#i feel like it's really important to share as ian's bipolar storyline was not only so vital to his character it was a bit of representation

[heymacy]

IAN GALLAGHER + his journey with bipolar disorder

╰┈➤ “At times, being bipolar can be an all-consuming challenge, requiring a lot of stamina and even more courage, so if you’re living with this illness and functioning at all, it’s something to be proud of, not ashamed of." - Carrie Fisher

[ianenjoyer]

here by unpopular demand: why Ian and Mickey are narrative foils 

For reference, the definition of a narrative foil is a character who contrasts with another character (usually the protagonist) to highlight qualities of the other character. 

1. introduction to the show

Mickey is introduced to the show as an antagonist and somebody out to get Ian who, at this point, is the ‘protagonist’. He’s presented as the direct opposite of Ian: dirty, obviously not well taken care of, crass, homophobic, etc. As the show goes on we learn that most, if not all, of these things are a defense mechanism and not actually indicative of who he is but before 1x07 these are the only things we know about him. Basically, he’s introduced as a stereotypical neighborhood thug contrasted against sweet, hardworking, ambitious Ian.

2. family

The Milkoviches and Gallaghers are narrative foils, too, and in better world the show would have explored this even further but I digress. They’re similar in the way that they’re both poor Southside families trying to make money to stay afloat but the comparisons pretty much end there. The biggest difference is that the Gallagher children always had somebody looking out for them, while the Milkovich children didn’t. Talking about Ian and Mickey, it’s not to say that Ian didn’t have his fair share of having to fend for himself or that he had it easy, but at the very least his family really loved and cared about him and it’s shown really early on that Mickey didn’t have that. In fact, he lived in perpetual fear of his father and was loyal to him because of this, as opposed to Ian who hated Frank and avoided even associating with him most of the time. Ian and Mickey in the early seasons explicitly show what difference growing up knowing you’re loved and thinking you have a chance in life makes and how much that affects your personality and general worldview.

3. driving character arcs

This boils down to Mickey’s main obstacles being external and physical while Ian’s are internal and psychological. Neither one is worse or more important than the other but it does mean a lot in terms of who they are as characters and the things they had to overcome.

     3a. Mickey’s sexuality

     Ian has always been shown to be comfortable in his sexuality and, even though he wasn’t out for all of the early seasons, it was never shown to be a source of contention for him. Mickey on the other hand, doesn’t get comfortable in his sexuality until season 5 (and even then he’s shown to revert to having sex with women when he’s stressed). In this regard, Ian operates as Mickeys foil, serving to highlight how different Mickey’s experience with his sexuality was compared to Ian’s, as shown in 2x08 when you see Mickey terrified of being outed while Ian looks on really not understanding what he’s so afraid of. As Mickey said, they lived in different worlds, and moments like 2x08 or all of season 3b serve as proof of this.

     3b. Ian’s bipolar

    Ian’s return in season 4 marks a real turning point for his character. Even though his main traits never falter he seems to be, in many ways, a completely different person. As time goes on you learn why this is and, especially after Ian’s diagnosis, you see Ian and Mickey once again living in different worlds. Mickey operates as his foil here because Ian sees the diagnosis as a death sentence and has a hard time coming to terms with it. After what he saw with Monica, it seems impossible that he would see it any other way, which is made worse by the way his family talks about it. Mickey, however, has none of these pre-existing connotations or stigma about it. To him, it just means Ian’s sick and needs help, not that he’s broken or different or that there’s anything wrong with him at all. Once he gets over the initial hurt and confusion it really doesn’t change how he sees Ian at all, which juxtaposes Ian’s warped perception of himself, which goes so deep that he breaks up with Mickey after spending time with Monica and seeing the future he thinks he’s doomed to end up in.

4. relationship

All throughout the show, their storylines are inverses of each other (I’ve made a couple gifsets about that here) and the relationship itself serves to highlight different parts of each character at different points throughout the show.

    4a. seasons 1-5

In seasons 1-3, Ian is shown to be the steady one in the relationship, he has the luxury of not being terrified of being outed and having a support system, so he’s able to pursue Mickey in this way. Then, enter seasons 4 and 5, and all the stability and surety that has defined Ian for his whole life is ripped away from him. This completely flips their dynamic on it’s head and forces Mickey to both pursue Ian, and become the stable one in the relationship, in seasons 4 and 5, respectively. 

     4b. seasons 6-7

In season 6, Mickey is a reminder of Ian’s ‘past life’ and everything he was desperate to move on from. It’s not that Mickey did anything to deserve this, but the fact is Ian associated him with everything from the past year or so that had completely destroyed his life and his perception of himself. 

In season 7, Ian had gotten himself to a place where he was able separate Mickey from that and come to terms with his feelings for him. Mickey was his foil here in the sense that he represented love and passion as opposed to the precarious stability Ian had worked really hard to carve out for himself. The situation forced Ian to make a choice between the two and revealed just how much Ian values his mental health and safety, highlighting how much he’d grown from seasons 4 and 5.

     4c. season 10

In season 10 their relationship had finally reached a point where they can just be together, which opened the door for the insecurities that they both still harbored to come out of the shadows. Mickey’s feelings of abandonment and his need for Ian to prove that he’s committed go up against Ian’s commitment issues brought on by his bipolar and the connotations that marriage held for him. To Ian, getting married meant Mickey tying himself to him forever, and he couldn’t imagine why he would want to do that; to Mickey, it just meant them committing to being together forever. They were essentially looking at the same picture but seeing different things which highlighted really key parts of their personalities and the way they operate in a relationship.

tldr: Ian and Mickey’s relationship is incredibly complex, but the main thing that remained consistent through it all is that they constantly challenge each other and bring out both the good and the bad in each other and that they fiercely love each other.

[loftec]

I was really hoping to update NTW this weekend, but it’s looking less and less likely... so, here’s something else.

I found an alternate season 6/7 thing I started outlining when that whole mess went down, like just ideas for how Ian’s storyline could have worked out after season 5 (I would have included the other characters too, but honestly I don’t know what they’ve been up to since I stopped watching. Fiona bought a building. For some reason. I don’t want to know.).

So I’ve added some stuff for season 8 and 9, and since I’m probably never going to write it I thought I’d just share it for laughs.

May the 4th be with you!

Alt Shameless after season 5

Ian is on his meds and since he broke up with Mickey because he thought he’d be better off alone, he doesn’t go looking for new boyfriends.

He sleeps around a lot though.

He doesn’t have a lot of storyline, because he’s mostly clammed up and moping around, and his family keep assuming that it’s because of his meds.

Maybe four episodes in, something happens at work that makes Ian seek out an LGBT+ group, where he meets Trevor at a charity event. They work together all day and really hit it off, they have some similar interests (interests!), and they end up talking about a lot of things (things!). At the end of the day, Trevor asks him out, and Ian says yes before he’s remembered that he doesn’t do that stuff.

He’s nervous about the date and drinks a couple of beers before Trevor even shows up, he gets piss drunk and wakes up the next day in a strange room.

It’s Trevor’s bedroom, and Trevor comes in with coffee, telling him that Ian was pretty much drunk when he showed up and barely able to stand on his own two legs by the time they left. He doesn’t know where he lives, so he took him home for the night.

Ian tells him about being on meds, and that’s why he got so drunk so fast.

Trevor thinks he could have just told him, and Ian says his mental illness pretty much was the reason his old relationship didn’t work out.

Trevor asks if it was Mickey. Ian wonders what Trevor knows about it.

“You may have mentioned him last night.”

Ian says yeah, and is quick to correct him when Trevor assumes that it was Mickey who left.

“I broke up with him, thought it was the best for the both of us at the time… also don’t think I expected it to last. We usually find our way back.”

“But not this time?”

“He’s in prison. Fifteen years.”

It’s the first time he says it out loud.

Trevor says he’s not interested in starting a relationship with someone who’s clearly still in love with their ex (and Ian kinda smiles, because it’s true and it’s so nice that someone else can see it and accept it and take it seriously). But, he says, you do look like you could use a friend, and not to brag, but I make an excellent friend. He does the cheesy handshake, re-introduction thing (where we find out his last name!) and they agree to be friends.

(Turns out Trevor is estranged from his family, and after maybe a shaky start, he finds a natural spot in the Gallagher clan and becomes part of some of the other plot points throughout the season.)

Ian’s storylines can be about his work, and about stuff happening at the LGBT+ youth center, and they get into hijinks, but nothing super serious (or illegal!!).

Ian at some point has a big moment with Yevgeny, where he comes to terms with no longer being a parent, and maybe even thinking that it’s for the best. (Svetlana and her thrupple storyline can basically be the same, but end differently. With the three of them happy and together, and Yevgeny thinking of Kev as his dad. It’s not ideal, but neither is Yev being sad about his dad being in prison.) Maybe Ian talks to Svetlana about Mickey, maybe finding out for the first time that they aren’t married anymore. We don’t find out what Ian thinks or feels about this.

Throughout the second half of the season. Whenever the Gallaghers gather and Ian isn’t there, they wonder where he is and try to reach him, letting it go when he doesn’t answer.

But after it happens too many times to be a coincidence, they start wondering. Maybe Lip and Fiona talk about it, worrying about Ian having a low, or a high, but not knowing if they should intervene.

Lip talks to Trevor, and tells him more about Ian’s bipolar. Trevor denies having noticed anything going on, and maybe even questions if Lip has any right telling him Ian’s personal stuff.

(Also, I think it would be really nice for Trevor to have a romantic/sexy storyline... so I wouldn’t mind Trevor and Ian starting a friends with benefits relationship, deciding on the terms of it before they start it. Or, Trevor starts a relationship with someone else. Depends on how much drama one wants. Trevor could develop unrequited feelings. If one wants. But personally I think it would be more fun for everyone involved if he was allowed to fall in love with someone else.)

Last episode of the season, they’ve had some big plot point resolved by the Gallaghers getting together and working it out as a goddamned team, and they’re all sitting on the porch steps when a police car stops outside their house.

The officer tells them that Ian is on record as having visited Mickey in prison, and Lip is like, yeah, maybe a couple of times a year ago, what’s that got to do with anything? And the officer says, no, he’s visited once a week for the past six months. And Mickey has escaped. And they have a warrant to search their house.

The Gallaghers sit packed together on the couch watching the news as the officers search through the house, and on the TV we get the whole scoop. There has been a massive prison break and like 40 highly dangerous inmates have escaped, Mickey amongst them.

BOOM. Credits.

Season seven.

Throughout the season, we get like comedic side story lines about the police and the escaped inmates basically roaming the streets. Potentially outrageous and lots of opportunity to oscillate between slapstick comedy and high-stakes drama.

Ian waits for Mickey to contact him, but it doesn’t happen until maybe a couple of episodes in. TENSION.

Ian has other storylines through the season, but mainly it ends up being his secret rendezvous (plural, frequent, in-depth, sexy) with Mickey where they get to spend time together, talk. Bonus if they try to “be friends” for a while, because they don’t talk about the important stuff and they don’t know where they have each other, and they don’t know what’s going to happen. It doesn’t last long, culminating in an explosively passionate love scene.

At some point, Ian is approached by an FBI agent, telling him they have a deal for Mickey if he turns himself in and gives them info on the other escapees. Ian says he’s not in contact with Mickey and even if he was, Mickey would never snitch.

Later on, he talks to Mickey about their future. Mickey explains that the gang he joined in prison are escaping across the border to Mexico, and he has to go with them. Ian says he’ll come with Mickey, but Mickey is firmly against it.

He wants Ian to come with him, of course, but he doesn’t want that life for Ian. No security, a life of crime, on the lam. He kind of gets why Ian broke up with him, now, if this is anything like what he felt at the time, stuck between a rock and a hard place. Ian pleads with him, telling him that breaking up is something he’s only ever regretted since he did it.

Yeah, but what other choice have we got?

Ian tells him about the deal, and takes out two gold bands he’s bought from a pawnshop. If they get married, they can be put in the witness protection program together, and start over.

Mickey agrees, to Ian’s great surprise, and they end the season being shipped off to an unknown location as the busload of prisoners get apprehended on the way to Mexico (cartoonish, but with a little bit of work and research, maybe could be an acceptably goofy and almost realistic plot point).

(For Drama, Mickey could be with the prisoners when they’re apprehended, and he’s shot dead by the police. Cut to Ian being in the ambulance that picks him up, and Mickey is still sitting in his body bag, all bloodied, as they suck face and the FBI drive them to their new location.)

Season 8

Ian and Mickey try to start a new life and it turns completely ridiculous (like, imagine a mix between IASIP where Mac and Dennis are in the house with the Mac & Cheese mixed with like, Suburgatory, or Weeds, or whatever. Two gay South Side kids suddenly trying to make a life for themselves in some middle class suburb somewhere, and they hate it and it all goes to shit. But they love each other and get each other through it.)

The hardship they face in their new life doesn’t come from them, (it’s from situations and circumstance, and other people being impossible) and every time something happens it only leads them to break down another barrier by eventually talking about their feelings and hopes for the future, and thoughts about the past. And I want them specifically to talk about Yevgeny, how hard it was for Mickey to feel anything good about him at first, but now he misses him like he’s missing a limb. Them trying to be a wholesome couple in a suburb somewhere is an unmitigated disaster, but it does help them get a lot closer to each other and work through their problems, and their past.

And then through some Shameless™ retcon, something suddenly makes it possible for them to return back home. Or maybe they’re just like, fuck this, is there anyone stopping us from just grabbing our shit and going home?? No. So they do.

Yevgeny is part of the reason why they return. They move in to the apartment above the Alibi at first, and Mickey can work with Svetlana in the bar and cook up semi-illegal side-hustles with Kev. 

Everybody they know are on their side, denying everything in true South Side style if anyone asks about them, once again solidifying the core concept of the show; we take care of family.

The whole thing where they’re possibly in danger from the Mexican cartel looking to exact revenge for Mickey snitching (if they ever find out that he’s alive) could be played for laughs and brushed off, until it might come back and create more Drama in a later season, if needed, before being permanently resolved.

Characters thinking they’re invincible and being stupid about stuff like this is fine, I think, if they do it for a good reason.

[koganphrancis]

Camless Episode 5

All The Writers Of This Show Are Shit

We had us a brand new writer this week and all we got was the same old same old: OOC, Retconing, and Repeats of Old Story Beats.

I’ll attempt a recap, but this episode really sucked the will out of me.

(gif credit: gallavichlovies)

I’m not going to do my usual character by character recap because frankly some really awful shit went down this week that I’m just going to refer to and not go into in depth.  Plus, so much of the episode was tedious repeats of shit the writer had JUST TRIED to say.  

We had both Debbie and Ian go knocking on the wrong doors for advice. We had two endless Lip scenes where all that was happening was he was running and riding a motorcycle.  Maybe next week he can paint a fence and we can all watch as the paint dries. Liam is sexually molested (off screen, but still) by another child who had been sexually molested. Carl and Frank both get slapped around in sexually-adjacent situations just as the show is once again trying to drive home what’s unacceptable for men to do to women-hey, Shameless, that goes for what’s unacceptable for women to do to men, women to do to other women, and men to do to other men as well.  They tried to make “going Fiona” a thing-twice.   There were at least four scenes where Frank tried to get an erection. There were endless retcons (more on those to come).  

My notes are all over the place and the show’s such a shit pile I can’t even begin to make a smooth narrative out of them, so here’s a list of my observations, saving the Ian shit for last.

Debbie had a running thread through a big part of the episode where she’s literally bored to the point of falling asleep listening to Alex-that is exactly how I feel about their relationship/the Debbie thinks she might be gay storyline.  Also, if anyone cares, Debs has completely dropped her equal rights/equal pay fight.  She doesn’t even seem to go to work anymore. Later, Debbie goes to visit the lesbians in Fiona’s building (rather than, I don’t know, talking to Vee about her experiences with Svetlana, since that seems maybe more in line with feelings Debbie is experiencing?) and the scene was clearly written in lieu of Shameless ever showing sex scenes anymore.  

The blond lesbian, Mel, exposes herself to Debbie in the doorway of her apartment (but sadly for the Netflix fans, her back is to the camera), without establishing if Debbie is not a minor, and then she kisses her in a sloppy slo-mo saliva string sharing close up.  Debbie is supposedly stunned stupid by this, but the whole “you like what you like and you don’t have to justify your sexual orientation to anyone” message falls flat.  Debbie has ALWAYS been starved for attention, and she misreads any attention she gets from anyone of any sex.  Since Matty she’s always equated someone trying to be interested in her as being interested in her sexually.  And that kiss wasn’t sexual at all-it too was a form of molestation-it wasn’t asked for or consented to.  This show is shit.  

Carl meets a young woman at a West Point mixer, the daughter of the scary military officer who is throwing the party.  Hello, we’ve done this already with Dom and her scary cop dad.  Yawn.  Carl films them not having sex after she passes out drunk so he can prove he didn’t molest/rape her, should it ever come in question.  At first the young woman is mad (and jumps on him and starts slapping him around, just like Katey Sagal will do in a scene with Frank), but then later she returns Carl’s phone and says she saw he didn’t film them having sex, but there is a recording on there of him having sex with someone else.  He says that’s Kassidi, his ex, but fails to let Kelly (the new chick) know she’s dead and he’s an accessory to her murder.  And how fucking creepy is it that Carl’s kept sex with his dead ex on his phone?  Is that something he’s still watching?  Does he get off to it?  This show is shit.

Kev and Vee get stuck with Frank in a few scenes, foreshadowing the boring seasons to come, should the show get renewed (why are they still sitting on announcing that, btw?).  There’s a subplot for Kev where he’s going to speak at a women’s rally in his new-found position of Vagina Safe consultant, but he wisely bows out when he hears the real hell women face on a regular basis.  Why this show is trying to be socially conscious this late in the game I’ll never know.  Especially since they’ll keep pulling their bullshit and defend it with “it’s Shameless!” like they’ve always done in the past.  This show is shit.

There’s the weekly Fiona/Bored disagreements-this time they’re about little things like music preferences and whether or not Fiona should care about her brother going to prison for up to two decades.  Bored winds up singing along to a song to Fiona at the end-it should’ve been Gus Pfender’s Fuck You, Fiona and they could’ve had a cute discussion about Gus being Fi’s ex-husband.  This show is shit.

Now Ian.  Sigh.  Nothing makes sense.  Everything’s either a lie or a retcon and we the audience still don’t know which.  At breakfast he’s telling the family his plea options, and when Liam questions temporary insanity, Ian rattles off, “Bipolar, off my meds.”  So is Ian saying that’s just the definition of the defense he could use, or is he saying “I was off my meds”????  WHY won’t the show give us any answers?  There were two significant scenes in Season 8 where he staunchly said he was taking his meds and that he (rightly) was entitled to feel emotions and be angry at times.  Are we supposed to think that right about then is when he stopped taking them and then Gay Jesus happened?  But if that was the case, why did he stop taking his meds, and now how long has he been off them-or did he start taking them again and now they’re working after being off them for all the GJ stuff PLUS when he was in jail for 9 months?  IF he was off his meds for any amount of time but especially a long amount of time (pretty sure an argument could be made he’d been off them since leaving Mickey/Monica dying/stalking boring Terror, blowing that old couple for money), why did his manic phase seem so different than when he was back from the army?  Can the show try to explain anything?  

Ian and Fiona and Geneva all go to the lawyer’s office-why?  There IS such a thing as client-attorney privilege and the lawyer, at least, would ask them to wait outside once the screaming began if not sooner.  But oh well.  Ian finally says, “Does anyone want to hear what my lawyer has to say?”  Me at home: YES!!!  Lawyer starts to talk, “I know this judge-he’s under...” Geneva starts yelling again and what gets lost in her bullshit is that later on, the judge is not a he?  

Outside Fi asks Ian, “Are all lesbians that dramatic?”  I asked last week, I’m asking again: Is Geneva a lesbian?  Is this just another retcon?  Her initial interactions with Ian seemed like she was crushing on him, that she wanted him, and there’s been nothing about her being a lesbian in canon.  I know it’s not important, but the lack of attention to detail on this show contributes mightily to its shittiness.

Suddenly Ian has a question, and he can think of only one place to get an answer (even though Liam was able to Google “what is cocktail attire?” and get an answer in seconds.  Ian should’ve asked him to look up his question as well).  

Ian goes to the Milkovich house and it’s so fucking OOC I don’t even want to think about it.  For whatever reason, Ian politely says, “Hi, Mr. Milkovich,” when Terry answers the door-why would he even bother?  Terry’s not big on manners, for one thing, and for another, the last time Ian saw Terry he was flipping him off as he was being carted back to prison.  Don’t think Terry’s going to be warmed over by a polite greeting.  Anyway, Ian asks him about being in the pen, and Terry says there’s ass and mouth rapings that Ian would probably enjoy, shitty food, and beat downs from the guards.  Ian asks if Terry was mouth raped (I think he specified that, I didn’t put it in my notes) and Terry indignantly says that Milkoviches don’t “bottom”.  Ian says, “Was Mickey adopted?” and I can’t tell if he was trying to piss Terry off or if he was genuinely curious, but as a joke it didn’t work-Ian knows (or the old Ian did, anyway) better than anyone that Mickey was absolutely nothing like Terry, in any way, not just in sexual preferences.  Another OOC comment to just make the viewer weep thinking about the old days.  Also, having Terry know, let alone USE, the term bottom was also OOC in the extreme.  He might as well have said, “All Milkoviches are cishet.”  It would’ve been just as believable.  

But back to the scene.  Ian says, “Rapings, food, guards-I can handle that shit.  I just need to know...” Terry interrupts him.  “Anyone can handle that shit.  (Again, me at home: Really?)  It’s the boredom that’ll kill ya...Start reading books, lifting weights...”  (Mickey already told him that about juvie AND prison-how dense is Ian that he never got it?)  “But you’re in the same place, with the same assholes, doing the same shit, every second of every minute of every hour of every day of every god damn year.  If I was you I’d pack my shit and run.”  

Ian’s face while he’s running down all the segments of time seems to look like Terry’s getting through to him.  And Terry telling him to take off is actually the best advice Ian winds up getting-in the long run Terry seems to care about keeping Ian out of prison more than his own family.  Terry easily could’ve slammed the door in Ian’s face and ignored him.  Does that mean I forgive Terry at all for everything he did to Mickey, Mandy, and Ian-not to mention his other sons and Svetlana?  FUCK NO.  But how telling is it that this show is now so bad that a villainous piece of shit like Terry is the one character we are listening to and agreeing with?  

One last thing about Terry-he just got out, but he knows Mickey’s in Mexico?  How?  I’m hoping this is a set up for Ian being able to find Mickey next week (or at the end of the season if we have to wait that fucking long), but this show doesn’t do continuity anymore, so I’m sure there’s no logical explanation for Terry knowing that fact.  

Fi goes to the Gallagher house looking for Ian and finds an empty box of hair dye, and a towel stained with hair dye, and that Ian’s drawers are empty.  I also noticed that his pillow was gone-did he pack that up too?  If so, I’m hoping it’s because he and Mickey shared it and he wanted to keep some part of Mick with him always, but we know this show ain’t about that anymore.  Anyway, Fi goes and tells Lip she thinks Ian skipped bail and they have to go find him.  Lip says no, Ian’s an adult.  This conversation also just took place with Debbie-or takes place right after, the show was so boring I couldn’t keep the repeated scenes straight if you put a gun to my head.  

WHY are the siblings so uncaring about Ian going to prison-or getting caught as a fugitive and spending even more time there?  WHY is everyone so stupid about whether prison is “bad” or not, especially for their apple cheeked, puppy-eyed brother who is dealing with mental illness?  Who may or may not be off his meds at any given time?  Ian couldn’t even handle VISITING Mickey in prison, why does he suddenly think he could do a stretch of multiple years if not decades?  All those years stealing cable and watching bootleg DVDs, did none of the Gallaghers ever watch Oz?  In a prior season it was established that Lip has read so much he was able to determine a Louis Vuitton purse was authentic by the stitching and the lettering-he’s never read about prisons and how they affect young men that are in them for a period of time?  “Hardened criminal” is a phrase he’s never come across?  Lip doesn’t realize how hard Ian’s future as a convicted felon will be when he gets out?  Trying to find a job (especially one with medical benefits), a place to live, all that stuff?  This show is shit.

There’s a meaningless shot of Ian at the train station (we don’t even get to know where he was planning to run to-as if we didn’t know-show us he’s at least headed south, you bastards!) and then there’s a scene where Lip comes home in the dark to find Ian at the kitchen table eating ice cream right out of the Edy’s carton.  (They don’t show us the flavor-it looked like it might be chocolate chip?  I didn’t see any chunks of cookie dough or anything.  Again, this is only important because everything else is so boring that actually knowing what kind of ice cream Ian likes would be interesting in comparison.)  

I guess the ice cream is sort of a metaphor?  Ian’s last sweet taste of freedom?  Or maybe I’m reading too much into it and they just came up with something for the brothers to share and it couldn’t be beer-because of Lip, not because of Ian’s meds because god knows they never cared about that, plus we STILL don’t know if he’s just magically back on them-if he is, how is he paying for them?  Anyway, after Lip’s earlier attitude about Ian being an “adult” and not caring all that much about him ever, he doesn’t deserve ice cream!  Here’s a snippet of their dialogue: 

Lip: So you didn’t run. Ian: Oh no-I ran.  I just...ran back.  (well, at least that’s in character since he ran away to the army and came back, and ran away with Monica and came back, and the fucking Mexican border, but I’m not happy about that fact)

They start listing the things Ian will miss if he’s gone for the next ten years.  Debbie may be married to a woman (I would think her being divorced is more likely, but whatever, I won’t be around to watch it either, I’m gone as soon as Ian’s back with Mickey), Carl will be a war criminal, Liam will be the father of a ten year old, Frank, dead.  Ian asks Lip, “You?”  “Still in AA, if I haven’t drunk myself to death.”  Ian says, “Do me a favor?  Don’t.”  IAN CARES MORE ABOUT LIP THAN LIP CARES ABOUT IAN.  Always has, always will.  “Lip deserves to get out of the ghetto.”  But Lip’s fine with Ian going off to prison because of the whole Gay Jesus thing that he never even began to try to understand or help Ian find a way out of.  This show is shit.

Next there’s a scene of Ian in a suit, dressed for court and talking to his Bible that’s on his bed (still no pillow-weird).  He’s asking Shim to talk to him one last time, maybe give him a hint what he should do.  His voice is soft and pleading and he’s almost in tears and all I can think is he needs Mickey to talk things out with.  Lip comes to the door and says something like they’re all downstairs, it’s time or whatever.  Ian gives the Bible one last look and seems to do a little wink-did he hear something from Shim?  Would it kill this show to let us in on some things?  This show is shit.

His plea hearing was so factually inaccurate it hurt.  His lawyer doesn’t say anything, and when asked what he pleads Ian launches into his entire defense.  And the judge lets him.  OMGJ.  

Again I’m pretty sure I’m witnessing a retcon when Ian says “A young man was being forced against his will into a van to be taken to a conversion camp.”  Um, as I recall (and I won’t rewatch the episodes to get all the exact details, they were too stupid), a young runaway came to the Church of Gay Jesus and claimed his parents were trying to make him get conversion therapy and they were giving him drugs so he couldn’t get erections because they didn’t like the fact that he was gay, but when Ian talked to the dad he said the kid ran away on his own because he suffered from mental illness, was off his meds, and was living on the street and prostituting himself.  As I recall the dad/parents didn’t say anything about conversion, they just wanted him home.  Maybe the dad sought help from the guys in the van because there was no other way to get the kid home-none of this has been established for the court, if nothing else!  This show is shit.

Ian gives a speech in a voice like wimpy Jeremiah trying to convince everyone Jerome was the bad one and it was just lame.  He claims his family loved him unconditionally-since when?  They only gave him crap about being with Mickey, or ignored him.  And then when he became “like Monica” there were definitely conditions on loving him-mainly that he be on his meds.  Right up to this episode they were all going around saying it’s time to let him go-they didn’t love him enough to want to keep him at the house and try to help him!  

Anyway, he then states in open court he was off his meds and in a manic state when he torched the van.  Then he looks back at Fiona and starts to give a tiny smile right before the credits.  Was he lying to get a lighter sentence and he’s smiling because he got away with it?  Or does he look to her like that because he knows she’ll be proud of him for finally telling the truth even if it disappoints/ruins the GJ movement (that is so implausible as a concept it makes my head ache)?  

By next week the show will be in another writer’s hands and I’ll never get the answer to that question either, I bet.  IF this means the-fucking finally-end to the GJ storyline, I’ll have to be happy enough with that. 

In conclusion let me say that once again the only “great” thing about the episode was ZERO mention of Terror!  

But the rest of the show was shit.