (Electra, Passion Play, My Family). This will be the seventh Harold Pinter play that Sonia Friedman has produced, three of which have been directed by Ian Rickson, who also directed Pinter himself in his last performance as an actor in Krapp’s Last Tape. It is also the ninth production directed by Ian Rickson that Sonia Friedman has produced.

Ian Rickson said: “I knew Harold from when I ran the Royal Court and he was a great mentor to me. Doing The Birthday Party is particularly thrilling because as with the best first major plays – like first albums, and first novels – it has the intense DNA of the writer’s inner life; their yearnings, their obsessions, their longings. There’s something about The Birthday Party in particular that’s so raw and committed – it has this kind of anarchic, punk spirit and I’m just so excited about directing it.”

British Actor TOBY JONES is known for his roles both in the theatre and on screen. Earlier this year Toby finished filming both French comedy film Naked Normandy for Philippe le Gay, and next year’s Jurassic World: Fallen Kingdom. Toby has a further four films out later this year including – Universal Pictures’ crime drama The Snowman, psychological indie thriller, Kaleidoscope, Lionsgate’s World War One drama Journey’s End and Michael Haneke’s Palme d’Or nominated film, Happy End. Toby will also reprise his BAFTA-nominated role later this year in the third season of the award-winning comedy series Detectorists, written by and co-starring Mackenzie Crook. Toby’s other works include ‎Infamous, where Toby played ‘Truman Capote’ for which he won Best British Actor at the London Film Critics Circle Awards. In 2011, Toby starred in the Oscar-nominated adaptation of John le Carre’s classic crime novel Tinker Tailor Soldier Spy and the year after, Toby garnered huge critical acclaim for his performance as Alfred Hitchcock in the HBO/BBC television movie The Girl, for which he received a BAFTA, Golden Globe and Emmy nomination. That year also saw Toby play the lead in Peter Strickland’s multi award-winning film Berberian Sound Studio. In 2014, Toby starred as the lead in the BBC Two BAFTA winning drama Marvellous, and the following year in Matteo Garrone’s fantasy horror, Tale Of Tales.

Further credits include: Atomic Blonde, Sherlock, Dad’s Army, The Secret Agent, The Witness For The Prosecution, Morgan, Wayward Pines, Capital, The Man Who Knew Infinity, The Hunger Games series, the Harry Potter series, Captain America: The First Avenger, Captain America: The Winter Soldier, Leave to Remain, Andrew Kotting’s By Ourselves, My Week With Marilyn, The Adventures Of Tintin, Frost/Nixon, W and The Painted Veil.

Theatre credits include: Circle Mirror Transformation, The Painter, Every Good Boy Deserves Favour, Parlour Song, Dumb Waiter and Other Pinter Pieces, Measure for Measure (with Complicite), The Play What I Wrote (winner: Olivier Award for Best Supporting Actor).

STEPHEN MANGAN is a stage, film, television and voice actor. After graduating from Cambridge University and then RADA, Stephen began his acting career in the theatre. In 2008 he starred in The Norman Conquests at The Old Vic and then on Broadway. Stephen was nominated for a Tony Award and the play won Best Revival. Other theatre credits include: Birthday, The People Are Friendly (Royal Court Theatre), Jeeves and Wooster (Duke of York’s Theatre), Hayfever (Savoy Theatre), Midsummer Night’s Dream (RSC) and Rules For Living (National Theatre).

Stephen has an extensive list of television credits. He plays the lead role of Sean Lincoln in the comedy series Episodes, opposite Tamsin Greig and Matt LeBlanc; Series 5 is to be broadcast next year. Next year he can also be seen starring in the new comedy series Bliss for Sky Atlantic, Hang Ups for Channel 4 and Abi Morgan’s new BBC1/AMC drama The Split. Previous TV credits include the BAFTA-winning British sitcom Green Wing, Free Agents, Dirk Gently, in which he played the title role, Houdini & Doyle.

Stephen’s film credits include Breathe, Billy Elliot, Birthday, Postman Pat: The Movie (Voice), Rush, Beyond the Pole, Confetti

The multi-award-winning ZOE WANAMKER CBE is one of the most acclaimed actresses of her generation, with a career that spans both stage and screen. She is a four-time Tony Award nominee, and a nine-time Olivier Award nominee, winning the Best Actress Award twice for Electra and Once In A Lifetime. Her career has taken her from the RSC to the National Theatre via Broadway, the Royal Court, the West End and the Donmar Warehouse. Her varied television career has included the much-loved BBC sitcom My Family, along with Poirot and Mr. Selfridge. She received a BAFTA nomination for her role in the film Wilde, with other film credits including Harry Potter and My Week With Marilyn. Zoë will be appearing in the Sky/Amazon collaboration ‘Britannia’ (2017) as Queen Antedia and in Girlfriends for ITV.

Her film credits include: My Week With Marilyn, It’s a Wonderful Afterlife, Five Children and It, Harry Potter, Swept from the Sea, Wilde, The Raggedy Rawney, The Hunger, Inside the Third Reich, The Last 10 Days of Hitler.

Television includes: Girlfriends, Inside No. 9, Babs, Britannia, Mr Selfridge, Poirot, Wodehouse in Exile, The Man, My Family, Old Curiosity Shop, Johnny and the Bomb, Waste of Shame, Dr Who, Miss Marple, The Cappuccino Years, David Copperfield, Leprechaun, Gormanghast, A Dance to the Music of Time, The Widowing of Mrs Holroyd, The English Wife, Countless Alice, Memento Mori, The Blackheath Poisonings, Love Hurts and Prime Suspect. IAN RICKSON Ian was Artistic Director at the Royal Court from 1998 to 2006, during which time he directed Krapp’s Last Tape, The Winterling, Alice Trilogy, The Sweetest Swing in Baseball, Fallout, The Night Heron, Boy Gets Girl, Mouth to Mouth (also in the West End), Dublin Carol, The Weir (also in the West End and on Broadway), The Lights, Pale Horse and Mojo (also at the Steppenwolf Theatre, Chicago), Ashes & Sand, Some Voices and Killers. His last production for the Royal Court, The Seagull, transferred to Broadway. Other theatre includes Against (The Almeida), The Goat (West End), The Nest (Lyric, Belfast and Young Vic), Evening At The Talkhouse (NT), The Red Lion ((NT), The River (Broadway), Electra (Old Vic), Mojo (West End), Old Times (West End), The River (Royal Court), Hamlet (Young Vic), Jerusalem (Royal Court, West End and Broadway), Betrayal (Comedy Theatre), The Children’s Hour (Comedy Theatre), The Hothouse and The Day I Stood Still (NT), Parlour Song (Almeida), Hedda Gabler (Roundabout Theatre, New York), The House of Yes (Gate) and Me & My Friend (Chichester Festival Theatre). Film includes: Fallout, Krapp’s Last Tape and The Clear Road Ahead. Radio; In Therapy (Radio 4). HAROLD PINTER CH CBE Harold Pinter was born in London in 1930. He lived with Antonia Fraser from 1975 until his death on Christmas Eve 2008. (They were married in 1980). After studying at the Royal Academy of Dramatic Art and the Central School of Speech and Drama, he worked as an actor under the stage name David Baron. Following his success as a playwright, he continued to act under his own name, on stage and screen. He last acted in 2006 when he appeared in Samuel Beckett’s Krapp’s Last Tape at the Royal Court Theatre, directed by Ian Rickson.

He wrote twenty-nine plays including The Birthday Party, The Dumb Waiter, A Slight Ache, The Hothouse, The Caretaker, The Collection, The Lover, The Homecoming, Old Times, No Man’s Land, Betrayal, A Kind of Alaska, One For The Road, The New World Order, Moonlight and Ashes to Ashes. Sketches include The Black and White, Request Stop, That’s your Trouble, Night, Precisely, Apart From That, and the recently rediscovered Umbrellas.

He directed twenty-seven theatre productions, including James Joyce’s Exiles, David Mamet’s Oleanna, seven plays by Simon Gray (one of which was Butley in 1971 which he directed the film of three years later) and many of his own plays including his last, Celebration, paired with his first, The Room at the Almeida Theatre, London in the spring of 2000.

He wrote twenty-one screenplays including The Pumpkin Eater, The Servant, The Go-Between, The French Lieutenant’s Woman and Sleuth.

In 2005 he received the Nobel Prize for Literature. Other awards include the Companion of Honour for services to Literature, the Legion D’Honneur, the European Theatre Prize the Laurence Olivier Award and the Moliere D’Honneur for lifetime achievement. In 1999 he was made a Companion of Literature by the Royal Society of Literature. Harold Pinter was awarded eighteen honorary degrees.

The production will be designed by the Quay Brothers, with lighting by Hugh Vanstone, sound by Simon Baker, music by Stephen Warbeck and casting by Amy Ball.

LISTINGS

Sonia Friedman Productions presents THE BIRTHDAY PARTY BY HAROLD PINTER Directed by Ian Rickson Design – Quay Brothers Lighting – Hugh Vanstone Sound – Simon Baker Music – Stephen Warbeck Casting – Amy Ball

TheBirthdayParty.London Twitter: @BdayPartyLDN Facebook: @BdayPartyLDN Instagram: @BdayPartyLDN #TheBirthdayParty

Harold Pinter Theatre Panton Street, SW1Y4DN First performance: Tuesday 9th January 2018 Final performance: Saturday 14th April 2018 Opening Night: Thursday 18th January 2018

Performance schedule: Monday – Saturday 7.30pm, Wednesday and Saturday matinees at 2.30pm. Captioned Performance – Tuesday 27 February, 7.30pm Audio Described – Tuesday 6th March, 7.30pm

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