#i also forgot the fates don’t even say that in nytw. so

[songbird-orpheus]

im actually so sorry

@sunshine-fruit-of-the-vine

[anais-mitchell]

a comprehensive list of every never before seen hadestown lyric revealed in “working on a song”

Note: This list will not include any lyrics from the OBCR, Broadway previews documented in audios, the London run, the Edmonton run, or the NYTW run. Only lyrics that Anaïs has never revealed before. Also, I strongly recommend everyone actually read the book and support Anaïs! It has amazing insights into the show we love. 

(Also, any ellipses mean the song just goes into the lyrics we already know)

Wedding Song

In early Vermont productions, Wedding Song did not exist; there was another duet called Everything Written.

Fates: Seven Sisters / Little Dipper / Great Bear, Hunter / Drinking Gourd / Libra, Leo / Pisces, Pluto / Venus, Virgo / Capricorn

Eurydice: Don’t it make, don’t it make you feel so small? / Orpheus, when you look up at it all? / When I look into the skies / I lose my head for scale and size / And still you’re larger in my eyes / Than any star / You pull on me like gravity / I want to be where you are

They say that everything is written / Everything written in those stars / The very lives we’re living / The very love in our hearts

Orpheus: Who could write, who could write this kind if love? / From such a height, all these light-years up above? / And all these light-years down below / I don’t need any star to show me / What my heart already knows / Eurydice / You pull on me like gravity / I want to be where you are

Eurydice: Come here

Orpheus: I’m here

Eurydice: It’s so cold

Orpheus: So clear

Eurydice: It’s so dark

Orpheus: So fair

Eurydice: Come near

Orpheus: I’m here

Eurydice: You’re there

A workshop version of Wedding Song included this exchange:

Eurydice: You have a way with words don’t you? It’s too bad none of them are true

Orpheus: It’s not a lie- It’s poetry

Eurydice: How many mouths does a poem feed?

Epic I

From 2007 Vermont:

Orpheus: King of diamonds, king of spades! / First there was Hades, king of the dirt / Miners of mines, diggers of graves / They bowed down to Hades who gave them work /  And they bowed down to Hades who made them sweat / Who paid them their wages and set them about / Digging and dredging and dragging the depths / Of the Earth to turn its insides out / Singing la la la la la la la...

Then came Persephone, Hades’s wife / Our Lady of Shadows and Meadows entwined / Made to spend half of the days of her life / Right alongside of him down in the mine / But the other half she could walk in the sun / And the sun in turn burned half as bright / Which is where the seasons come from / And with them the cycle / Of the seed and the sickle / And the lives of the people / And the birds in their flight / Singing la la la la la la la...

So it was and it might have stayed / And the sun came up and the sun went down / A circle of fourths, a perfect cadence / The serpent’s tail in the serpent’s mouth / But the strong will take what they want to take / And the weak can only tell the tale / And the king began to lay his heavy hand upon the scale / What did he want? He wanted Our Lady / To have and to hold, not half, but wholly / To love him and never to leave him again / And as for the seasons, to hell with them! / And the earth warmed over in the dead of winter / The stillborn spring lay cold beneath /  Summer gave a stormy sermon / Autumn walked in the wake with a wreath / And the people moved like weather patterns / Looking for shelter, looking for warmth / Helter-skelter the four winds scattered / The scavengers over the ravaged earth / Singing la la la la la la la...

From a workshop, presumably pre-London:

Hermes: Orpheus was a poor boy / But he had a gift to give / There was one song he’d been working on / He could never seem to finish / A song about this broken world / That he rewrote again and again / As though if he could find the words / He could fix the world with them

Livin’ It Up On Top

From pre-NYTW workshops:

Persephone: A hundred sunny summer days / Till my lover comes to find me / A hundred blooming olive trees / And a hundred grapevines climbing / Singing songs when the sun goes down / Light the fire in the darkness / Brother, pass that bottle around / And we’ll raise a glass to the harvest, it’s / Just enough fruit for the pressing / Just enough wine to fill our cups / But what we have is a blessing / It isn’t much but it’s enough

Eurydice: A hundred starry summer nights / Since my lover came and found me / Picking fruit and hopping freights / With his music all around me / Stay up late making love / All the stars are naked / Talking sweet and sleeping rough / Our bed is where we make it, there’s / Just enough fruit for the pressing...

Way Down Hadestown

From when Anaïs was 21, long before the show was even a concept:

Follow that dollar for a long way down / Far away from the poorhouse door / You either get to hell or a border town / Ain’t no difference anymore...

Suckin’ on the gristle and chewin’ on the bone / Thinkin’ ‘bout missiles and the old Dow Jones / All alone on your chromium throne /And lonely, lonely, lonely, lonely...

From 2006:

Persephone: Though I’m happy at his side / He’s not an easy man to love / I used to keep him satisfied / But lately he can’t get enough / Never enough of the mine and the mill / Never enough of his working girls / Never enough of the wall he’s building / All around the underworld / Way down Hadestown...

Orpheus: Mr. Hades is slick as an eel / Fountain pen, crocodile shoes / Quick as a snake, and he’s hot on your heels / He’ll make you an offer that you can’t refuse! / Way down Hadestown...

Hermes: Speak of the devil and the devil comes / Here comes Mister Hades now / To gather up his chosen ones / And bring ‘em down to Hadestown / Way down Hadestown...

From 2007:

Hermes: Make room, make room for Hermes, sir! / Make a little room for Hermes, ma’am / They call me a messenger / But that ain’t half of who I am 

I’m a man of influence / I’m connected up and down / And  I got all the documents / You need to get to Hadestown / Way down Hadestown...

Tired of walking in your worn-out shoes? / Tired of running on nothing at all? / Tired of standing your bets to lose? / Tired of losing? Give me a call, we’ll go... / Way down Hadestown...

Orpheus: Mister Hades got an iron fist / Step outta line and he’ll have your head / In the blink of an eye, with a flick of the wrist

Hermes: Hang around here and starve instead!

Orpheus: It’s a cattle pen!

Hermes: It’s a feeding trough!

Orpheus: He’ll fatten you up just to cut you down! / I’d rather starve

Hermes: I’d rather stuff my pockets down in Hadestown! / Way down Hadestown...

Hey, Little Songbird

Anaïs says she tried out this line in 2017 to include a more explicit “job offer” in the wake of the MeToo movement:

Hades: Hey, little songbird, gimme a song / I’m a busy man, and I can’t stay long / I’ve got clients to call, I’ve got orders to fill / I’ve got millions of souls on my payroll, but hell / I could fit you as well if you wanted

When the Chips are Down

From Vermont, 2006:

Fates: Cross my palm! Grease my chin / Can’t you see the kind of shape you’re in? / What you gonna do... ?

Wait For Me

From Vermont, 2007:

(These exchanges intercut the chorus)

Hades: Hermes! / Hermes: Hades! / Hades: Back in town! / Please, sit down / Please, relax / You’ve been around the world and back / Haven’t you, Hermes? / Hermes: I have / Hades: How’s the weather? / Hermes: Worse than ever / How’s your wife? / Hades: My wife is fine / Hermes: You’ve been spending a lot of time together / Haven’t you, Hades?

Hades: What have you brought? / Hermes: The latest crop / Hades: The freshest cut? / Hermes: A cut above / Hades: How many of them, a lot? / Hermes: A lot / Hades: A few too many perhaps / What’s this? / Why have you brought me Orpheus? / I know I never ordered that / It seems you’ve gone behind my back / Haven’t you, Hermes?

Hades: What was that? / Hermes: What was what? / Hades: I heard a voice / Hermes: I heard it not / Hades: Someone singing / Hermes: I heard nothing / Hades: Some kind of song / Hermes: You could be wrong / It could have been the wind / Hades: The wind? / Hermes: It could have been the rain / Hades: The rain? / Hermes: It could have been the train... (the train / the train / the train / the train...)

From “an early cutting room floor version”:

Fates: One (one, one) / You forget the sun

Eurydice: I forget the sun

Fates: You forget where you come from / You forget the sun

Eurydice: I forget the sun

Fates: Two (two, two)

Why We Build the Wall

Pre-NYTW:

Hermes: A lot can happen behind closed doors / With the big boss and his fountain pen / A lot of dirty deals go down / When there ain’t nobody watching...

Our Lady of the Underground

The 2006 version of the song was called “A Crack in the Wall” and these were the lyrics:

Persephone: Come and see the stars! / They’re fixin to fall / Slidin’ and a-slipping’ / In their gravity shoes / Old Man Mars / Taking Venus to the ball / Big dipper dippin’ / To the blue-sky blues

Have you forgot? / Which was is up? / I think you’ll find / I have just the thing for you / Put a quarter in the slot / You can fill your loving cup / With a little bit of moonshine / From the pay-per-view

How selfless! / The silent moon / Holding a mirror / For an ungrateful sun / Hey, Orpheus! / Are you leaving so soon? / Every night around here / Is a fateful one 

Maybe you got blindsided / Lost your papers! / Lost your mind! / Maybe you once lost an angel / Just to watch her fall / Look a little closer and / The water turns to wine / Look a little closer: there’s a crack in the wall!

So I raise my cup / To the stars in the sky / If you want a show / Go on, get in line / Step right up brothers / Don’t be shy / What the boss don’t know / The boss won’t mind

Way Down Hadestown (Reprise)

A 2013 version of this song was called “No One Now,” delivered to Orpheus, and these are the lyrics:

Fates: Used to be a blushing bride / That was on the other side / Better to forget her face / Now she’s like the rest of us / One more number in a crowd / Maybe she was someone once / She ain’t no one now

Used to be a loving wife / That was in another life / Carve it on a marble stone / Now she’s like the rest of us / One more body in the ground / Maybe she was someone once / She ain’t no one now

Brother don’t you think we all / Used to have a name to call? / A tale to tell as well as her? / Now she’s like the rest of us...

Maybe when she first arrived / So alive, so naive / All the bright lights in her eyes / All her insides fluttering (alt. Heart aflutter on her sleeve) / Maybe she was someone then / Back when Hades drew her in / Like a moth into his flame / Borne aloft on burning wings / Well she ain’t the first and she ain’t the last / Hades’ fire is hot and fast / Just ask all the other girls / Sweeping up the ashes in the underworld / See even when the flame is new / She doesn’t hold a candle to / The woman Hades truly loves / So maybe she was someone once / But now she’s like the rest of us / All used up, all burned out / Maybe she was someone once / She ain’t no one now

From the Dartmouth workshop:

Hermes (to Orpheus): If you wanna get around down here in the tank / Down here in the clink / Down here in the hole / You got to think the way they think / Which is to say, your mind is blank / Which is to say, don’t think at all / Come / I’ll show you how it’s done 

Welcome to the skeleton crew! / Welcome to the chain gang, kid / Lemme introduce you to / The members of the working dead / Old Jack Hammer! / Mister Miner / Wandering forever in the catacombs / Working on a hole to China / Diggin’ up them dino bones / Way down...

Sweatshop Sally! Missus Miller! / Workin’ in the cellar where the sun don’t shine / Sad eyed little Cinderella / Sweeping up the ashes of the summertime / Used to be one a the boss’s pets / Now she’s just another stiff / One night in the boss’s bed / And a lifetime on the graveyard shift / Way down...

Flowers

Did not exist in Vermont, but there was a brief reprise of “Everything Written”: 

Eurydice: If it’s me- if it’s me you’re looking for / Orpheus, I can’t be with you anymore

Fates: She signed in blood / She signed for good

Eurydice: I signed before I understood / And I’d unsign it if I could / But it’s too late / They say that everything is written / Everything is written in those stars / Even these lives we’re living / Even this love

Fates: Seven sisters...

Papers

Pre-NYTW:

Hades: Let me see your papers, son / Let me see your documents / Or could it be that you have none? / You’re on the wrong side of the fence...

If It’s True

Pre-concept album:

Orpheus: If it’s true what they say / If there’s nothing to be done / If there’s no part left to play / If there’s no song to be sung / If it’s true what they say / If there’s no stone left to turn / If there’s no prayer left to pray / If there’s no bridge left to burn / If it’s true what they say / I’ll be on my way / If it’s true what they say / Then I have lived a lie / They can take the sky away / Take the stars out of my eyes / And my face will be a mask / And my heart will be a stone / And I’ll throw away the past / And I’ll go away alone...

How Long?

Pre-concept album:

Persephone (to Hermes): Brother Hermes, god of speed / Put your feathers on his feet / Hasten his delivery / Keep him hale and whole / Brother, I’m a jaded woman / But there’s something in his singing / And it feels like spring a-comin’ / To the winter of my soul 

Brother Hermes, god of speed / Put your feathers on his feet / Hasten his delivery / Keep him safe and sound / He reminds me of the lover / That I was when I was younger / Back before my heart went under / Undercover / Underground

Chant (Reprise)

Dartmouth Workshop, 2014:

Hades: And in this symphony of mine / Are power chords and power lines / Which I arrange and orchestrate / And every day I dedicate / The magnum opus of my life / To my unkind, ungrateful wife / Persephone, and she shall see / Her name in lights on my marquee / And every night, another show / My symphony will never close! / And she shall have a front row seat / Which she shall never, ever leave! / Young man, you can strum your lyre...

Epic III

Vermont:

Orpheus: The strong will take what they want to take / And the weak can only tell the tale / And the heart of the king loves everything / Like the hammer loves the nail

The heart of the king is iron and steel / The heart of the king is the color of rust / The heart of the king is soldered and sealed / The heart of the king is a tinderbox / That he has to keep under lock and key / That it not catch fire inside his chest / Cos a lover’s desire is a mutiny / A lover’s desire is a wilderness 

But even that hardest of hearts unhardened...

(I just have to say I fucking love this imagery of a fire oh my god)

Lover’s Desire

Anaïs once set the original Lover’s Desire melody to lyrics around the area of Wedding Song:

Orpheus: Lover, can you hear me? / I’m asking for your hand / Your hand for better or for worse / Forever / Whether you’re sick or well / For rich or poorer, to have and to hold for as / Long as we both shall live

Eurydice: Lover, can you hear me? / I’m asking for a hand / A hand that’s steady and strong / To lean on / To catch me if I fall / That’s the hand that I’ll have and I’ll hold for as / Long as we both shall live

Word to the Wise

Early workshops:

Fates: Hey / Hey / Hey / It’s judgement day! / Are you gonna let ‘em just walk away? / What you gonna do... ?

Wait For Me (Reprise)

Vermont:

Hades: Hermes!

Hermes: Hades!

Hades: Time to go / Time to bring this to a close / Time to lay this thing to rest 

Hermes: Orpheus?

Hades: Orpheus / It’s all agreed / We’ve struck a deal / He’s free

Hermes: He’s free?

Hades: He’s free to walk

Hermes: And she?

Hades: To follow at his heel / And she, to follow at his back

Eurydice: Wait for me, I’m coming...

Hades: And she shall follow at his back / And she shall follow in his wake

Hermes: And what’s the catch?

Hades: The catch is this: / He shall not turn to see her face / And if he turns, the game is up / The deal is off, his race is run / And that’s the end of Orpheus / You’ll see it done?

Eurydice: Wait for me, I’m coming...

Written at an unspecified time but never used:

Hermes: A poor boy and a hungry young girl / Walking single file / While the music played / Brother, they looked for all the world / Like they was walking down the aisle / On their wedding day

We Raise Our Cups

The show once ended with an alternate song called “Cloud Machine” in Vermont, the lyrics of which Anaïs says she is embarrassed by:

Orpheus: What have I done? Mother, what have I done? / Squandered the gift that you gave me / Gambled with Hades and Hades won / And there’s no song now that can save me 

Mother, I failed! Oh Mother, I tried / And I fell like a fool would fall / And I left my love / On the other side / On the other side of the wall

(Alt. There’s a crack in the wall / It’s a little bit wider / It’s a little bit wider, that’s all)

Persephone: Come, my son, don’t take it so hard / Everything is forgiven / You have done naught / But to play out the part / That the Fates in their wisdom have written

Orpheus: Raise up the curtain! The crowd goes wild! / The Fates are drunken clowns / All of us dreamers are walking the wire / While they juggle our dream around 

Apollo, come down in your cloud machine / Apollo, come swallowing fire / With your thunder and lightning and kerosene / For the Fates and their funeral pyre

Persephone: Come, my son, we try and we fail / Every tail has an end

But the pale dawn breaks / And the snake eats it’s tail / And the tale begins again...