#i cant believe he doomed his own narrative or whatever

[utopiansuspence]

q!maxo is canonically dead from the blast.. oh my god

his baby died. his partner died and maxo didn't know for months. he had ordo theoritas which spiraled out of control. he kept drifting and had gordinho gostosinho to fill the space and have purpose. he got his heart broken after pining for a while, even trying to feel around for something with both forever and bbh. afterwards he impulsively threw himself into a relationship with pierre that he wasn't all there for. but then he got sick and the world kept turning and his fragile romance with pierre wasn't enough to keep him grounded and around. everything kept rotting and festering until the only thing maxo could focus on was destroying the federation and island whole. most, if not all, of his time on quesadilla island was about terror and grief and looking over your shoulder for the bear. in the end the only thing that mattered to him was his son coming back for dia de los muertos — a final goodbye and apology and a way to shove months of emotion into a couple hours of quality time.

maximus died resigned and bitter and hateful. unable to recognize any of his friends and fellow residents after everything that purgatory did to them. why keep fighting against the federation if they weren't a unified front? the only answer left was to take everything down.

[rainecloud020604]

@doomed-bythe-narrative some silver propaganda and a proper essay about my favorite guy ever

first of all, I am the one and only submitter of silver and you should just vote for him <33 just for getting in

Second! everything that is going to be below this cut. a brief summary of what this contains; the plot of sonic 06 (i know i know) Silver is so doomed you have to believe me he was manipulated so hard using his ultimate goal against him and his big heart and the only time he is in the plot is because his world in the future is in danger and heavy turmoil and whatever friends hes made in Sonics time he cant even see at will unless something bad is happening and it needs to be fixed!!! No I wont be talking about the comics because i havent read them n i think this game is enough to explain how doomed he is

we are absolutely talking about Sonic 06 because as much as it is the worst game ever it is silvers first appearance! Silver's first scene he mentions finally finding the iblis trigger, which Sonic is ,supposedly, who he is after to kill and destroy iblis in his timeline 200 years in the future, Sonic is obviously not the iblis trigger but Silver is being manipulated into believing such by Meplilis. When Mephilis first met Silver and Blaze he talls them to stop The Burning Flames he must kill The iblis trigger; Sonic. Which then he takes both Blaze and Silver to present time and separates them from one another and Silver is on his own to hunt down Sonic, but when he spots sonic Amy hugs him and mistakes him for Sonic! and they quickly become friends and Amy promises to help Silver find who he is looking for, though when it is revealed to be Sonic she gets upset that hed think Sonic would destroy the future and leaves Silver :(

Later he reunites with Blaze as he asks her if this is right if he should be doing this to save their future and being met with this;

CAN YOU IMAGINE YOUR BEST FRIEND TELLING YOU THAT???? "I'm not really sure if this is okay but we have to try and kill this guy" GUYS YOU ARE 14 PLEASE STOP TAKING THIS MUCH RESPONSIBILITY,,

So obviously Silver is still convinced this is all fine and he is doing the right thing and is still convinced he needs to kill sonic to save the future! He then is told by Mephilis that he needs to head to this location because sonic is there, which he proceeds to almost kill Sonic before he is saved by Shadow. Silver mistakes Shadow for Mephilis and Shadow corrects him before they fight themselves which Shadow just stops time to get the underhand on Silver and then they use chaos control to go 10 years into the past to witness how Mephilis and Iblis was released and get some answers.

As Shadow seals the original Mephilis, Silver finds out how to defeat Iblis!! They have to seal it inside someones soul and make the person a vessel. And also he realizes hes being tricked and manipulated in this whole thing and tada !!! he's a pawn right now. When they get back to the present Silver tells Blaze about what he now knows and about his change of heart, before they set off to try and save Elise. which in short well they see eggmans ship explode and her die so they have to go back into the past to save her and then Sonic gives Silver the chaos emerald to go in the future and save his time. Which he and Blaze both do, though silver is unable to use himself as a vessel as he finds out trying to do so..Which results in Blaze being the ultimate sacrifice sealing herself and Iblis to save silver and their world, this OBVIOUSLY upsets Silver he just lost his best friend someone close to him and light returns to his world as he is stuck there wondering if it was worth it and why it couldnt have been him!!!

This isnt over yet though, nono of course not, Silver is brought back to present time by this warp from Mephilis combining with Iblis to become Solaris, also sonic is dead in Elise's arms and as they are trying to figure out how to stop the world from ending the idea Silver had to defeat Solaris is shot down by Shadow because well our main hero Sonic is dead. Though he is revived with the chaos emeralds and.... kissed by elise and turns into his super sonic form. Super Sonic uses his ability to have Shadow and Silver enter their super states as well which they then use to fight and defeat Solaris by destroying its consciousness, streams of light burst from it and suddenly the world is back to normal and all that is left of it is a tiny flame; the flame of hope which in order to kill it she has to extinguish the flame but also this means Solaris would never exist. Though she has to in order for the world to be saved.

SO TAKE ALLLL OF THAT AND THROW IT IN THE TRASH CAUSE THE GAME ENDS WITH THE PLOT DIDNT HAPPEN BECAUSE SOLARIS WAS DEFEATED. NO ONE REMEMBERS THIS, THE BONDING AND DYNAMICS?? GONE. HOW FUCKED UP IS THAT???? Imagine the game you are introduced and you have all of this cool stuff and oh no you lost your best friend but now you dont remeber your NEW FRIENDS OR LOSING YOUR BEST FRIEND BECAUSE YOU DONT GET TO MEET HER??? Silver loses a lot through this, he doesnt even get the little sympathy of remembering Blaze, their dynamic is destroyed along with the other bonds he had formed and he was dragged into this because his world was in shambles and he wanted people to be happy and now a good part of his memories are gone!!!!!

He only gets to appear when his world is in trouble and he has work to do he only has to fix things and he is almost by himself in this because well he and blaze are the only ones coming back in time to fix whatever is wrong to make the future okay and it just repeats over and over and over there is no end!!! He is doomed to have no happy ending otherwise he wouldnt be there!!!! They wouldn't have him show up because well he cant time travel at will and he cant just drop on by whenever he feels like it because the universe and the narrative said no!!! your world has to be FUCKED!!!! or else you can just get comfy there and chill out because you arent going anywhere <3

Please vote for my boy <33 He deserves so much and Sega gives him so little other than a middle finger </3

[serotoninny]

Hey- hi. My sister and I grew up playing Super Paper Mario constantly. I would absolutely love to hear any and all thoughts you would like to share pls and thank you!!

HELLO! HELLO HI!

wanted to start off by saying Holy Shit!! spm was a video game me and my sister also played growing up!! we never beat it back then but recently she came home and got me hooked on it again and we played it all the way thru. we also did fun little voices for each character I got to be dimentio so that was very fun ^__^ i think Objectively its not a very hard game (which is why we were able to beat it LMAO) but what it lacks there it makes up for in STORY and super strong characters and i adore it so

IF ANYONE!! ANYONE wants to respond to anything ive said in this word soup of a post PLEASE DO!!! in the tags in the comments i just like seeing ppl talk abt whatever the hell about spm. Head canons Theories You name it

this is . a little scattered around. u do not have to read all of this but thank you for giving me an excuse to talk abt spm VVV

first of all themes of love being the answer make me wanna bawl my eyes out and i gotta be real i did tear up at the end of the game when blumiere and timpani have bounding through time ost playing and then walk out of frame. CHEFS KISS. lovely. i like how each chapter the gang goes thru has its own unique little set of townspeople and even thru little bits of dialogue u are left wanting to defeat the chaos heart even more because you dont want any of them to die YK? HEAVENS TO BETSY! THE DIALOGUE OPTIONS FOR RIGHT BEFORE CHAPTER 8 FOR ALL THE PEOPLE IN FLIP/FLOPSIDE?? SHIT HURTED. npc reactions to all the shit going on were so good

one thing i WISH happened tho was. mario and luigi Sibling Love (i mean this platonically i want to specify Just in case there are any weirdos out there) Helps Save The World. i get the whole count bleck mansion part where everyone started sacrificing themselves to save the others which means they care for one another n whatnot which is good great and fantastic However i think it wouldve been COOL to see the whole gang esp the two opposing forces of Mario (prophesized hero color red) and luigi (prophesized Man In Green to contain the chaos heart and destroy the world) contribute to the reformation of the pure heart like some sorta balance between light n dark . BUT ITS FINE i love the game anyway because its probably the longest bowser luigi mario and peach have ever been on the same team

and completely unrelated, the entire premise of luigi being the harbinger of a great world ender is ALWAYS a joy. a fun little recurring gag if you will. like i cant believe this is not the only time he was the vessel for a great evil like what is up with that. every day i think abt that one luigi post abt how he's Doomed By The Narrative TM to be the Evil Twin Brother but he just chooses not to be. never not thinking abt that ever. hes so haunted by like literally everything got separated and brainwashed fought his brother aided in the destruction of the sammer guy world Died went to hell KOed spm satan got revived became GOD then saved the world. and he is some middle aged man in striped socks

MR L. GOD. that fucking guy. hes so lame. i like him so much. his theme goes SO hard in the silliest way imaginable. and i also like how even when he is brainwashed its kinda obvious he still wants mario around (see: brobot, the replacement brother). they fr tapped into luigis need to be useful and used that as is motivation to work for the count. yeowch. mr l to me is just luigi but Lots of parts of him just locked up and forgotten (plus a little minor bit of oh i dont know straight up brain manipulation, nastasia is a force 2 be reckoned with fr) Duno if im making sense here . anyway mr l is so so so hilarious to me because his one liners are so so dumb and i think the gag abt no one recognizing him is FUNNY (EVEN IF i think at least mario SHOULDVE recognized him but WHATEVS).

all of count blecks minions are . SUCH a fun little group. and while dimentio didnt give a fuck about them i still love his dynamic as the court jester whos a little bit of a bitch. the origins of them joining the group are very interesting because ochunks mimi and nastasia had been at their lowest when bleck recruited them and dimentio was like. let me in your emo band. ochunk's warrior code is something i think about a lot. he doesnt got a lot behind the eyes but hes got values he sticks to and i like that a lot in a character. him and mimi do spa days

bleck as a character makes me wanna chew through my walls. in a good way. guys who are slipping and dont want to get back up and bringing everything else down with them are fun and that is all. bonus! he still gets to be Somewhere quiet after the story's over

dimentio has to be my fave of the goons (not counting mr l). not surprising because hes just. so. ...... He is the Way That He Is. his little similes are so stupidly funny for no reason and i think being a Silly Guy and also a Guy With Ulterior Motives are the two funest traits a character can have. His ambiguous past is so interesting like yes bitch hide behind the mask keep cards up your sleeve dont let them know your next move!! something interesting i read somewhere was that. even after luigi the chaos heart and dimentio were separated that there were bits still mixed up between them, linking them not only prophetically but on the atomic level is a headcanon im tucking close into my heart . terrifying as it is super fucking rad !! luigi cannot escape the harbinger of doom allegations

dimentio and luigis entire dynamic is the best thing ever. because dimentio is a goddamn weirdo and luigi is. and i cannot stress this enough. JUST a fucking GUY. luigi is like "ill stop you you ne'er do well!" and dimentio responds with "im killing us both<3ciao!" why does every luigi villain wanna be no children mountain goats with SO BAD. they should keep doing it

god. the way mario is the mc and barely has a role in most of the story other than being The Hero of the Light Prognosticus is both a little annoying and also kinda sick /pos. annoying because mario is one of my faves and i want him to participate in the story more (not really a diss on the writing i just like him) but also kinda sick because . the way everyone in the game talks abt the hero from the prophecy is so. soooooooooooo. god. like everyone in favor of all worlds Not Ending preparing THOUSANDS of CENTURIES in advance just for mario to arrive. Pixls were locked in boxes and hidden away WAITING for him and its like. if he could talk back. i wanna know how he thinks abt all this. because throught the entire story You as the player kinda fuck things up for people in pursuit of the pure hearts. and mario cant rly SAY anything abt it cus its not Really his story, but MAN. what i would give for a little development on his end of the lineup during a few points like 'wilting' king croacus, figuring out squirps is now orphaned because he had to stay alive long enough to help the heros, Luvbis Entire Deal, and figuring out mr l was luigi all along. SIGH

i dont know much about the pixl war, but all of that lore is so cool to look into. ive got like surface level knowledge. even then i only rly care abt the history when im thinking abt the personalities of the pixls themselves. cus like they get their little moment in the spotlight and then they Never speak Again. dottie and cudge and fleep are some of the more memorable ones for me and i wish it was possible to hear more of them. but alas

squirps. :( in my heart. in my heart and soul. bowser takes squirps under his wing. forms an alliance with his kingdom (assuming. squirps takes over from where his mom left off). peach would of course also form an alliance with him. IDK. squirps is the Only One out of every major side character in the game who didnt really get a happy ending. while not everyone NEEDS one i think he deserves one. and in my perfect world he is being guided by two more experienced rulers (bowser isnt doing much in terms of teaching him good diplomacy but he sure as hell is getting him to hang out with kids his age like Jr).

bowser was so funny this whole game. love when evil guys get domesticated a little. thats all about him

PEACH. PRINCESS PEACH. god i love her. the way she was the only person to resist nastasias brainswashing AND her fucking umbrella is the most cracked defense in the World. blowing a kiss to the wind. for peach

ok so i cant think of anything else to say and i havent proofread this. if YOU, dear viewer, love super paper mario i need you to never shut the fuck up ever. there are like 12 of us

[fiovske]

would u mind elaborating on the ideology of the game? i’d love to hear ur thoughts. are h referring to the themes of like th ejemplo arizona if playing god and do the ends justify the means type of stuff from the first game carrying through to the second, or other stuff?

yes of course!

what i meant is, i think at the core of this game, it's about climate change and the devastating harm that billionaires with their big companies and capitalism & unchecked ego can cause to the planet; and suffer absolutely no consequences for their actions while they hide and live out the rest of their lives while the normal people of earth die in the promise of the lie that they are responsible for climate change for not picking a paper straw, yknow? we see this in the lie that is Operation Enduring Victory in zero dawn.

This theme carries over in Forbidden West too, that the people of the Old World as they call it, the powerful people from the 21st century, find out a way to escape earth and fake the death of the ship Odyssey where rich ppl buy their ticket to escape the Faro Plague while life on earth perishes for the actions of the rich and careless who never gave a shit about the earth as a planet and only about their own gain. they even faked the Odyssey having a explosion so that nobody ever comes looking for them, or tries to place a claim on their share of whatever they'll find in the Sirius system.

We also learn that these people have perfected pharmaceuticals to the degree that aging is a thing of the past, the people who return to earth and are the main antagonists of hfw are the far zeniths, not the descendants but the very same people who had a hand in destroying the earth a thousand years ago and now that earth has managed to scramble a bit of life together and recover... they've come again to stake their claim. we learn something terrible happened in Sirius system and that's why they have come back but we also learn it's so they can steal GAIA the terraforming AI that is attempting to make the earth livable again for their own personal gain and cleanse the planet of all living habitat so they can start again fresh slate. only them. no matter all the tribes and animals that have managed to survive and persevere, but they intend to doom the entire planet to this. again. and run off with their only hope.

the theme of this game has been very ecologically aware, i have found? and also very anti-capitalistic. in forbidden west what we learnt about ted faro before only worsens and we realize that man, who deleted Apollo, all of human knowledge because he wanted to hide how he had caused the faro plague then killed all the zero dawn ppl still in the bunker of gaia prime. he is never forgiven by the narrative and his atrocities never shown as any less than what they were.

tldr: i agree with the ideology of the game which is capitalism is the root of all evil and when the time comes, rich ppl who actually caused the harm to the planet and played a hand in it's destruction like musk and co, will always attempt to escape to space but just like the zeniths did w sirius, they will ruin whatever new playground they find and repeat the same mistakes and continue to leave dead planets in their wake bc the problem isnt the planets. it's their greed that even the promise of immortality couldnt satisfy which caused them to create what i assume is the nemesis for the third installation of the zero dawn franchise. the heart of the game lies in realizing that aloy cant do everything on her own, that she cant heal the planet all by herself. and she has to let herself lean on the people who love her. and realize that this is a group effort, it has to be the community coming together not to escape to space when their home is threatened... but to preserve the home they have, the earth they love. that's the heart of the game and in that, i believe the heart is in the right place.

[aprito]

hello <3 since i got these asks at the same time i decided to combine my thoughts on them in this post. yet another annoying sjw essay from yours truly on this blog 

before i get into these i think i need to preface why im like. i guess overly hyperfocused on a certain unproblematic base (same age au / platonic canon) for them and avoid the ped0philic content like the plague lol

tw for pedophilia ment, rape ment if that makes you squicky. ALSO THIS IS LONG AND RAMBLY

as i’ve mentioned a couple times already, ive been into the ship since i was 12, back when it was very very common to not only post untagged (nsfw) canonverse content of the two in writing and in drawing but also non con and the like, so you can imagine how bad my first impression online was. thinking back on it ...as a child i found it disturbing but didnt really register how problematic it really was?? (i know, but i also lived in the middle of nowhere and had no one explain this to me) 

skip to 2014 aka me coming back to naruto at 17ish and i had kinda become hyper aware of the fact that there was an increasing amount of people online who had come forward with explaining how fictional problematic content, mostly pedophilia, had been used to groom them into starting relationships with adullts. it was also a time where a lot of people didnt believe these victims, not registering how common it was for minors to be online friends with adults who had no boundaries and no qualms exposing them such content. not gonna get into my personal life here but i was lucky to not having gone through this myself. like... it kinda was my first time truly realising how fiction can EASILY be used to manipulate others irl (and yes i will not argue this, if you dont think fictional media can form and manipulate people’s opinions on attitudes, countries, cultures and virtues, pick up a book about the effects of propaganda media at least once please) 

i, being young, still liking the dynamic but not really the romance, would point this out here and there in the fandom and get into fights with grown adults in their mid 20s who assumed i automatically hated the ship(s) and tried to restrict their freedom of speech or whatever, heard everything from the “age of consent doesnt exist in naruto” to the “sasori looks like a child what does it matter” despite people clearly playing on him being older and experienced. it made me so upset that people were just consuming all this content uncritically and exposing children to it tbh?? not really just sos but a lot of minor/adult ships in naruto in general. and thats where i sat down and thought, i do not want to be a grown adult talking down to children that point out how unsafe the fandom is. theyre absolutely right in drawing these boundaries and calling out adults who defend the uncritical consumption and creation of this content. i do not want to consume or create content that predators could use to groom minors, and i absolutely do want to let younger people in fandom know that i am respecting their comfort zones and want them to have a safe and fun experience. after all, naruto is not an adult show and i think a lot of people forget that!!!! i am not perfect in that regard but its something that i, at the age of 23, am very passionate about and strive towards to.

and i guess thats where same age au was born for me and i have been sticking to it ever since. 

so finally we can move to the first question 

aside from the fact that we both dont like canon sos, i dont think it would work out even if i wasnt prejudiced to it anyways. in all honesty, 35 year old canon sasori is not a redeemable character to me, given the fact that he’s easily amongst the cruelest villains in naruto (torturing and killing and taxiderming people for his own fun personal gain, never for a goal that served anyone but himself. how do you redeem having over 300 corpses in your backpack that you felt absolutely no remorse for killing). sasori was legit one of the only cruel villains that didnt had someone else pull the strings, which sends a clear message on kishi’s part, who absolutely loves to redeem villains LOL.

being that old, he obviously had already been very manifested in what he believed in, even if it was shakey, to the point where the first crack in that world view (sakura and chiyo protecting each other) immediately had him give up on his life all together. that, in my opinion, is not a man who’s going to know what healthy relationships would look like, regardless of it being romantic or not. 35 year old sasori to me has the same appeal as an expired can of tuna and he’s probably very happy 6 feet under. he’s supposed to be a failed gaara in that sense that he had no one to look out for him and therefore was never going to experience anything but a bad ending in life. its fine that hes dead honestly, it wraps up his short character development the best IMO.

adding to that, seriously, sakura was obviously interested in knowing why he was that way, and called him out for being seriously fucked in the head, but it’s weird to me that people assume she had any interest in actively rehabilitating him, let alone starting a serious romantic relationship with him. sakura who’s not only very, uhm, immature and straight forward when it comes to her romantic viewpoints also, as a big bootlicker, wouldnt soil her standing in the village by starting anything with a disgraced and far too gone criminal like sasori. shipping that version of sasori with sakura intimately is still going to set her up for a huge power imbalance that would be difficult to handle imo, even if she was the one in the fight ultimately exerting her power over him. i would still look at it and think damn she deserves better than having to play therapist for man like that lol.

additionally, even if you ignored all of this, you cant really ignore that sasori had already known her as a child, and that had been his first and most impactful impression of her. i dont think that sasori would look at 35 year old sakura and see her as a grown woman and not the little green girl she was in the fight. plus, you easily fall into predatory comparison territory between the “childish” and “womanly” and i have seen way too often in fic just being boiled down to her now being fuckable. a lot of of ships do this and i would just like to remind yall thats it not normal for adults to want to start relationships with children they have seen grown up or known as a child when they themselves were fully grown adults. therefore, maybe if sakura hadnt met sasori before it would be less of a problem? but that also obviously defeats the point of the dynamic and the reason he died in the first place. so yeah, it sounds kind of doomed especially if you were to make it romantic. 

WHICH BRINGS ME TO THE SECOND QUESTION

let me preface this that im not fundamentally against age gaps, even if im not super interested in it. after all, colorblind had a 5 yr age gap (with sakura being 21), even if, say, i wrote similar fics today i probably would make it smaller lol. i think it can be handled well if both parties have enough life experience to deal with it, and the author is cautious of where the age gap starts, i think a 10+ year age gap would be fine in a scenario where the younger party (i guess sakura) was at least 25-27ish, meaning she has completed most of her most formative life stages and probably had been in relationships before, meaning she would be able to handle it without having to fear a huge power imbalance. the older the younger party is the less the age gap is going to matter tbh .TsukiHoshino and AngelOfDeath10 both handle age gaps in their fics really well imo, so i do not mind reading about them.

unfortunately, a lot of people in this fandom think making sakura barely "”””legal””””” (18, not even 20 which is hilarious to me because the source material is obviously japanese) because they both cannot stand her being past her “prime years” of being young fertile and fuckable to much older men as well as thinking a 20 year old is automatically old enough to handle that type of relationship. ive seen a lot of unironic takes that believe it will absolve them of callout posts if they throw around age of consent and “shes 18 now suckers!!!” enough lmfao. absolutely hilarious. aging a minor up without aging the adult down seriously reeks of predatory “cant wait until youre 18″ narratives and thats why i find it similarly disturbing as straight up pedo shipping.

ultimately, sasosaku is and will always be a inherently problematic ship in canon, which is why i think it should always be handled a little more responsibly in fandom spaces, ignoring or outright excusing the main problem factor, which is sasori, isnt going to convince anyone that the dynamic in itself is well written and interesting enough to explore in aus, like giving sasori the redemption most of us wanted him to have by aging him down to a point in time where he was still realistically going to allow being positively influenced, similar to gaara. 

so really, what i think is well handled age gap and how most people handle age gap in the naruto fandom are two different worlds at times lol 

tl;dr

canon shippers have never been anything but gross when i was younger and i didnt wanna be like that, even if youre “smart”enough to differenate, actual creeps dont really care and might use your content to blur the lines, sasori isnt rly redeemable so romantic canonverse realistically wouldnt make much sense and is still iffy, age gaps are fine if they are handled well, but given that the dynamic doesnt really need the age gap to still work im not that invested on making that an essential part of my shipping experience.  

thank you for reading and hope this makes sense!

[gayregis]

blood and wine rewrite au basic layout

i already posted something like this before but i cant find the post so im just rewriting all of this from the top of my head

everyone’s repurposed roles:

geralt - he’s still a witcher. he’s geralt of rivia. obviously. i don’t have time or interest to think about how to rewrite the entire witcher 3 game to be lore-friendly, but i assume there would be less triss and more dandelion involved in it. for this let’s just take him as geralt having done everything in tw3 but with the personality of geralt from the books because geralt from the games doesn’t have much of a strong personality good for writing or thinking about.

regis - a bitch. nah jk. he’s same regis but just what he was like 100 years ago when he got his head cut off. he’s less spiralling-into-doom than he was then, and is less desperate and hopeless overall, but is slowly getting there once again. he doesn’t remember anything about learning from his mistakes and becoming a good person, because this regis didn’t get any of that. to this regis, it’s like no time has passed at all since he died, and he’s ready to start partying again without any thought of the consequences. he’s moved to toussaint because everyone’s already tipsy there and the north is plagued by war so it’s not a really great source to be drinking from (like if there was a sewage leak near the vineyard you sourced your wine from). he doesn’t remember anything about maturing up or about becoming a surgeon or about the hansa, so that sucks.

dettlaff - not a fucking maniac. actually a character geralt will likely spend a good amount of time talking to. total character overhaul because he does not have a personality in the actual DLC. he arrived in toussaint because he had heard that regis had returned and wanted to fix things wih him, he had previously left him.

syanna - not a fucking dumbass, yet still naive in her own way due to being blinded with the promise of power. in this, she is planning to stage a coup on the duchy (because she is the older sister, so it IS her right by law) and she supports regis’ slow dive again into uncontrollable insanity because it helps her prop up rumors that her sister’s reign is ineffective against real threats and is cursed. but this alliance does not go as she planned...

orianna -  in this, she is the owner of a gladiatorial school (instead of an orphanage), and is still like in canon a wealthy and influential individual of beauclair, yet reclusive from human society. she is regis’ best friend and goads him on, because she never fixed her own issues with alcoholism and now is elated to have him back and forgetting that they had disagreements which drove them apart in the first place. they’re best friends (NO romance) and it’s just good to see how insanely different orianna and geralt are because they’ve both been regis’ close friends at different points in time.

the purpose of this:

fix regis’ relationships with the vampires. he slowly drove all of his good friends away by going off the deep end and many are likely wondering whatever happened to him. but books regis would never consider partying like that again, so we bring the party regis back and then slowly de-escalate him into normal books regis again, and we finally get closure with him and his old friends.

cool dramatic stereotypical vampire shit. i’m talking about a final battle or conversation in a giant dark castle with large open windows and billowing drapery.

regis’s hairstyle

give syanna actual agency as a character and give her motivations that extend beyond pure revenge (although they are related to revenge) and make her more unique so she is not just a ripoff of renfri. 

demonstrate anna henrietta and geralt’s relationship as it was in the books. he was genuinely intimidated by her and i interpret him as being jealous of her relationship with dandelion, so he in practice was quite withdrawn around her as she was her overemotional and embellished self

give dettlaff an actual character, holy shit. i hate how sorely underdeveloped he is in the game. i understand why because it’s not meant to be writing, it’s meant to be a video game, but come on. i hate having the vampire with the cool character design be the ultimate villain of the whole narrative. in this, he’s someone geralt can talk to and sees himself in. he’s emotionally mature and doesn’t mix with the other vampires. since we already know what regis is like, we don’t have to sit through dettlaff making excuses for him and trying to describe what his character is like. we also get a better view of regis’ past through dettlaff’s lense. 

give orianna an actual character, holy shit. i hate how they didn’t even try with her and just used her as a “surprise, she is quite evil!” gimmick. have her actually have a larder for blood that is lore-friendly yet still jumps out at the audience as morally wrong.  give her more personality and development.

examine regis’ backstory without actually getting into every single year of those 4 centuries. we can examine how it started good, turned bad, went worse... there’s a lot of loss involved and i think this would be nice to process it.

roughly what happens (under cut because if i ever do write this fic out, this is spoilers, literally the synopsis of the whole thing):

anna henrietta sends envoys to geralt. they establish that the duchess has no conflict with geralt and that her conflict was with dandelion, only. she has requested his help because he effectively dealt with many monsters while he was in beauclair and established a trustworthy reputation (also, he’s famous, and toussaintoirs are superficial). instead of the beast of beauclair killing particular victims, it’s the countryside which has been plagued by vicious attacks of the devil knows what.

geralt arrives and examines the scenes of the attacks. the sincere majority of the victims are alive, so he speaks to them. they remember nothing, but woke up with their village fucking absolutely trashed and with vomit everywhere. they all have wounds on their necks. geralt thinks he knows what’s up, but is reluctant to deal with it because of his memories of regis, who he misses

damien de la tour is assigned to geralt as a sort of backup. they argue and geralt manages to get him to stay put in beauclair while he rides to a village they believe will be attacked next. it’s not even a full moon so the vampires don’t even come out in their bat form (disappointing) but instead just mesmerize their way in in humanoid form. dettlaff sneaks up on geralt who is (ahem) staking out the situation, and is like hey dont kill regis hes not evil hes just misguided!! and geralt is like REGIS? EMIEL REGIS? THTS WHO’S LEADING THEM? i ..... i know him.... and dettlaff’s like what the fuck how... then they get caught and regis is like oh hey dettlaff who’s this guy and geralt feels very left out :( and also sad bc regis doesnt remember shit and geralt even lists the hansa members by name and regis is still like O_O ok yeah im just going to hypnotize you to get lost ok goodbye! but dettlaff prevents him from doing this and they both get thrown out of the party.

after the party geralt is a mess and is like wtf so hes back and what... how... huh... and dettlaff doesnt know how he returned or why he returned either but they compare geralt’s knowledge of how regis died with dettlaff’s knowledge of how regeneration works and they figure out that regis just regenerated from his past body and that’s why he doesn’t have any of his memories from when he turned good.

then they eavesdrop a little more and find out that syanna has been talking to regis and making deals with him (its... not really like she thinks, regis really hasnt been doing anything he doesnt want to. shes just like “hey can you attack this village here” and regis is like yeah i was gonna host a party there tomorrow night ...) so they are like who the fuck is this woman and track her down to her base of operations, and then they find out that THEY got followed by damien de la tour, who identifies her as sylvia anna. geralt is a little miffed on behalf of dandelion that damien seems to be so close to anna henrietta but i digress.

geralt reports his findings to the duchess but does NOT mention regis because the duchess knows who regis is. then we get the same vampire talk from canon b&w where the duchess and damien are sorely misinformed on every single thing ever.

geralt is defeated and has no idea on how to fix this and hes looking hard into a mirror by candlelight and then decides to go to bed so he turns around and regis is right behind him like hey. cue ‘holy shit what the fuck’ moment and freaking out. regis explains himself and says that he doesnt remember him but the fact that he gave so many specifics weirded him out and he kind of wants to know more out of curiosity. also he wants to talk to dettlaff but feels too bad about how he argued with him like 3 centuries ago that he cant just ask him directly.

so they talk and geralt is all :(( and regis is like ok well. i kinda want to get these memories back because they sound pretty significant and also im pretty miserable. but also im not going to stop partying bc its the only thing that makes me feel alive rn. so long!

geralt and dettlaff talk to orianna and she dislikes them both but still talks to them and then regis materializes and also begins bothering them and its quite civil but this scene just serves to demonstrate how annoying they are as friends lol

there’s scenes where you can either save damien / syanna from being unalived by the vampires’ / regis’ hand, only if you let syanna die will the duchess be mad and accuse you of being heartless like dandelion is and then geralt and the duchess actually get into an argument bc of that comment but geralt ofc loses bc hes scared of her lol

no matter what you get regis his memories back but your decisions to either continue helping him or not is what makes him change or not. even after he gets his memories back (or because he gets his memories back?) he decides to raze beauclair bc hes just so fucking miserable and geralt has to talk him down, if you are harsh and not understanding and shame him etc then he doesnt change, if you condemn his actions but still offer your support then he does.

if you offer your support > geralt talks about the hansa like For Ever and regis then adds in everything and yay regis is back to normal. theres like a wholesome montage of geralt being like “just TRY to sew up a wound i promise you you will be good at it” and regis does and hes splendid at it. regis and dettlaff finally make up and are bros once again. we help orianna with her issues and she realizes stuff but is still going to have a drink once in a while. if syanna is alive she doesnt hate on any of this but just decides to make up with the duchess and then become captain of the guard (damien gets fired for being a dumbass).

if you do not offer your support > regis goes to cry in a delapidated creepy old castle and you have an epic fight (geralt is backed up by dettlaff) and he turns into a bat and geralt almost dies, they manage to decapitate regis again and put him in the ground and set a timer for 50 years

if you redeem regis then there’s an ending scene where the duchess is like “oh regis i didnt know you were in town” and hes just like <:) ahaha... yeah...

cue crying about milva/cahir/angouleme For Ever. maybe link this with the fic where geralt and regis bring them all back as ghosts/real ppl and then they have to deal with those consequences

[homespork-review]

Homespork Act 4, Part 2: Flight of the Paradox Groans

BRIGHT: Remember Spades Slick being bizarrely aware he was in a comic, back in the Intermission? Buckle up, things are about to get even more fourth-wall-breaking. Appropriately, this starts by the comic focusing on an actual fourth wall, which activates to show...Andrew Hussie.

Hussie’s MS Paint avatar notices the audience watching him, laments that his side of the wall doesn’t have an off switch, and then recaps the first year of Homestuck.

Now, in all fairness: The recap is thorough, full of links, and explains things fairly well. It’s quite long, but given how much territory it has to cover I’m not sure it could be any shorter. So it does its job well, and it’s a boon if you’re getting lost with the plot.

As for the author insertion...on this occasion I don’t mind it. It comes across as tongue-in-cheek, but framed more as the author talking to the reader than as the author inserting himself into the narrative. It’s definitely very Homestuck.

Anyway, AH gets back to work, and after a couple of false starts we return to John!

John is still flying around with his jet pack. GC trolls him to offer him a world map of LOWAS and tell him she feels awful about killing him, although in literally the next line she tells him that technically he never even died so she doesn’t understand why he’s so upset. John understandably finds this disturbing. They have a brief nonsensical discussion about Jesus/Jegus, and then John agrees to go take a look at what’s on the other side of his Second Gate. Yes, on the advice of someone whose previous advice got him killed.

CHEL: Almost a shame we didn’t set up a Too Dumb To Live count, but then to be fair that was a separate timeline and he’s probably not thinking of it as something that “really” happened. This is supported by his later dialogue.

FAILURE ARTIST: The word Jegus is really popular in the Homestuck fandom, used far more often than it is in the canon. Gets quite annoying, in my opinion. Actually, a rather Jesus-like figure does appear, but he’s not called “Jegus”.

CHEL: Yeah, I think only Terezi, John, and Dave ever use the term, but it somehow became latched onto as an actual term used by trolls in general, even though in canon it isn’t.

BRIGHT: Fortunately, this time GC appears to be playing nice. John flies though the Second Gate and emerges...into LOLAR?

FAILURE ARTIST: Hussie does an amusing trick where he has what looks like a loading screen for a flash but it’s actually a still image eternally at 2%.

BRIGHT: Yes, it’s LOLAR. John promptly crashes into Rose’s house, smashing through a wall and into her bedroom, where Rose is still snoozing in her knitting pile. Apart from briefly being stuck upside down, he does not appear injured by this collision.

Rose has somehow slept through the commotion. John decides to let her rest and borrows her computer to talk to Dave.

The first one he talks to is actually Davesprite, who points out how moronic John was to listen to GC again. No arguments here! Then he explains how the Gate system works: Odd-numbered Gates, above players’ houses, lead to somewhere on their planets. Even-numbered Gates lead to other players’ planets, exiting over their houses. Normally they aren’t meant to go through even-numbered Gates until the houses are built up, so they don’t fall to their deaths, but fortunately John has a jetpack workaround. So far Davesprite is living up to his promise of being straightforward.

John realises he’s talking to Future Dave, and asks “do you think i could talk to the real dave for a second?”

...ouch, John.

Davesprite goes off on a tear, ranting that he is a real Dave — arguably the realest Dave, since he’s been running around LOHAC for months trying to get enough information to save everyone. John apologises sincerely.

CHEL: This won’t be the last we hear of this theme, though.

EB: i think i pissed off your future self. TG: what did you do EB: i said he wasn't the real dave. TG: ahahahahaha EB: i think i might have really hurt his feelings though! TG: pff TG: dont worry about it EB: why not? TG: cause i wouldnt give a shit TG: and hes me

BRIGHT: Not a hundred percent sure I believe Dave, there.

CHEL: Dave uses John to snoop around Rose’s room and get the captcha code for her journals. Classy, Dave. Not a SLAMMER point, however, as this does come back to bite him very soon.

Rose’s dreamself has awoken on Derse, the purple planet, and flies across to the opposite tower. Dave’s dreamself appears to be awake, sitting upright in his computer chair; the room is entirely an unsettling bloody red colour apart from the SBaHJ cartoons on the walls, and… oh shit, there’s Lil Cal again, now in a long purple nightdress and hopping around the room on his own. If Rose was having nightmares because of dreamself issues, I can only imagine how Dave’s nightmares must look. Rose throws a ball of yarn at Dave’s dreamself, alerting him, and causing the awake Dave to pass out.

Back in Rose’s room, it seems that Charles Barkley quote was not misattributed:

FAILURE ARTIST: Another SBaHJ reference in the book quote. Is that where Dave got it?

Still, I don’t recall this book ever coming up again. Just another item that seems like a Chekhov's Gun but isn’t.

CHEL: John feels guilty about opening his birthday gift from Rose, but reasons that it’s technically now his anyway, so he does, finding another bunny, this one black and filthy-looking except for the pristine knitted purple patches repairing it, though its shape is eerily familiar.

The gift in this box is a resurrection. I used your present to thread life anew into a tattered heirloom. As long as I can remember, its black, greasy appendages have been tethered limply to its ratty, porous carriage. Too delicate to wash, too dear to discard. I used to love this rabbit. Now he's yours. I trust you'll find this to be adequately sentimental. Happy birthday.

Oh my gosh, awwwwww. Even if you don’t ship them romantically how can you not love their interactions? Definitely one of the comic’s strong points. Also I need to go hug my childhood teddy bear.

John puts the bunny back in the box again and the box in his sylladex, freeing Casey the salamander while he’s at it. And let’s just take a minute to feel utter horror because dead John still had Casey in his sylladex, so the best option is that she died too, and the worst is that we have an And I Must Scream situation on for a baby salamander. Gah.

FAILURE ARTIST: Thanks, I’d never thought of that and I never want to again.

You aren't actually sure if she is a girl though. You don't even know if salamanders can be girls. Aren't they hermaphrodites or something?

CHEL: No, for the record. Though some frogs can switch from one to the other.

FAILURE ARTIST: Casey is very popular as a name for an OC child of John (often having Rose as the mother).

CHEL: John answers Rose’s Pesterchum, upon which GA is half-heartedly sending antagonistic messages. John answers on Rose’s account, saying that Rose is asleep, which GA takes for Human Sarcasm, prompting John to pretend to be Rose.

GA: I Should Figure Out How The Viewport Feature Of This Application Works GA: So I Can See What Such A Primitive Creature Looks Like TT: haha, well i know what you guys look like. TT: you look kind of like... TT: howie mandel from little monsters.

Wait, how does he know? Am I forgetting a point at which he saw them?

BRIGHT: I always assumed that he was just goofing around and his guess happened to land in the right ballpark, but thinking about it, I’m not sure the kids ever express surprise at the trolls’ appearance.

CHEL: John, pretending to be Rose, talks about how awesome John is.

GA: He Is Either The Leader Of Your Party Or You Hold Whatever The Human Equivalent Of Mating Fondness For Him Is

CHEL: Both. Both is good!

FAILURE ARTIST: Knowing what we do of troll culture later this is an odd statement. Heck, it’s just an odd statement. Maybe this is why people think trolls don’t do friendship.

CHEL: John apparently confuses GA by saying it’s because Rose is thoughtful and John appreciates his gift, and suggests GA talk to John.

TT: why don't you pick the time that will make the most complicated mess out of everything imaginable?

GA sounds very annoyed, and leaves, intending to have the conversation with John that she had previously. We see her, GC, and the horns of AT and an unknown troll in the grey room, now revealed to be a computer laboratory. For some reason she chats via Pesterchum with another troll instead of just walking over to talk to them. This new troll is twinArmageddons, an appropriate name for the circumstances, who type2 iin yellow text liike thii2; he is, as it turns out, the hacker guy GC mentioned earlier. TA is busy setting up the network and seems irritable in general, and is not willing to help GA work her viewport.

TA: iif ii 2ee one more 2narl of wiire2. TA: kiind of juttiing out and beiing tangled or whatever. TA: ii am goiing two perform 2ome 2ort of athletiic fuckiing 2omer2ault off the deep end and get a call from the pre2iident or 2ome 2hiit.

Nice callback, but trolls, as we’ll later find out, don’t have presidents.

WHITE SBURB POSTMODERNISM: 14

GA wonders why TA doesn’t want to talk to her, and TA complains that he knew in advance the trolls were doomed and no one believed him. He refuses to troll the humans himself but is setting up the system so the others can in order to get them to leave him alone. GA asks again for help, to no avail.

TA: iif you cant fiigure 2hiit out by fuckiing around you dont belong near computer2. TA: kiind of liike wiith regii2tered 2ex offender2 and 2chool2. TA: iif you move two a new town you have two go up two your neiighbor2 door and warn them about how 2tupiid you are. TA: and giive them a chance two hiide all theiir iinnocent technology. TA: and vandaliize your hou2e.

Ooh, a threefer plus one! Tacky simile for the Problematykks. As for WSP, we’ll later find out that 1) trolls kill all their criminals, 2) trolls don’t give a shit about the welfare of their children, and 3) trolls don’t appear to actually go to school. These two counts are neck and neck in the lead now!

CLOCKWORK PROBLEMATYKKS: 17 WHITE SBURB POSTMODERNISM: 17

BRIGHT: As with much of Homestuck, the trolls give the impression of being made up as Hussie went along. That’s not entirely a bad thing -- it certainly makes the comic pretty unique -- but it does lead to some out-of-place slip-ups.

Anyway, GA chucks her F1 key at TA’s head and then starts poking him. We also see CG in the lab.

FAILURE ARTIST: I think I recall GA/TA were a popular ship before we learned more about GA. It does seem like they have a Rose & Dave dynamic going on.

BRIGHT: Back on Derse, Rose and Dave have a dance party to Dave’s music while accompanied by some crows and Lil Cal, who keeps teleporting around the room. Rose eventually gets tired of Cal’s shenanigans and hurls him out of the window, to the relief of many.

FAILURE ARTIST: The flash originally included music by Bill Bolin. In fact, it was his unfinished music being included here that caused all the drama in the first place.

BRIGHT: Time for some random interludes! First up is Maplehoof the pony, who is following Rose’s mother through a large cave which, judging by the grist lying around, recently contained very dangerous monsters.

FAILURE ARTIST: Apparently pets can collect grist for their masters...and know what grist is despite being a normal(?) animal.

BRIGHT: First Mom, and then Maplehoof, stand on a transportaliser platform and disappear. Second is Dad, who has just acquired a replacement shoe and hat (which showed up in the walkaround game, way back at the beginning of the Act), when he encounters a familiar-looking stranger with a Colonel Sassacre book, who leads him to another transportalizer platform. Both of these interludes do become relevant later, but at the time they seem a tad unnecessary.

Meanwhile, John uses Rose’s alchemiter and a code Davesprite gave him mid-rant to produce a truly epic hammer called FEAR NO ANVIL. It’s far too big for John to wield, but fortunately he can use the scaling upgrade on the alchemiter to reduce it to a more useable size. ...wait. When did Rose’s alchemiter get a scaling upgrade? Dave and Jade added a lot of modifications to his, but Rose’s should be the original edition. Sigh.

EB: so what is this? EB: the thing the code made... TG: really powerful hammer EB: how do you know? EB: i thought you couldn't use hammers. TG: i cant TG: better be though TG: got it from hephaestus EB: who's that? TG: really tough to kill dude EB: you killed him for it? TG: nope EB: how'd you get it then? TG: shenanigans EB: ok.

...and we’re back to sprite evasiveness. Davesprite is being less than forthcoming here, although it’s less obvious than with Nannasprite because it superficially imitates John and Dave’s bantering.

CHEL: Now, this would be a good way of keeping us interested if we were eventually going to see how he did it, and also they have a time limit, so not going off into a long anecdote would be understandable. However, we’ll see how his evasiveness level proceeds in the future.

BRIGHT: Dream Rose and Dave see John using Rose’s alchemiter on Dream Dave’s computer. Rose wakes up.

FAILURE ARTIST: It is interesting how early Homestuck avoided having characters have face-to-face conversations. Would have been unique if it kept up throughout the entire comic.

BRIGHT: Back in the meteor, GA hassles TA into opening the viewport on her computer. This turns out to be as simple as clicking on the point in Rose’s timeline that she wants to see. No wonder TA was frustrated!

Of course, by this point, the only one left in the room is Rose, now awake, and the young salamander. Rose hurries to catch up with John, but he blasts off to explore before she can reach him, taking her mutated kitten with him.

CHEL: John renames Vodka Mutini to Dr Meowgon Spengler, and Rose renames Casey to Viceroy Bubbles von Salamancer. Interesting link to the themes of identities which are starting to crop up, though it’s not really a direct analogue. The animals are the same animals with different names; the alternate timeline characters have the same names and superficially the same identities, but are they really the same people after their new experiences?

BRIGHT: Back on Derse, Lil Cal inexplicably lands on a stray rocket board, catching the attention of AR.

You're not sure which laws are being broken, but it is probably a lot.

AR follows Cal to yet another transportaliser, and they both dematerialise.

We jump back to John, who spies a boat on one of the islands dotting LOLAR and lands to investigate. He follows hoofprints in the sand into a subterranean hallway filled with monsters. Fortunately his new hammer has time powers, which stun the monsters long enough for John to kill them. Further on, he finds the transportaliser Mom used. John, naturally, stands on it, and is transported to a meteor in the Veil.

Actually, it’s not just a meteor; it’s one of the laboratories where the Skaian troops are produced. John, along with the cat and Maplehoof, finds a bunch of chess guys being grown in glass jars on a giant podium. Most of them are the standard carapaces we’re familiar with, but there are also a few larger pieces, apparently based on knights and rooks. He also finds a JUNIOR ECTOBIOLOGIST’S LAB SUIT, and another of those strange house-shaped sets of monitors.

On Prospit, PM is preparing to board a shuttle to Skaia when a COURTYARD DROLL sneaks up behind her. Unaccountably, she fails to notice him, despite the fact that he’s wearing a hat larger than he is. CD successfully pickpockets the White Queen’s ring, and PM departs for Skaia, none the wiser.

CD radios the DRACONIAN DIGNITARY to report mission success, and is told that he doesn’t need to keep wearing his ridiculous outfit, per orders from Jack Noir, who is now going by the SOVEREIGN SLAYER. CD says he’d rather keep wearing the outfit. Apart from the sword-through-the-chest part, it is a very nice outfit, so I’m with CD on this one.

Catastrophe is averted by Jade delivering a flying kick to CD’s head and following up with a very efficient smackdown. Her robot body replicates this back on Earth, beating the stuffing out of her mummified grandfather. Jade retrieves the ring, and puts it on her fingers to remind herself to give it back to PM later. Unfortunately, this doesn’t cause Jade to sprout wings and tentacles. Seems the rings don’t work on humans like that.

Meanwhile, in a Timeless Expanse, a WARWEARY VILLEIN is getting tired of the battle between Derse and Prospit. The next animation is called “WV?: Rise Up” and it’s one of my favorites! When I first read Homestuck I had to watch it a few times before I understood what was going on, but it is a very neat video.

Watch on YouTube

The Battlefield has been prototyped three times, and is now spherical. The forces of Derse and Prospit meet. The usual carapaces with swords are backed up by larger pieces -- some of them very strange -- and by battleships clashing in the sky. In the chaos, WV, who is farming peacefully on Skaia, has his home and farm burned down. He raises a flag and addresses the troops of both armies. Elsewhere, Jack Noir appears, flying over the Battlefield in search of the Black King.

WV rallies the armies and tells them that their real enemies are the monarchs, who are responsible for the war. Encouraged, the Dersite and Prospitan troops band together and march on the Black King.

Meanwhile, PM has reached the White King and discovers that she no longer has the White Queen’s ring. The White King listens to her and hands over his scepter, which seems to represent Skaia and serves a similar function to the Queens’ rings. Behind a nearby hill, the Hegemonic Brute radios somebody to report the transfer.

As WV and the united armies reach the Black King, Jack arrives and slices the Black King’s scepter in half, nullifying its powers and turning the Black King back into a normal carapace. PM is attacked by HB, who knocks the White King’s scepter out of her hand; it falls down a waterfall. Jack Noir beheads the Black King and turns to WV, and the animation ends.

...okay, much as I love it, I have to admit there’s a glaring question here: Namely, the kids started playing the Game less than a day ago and Dave’s kernelsprite has been prototyped for a few hours max. The second prototyping made the Battlefield more complex and the third took it into its current form. That’s a very short time to instigate a cross-faction revolution, organise the troops, and march on a monarch. For that matter, how long has WV been a farmer? The inhabitants of Derse and Prospit have obviously been doing their thing all the kids’ lives, but the Battlefield was supposedly a static, rudimentary space until John entered the Medium, so what gives?

Then again, the timeline in the Medium is supposed to be distinct from the timeline on Earth, so maybe that explains it?

CHEL: An interesting point is also raised by WV’s revolution. Namely, Derse is presented as a kingdom of darkness and evil by the game, while Prospit is presented as good. However, while PM is good, WV and AR are demonstrably not bad people either. In this animation, we see carapaces of both sides apparently don’t want to be involved in the war and are willing to rise up against the Black King. The rank-and-file carapaces on both sides, it seems, are decent people who are just following orders. (Not to mention very cute.) Jack Noir and his gang are nasty pieces of work, except CD who’s also just kind of going along with it, but there’s nothing saying white carapaces couldn’t also be… And is that a Problematykks point, presenting the black-coloured people as bad and the white-coloured ones as good? I know they’re chess pieces, but still.

This raises the question, however, what’s Derse’s motive? Are its rulers and archagents simply destroying for the evulz? I wonder. I also wonder how much Skaia itself is involved in this and how aware it is. Skaia is called the crucible of creation, and it’s responsible for the creation of the carapaces too. References are made to it “seeing” and “knowing”; it’s quite possibly sentient, though maybe not sapient. On top of that, SBurb is specifically a game, and a game needs an objective, and an adventure-type game needs enemies. Derse, it seems likely, was created and presented the way it is in order to give the players something to battle against even if its people don’t want to be their enemies. No wonder WV’s pissed!

BRIGHT: Yup. Hmm, thinking about it...the imps and other enemies we saw attacking John’s house early on were obviously Dersite, but the ones we’ve seen in Rose’s seem to be Prospitian, if anything? The colour scheme looks that way, at least. But Nanna said earlier that Derse was the enemy, nothing about Prospit.

Perhaps it has something to do with Rose being a Derse dreamer, while John is a Prospit dreamer? But in that case I’d have expected it to come up in the text. Instead it just goes unremarked.

Rose goes on a massive alchemising spree and ends up creating the Thorns of Oglogoth, a pair of wands.

The needles seem to shiver with the dark desires of THE DEEP ONE. Any sane adventurer would cast these instruments of the occult into the FURTHEST RING and forget they ever existed.

Instead of throwing the wands away, Rose takes on the enemies camping all over her house, with style.

Meanwhile, Dave goes on another, less visibly productive alchemising spree.

GET ON WITH IT!: 18

FAILURE ARTIST: The SBaHJifier could be considered productive in that it provides foreshadowing cartoons. Wish Dave’s Brain in a Jar came up again.

BRIGHT: Once he’s done creating smuppet variations to disturb the monsters encroaching on his house, he sits down to take a look at those two journals he copied from Rose earlier. One of them is called ‘MEOW’, and is literally just those same four letters, repeated over and over in different orders. The second is ‘Complacency of the Learned’.

There is no way to adequately recap the beauty of ‘Complacency of the Learned’, so we’re just going to show the whole thing:

Frigglish bothered his beard, as if unkinking a hitch in a long silk windsock. A more pedestrian audience would parse the exhibit as nervous compulsion. Behavior to petition contempt among the reasonable. He was however not surrounded by the reasonable, but the wise, a distinction in men that would forever be the difference in history's garland of treasured follies. As a matter of fact, his cadre of fellow wizards were all putting similar moves on their beards as well. The practice would evince thoughtfulness - sagacity, even - if they didn't do it all the time. Standing in line at the bank. Shooing squirrels from bird feeders. Few occasions were safe. Zazzerpan inspected the clue. A single piece of evidence cradled in his coriaceous old man palms. It was a human bone, not striking in the tale it told alone so much as that told by the thousands like it festooning the marshy soil of the mass grave. The grisly expanse bore the texture of a decadent dessert, like one of Smarny's formidable custard trifles wobbled out on wheels for the holidays, to the dismay of a small nation. "You're certain of this?" asked Frigglish. Despite what he was doing with his beard, he was, in fact, immersed in meaningful contemplation. "I am afraid I am becoming more so with each terrible tick groused by that gaudy timepiece slung around your neck." In case it wasn't clear, Frigglish wore a clock Zazzerpan didn't care for. It was magic. "The massacre of Syrs Gnelph was not as written." "What has you convinced it was the hand of our disciples in this blackness?" Executus chimed in. "I believe... I..." a fat face stammered, eyes darting with the guilt of a thief in the throes of an unraveling alibi. "I can summon a... more pressing line of inquiry..." No, Smarny. Nobody was in the mood for a sticky bundt loaf just now. Zazzerpan's ears fell insubstantial to any line of inquiry, pastry-oriented or otherwise. His abstruse contour carved a pondering shape in the fog carpeting centuries-dead. His eleven contemporaries too embraced the muted consternation of their great Predicant Scholar. Few wizards kept sharper adumbratives or read them with such lucidity. When Zazzerpan treated men with silence it was seldom unrepaid by the wise and reasonable alike. It was harrowing to entertain. Zazzerpan the Learned's storied Complacency of Wizards was marked for grander descendence. Disciples hand-picked, vetted by Ockite the Bonafide and tested by Gastrell the Munificent. The twelve sweetest, most studious children a pair of elderly eyes could give their sparkle. Not the ragged guttersnipe so oft-harvested by the common Obscenity, those vituperative little beggars with hearts to corrupt as dropped bananas brown. That these chosen youngsters would turn was not merely unthinkable, but something of a roundhouse to the temporal bones of the Upper Indifference's high chamber of Softskulled Prophets. His wisdom-savaged brow pruned further with recount of his many lessons to wouldbe successors. Lessons to advance humanity's elucidation and prosperity, an outcome this bleak trail now painfully obviated. There were few puzzles The Learned could not suspend and dissect in the recondite manifold beneath his extremely expensive pointy hat. Daring to pitch his cherished pupils in with the foul melange of history's rogues, the heretofore abstract scourge that built up civilizations with ungodly magic and tore them down with joyful malice, would prove an intellectual trespass to make his calcium-deficient bones quake. And more daring yet was the only question that now mattered. Could a bunch of bearded, scraggly old men in preposterous outfits hunt them down? He didn't have an answer. Only a simple observation so blunt and uncharacteristically jejune for the lauded sage it was breathtaking in its selfevidency. "We're going to need more wands." (Wow. Think of something better.)

Wow.

Dave is understandably intimidated by this, and decides to stop reading for now. He puts his copy of the SBURB Beta in the notebook to act as a bookmark, and leaves both books in his room for later.

Then he checks in on Rose, who is burning her version of the MEOW book.

CHEL: Dave inquires about the wizard story.

TG: i thought you hated wizards TG: whats the deal with that TT: I like wizards. TT: What I don't like is my mother's obsession with feigning interest in them to antagonize me. TG: oh man thats so messed up TG: that you think that TG: she probably digs wizards for real just like you and youre blowing shit out of proportion like pretty much always

Once again, we see exactly how fucked-up Rose’s relationship with her mother is. Mom Lalonde has somehow managed to raise a child in such a way that Rose interprets everything her mother does as an attempt to mock and provoke her.

ARE YOU TRYING TO BE FUNNY?: 16

TIER: The Lalondes are pretty damn dysfunctional as a family unit, and considering the zany nature of early Homestuck and its world's weird logic that is saying something indeed.

CHEL: As for the MEOW book, it turns out the gods from the Furthest Ring informed Rose while she was sleeping that the book’s contents are highly dangerous and must be destroyed. Said gods dwell in the sky above Derse; Dave’s never heard or seen them, but Rose points out his dreamself is always wearing shades, listening to music, and distracted by Cal.

TT: You're the prince of the moon. TG: ........ TT: I'm sure they've been meaning to seek a royal audience. TG: ..........................

Davesprite chats to Rose next. She protests at being spied on by two people, but Davesprite asks her why she burned the codebook. She didn’t need to in the future, but according to her future memories of the gods absorbed from her future dreamself, Davesprite appeared to make it relevant by traveling to the past. A sinister and familiar face watches through Dave’s window, soon proving to be the Draconian Dignitary, while Dave and Davesprite awkwardly spout elaborate mixed metaphors about how safe they are, until Dave, embarrassed, says "so i guess ill go back down and burn that book".

As any savvy reader could guess, he’s too late. The prompt suggests that he should go back in time to stop the books from being stolen, but, well...

It looks like you already tried that. GORE GALORE: 10

Dave looks completely undisturbed, but whether he is undisturbed is a different matter. He flings the corpse out the window into the lava, claiming it would freak Jade out.

John, in the lab, presses a button, causing the first monitor to depict his town, shortly before his birth. There is a Betty Crocker factory and a shopping mall, neither of which are in the town now. Zooming in locks a target over Nanna Egbert, who is taking a stroll with Dad. A meteor looms; this looks like it’s going to go very badly, considering the target lock, but it hits the factory instead. When John presses the glowing blue button, a PARADOX GHOST IMPRINT of Nanna is created; refer back to Rose’s experimentation in the lab and the green slime blobs. This time, the slime is sucked into a tube.

The next monitor does something similar with Grandpa Harley on his ship, and the next the same with Bro Strider, who stands over a meteor crater on an unseasonably warm day; something of an understatement, as the sky is the same lurid red and the sun the same glowing spiral that they were during the Strider bros’ battle even though it’s December. Bro is, regardless, prepared for the occasion with a small pair of outrageously awesome shades. What he needs these for will soon be revealed.

The fourth monitor goes back to John’s home town, a gigantic crater where the factory once was. In the shopping mall, Dad Egbert stands outside a joke shop, while Nanna apparently remains inside, busying herself with a tall bookshelf, a ladder, and a rather hefty unabridged joke book.

Mom Lalonde, clutching the infant Rose and wearing a rather snazzy long Jaspersprite-pink scarf, has come to town to study the meteor impact at the request of Grandpa Harley while he explores elsewhere. Unfortunately, now is the time a meteor chooses to strike Nanna’s location, destroying the shop.

An old mother lost today, but a new son gained.

Wait for it.

Mom Lalonde flees, dropping her scarf, which Dad Egbert picks up and slightly creepily sniffs. The monitor continues tracking her, and John captures her paradox imprint too, starting the machines whirring away...

Four babies abruptly appear on the pad, already diapered and bespectacled and old enough to sit up unaided. Convenient, no?

When the kitten jumps on a green button, the slime is blended in pairs; Nanna’s and Grandpa’s, and Mom’s and Bro’s. More blinking lights ensue, and another four extremely familiar-looking babies appear.

BRIGHT: I will say this: These kids are adorable.

While babies clamber over him, John vaults up his echeladder to the rank of Ectobiolobabysitter, acquiring one million Boondollars in the process. This automatically converts itself to a Boonbuck, the weight of which smashes his Porkhollow.

Finding out just what is going on here will have to wait, as the comic takes a brief detour to a battleship navigating the Medium nearby. There’s someone very familiar at the wheel…

An old man has much to do before he returns to Earth, dies, gets stuffed by his adopted-yet-biological daughter-slash-grand-daughter, and stuck in front of a fireplace.

Also aboard the ship are Dad Egbert and Mom Lalonde. Dad returns Mom’s scarf, and the two of them hold hands as Grandpa Harley pilots the ship towards Skaia.

We return to the lab, where John has his hands full with the babies. One of them has managed to break one of the paradox slime jars from earlier, but appears uninjured. Also, CG’s trolling him again.

CHEL: CG makes mention of the ULTIMATE RIDDLE, but John is confused because CG hasn’t told him about that yet. He uses an ableist description in explaining.

CG: SEE I KIND OF PAINTED MYSELF INTO A CORNER. CG: I STARTED TROLLING YOU AT THE END, JUST BEFORE THE RIFT. CG: AND THEN JUMPED BACK A LITTLE. CG: AND NOW I GUESS I'VE BECOME RAILROADED INTO WORKING BACKWARDS HERE. CG: UNLESS I WANT TO DO THE SORT OF DUMB SCHIZOPHRENIC HOPPING AROUND LIKE THE OTHERS. CLOCKWORK PROBLEMATYKKS: 18

… why wouldn’t you just hop right back to the start and work in a linear fashion from there?

TIER: Because CG excels at making things complicated for himself and is fundamentally rather stubborn and set in his ways/actions. Like he's made his bed, he's gonna lie in it.

CHEL: Anyway, CG banters with John for a bit, and then informs him that he (John) has arrived in the Veil and created infant versions of the players and their guardians.

EB: so they are like cloned copies of us? CG: NO. CG: THEY ARE LITERALLY YOU AND YOUR GUARDIANS. CG: PARADOX CLONES.

A paradox clone, we are informed, is A CORRECTLY CLONED DUPLICATE THAT WILL INEVITABLY GO BACK IN TIME AND BECOME THE ORIGINAL TARGET THAT WAS CLONED. The game worlds contain many clues hinting at the ultimate destiny of the players to create their own selves through the game, and the only way things could possibly go involved the players creating themselves, or else the game session would never happen.

CG: WHICH IS ESPECIALLY PATHETIC SINCE PARADOX SPACE APPARENTLY WENT TO ALL THIS TROUBLE TO MAKE YOU JUST TO HAVE YOU FAIL AND DIE. CG: REALLY THERE'S NOTHING MORE TRAGIC THAN THESE NULL SESSIONS FULL OF KIDS ENTERING THE GAME AND FULFILLING SOME COSMIC DESTINY SHIT JUST TO GET WIPED OUT AND LEAVE BEHIND AN EMPTY POINTLESS INCIPISPHERE FOR ALL ETERNITY.

Tragic and completely unnecessary, when there are millions of perfectly good humans already in existence who could just as easily create winning game sessions without this aspect of it. Here we see another aspect of Homestuck which hasn’t come up quite so clearly before; an extremely weird take on determinism. I’m not sure if this is meant as a parody of Chosen One plotlines or if Hussie just thought it sounded cool, but it’s uncomfortable. As it turns out, only clones created by SBurb have a hope in hell of winning the game, and even they fail most of the time. Regular people who enter the game to save themselves from the destruction of the planet will fail and die there, which honestly is not really selling this game as a good thing, since it’s what causes the destruction of the planet in the first place. I’ve had actual, legitimate, honest-to-God nightmares about this aspect of SBurb, and I’m not ashamed to admit it.

FAILURE ARTIST: I think many fans wish to play SBurb. There’s lots of fan sessions and fake GameFAQs and custom Lands. Yet in reality SBurb is not a fun time. This is cosmic horror. I think Hussie is sometimes playing it for horror and sometimes he ignores the implications.

Then again, some people want to live on the troll planet, which is straight-up dystopia.

CHEL: Again, it isn’t really clear what he’s going for. Is it supposed to be terrifying or did he just think it would be clever? Does even Hussie know what he was going for? While it’s not exactly a joke, I think it’s worth another point here:

ARE YOU TRYING TO BE FUNNY?: 17

It might be a joke. As I said, I could see it as a parody of or playing with the Chosen One narrative. In this case, literally only the chosen ones have any hope, for reasons that are not down to any merit of their own. But if it is, there isn’t really much made of it.

Of course, the reasons people want to live on the troll planet are reasonable when taken alone, but a) contradicted every alternate scene and b) not a fair trade for everything else that’s going on there. But we’ll get to that when we actually see it. And I admit, SBurb powers would be fun, but not worth the loss of my entire species.

TIER: To me at least it's fun in the same way wondering how I'd fare as a wizard during Harry Potter's years at Hogwarts, or a ninja in Naruto is. Fundamentally you'd rather want to never encounter this sorta stuff even if you get some swanky I guess powers, but the mental exercise of it is quite honestly, really fun. The game has quite a lot of interesting things to poke around with, from lands to quests to what your co-players are up to. And I'm def guilty of playing trollsona games, because the world presented is just really fascinating in its gruesome glory.

Never want to have to actually go through it, Lord knows I'd be dead within the first ten minutes if I'm super lucky, but stories about it are pretty neat.

CHEL: That’s true, but the paradox clones thing seems almost to be taunting us for having that mentality. We can pretend we’d be the super-smart strong competent ones who make it, but in this universe if we demonstrably have parents we’re doomed to die for nothing and there’s nothing we can do about it.

BRIGHT: Another fun thing about this is that it fundamentally isolates the players from the rest of humanity. If you think about it, unless they have children with a non-player, they are completely unrelated to anyone else on Earth.

CHEL: And they can’t have kids with a non-player unless something thoroughly horrible happened, because as is stated later SBurb specifically takes its players away and destroys their planet around the point of their puberty.

BRIGHT: Although I think John is actually related to Dad — as far as we’re told, Dad is in fact Nanna’s biological son, which makes him genetically John’s half-brother.

They also miss out on (going by how active the babies are) the first couple of years of life. Those two years are crucial in terms of brain development. SBURB probably controls for that, but it wouldn’t be surprising if there were negative consequences.

Oh, and if you’re a player, your existence means your civilisation is doomed. Lovely!

CHEL: And do the players ever feel any guilt or conflict over this? Do they hell. It doesn’t even occur to them, and I’m pretty sure it didn’t occur to Hussie either.

TIER: Welcome to the hell game that is SBURB; it's fundamentally pretty fucked up! It runs on a hellish scale of "things have already been predetermined" and I am Big Fear™.

CHEL: That’ll come up later, too, but there it’s obviously intentional nightmare fuel, and not at all a bad use of time travel as a story device.

CG, meanwhile, explains that he was the one to create his session’s players. With twelve of them it was a bit more complicated, but troll lineages are complicated anyway, and we’ll find out how later.

The babies are still getting all over the lab. Note that they're repeatedly referred to as "little pink monkeys". Then again, calling a non-white child a monkey really wouldn't be good.

WHITE SBURB POSTMODERNISM: 18

John’s infant self has latched onto the Sassacre book, while his infant Nanna is sitting in Dad Egbert’s old hat. Baby Bro is napping in the lap of Lil Cal; that baby’s braver than I am, I can tell you that. Baby Dave is sitting on Maplehoof, and baby Grandpa has found a pair of pistols. John does not take them away from him, or even seem to notice he has them.

HURRY UP AND DO NOTHING: 7

BRIGHT: Earlier baby Bro broke one of the paradox slime cylinders and was sitting in it. John is pretty astoundingly bad at keeping babies away from obvious hazards.

TIER: That or the equipment is probably not sturdy enough to make it past an inspection into faulty management.

CHEL: But then he’s distracted by CG trolling him again, at least this time moving forward in time from the last conversation.

CG, like GA, apparently fails to grasp sarcasm...

EB: we had this great dare going. EB: to see who could be the least helpful and informative. EB: and you totally lost, dude! EB: you were hella helpful. CG: I WAS OBVIOUSLY JUST SPITING YOUR STUPID POINTLESS HUMAN DARE. [...] CG: ANYWAY, HOW COULD WE HAVE MADE A DARE IF I'M MOVING BACKWARDS ON YOUR TIMELINE.

… which is weird because moments later he uses it himself.

EB: do you even have elves? CG: YES, LET'S COMPARE WHICH FANTASY CREATURES THAT DON'T EXIST WE BOTH DO OR DON'T NOT HAVE. CG: WHAT A GREAT FUCKING IDEA, JOHN!

Hussie seems to waver back and forth a lot on whether trolls get sarcasm or not, in general. Since he’s contradicting himself with troll worldbuilding, that’s a point.

WHITE SBURB POSTMODERNISM: 19

Banter aside, he informs John that the babies are sent to Earth via meteors during the Reckoning.

BRIGHT: How do they survive the impact? Some of those meteor strikes destroy buildings. Those are some ridiculously resilient kids.

CHEL: Cut to AR, who is still having fun on the rocketboard, until he runs into a frog temple atop a meteor. This is apparently horrifying and illegal by his standards.

You are going to throw whoever is responsible into the slammer. You always call jail the slammer when you are extra angry at crimes.

Inside, he finds an empty time capsule, like Jade’s, some complicated machinery, and a monitor screen showing a greyscale house with a very familiar bespectacled female infant and dirty old hat in it. The year depicted, says the monitor, is 1910. Enter none other than Colonel Sassacre himself.

Eight days prior, the orphan girl was taken in by an aristocratic southern colonel and legendary humorist. He recovered the young lady from a crater where a bakery once stood, operated by the man's wife, a notable baked goods baroness.

An explosion outside leads them both to a crater, where once stood the doghouse of the colonel’s pet, Halley, but before the Colonel can investigate further he’s shot through the heart.

This is exactly why babies should not be allowed to dual-wield flintlock pistols.

BRIGHT: I remain baffled as to how Baby Grandpa can even lift those things, let alone pull the triggers.

CHEL: Baby Grandpa crawls from the crater, and Halley the dog turns out to be alive.

The young boy has difficulty pronouncing the name though. Sounds more like "Harley" when he says it.

How does he know it? The colonel died before he even noticed the baby was there. Is baby Nanna speaking well enough to tell him yet? I guess he could be told later, as Sassacre wasn’t in fact their only sapient guardian...

Thirteen years later, the boy develops a taste for adventure. He and his guardian bid farewell. His sister is sad. She will be left all alone with the wicked pastry baroness. She can handle it, he tells her. He believes in her.

It isn’t clear why she didn’t go with him, or leave under her own power. They don’t seem to be imprisoned, as the panel depicts them outside on grass with no restraints or guards over them, so it’s not a matter of only one of them being able to get out. That’s a point for Nanna not trying and a point for Grandpa not bringing her:

HURRY UP AND DO NOTHING: 9

That dog is also remarkably lively, considering it, unlike Bec, is an entirely normal dog, it was an adult thirteen years previously, and it’s somehow supporting the weight of an entire teenager on its back (again, please don’t try this at home, you can break the dog’s spine that way).

FAILURE ARTIST: As we’ve said, Colonel Sassacre is a thinly-veiled Mark Twain expy. The real Mark Twain died in 1910 at the same time Halley’s Comet was in the sky. It’s a cute historical gag having him be literally killed by a comet but it does muck up the timeline. Nanna must have been a senior citizen when Dad was born. Perhaps he’s adopted?

CHEL: The other option is that Dad is a senior citizen now, but surely John would have wondered why his dad is so ridiculously old. I think it’s just that thing in mainstream comics and cartoons where adults are split into Old and Not Old, and the parents are normal ages for parents but the grandparents would have to be in their hundreds going by the gags. See how Scrooge McDuck in the DuckTales reboot is over a hundred and forty years old yet his sister’s son is still a youngish adult.

AR notes that the appearifier is centred over Halley the dog, but hears someone coming. It proves to be the Draconian Dignitary. AR hides and watches, noting that DD is carrying Rose’s notebooks and Dave’s beta envelopes. DD keeps the MEOW book, but throws away the other items. Complacency of the Learned lands on the floor, and the envelopes land in the time capsule, which sets to bloom in four hundred and thirteen million years.

Meanwhile, John talks to CG while infant Mom Lalonde pets the mutant kitten. John asks if there’s any way to delay the Reckoning, but nope; CG warns him that the smallest meteors will start going in only a few minutes.

EB: ok, well you keep saying how doomed we are and how all this bad stuff happens sooner, but you never say why! EB: what happens in our game that's different from yours that makes things go so badly? CG: JACK NOIR.

The Jack Noir from the trolls’ game session allied with them and helped them dethrone and exile the Black Queen, while the one from the humans’ session, as you may recall, killed the Black Monarchs and gained their powers, and is currently rampaging through the Incipisphere. John asks if it’s the same Jack Noir, but CG explains.

CG: SO LET'S SAY YOU PLAY YOUR BANDICOOT AND I PLAY MY BANDICOOT. CG: THEY ARE ESSENTIALLY THE SAME BANDICOOT, SAME APPEARANCE AND DESIGN AND BEHAVIORS. CG: BUT THEY ARE STILL COMPLETELY SEPARATE BANDICOOTS ON SEPARATE SCREENS. CG: SO WE BOTH HAVE OUR OWN ASS BANDICOOTS TO OURSELVES, THE SAME BUT DIFFERENT. CG: OUR JACKS ARE THE SAME BUT DIFFERENT TOO. CG: SAME GUY, DIFFERENT CIRCUMSTANCES AND OUTCOMES. CG: OUR JACK TRUMPED THE QUEEN, BUT GOT NO FURTHER. CG: YOUR JACK GOT THE BEST OF BOTH OF THEM, AND IS NOW SOMETHING HIGHER THAN A QUEEN OR A KING… EB: like an ace? CG: SURE OK.

The trolls don’t know what went so differently to cause the two Jacks to behave so differently, but CG doesn’t think it matters by now. John interrupts him, deciding to do yet another Con Air ending re-enactment.

Watch on YouTube

Recap: montage of Con Air posters and images to the tune of “How Do I Live Without You”. John hands the thoroughly disgusting Con Air bunny to the protesting baby Rose, while CG watches huffily on his monitor. Jade demands a toy too, so John hands her the bunny he received from Rose in an excessively dramatic fashion. CG frustratedly hits himself in the head. In scribbly crayon-like drawings, Casey the salamander performs a drum solo with glowing blue mushrooms for drums and the Con Air plane crashes. More Con Air imagery, John embraces baby Jade and the baby Lalondes while sobbing; GC points and laughs at him over CG’s shoulder and they have a slapfight. John imagines himself in Nic Cage’s iconic wifebeater and mullet and performs an air guitar solo.

TIER: Lemme tell ya, as someone who's only experience with this darn movie is whatever pops up courtesy of John this sequence is just a trip and a half. Possibly a higher number.

CHEL: Cut to end-of-act curtains; they open on the next page, declaring a PSYCHE; there are more pages to go.

Cut to Dave’s hands, covered in the dead Dave’s blood. I… guess he’s supposed to be staring at them in shock? It’s impossible to tell through his shades. For all I know he could be worried about the cleanup. GC trolls him and they banter creepily, with her demanding to know what his blood smells like and him taunting her about her blindness.

TG: just him and me TG: havin a see party TG: like a couple of eagle eyed bros peepin shit up into the wee hours GC: D4V3 GC: C4N 1 COM3 TO YOUR S33 P4RTY? TG: i guess but youll have to be careful not to stumble around bumping into all the gorgeous masterpieces hanging around everywhere TG: god so beautiful to look at with my perfect eyesight GC: C4N 1 L1CK TH3 P41NT1NGS? TG: yeah thats fine

Neither of them seems to take it particularly hard. If there was narrative around the dialogue, I think we’d get a better grasp of how Dave feels. Lacking much body language or punctuation, tone is a bit tricky to get.

FAILURE ARTIST: There’s a character later who gets a lot of grief for insulting her blindness but reading what John, Dave, and CG say I don’t know how that character could be worse.

CHEL: AT, meanwhile, is trolling Jade, rather politely. He even takes time to ask if she’s having a good nap. She’s worried about John’s dreamself not waking, and AT scrolls into his view of the future timeline, but can’t find John awake, nor see into his dreams. Jade, however, will wake up soon, and she thanks him for this report. Unfortunately, when Jade wakes up she will be in danger, and AT can’t see any further. He tells her CG wants to talk to her about her exploding robot. He can’t see whether it exploded or not because there are a lot of explosions, but asking future Jade shows it did, and that she declared CG to be a pretty nice guy, which surprises AT since he doesn’t think CG is particularly nice. Jade says she thinks AT is nice too, and asks why he’s the only one who talks to her while she’s asleep.

AT: bECAUSE YOU HAVE A ROBOT, tO LET YOU SAY THINGS THAT HAPPEN, oN PROSPIT, AT: aND i'M CURIOUS, AT: bECAUSE THE ONLY TIME i EVER HAD FUN PLAYING THIS GAME WAS WHEN i WAS ASLEEP, AT: bUT NOW ALL OUR DREAM SELVES ARE DEAD, AT: }:'(

AT happily remembers his own time on Prospit, and we cut back to Rose, being trolled by GA despite the fact that Rose is obviously in the middle of an epic magic battle. The conversation is understandably chilly, and GA still hasn’t figured out that “Dumb Rose” as opposed to “Smart Rose” was John rather than a bizarre roleplaying scenario.

GC continues trolling Dave. He asks her how she operates a computer without sight.

GC: 1M SORRY D4V3 TH4T YOU W1LL N3V3R 3XP3R13NC3 TH3 S3NSORY BOUQU3T TH4T 1 3NJOY 3V3RY D4Y GC: TH4T 1 3NSCONC3 MYS3LF 1N L1K3 4 W4RM 4ND COMFY B4THROB3 M4D3 OF FL4VOR 4ND M3LODY TG: oh ok TG: so the dumbest and most far fetched explanation imaginable ok got it

Yes, pretty much. This brings me to a Problematykks point; GC is supposed to be blind, but it really doesn’t seem to affect her in any way at all. Its workaround is ridiculously convenient and effective, and while I’m not blind myself, I know many people with physical disabilities hate it when fiction does this. I know I would be pissed off if a piece of fiction showed an easy and convenient way to not have autism anymore. (Horrible, horrible memories of someone back in the days of Livejournal’s Fanficrants of a fic in which autism was somehow cured by having a foursome. I don’t remember how that was supposed to work.) “She’s a space alien” only goes so far in explaining it. Why even bother making her blind if it’s not going to affect her in any way?

CLOCKWORK PROBLEMATYKKS: 19

FAILURE ARTIST: She’s the least blind blind person in media. Characters like Daredevil from Marvel Comics and Toph from Avatar the Last Airbender have a Disability Superpower but at the end of the day they still can’t do things like read printed text. GC has no disadvantages.

BRIGHT: She can apparently smell and taste photons.

Which raises the question why none of the other trolls ever show a heightened sense of smell or taste. If GC can learn to interpret smells as colours, her sense of smell must have been that strong all along, and there’s no indication in the text that she’s biologically more sensitive than her companions. Trolls must be better at following a trail than bloodhounds.

CHEL: Synaesthesia which makes one strongly associate colours with smells is a thing, and synaesthesia is generally the word the fandom uses to explain Terezi’s ability, but you still have to actually see the colours for that to work. If she was only mostly blind and was picking up blurry colour patches, I could buy it (and that is how the fandom tends to do it with human AUs), but not if she’s supposed to be completely blind, and she still wouldn’t be able to read text that way.

BRIGHT: Time for another animation, and for a hop back into the recent past.

Watch on YouTube

As the meteor locked onto Dave’s house approaches, Dave climbs up the tower to retrieve his cruxite egg from the nest his sprite made. Unfortunately the sprite attacks him, knocking him and the egg off the tower. Bro Strider appears on top of the approaching meteor and slices it in half with his katana; the two halves are diverted by the blow and strike different areas of the city. Dave’s fall is broken by a rocket board, which is presumably how Bro got up to the meteor in the first place. (How did he manage to aim it to intercept Dave’s fall? Wouldn’t it take longer to get from the meteor to Dave than it takes for Dave to fall from the top of the tower to the roof of the building? We shall never know.) The egg hatches, and Dave is transported into the Medium. There’s no sign of what happens to Bro.

CHEL: Yet more cartoon physics around the Strider bros.

BRIGHT: I don’t know if we mentioned this earlier, but although Dave and Bro live in an apartment block that presumably housed multiple people, only Dave’s apartment gets transported into the Medium. Everyone else in the complex is left to die on Earth. SBURB is sociopathic.

Elsewhere in the Medium, back in the present, Grandpa’s ship is approaching Skaia, with Mom Lalonde and Dad Egbert on board.

Down on Skaia, Jack Noir draws his sword and slaughters the army WV raised to march on the Black King. WV cowers, but Jack leaves him alive. He then uses the Black Queen’s ring to send some sort of giant red tentacle attack through Skaia, slaughtering Dersite and Prospitian forces indiscriminately.

CHEL: Are they tentacles? I always thought of them as some sort of lightning lasers.

BRIGHT: That makes a lot more sense!

In the ectobiology lab, as the clock ticks down to the Reckoning, the babies are teleported to asteroids around the lab. There must be an air supply in this asteroid belt — characters are consistently shown as being able to survive outside.

CHEL: Maybe it’s just the players’ natural badassery. Batman Can Breathe In Space.

BRIGHT: On Skaia, CD makes his way through Jack’s slaughter fest, which has now ravaged a sizeable chunk of planet, and hands him the White King’s sceptre. Jack raises the sceptre and initiates the Reckoning. The meteorites start to vanish into Skaia’s defence portals. In the frog temple, DD somehow combines the MEOW genetic code with a paradox clone of Halley, creating Jade’s guardian Bec. Bec’s creation damages the laboratory equipment in the temple.

Cut to Jade, who is snoozing peacefully while her dream self explores Prospit. She looks up at Skaia, to see Jack’s shadow passing in front of it. Jack launches his tentacle attack on Prospit, slaughtering the inhabitants, then severs the chain attaching Prospit’s moon to the planet. The moon begins falling towards Skaia.

Jack then flies to LOHAC, where he encounters Bro Strider on one of the turntable mesas. Unexpectedly, Bro is able to give Jack an even fight. After a few exchanges, he drives his katana into the mesa; some sort of golden light emanates from the crack, and Bro absconds.

Wait, how did Bro get onto LOHAC? How did he survive the meteor impacts?

TIER: The ol' "rule of cool". As long as something is sufficiently "absolutely kickass!!" the rules of reality and physics can go sit on the bleachers twiddling their thumbs for all they fucking matter. There's a reason early fandom pinned down Bro as an unorthodox but immensely cool older brother type guy for so long. Because with what little information was available before we got bludgeoned with "No actually he was the absolute fucking worst thing to happen to Dave and fucked him up for life" that was the general impression he gave off.

CHEL: This and the meteor splitting are yet more reason not to take Bro’s treatment of Dave seriously; this is a world in which ludicrous animesque badassery rules the day, and physically impossible feats of battle occur every five minutes. Forcing a child to go through extensive and excessive sword training in brutal heat in a precarious place, possibly every day, ought by rights to be normal there, and I can’t believe he was physically hurt by swordfighting when he survived a meteor collision as an infant. Besides, training that extensive quite possibly could be the only thing that would keep Dave alive in these circumstances.

ARE YOU TRYING TO BE FUNNY?: 18

BRIGHT: There’s a random Squiddles interlude, and then we return to Skaia.

John’s unconscious dream self has fallen out of Prospit’s moon as it plummets towards Skaia. Jade tries shaking him awake, and then slaps him, but to no avail. At the last moment, she throws him out of the path of the moon, and her dream self is then killed when it lands on her. Back on Earth, her dreambot overloads and explodes.

CHEL: Taking her tower room with it; Jade’s sleeping body plummets towards the earth.

BRIGHT: The moon leaves a gigantic crater in Skaia. John’s now-conscious dreamself hovers above it.

The babies vanish through the defence portals to Earth.

CHEL: Each takes an item with them. John takes the Sassacre book, Rose the first Con Air bunny, Dave rides Maplehoof, Jade takes the bunny Rose gave to John (which is in fact the Con Air bunny plus several years and repairs), Nanna sits inside Dad’s old hat, Mom takes the mutant kitten, Bro sleeps in the lap of Li’l Cal, and Grandpa dual wields the flintlock pistols he should not be allowed.

BRIGHT: Dave and Rose reach the Gates above their houses and set out to explore their Lands. We close on an eerie shot of Bec outside the frog temple on Jade’s island at night.

CHEL: Jade’s tower room is blown to bits, and a truly enormous meteor hovers over the scene.

Curtains close. End of Act 4. Before Act 5, we receive a message from Rose, via her GameFAQ.

[ZZZZ] Rose: Egress. This is my final entry. My co-players and I have made every earnest attempt, with occasional relapse, to play this game the right way.

Really? You haven’t been in the game for more than a couple of hours and Jade still isn’t in at all! Maybe consider that the fact that not all your players are in the game yet when you wonder why it isn’t working?

I have been meticulous in documenting the process to help our peers and successors through the trials should we fail. In my hubris I believed these classes were relegated to the Earth-bound, but in even this quaint supposition I was in error. Our otherworldly antagonists have assured us of our inevitable failure repeatedly, while the gods whisper corroboration in my sleep. I believe them now. I just blew up my first gate. I’m not sure why I did it, really. I am not playing by the rules anymore. I will fly around this candy-coated rock and comb the white sand until I find answers. No one can tell me our fate can’t be repaired. We’ve come too far. I jumped out of the way of a burning fucking tree, for God’s sake.

I can see her point. The game is horrible and should be stopped. On the other hand, I’d at least attempt to spend more than one day investigating it before trying to break it. Randomly destroying shit is more likely to make things much worse than anything else.

I have used a spell to rip this walkthrough from Earth’s decaying network, and sealed it in one of the servers floating in the Furthest Ring. The gods may disperse the signal throughout the cosmos as they wish. Perhaps it will be of use to past or future species who like us have been ensnared by Skaia’s malevolent tendrils. In case it wasn’t clear, magic is real. Pardon my egress. You’re on your own now.

This note is signed with a glowing multicoloured “RL” and revealed to be emitted from a purple box with an aerial, floating in space. It seems that’s how their internet’s still working.

FAILURE ARTIST: The internet seems to be a magical dimension in Homestuck and not something that’s part of physical infrastructure.

CHEL: Hours in the future, WV lands in the desert remains of Earth, wrapped up in John’s old ghost-patterned bedsheet, which is still white. A villein becomes a vagabond. In his memory, he tears up an effigy of Jack Noir… where’d he get it? Did the game create it for some reason? Anyway, John’s blanket falls on him from the sky as Prospit plummets; WV calls it a RAG OF SOULS. Adorably melodramatic.

John’s awoken dreamself gazes sadly at Jade’s deceased one, which for some reason isn’t actually under the rubble of Prospit and appears to still be three-dimensional. There’s no excessive blood splatter like with the dead Dave, which is good, not too over the top. He retrieves the Queen’s ring from her hand. Was he told at any point that it’s important? Because if he doesn’t know, I’m not sure robbing the dead is very heroic. He sees an image of himself flying over the battlefield in a large cloud above him; in the vision he’s near a castle, so he goes to seek it out.

On Earth, PM wraps herself up in an old Prospit banner. A mistress becomes a mendicant. In her memories, she has beheaded the Hegemonic Brute and is arranging a meeting with Jack Noir. He arrives and she presents the crowns; smirking evilly, he honours their bargain, and the Courtyard Droll brings her the green parcel. She brings it to the castle from John’s vision as he arrives there, hands over the box, and angrily walks away.

FAILURE ARTIST: She’s Honor Before Reason (maybe she’s programmed that way) but she has the right reaction. This is a lot to go through to deliver a package.

CHEL: Inside the box is a letter from Jade’s unknown pen pal, who writes in dark green and a distinctive jolly-hockey-sticks dialect, with a tendency to ramble off on tangents about movies and wrestling.

Anyway you should listen to jade from here on out john because she sure seems to know whats best for you. Whatever your adventure throws at you im sure shell tell you you can handle it. She believes in you.

And another letter from Jade.

even though its super late and you probably went through a lot of trouble to get it, i really hope this present cheers you up! you looked so sad while you were reading my letter. um... which is to say, the one you are reading now.

She explains that in her dreams she goes to Prospit and John’s sleeping dream self is there, and that’s where she gets her visions. She hopes he likes his present, and says her penpal is fun…

john i am REALLY looking forward to seeing you when you wake up!!!!! its been nice playing with my prospitian friends and all, but also kind of lonely knowing you were in the other tower sleeping and having lousy dreams. :( im not sure where i am when you are reading this but im sure ill make it down to where you are soon! (jeez how did you get down there??? oh well ill find out) i cant wait to fly around the moon with you and show you all my favorite places. itll be so much fun!!!!!!!!! :D <3 jade

Ow. I think this is the only time John cries in the entire comic.

A Single Tear(™) is a bit of an understated reaction to the death of one of your best friends who you just recently learned is also your twin sister, but to be fair, John isn’t left with very much time to react, as next panel Jack Noir’s sword is pointed at his face.

BRIGHT: John knows about dream selves and waking selves by now, I think?

CHEL: He knows they’re a thing but I don’t think he knows they count as backup lives. AT told Jade dream selves can die separately from regular selves but I don’t think anyone told John.

FAILURE ARTIST: Jack Noir wants the ring, but then he’s stopped by Jade’s gift: a robotic bunny wielding multiple weapons.

They line up for a fight.

Hours in the future, on a destroyed planet, AR wraps police tape around himself and becomes a Aimless Renegade. Before the disaster, he went to the Veil, where he found a sleeping John. He saves John by putting him on a rocket board.

Back to the robotic bunny. Jack Noir flies away from the fight. Grandpa’s battleship lands and Grandpa takes away Jade’s body. Mom and Dad disembark the ship and wave goodbye as it leaves. Grandpa cries a Single Tear as he transports Jade’s already taxidermed body. Did he have a machine?

CHEL: For that matter, why isn’t he helping anyone who’s actually still alive while he’s there?

HURRY UP AND DO NOTHING: 10

FAILURE ARTIST: Nope, transporting a dead body is more important.

Again going back, White Queen leaves Prospit. On landing, she becomes Windswept Questant and wanders the Earth. We go forward years later. She repairs the laboratory and meets up with AR, WV, and PM. WV’s homemade spear hides the ring.

John watches this scene through the clouds of Skaia. He looks at the ring in his hand. In another cloud, there’s Jade’s laboratory. We close in on it and inside is The Fourth Wall. It isn’t turned on, but we are still lead to Andrew Hussie, banging away on a computer keyboard as he recaps the plot for a second time.

CHEL: Which we shall do as well when we’re done with this section, because it’s insanely hard to keep track of everything.

FAILURE ARTIST: Andrew Hussie says Nanna’s comet landed 99 years before John’s “birth” so he has some clue about the age but still doesn’t see it odd that a woman that age has a son who is probably only in his thirties.

CHEL: As I said, it’s also possible Dad was really old too, but that’s never really suggested. Not to mention, since they were brought into existence as toddlers, shouldn’t the kids be noticeably older than the ages given for them? John should be biologically fourteen to fifteen by now and at that age that can make a visible difference. I know the art style doesn’t really give clues, but no one I’ve seen has ever pointed that out in fanfic either.

FAILURE ARTIST: Newborns aren’t distinctive looking and can’t really do the cute things toddlers do. People in TV and movies regularly give birth to six month old infants so it’s not strange.

CHEL: True, but this isn’t TV, it’s a comic, and they don’t have to use an actual infant as a prop here.

BRIGHT: Possibly it’s intentional. Among other things, we see the newly-created players survive short trips through vacuum, crash-land on Earth without even minor injuries, and handle weapons they shouldn’t be able to lift for another four or five years. This could work if players have superhuman abilities (that is, beyond the classpect system). If that was the intent then it really should be made more explicit, though.

Of course, what it really boils down to is that Homestuck runs off Rule of Cool and Rule of Funny, and occasionally breaks down on examination as a result.

On the whole this is a solid Act, I think! We have a lot of new stuff happening, more characters get introduced, and we find out some more about the trolls. It’s much less rambling than Act 1.

COUNTS ALL THE LUCK: 0 ARE YOU TRYING TO BE FUNNY?: 18 CALL CPA PLEASE: 8 CLOCKWORK PROBLEMATYKKS: 19 GET ON WITH IT!: 18 GORE GALORE: 10 HOW NOT TO WRITE A WEBCOMIC: 15 HURRY UP AND DO NOTHING: 10 IN HATE WITH MY CREATION: 0 RELATIONSHIP GOALS?: 1 SEND THEM TO THE SLAMMER: 1 SOME OF MY BEST FRIENDS: 0 WHAT IS HAPPENING??: 9 WHITE SBURB POSTMODERNISM: 19 TOTAL: 127

[viralhottopics]

Neil Gaiman: I like being British. Even when Imashamed, Im fascinated

The books interview: The award-winning author on his new book of Norse mythology, Brexit and being an Englishman in New York

Neil Gaiman wanders into the Crosby Hotels colourful parlour in lower Manhattan looking like the Platonic ideal of himself. Hes all wild hair and gracious manners, dressed in a lived-in black wool coat, which he keeps on throughout. He loves this hotel, he says, not least because the concierge writes a comic about Houdini with the former concierge.

Gaiman started out in comics, reading them as a child and eventually writing them too, including his famous Sandman series. So does this happen to him often, his very presence tempting out underground comics enthusiasts all over the globe? I wish I could say yes. It would be a much more interesting and sort of Pynchon-esque world. But no, its just here.

Gaiman looks a little tired. He has just come from feeding breakfast to his toddler youngest son, the progeny of his second marriage to the singer-songwriter Amanda Palmer. (He has three children with his first wife, Mary McGrath.) His creative life is a whirlwind of projects. The television version of his 2001 novel American Gods is to air in the US in April. He has also been at work on an adaptation of his 1990 collaboration with Terry Pratchett, Good Omens, for Amazon and the BBC, on which he is serving as showrunner. Meanwhile, there is the matter of writing books, the latest of which is Gaimans retelling of Norse myths in the straightforwardly titled Norse Mythology, out this week.

It has clearly been a struggle to find the time. I would look up every now and again and go, OK, I have a week. Good, I will retell a story. These are drawn from the 13th-century source texts for many Norse myths, the Prose Edda and Poetic Edda, which he first read in his 30s, after absorbing the superhero stories inspired by them in Marvel comics as a child growing up in West Sussex. With such a haphazard schedule, it has taken around eight years to write the book, the idea for which was first floated by his American editor at Gaimans birthday lunch in 2008.

Listing all of Gaimans achievements could fill a book on its own. In addition to the comics, he is the author of novels for adults and children including Neverwhere, The Graveyard Book and The Ocean at the End of the Lane. He has written original screenplays and seen his work adapted by others, too, such as the 2009 stop-motion version of Coraline. He has been nominated for and won countless awards, including the Hugos, Nebulas and Eisners.

An illustration from Neil Gaimans The Graveyard Book

Gaimans love of Norse mythology surfaces frequently in his work, not least in American Gods, which captures a battle between Odin and Loki. But in embarking on the retellings in Norse Mythology, Gaiman found himself faced with new limitations, as much information about the gods is missing. On Greeks and Romans, for example, we have scads of stuff, but the Norse werent writing it down, he explains. They were telling the stories, so everything we have was written down after the event. The holes and the contradictions that result from the oral tradition presented creative choices, but he felt an acute responsibility to be faithful to the traditional versions.

I have to play fair with the Norse scholars and I have to play fair with kids who pick up the book and read it and think they know the stories. And so I may add colour, I may add motivation, Id go and put in my own dialogue. I may draw inferences, he says. All that stuff Im allowed to do, but I feel like Im not allowed to just go, OK, theres a patch of canvas missing here. Im going to draw something in

Even so, Gaimans personal sensibility is apparent in the text. His affection for Loki, for instance, shines through: Loki is very handsome. He is plausible, convincing, likable, and far and away the most wily, subtle and shrewd of all the inhabitants of Asgard. It is a pity, then, that there is so much darkness inside him: so much anger, so much envy, so much lust.

Gaiman attributes his love of Loki to his novelists eye. You always end up fascinated by who changed, and how they change, because the engine of fiction is who are you at the beginning of the story and who are you at the end. Thor, bless his heart, has no narrative arc: he is the same person all the way through. He is not the brightest hammer in the room, but hes good hearted, and you know he will die at the end, but he dies the same person hes been all the way through. In contrast, Loki is both the devil and the saviour of the gods. Almost every story where theyre in trouble, its because Loki got them into it. Also, an awful lot of the time, hes the only one smart enough to get them out of it.

He declares a real joy in passing these things on. Its like being given something that belongs to humanity and polishing it and cleaning it up and putting it back out there.

Gaimans enthusiasm for myths also extends to the Egyptians and the Greeks. He can reel off similarities between ancient stories, and says he doesnt just tell the stories, he feels them on some emotional level. The glory of some of these myths is that they feel right, he explains, although he also concedes that every now and then youll hit a myth and go, No, I cant really get behind that. Really, we get licked out of the ice by a cow? OK, if you say so. (Hes referring there to the myth of Audhumla, which he includes in Norse Mythology, despite his scepticism.)

As Gaiman wrestled with these stories, he says, he had no idea he was writing a topical book. But then, as political events unfolded in the second half of 2016, he could not help but draw parallels. For me, it was Ragnark, he says, referring to the apocalyptic end of the gods. It begins with a long winter, continues with earthquakes and flooding, and then the sky splits apart.

The view that Brexit and the election of President Trump have brought about chaos and even a sense of impending doom is widely held, but Gaimans version of it is particularly eloquent. I remember the 80s and the nuclear clock and the cold war and Russia and America and [thinking] I hope you guys dont press buttons and it would be very nice to not live in the shadow of everything ending, he says. But at least at that point, what you were scared of was just one action. Now one is scared of the accretion of a million actions and a million inactions.

He says there is a strange kind of magical thinking afoot and tells me about waking up the morning after Brexit in a hotel in Scotland and checking the result, then having that sort of moment at the end of Planet of the Apes where Charlton Heston sees the Statue of Liberty … I was going, Oh, no. Are you really

Gaiman has, in recent years, divided his time between the UK and the US, but he is not an American citizen and has fallen off the electoral roll in the UK, so he wasnt able to vote in either the Brexit referendum or the US election. Im frustrated not being able to vote over here, he says. Im like, well, I pay lots of taxes to the US and the UK, but I dont want to become an American citizen. I like being English. I like being British. Even when Im ashamed, Im fascinated.

Indeed, he clearly is. He does a very good imitation of the cab drivers he encountered in London leading up to the Brexit vote, who seemed to believe that, ultimately, the thing they were about to do was of no consequence: The EUs not going to let us go … . Regarding the Trump vote, he says: At the end of the day, what I think was being voted for was change. People were saying Were fed up and were not being listened to, and unfortunately that wasnt being offered by the other side. The appeal of Bernie Sanders was he was standing up there saying This thing is fucked, and the problem with Hillary was she was standing up there and saying Things are good, theyre getting better.

Genuine worry furrows Gaimans brow, but he has plans to respond to current events. His following is huge, including 2.5 million people on Twitter and the millions who read his books and his blog and watch his television shows. He intends to use that platform to highlight the plight of refugees. He hopes, too, to double down on his longstanding activism to promote freedom of speech. I wrote an essay on my blog in 2009 called Why Defend Freedom of Icky Speech?, he says, Which just becomes more and more timely. I have a 14-month-old son, and a four-month-old grandson. I have no idea what kind of world theyre going to grow up in. Im going to do my best with the time and the intellectual effort remaining to me to do whatever I can to give them a good world, he says.

Ragnark, as Gaiman writes in Norse Mythology, is of course the end of something. But there is also what will come after the end, he adds. In his version the sun comes out. Something glitters in the grass. The gods children find a set of golden chess pieces waiting for them. They arrange them on a board, and then one of them makes a move. And, Gaiman concludes, the game begins anew.

Read more: http://bit.ly/2kt7kUP

from Neil Gaiman: I like being British. Even when Imashamed, Im fascinated