DP x DC: The Most Dangerous Card Game
Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter.
Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.
The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge.
And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).
And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game.
Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.
(The most intense card game of the Justice league’s life).
After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely).
Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.
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“ - but have you ever considered, I don’t know, not sucking all the time? Just a thought.”
It takes the combined grips of Nuisance and Hound to keep the wriggling, snarling body beneath Fox from throwing him off its back. With three years’ practice of having to fix his own rickety desk chair over and over again, the movement merely ruffles the proverbial fringe on his helmet.
“And I don’t mean that as an insult, necessarily. Well, I do a little bit. But also I have some amount of empathy for the no doubt immense amounts of trauma that had to go into the creation of something so dysfunctional as you, on a very personal level, so have you considered going to the root of that in a way that’s like… useful? Instead of wasting it all on kriffing Kenobi, I mean. Look at the guy. All he does all day is drink tea and commit warcrimes. I bet he knits for fun. Bit of an embarrassing nemesis, don’t you think?”
“I”, says Kenobi, then pauses. The space between his eyebrows is creased with uncertainty, and he looks deeply torn between continuing rocking the shaking Duchess of Mandalore against his chest from his corner of the throne room and re-activating his lightsaber to continue losing his fight against the Darksider Fox is currently sitting on. “I feel like I should object to some part of that, but I’m not entirely clear on what. Or how this happened, again. Isn’t Mandalore a few star systems from your purview, Commander?”
“Probably the warcrimes”, mutters Nuisance underneath his strained breath.
“About as far from my supposed assignment as yours, General”, says Fox a little louder.
Kenobi twitches. Fox cannot claim to know which of them does it. Both, maybe. Probably.
“I will - taste - your - flesh!”, heaves out Darth Maul, snarling and hissing.
“Oooh, kinky!”, calls Grids, from the corner where she’s got her stun-setting aimed at the other Zabrak, currently passed out cold. Fox sighs deeply. He knew he shouldn’t have taken those three - any combination of Grids, Hound and Nuisance in a room together usually spelled chaos.
Unfortunately, it also spelled competence. The Basic alphabet can be funny that way.
The point being: as of some months into the war, one of Fox’s assigned tasks is the surveillance of all GAR-wide communication. All command-class staff theoretically got that memo, but no one seems to have read the fine print where that includes both professional and personal communication, as well as any and all comm devices registered or suspected to be registered to that person. Especially not one Anakin Skywalker and Padmé Amidala.
The point further being, if that sounds both immensely impractical and sort of terrifying in a democratic supposedly non-surveillance state, you’d be bang on the credits, and to Fox’ eternal chagrin the singular person in this whole useless army who’s spent the second of thinking necessary for that conclusion.
The final point being, when one frantic General’s mad dash across the Galaxy to rescue his teenage sweetheart from the spectre of his supposedly dead nemesis crosses his desk on its way to the Chancellor’s inbox, it doesn’t take much time for him to block any and all trace of it across the digital space of the GAR commboard and take matters into his own hands.
“ - which is why I told Thorn to suck it up and be in charge for a few days, and also why you’re still alive, your Highness, very welcome, was no trouble at all”, he concludes, drily. The Duchess stares the wide-eyed look of someone attempting to reconcile clones with ‘sentience’ or perhaps ‘personality’ in her head, but won’t say it outright.
Or the look of someone who’s just been violently overthrown and nearly murdered, perhaps, Fox allows.
“Um -“, Kenobi hedges, blinking rapidly.
“And the reason you’re still alive, probably. You’re welcome for that too, by the way”, Grids calls from the back of the throne room, cheekily.
“Alright”, says Kenobi, loudly. There’s color back in his deathly-pale cheeks, Fox notes, even if that color is a lot of red. It doesn’t fade very gracefully into his beard. “Opinions on whether or not I had everything under control notwithstanding -“
“You really didn’t”, Hound supplies helpfully.
“ - opinions notwithstanding, I am admittedly still lost on why you’re now sitting on Darth Maul and attempting to, to - jeer at him, Marshall Commander!”
“We’re not jeering, we’re trying to create a safe space and lay the groundwork for more open communication”, Fox says, primly.
Maul screams into the ground, attempting for the umpteenth time to rear up and visit great violence upon Fox, which admittedly has him rattling in his crosslegged seat atop his back.
Kenobi raises a perfectly plucked eyebrow. “Safe space?”
“He’s restrained and not stabbing anyone, I personally feel much safer than before”, Grids muses. “Watch the teeth though, Hound. Little biter.”
Indeed. Fox’s right greave will have to be replaced posthaste.
“And anyways, the point isn’t to jeer at him, it’s to make clear that he’s focusing his energy in the wrong places and could be doing much better things with his admittedly not-great life”, Fox adds, shifting to cast a pointed look down at Maul. The Sith is panting open-mouthed into the durasteel floor, sharp teeth gnashing wildly as his piercing yellow eyes shine with barely restrained rage. “I’m just saying - aim higher. You aren’t seeing the forest for the Kenobis, Maul. Can I call you Maul?”
“I will feed you your own entrails”, yowls Maul.
“See, that’s exactly what I’m talking about. Right now, I’m an easy target to focus all that built-up rage on, but is killing me really going to help you achieve any of your goals? No! Think about it - when it all comes down to it, who sent you on that mission to Naboo in the first place? Who made sure the Jedi and, by extension, Kenobi would be there to kill you? Who used you as a dejarik piece and then cast you aside the second you outlived your usefulness?”
Beneath him, Maul slowly stills in his struggle, still panting heavily. Hound and Nuisance don’t let it deter them in their vigilance, because they’re damn good vod’e and possess an ounce of common sense.
“And, look, I get it. I could spend the rest of my life punching every civilian who spits on me in the streets and it would even be satisfying. I could hit back the Senators who think of clones as easy targets. Or - I can aim my sights at who’s on top. And I think you know who I mean, because you know as well as I do the same damn man has ruined both our lives.”
Kenobi makes an alarmed noise, and Maul an interested one - not that Fox is going to let him walk out of this place awake. Still, he tilts his head in a way he hopes conveys his helmeted grin successfully to non-vod, as well as the bloodlust behind it. “You’re also welcome for the fact that the Chancellor won’t have heard of your spontaneous resurrection yet, by the way. You’ll retain your element of surprise instead of gambling it away on petty revenge on Kenobi.”
“He cut me in half!”
“He killed my master!”
Fox waves their protests away.
“Also, that’s treason!”, Kenobi adds, sputtering. Fox grins. Kenobi purses his lips, and continues. petulantly, “…do you have any proof?”
“So. Much. Proof”, says Nuisance, dreamily. “Like, do you want it alphabetically or by date?”
Which is when the Duchess, of all people, bursts out into barking, crazed laughter.
“You - you’ve certainly given yourself an edge in that fight, Marshall Commander”, she wheezes, brushing tears from her eyes. Fox raises his eyebrows at her, which she somehow seems to be able to tell, because she gestures at the clunky handle dangling from his belt.
“What, this old thing?” He unclasps the black rectangle from its hook, holding it up in the air. Maul stills strangely beneath him, and Kenobi goes ghostly pale again. Fox is starting to get a bad feeling.
“I took it off Viszla and beat him over the head with it. I figured he’d taken it off a Jedi cadet or something. What? Why are you looking at me like that?”
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
and frame and control the focus:
honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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My go at a human Bill design!
(design thoughts and human bill facts below)
I NEEDED to make a human bill for the sole reason of drawing him mad, cause I knew I needed my bill to look stupid when angry. He just looks embarrassed, unintimidating, and DUMB with his full face blush. (Without his powers he doesn't glow at all, so all that's left is the red face. He looks extra stupid then.)
My Bill doesn't wear gloves- YET. In his normal form, he has black gradient arms. When he loses his powers, his arms and hands switch to his normal skin tone, and that's when he starts wearing long black gloves.
I gave him freaky little teeth. Cause it felt right.
I felt weird leaving his face completely bare, so I gave him sideburns. Idk he just needs SOMETHING there.
His hair was actually the thing I struggled the most with. I wasn't too sure what to do with it, and I didn't want to copy what anyone else was doing for their Bills.
Off the bat, I knew I wanted the color to be on the underside, like the peekaboo hair dye style. A bob was the best way to show it off the way I wanted to.
His hair parts to show one eye, and the parting is actually shaped like a triangle! I feel like it makes it more reminiscent of his og look. If you focus on only that triangle shape parted in his hair and his single eye, it kinda looks like normal Bill
Part of my struggles was making him really seem like bill, and I think obscuring most of his face helps! His hair is parted really far off to the side, so you can't really see his mouth all that well when he's not talking.
Last fact (for now)
He can toss his hair to part it on the other side of his face. Like if he's talking to someone, he doesn't have to turn his whole head if they're on his eye's opposite side. He does only have the single eye, but it can switch from socket to socket easily.
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