#hey look another new dc media where barry dies

[reverseflashes]

barry allen fans are we feeling defeated yet again

[taiblogcomics]

Absolutely Thera-Pissed

Hey there, visas and green cards. It's our ninth blogaversary! Wow, we've been going for quite a long time. Long enough to completely change platforms at least once. Considering we just finished our whole backlog, I think we should try something new in honour of the amazing coincidence of these two events synching up. Before we start on another backlog of terrible comics (trust me, I have something in mind), let's do something we've never done before on this blog. We've only ever really covered comics issue by issue. How would you feel, dear readers, if we instead did an entire storyline all at once?

And oh boy, do I have just the storyline in mind. Here's the cover:

Oh yeah. We're doing this. This story has kind of hung over this blog, mostly due to its connections to Red Hood and the Outlaws. It also prominitely features Harley Quinn, who also appeared in Suicide Squad (which ended before this story took place). And personally, I am a fan of Harley, Booster, and the Titans. And oh boy, does this comic shit all over them, in some of the most truly appalling ways possible. This is Heroes in Crisis. All nine issues. Let's jump right in~

I won’t be going over the covers of the individual issues, or even this one so much, but I do like that quote at the top. It is actually some good superhero artwork! It is an extremely awful story, but the artwork is fine~

So the first issue starts like this: Booster Gold's in one of those tiny middle-American diners. The host's loving it, since she says superheroes never show up and eat here. And oh look, here comes another one! Booster replies that that's no hero, as Harley Quinn walks in. Clearly he hasn't been reading her solo series. Harley orders some pie, and she and Booster eat in terse silence. Until suddenly Harley grabs a knife, and the two begin a real knock-down, drag-out fight. And lemme tell ya something, Harley keeps up with a guy who can fly and project forcefields pretty well. Eventually the pair are exhausted, and Booster says he's gotta bring Harley in, after what he saw her do. Harley protests, because she didn't kill all those people. She saw Booster do it.

All this is intercut with two different scenes. One is sort of a confession-cam style thing, a bunch of heroes (including Harley, Blue Jay, Booster, and Hotspot) all admitting they're here for therapy. And the second is Superman, Batman, and Wonder Woman talking with each other as they land in a particular site. This place is called Sanctuary. It is currently full of dead heroes. Among the deceased here are Hotspot, Lagoon Boy, Wally West, and Roy Harper. And this is my first major complaint. Do you know what all these characters have in common? Hey, DC: Stop using the Titans as your cannon fodder. Stop treating them as a joke. Every iteration of the team deserves more respect than this.

So Harley and Booster are going to be our POV characters for this story. I like both of these characters a lot, so this is probably going to be pretty painful seeing them written horribly. Harley goes off to the Penguin for protection, and we actually get to see her in her old costume. It is a breath of fresh air, honestly. Booster, meanwhile, mostly just tries to rationalise his actions with Skeets, his robot buddy. Booster suffered kind of a psychotic break back in the Batman storyline "The Gift", which is why he was in Sanctuary to begin with. This story is basically a follow-up to that one, and has the same sort of tone.

Harley confronts the trinity in Gotham, revealing she set the whole thing up with Penguin just so she could get close to them on her terms. She uses the Lasso of Truth to confess she saw Booster Gold do it, then uses the Kryptonite in Batman's belt to skip town. The next time we see her, she's at the docks, giving a eulogy to Poison Ivy, another victim of Sanctuary. Booster Gold, meanwhile, has rationalised that Batman would solve the crime himself rather than turn himself in, and goes to Barry Allen to check in. Of course, the trinity are the only ones who know about the accident yet, so when Booster tells Barry that Wally's dead, he gets super pissed. Just like the readers are!

Issue 3 is a flashback issue, showing Booster's first day at Sanctuary. Sanctuary works like this: everyone gets their own private quarters, and if they want to visit the common areas, they wear a mask and cloak to preserve anonymity. Here's the first really big problem with Sanctuary: while therapy for superheroes is a good (possibly necessary) concept, Sanctuary is only one kind of therapy. It essentially assumes everyone responds the same to the same sort of therapy. The kind here is that Sanctuary gives you a private room that simulates your traumas (with a holodeck) and has you physically confront them. Lagoon Boy, for example, is shown to be facing the laser that killed him over and over again. Wally sets up superhero battles that still have his kids with him. And while this sort of therapy might help some people, it's definitely not universal.

Booster starts his first session, which ends up just being a hologram of himself, talking to him. Before he can get much further, though, alarms go off and everyone is urged to emergency evacuate. Lagoon Boy is killed--in a deliberate callback to his previous death, no less--and we see a few other victims, including Red Devil, Commander Steel, and Gunfire. Wally clutches Roy's body as he dies in his arms, and Harley smacks Wally in the face with her hammer. She greets Booster cheerfully, and he admits he's having a hell of a first day.

After a brief scene of Aqualad (Garth, in this case) drinking in a bar--and who can blame him for wanting to drink after experiencing this story?--Batman and Barry meet, thus showing they're still unsure who did it. Booster is being interrogated under the Lasso of Truth, and he relays the previous issue to us. In his mind, Harley did it. Harley, meanwhile, has tracked down Batgirl (Barbara Gordon) and surprisingly... they hug. Babs promises to help stick by Harley and prove her innocence. After all, Babs has been through trauma, too. The comic reminds us of this with another confession-cam video, showing Babs display the scars she received from “The Killing Joke".

So, about these confession cams... They've been interspersed between scenes, showing everyone from Batman down to guys like Gunfire or the Protector relaying their problems by confession. Again, this sort of therapy isn't for everyone, but it's the only one Sanctuary's got. Superman tells Batman that Lois has been receiving these videos anonymously. Batman responds that there are no videos. Sanctuary does not keep records, to preserve patient confidentiality. Supes replies that there are videos, he's seen them, and now the media has them. The issue ends with a breaking story about "What is the secret superhero Sanctuary?" exposé airing on television...

Speaking of breaking, Blue Beetle (Ted Kord, who I'm as surprised as anybody to find out is alive again post-Rebirth) breaks Booster out of the Hall of Justice where he's being held. The pair watch the breaking news report on television while they try to come up with a plan. Booster's idea is to confess to Barry again, figuring they won't expect the stupidest possible move, making it actually the smartest possible move. Booster has not really recovered from his insanity, I see. He and Beetle do exactly that, surprising Barry at work, which is apparently all the advantage they need. This is because Barry, as a forensic scientist, has access to the data on the autopsies.

While Superman makes a public statement to the press regarding Sanctuary, Batman passes Skeets into Batgirl's care, and she immediately violates that trust by in turn passing Skeets to Harley. It's implied Harley tortures the information regarding Booster's whereabouts out of Skeets, but it's okay because he's just a robot. Babs and Harley turn up at Booster's place as he's analysing the data he obtained from Barry. Here's where it all starts to fall into place: the data on Wally West says his body is five days older than the rest of them.

Issue 6 is kind of a triple piece, but one that can be summed up fairly quickly. It focuses on three specific characters who were all at Sanctuary. The parts regarding Gnaark the caveman (another Titans alumnus) are ultimately pointless, since the issue ends with his death. The parts with Harley focus on Joker's abuse of her and Posion Ivy's care towards her. This also ends badly. Wally's parts focus on the DC Rebirth story where he essentially willed himself back into the universe. And while that story is really good and it was a joy to see Wally again, it ultimately ended with the knowledge that Wally's family did not reappear with him. His kids are gone, his wife is with someone else and does not remember him, and until he forced his way back into everyone's memories, no one else recalled him either. This would traumatise anybody. But it may have really traumatised Wally.

The next issue starts really well, honestly. Booster and Harley are fighting it out--again--while Babs and Beetle just watch. Like, they aren't even stressed, they're both familiar with their respective charges, and this is really no surprise. In any other comic, this would be a great scene. Shame that it's in this one, and it's not nearly enough to save even a lick of it. Eventually Babs works out that Booster's forcefields are only currently working because of some jury-rigged tech that's powered by Blue Beetle's consciousness. So she knocks him out with one hit. Harley prepares a killing blow, but ultimately cannot go through with it, proving she's a good person. She and Booster just collapse on the floor, and bond over the fact that they both kind of suck as superheroes (from their own perspectives, at least).

With Booster, Beetle, Babs, and Harley (Barley?) all on the same side now, the group decide to get to the bottom of everything together. Meanwhile, the rose Harley dropped off the docks is picked up by Wally. See, while the body they found of Wally is five days older than the rest, this means he time-traveled and is still at present alive. Wally channels his Speed Force into the rose, causing it to grow rapidly--and Poison Ivy blooms from it, restored to life. I don't get it either, but if it means Ivy didn't die in this stupid story, I'll take it. Wally then apologises, since Ivy just returned to life and now she has to see death so soon. Those five days are up, and a second Wally appears, ready to literally kill himself.

So here's what really fucking happened.

Wally had been at Sanctuary three weeks already. He's frustrated because the therapy's not helping as fast as he thought it would. He does a jump into the Speed Force and basically exists everywhere at once. Spread across the time stream, he witnesses everybody's confession cams all at once. He sees "the trauma of a thousand heroes in crisis" (hey, we have a title, ladies and gentlemen). And... it's too much. Realising everybody's personal pain breaks him. He unleashes the burst of pent-up energy he'd stored to do the time jaunt thing and kills everyone at Sanctuary.

Lagoon Boy. Protector. Hotspot. Red Devil. Arsenal. Gnaark. Solstice. Tattooed Man. Gunfire. Blue Jay. Commander Steel. Nemesis. I want you to remember these names. These were all pre-existing characters. Half of them were members of the Titans at one point or another. Wally West, the Flash, killed them in a stupid, stupid storyline that not only assassinates his character, but also literally assassinates all these other characters.

Wally uses his super speed to set up the bodies, rig the crime scenes so it looks like Harley or Booster could be responsible for their deaths. He then travels forward in time to the present moment, where he has just confessed all this to Poison Ivy. He kills that version of himself and travels back in time with it to fake his own death. He then uses the VR tech of Sanctuary to trick Booster and Harley into believing they saw the other commit the deeds. Neither of them even knew they'd never left their respective therapy simulations. This leaves Wally with a five day window to figure out something good he can do to make up for killing everyone.

So the final issue wraps it up like this: Booster time-travels the group back to where Barry is about to kill his own paradox clone. Harley and Ivy reunite, which is nice. So here's the plan: this doesn't have to end with any more death. In the end, what Barry did was all an accident. So Booster travels into the future to make a clone of the paradox-Wally. This gives them a five-day-old body they can leave at the massacre, in order to close the timeloop. The present Wally turns himself in and is arrested, while the five-days-ago paradox Wally merges back into the Speed Force, still running to try and find his family.

And the "good" thing Wally did to make up for killing everyone? He was the one that leaked Sanctuary's existence to the media. In his mind, the idea that heroes are seen as constant paragons was too much pressure. By letting the public know that even superheroes need therapy, even superheroes suffer trauma just like everyone else, he he could let people know that heroes are just that: people. People like everyone else. And that it is okay for anyone to seek help if you need it. This seems like a nice sentiment, until you remember the reason Wally killed everyone is because he was impatient about how his therapy was going.  What an awful story.

-----

Like, legitimately, this story is just awful. The basic premise--that heroes could probably do with therapy--is not a bad one. The execution is just really completely mismanaged, though. Start with the beginning. Why are Harley Quinn and Booster Gold chosen as the focus characters? Because they're the ones you could believe would orchestrate a mass murder, right? Except no. You would never believe that. Booster is not that much of a screw-up, and Harley is not that much of a villain. Neither of them have been those things for many years. The readers know that, but it feels like the writer didn't.

And that's the worst part of it all. The superficiality of the story. In the end, why was this story written? To explore the concept of therapy for superheroes? Well, then, it went about it in the worst way possible. Not everyone experiences trauma in the same way. And therefore, not everyone responds to therapy in the same way. The way therapy is depicted in this story is just wrong. Frankly, Sanctuary looks like one of the worst places to get treatment, right alongside Arkham Asylum. Do you think anybody's really going to take away from this story "It's okay to talk about your traumas if you need to"? In or out of universe?

I didn't really talk about the confession cams, but they seemed highly unnecessary. They were always the same, a 3x3 of panels featuring a superhero talking about their traumas. Most of them didn't factor into the story, and at most they felt like a common scene transition. They tried to give them some weight by revealing that the contents of all these possibly got leaked? But then they just kinda dropped that subplot. Which was really kind of serious, because the traumas range from the Protector (a character created for drug PSAs) confessing that he has done drugs to Superman talking about the burden of keeping his identity secret. How much of these did the public actually get? And if it was none, what was even the point of it being a subplot~? Like, leak that Sanctuary existed, sure, but why did Lois Lane get sent all the videos that shouldn't have existed~?

What this story has done to Wally is awful. They have completely tarnished this likeable, amazing hero by having him kill twelve people (thirteen, if you include Poison Ivy), several of them colleagues and friends. All because he's trying to fake his way through therapy when it isn't helping him as fast as he wants. Know what would have been a good story? How about he learns to cope with his trauma? How about he actually gets his family back? It's unrealistic as hell, but it's a fictional story. It's escapism. It's okay to have a happy ending. I ''want'' my stories to end in happy endings, because it's so hard to get them in real life. I want something better than this.

DC Rebirth was a breath of fresh air. Wally's return to the DC universe felt like the clouds were lifitng. The stories following Rebirth felt like a return to form after the darkening of the New 52. It felt like the stories were getting good again, like the comics were getting fun and hopeful again. It couldn't last, though, could it? This story is only three years after the Rebirth initiative. Three years? That's all the hope we get in the universe? I sincerely hope this story ends up an abberation, and not a return to form of the darker, more dour universe we put up with in the New 52. Especially given current events, you can understand why a brighter, optimistic fictional world is appealing. I sincerely hope that when comics resume publication after the pandemic, a more positive outlook continues, and stories like this are left in the garbage where they belong.

This book is fucking awful, and I am done with it. Next week, we'll start reviewing an all-new series for the Taiblog. Let's just say I'm not done ranting about injustices against the Teen Titans~