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kishdoodles · 5 months

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Treebark Week 2024 - A Post-Mortem

Hi! If you haven’t seen, I have released seven (7!) videos for Treebark Week 2024! This wall of text is my behind the scenes and also post-mortem thoughts on the project, which I found worth documenting.

Even if you don’t end up reading the text, I appreciate every comment, tag, and view my videos get. I did it for the fun of it and I’d be lying if I said I didn’t do it for the attention. I did, because I think these videos are the funniest things I’ve ever released. Shoutout to @thefluxqueen for being my partner in crime and confidant for these. You saw my vision.

I wanted to do something for Treebark week but admittedly I had noooo idea. So this whole gimmick was a fun set up for me to stretch my creativity in. What started as “I’m just going to do everything in mspaint with a mouse” spiraled to “I think it’s going to get boring if everything’s in the same style, so I’m going to have to do something different everyday.”

The important factor to me throughout all of this is earnesty.

Even if its life started as a joke, this project is a love letter in every respect. This is what I grew up on, this is the YouTube that is precious to me. Capturing this era of time in 7 videos is all at once easy, yet surprisingly laborious.

First I planned the songs. Fitting the songs with the prompts was a brain scratcher, but once we (me and Spain) had a few in the rest slotted in pretty easily. Common thread was, of course, any popular song from the mid-late 2000s.

The first confirmed song was Sugar, Sugar for Sweet (Day 2) courtesy of Spain, given the Eddsworld video. We had a few songs for Burn (Day 3) or Infernal (Day 4) which we threw out (Elli Goulding’s Burn, 2NE1’s Fire, Steam Powered Giraffe’s Fire Fire, etc.) I ended up digging through my old playlist and listened to 20% Cooler, which after a realization I immediately slotted it for Frost (Day 1). Spain brought up the Heat Waves parody (Cold Spells) for Frost too, to which I realized I could just do regular Heat Waves, so that became what I did for Burn.

Bring Me To Life was brought to my attention (I forgot how, maybe Youtube recommendations?) and with the lyrics, it became the song for Blood (Day 7). The all time classic, Angel with a Shotgun, fit in nicely with the prompt of Divine (Day 4), so there was no contest. Another classic, Everytime We Touch, was harder to fit but I eventually reasoned through the prompts enough to fit it with Lips (Day 5) (the everytime we kiss part).

At this point, nothing I’ve found fit Day 6 (picnic/garden/strawberry) at ALL. So I decided the only way I knew how. RANDOM CHOICE!

Mad World won but that was a trap, for I have biased myself toward Animal I’ve Become at that point and it almost won, so I went with that instead. This is a lawless land.

The actual video ideas really came to me in piecemeal, so I’ll explain how I got each idea as I cover each day in order of when I completed them.

20% Cooler (Day 1) was the most straightforward of the days. It was done in 1 hour and 30 minutes and I was purposefully being extremely literal about the lyrics. I already had the vision for what I want, and I didn’t want to care about quality all that much, so it came together really fast.

For my process, I lined with mspaint brush and then bucket tooled with default colours. I took advantage of the new layer system mspaint added for some scenes, but otherwise it was as simple as just drawing. (Pictured, 3 layers for 2 scenes.)

It was really easy to just quickly edit in Windows Movie Maker 6 too, I just dragged the pictures in, slapped effects, roughly timed everything and it’s done.

Programs used: mspaint, Windows Movie Maker 6

Sugar, Sugar (Day 2) was an honest effort at avoiding any complicated animations. I initially thought of doing an animation similar to the original video that inspired the song choice, but eventually scaled back because. I don’t want to animate.

Thus came the decision of subject matter. I ended up settling on the demon roleplay because I thought it was the campiest thing in the world. And it was a sweet reunion, no? The lyrics just fit the vibe, and in a moment of brilliance (hitting the showers) I thought to make a visual novel. One reflective of old flash games and like the visual novels of cultural zeitgeist at the time.

I’ve known about Ren’py for quite some time now, but I’ve never properly learned how to use it. For this my task was simple. Find out how to change sprites, backgrounds, and move people into the scene.

Sprites and backgrounds were easy, so those were the first things I did. Ren’s sprites were inspired in design by Demon Hunters in the Warcraft world, mostly because I was playing a lot of Hearthstone and liked the idea. Martyn’s sprite style was inspired by early 2000s anime visual novels, like Higurashi (though I’ve personally never consumed it nor do I actually recommend consuming this piece of media (neutral) its ripple throughout the anime community was felt. Notably, parodies of the anime’s opening were very popular.) I toned back the stylizations, but trust me when I say that Martyn’s hands were purposefully big to be yaoi hands. It didn’t end up that big, and I did not give him the dorito chin here so, immense self control on my part (or cowardice?). False and Joel were just my regular style. For all this I used my tablet instead of my mouse.

The programming part was a little troublesome, but it wasn’t anything I couldn’t google, so it got done pretty fast. There’s other small bits, like how I mismatched the background sizes, the sprite sizes (with each other)(minorly) but for the most part it came together pretty quick. Once the VN was done, it was just about recording it. So I put on the song, and danced along.

[You can download the VN here]

Programs used: Ren’Py, OBS, mspaint, After Effects (just to move the scene over at the beginning)

So I knew I wanted a classic style AMV, so that eventually became Everytime We Touch (Day 5).

The pictures mostly come from a discord server I’m in (hi [redacted]!!!!) and I thought of it like a nice homage to the insanity we had in there. Bless all of you guys, you guys were the ones I wanted this series to be made for the most.

Not much to say beyond that, besides me just editing it all on movie maker as usual.

Programs used: Windows Movie Maker 6

Angel With a Shotgun (Day 4) was the last to be planned for. I predicted it was going to be the easiest to make on the fly (it was) and just kind of winged it. I wanted a unique style still for it though, and the idea of drawing their cubitos came pretty late.

I was not exempt from this trend in my youth (my art in mspaint, age 11, me and my sister)

The rest was history. Just kidding, I really wanted something to do with the shotgun thing so I literally searched “shotgun” in Curseforge and got MrCrayfish’s gun mod just for the shotgun. I loaded up the 3rd Life world I had from my Broken Lives animatic (it’s a custom made world using the seed) and just got to work with FreeCam and OBS (it’s my first time with FreeCam too!)

A rejected clip I didn’t use because of skin consistency / continuity.

Programs used: Minecraft, mspaint, Windows Movie Maker 6

Heat Waves (Day 3) acquired a pixel art style as an homage to its original lyric video. People have said it reminded them of Homestuck, which I honestly don’t mind. It fits the era and I did grow up with it. It kinda looped back in on itself that way.

I blame this frame, here's it as a gif which lies unused.

For the video, the more I rewatched bits of Last Life for it (it’s been a while!) I realized it had a lot more potential than I initially thought. Though I doubt most of it didn’t come through in the final product (I limit these videos to a minute or less, if possible, excepting credits and allowing few more seconds over the minute mark so long as it felt warranted), I tried to cram in what I thought fitting to the prompt the whole time.

The watch tower burning was an easy pick, a classic Treebark moment you might say. For the rest of it, the nuance laid a lot in how Martyn presented the Shadow Alliance. “The Dog, The Shadow, The Roots. We make this place burn.” Under the eyes of the moon, it witnessed this pact form, and its resolution for the server. The moon is included in multiple frames because of this, as a stand-in for the eye of the Watcher(s) I included at the start, watching Martyn through the series.

In a lot of ways, how Lizzie and BigB turned red I also found fascinating. Lava and explosions you could argue are an extension of burning and fire, and an explosion was also how Martyn left the series. Ren, from the start of this alliance, inexplicably committed to and saw through what ultimately rips the people he was loyal to away from him.

Martyn on the other hand, I drew in the later portions quite aware of the position he’s in, hence only his eye in the frame with the last 4 folks. This to me starts a path for him toward where he goes in the later serieses (notably in Limited Life). This is all very “vibes” and instinctual kind of “trust me on this” sort of read on c!Martyn honestly.

On missed opportunities, I’m almost upset at how I never brought up the moment Martyn buys a love crystal from Scar (never used, it got blown up) which I (and a lot of other) may have delusionally thought it was for Ren. Besides that, I never had a chance to desaturate the colours in the video leaving only red (which Ren did upon the encounter of the establishment of the Moon Cult)(it really emphasized Martyn’s lips!), I tried just plain desaturating, but ended up ditching it since it never felt like it jived well with the rest of the video.

All that aside, I finished this one really late (for me, which was past midnight on the day it was going to be posted), so I’m glad it was out on time. It’s the one I put in the most effort for, and I’m glad to see people enjoy it.

The eye on its own, which reveals the Watcher symbol I accidentally did in the wrong orientation. Oops!

Programs used: Aseprite, After Effects

Animal I Have Become (Day 6) was thought on for a while. Eventually I have my eureka moment and I thought it was a nice shout out to the Bannedstory community who I’ve followed in my early days, where I’d watch animations of people’s custom OCs (original characters) made with Maplestory sprites animated to audio clips that I really wasn’t supposed to be listening to at the time lol. That, and all the online games and the like I grew up with on the early internet. I personally didn’t partake in it, but roleplaying on those was a common sight, and I found it endearing.

My partner in crime for this day in particular was @thefluxqueen, because I really can’t be bothered with character customization for a lot of these games (I respect the craft but I lack the patience), but I knew who LOVED doing that. He really knocked it out of the park, helping me do the Gachalife, Club Penguin, and the characters for Animal Jam and Ponytown. For the latter, they handed me the account information and we just went to town.

A Treebark stream in a just world.

I can’t tell you exactly how I assigned the lyrics, but I definitely assigned the animal sections during the chorus so it was a surprise (and so it also fit the lyrics). I did have fun recording and we had a fun time in Ponytown. We were shown where other mcyt fans are by a Grian pony (Hermit Hill) and then we hung out there sitting down while we workshopped the Bannedstory segments with both our sonas together. All in all a great time.

It took a few takes.

Programs used: Bannedstory 3 (I would’ve loved to use 4, I grew up with that!), Gachalife, Club Penguin, Animal Jam, Ponytown, Windows Movie Maker 6, OBS

For Bring Me to Life (Day 7)... I ended up getting more attached to the thought of it the longer this project went on.

I wanted it to be the end all be all, go out with a bang and everything. I kept thinking and thinking, how do I end Treebark week? After a week of homages, how do I make the last one?

What’s beyond my childhood? It was just growing up. But it’s not like I had to let anything go. My artistic endeavors are influenced by all of my experiences. I saw good reason to bring it all home, do a callback to the styles of the entire week, it’s my victory lap.

And why not call back every instance of Treebark through the entire series then? This evolved into me learning more about Martyn’s lore because I want to be informed! I want to make this as someone who earnestly loves the narrative of these characters, and the stories they’ve told.

From a story perspective, it felt like Martyn was always doomed to tragedy. Suppose the life series always does end tragically, but Martyn’s Vtuber in relation to all this has its own inherent tragedy to it. In my eyes, this roamer of cyberspace constantly has to live through different lives with familiar people. The people he loved and cared for in one world will always be ripped from him, and he knows that.

Amongst everything the Unguided Hand gets me the most. In the video I drew the Ren he chases as a shadow. He’ll never get the Ren he knew then, back. Even if he meets another Ren in another world, it's never going to be The Red King. To me, Limited Life is the snapping point, a point of selfishness above all else in the comfortable knowledge that he wins, without ever needing to experience the same closeness and loyalty he had in lives past. The realization that this is what the game was about. Winning at all costs. I wanted the progression to reflect that.

Deep down, maybe he yearns to be saved from all that. The song echoes that sentiment. I tried to match the lyrics to how I saw the timeline of events as close as possible for that to hit. In this, Ren is his anchor, someone that he gets drawn to no matter the incarnation. The tragedy is that Ren, even if he knows about what Martyn’s going through, can’t join him in this journey. Martyn will always be alone in this experience, and Ren can only be a short comfort before the cycle starts anew.

I quite liked the pixel art I did for LimLife!Martyn

From a meta perspective, this video (and by extension, the whole series) is about art and creating. I have been obsessed with art for 14 years now, and as time goes on I’ve grown fond of every way that we, as people, have evolved our storytelling. The multitudes of mediums that we have developed to express ourselves and share narratives will continue to fascinate me endlessly. Cringe be damned, there is a universal desire to create and enjoy stories of all folds. From the smallest story told from painstakingly typing chat boxes for little custom-made characters to say, to the highest production play put on for multiple hours in a game of Minecraft.

And at the beginning of my journey lay paper and pencil. Bring Me To Life is an elaborate pun on my end, yes, but also a reflection of my roots. I started my journey as an artist endlessly doodling the adventures of tiny magical girls fighting demons, drawing fanart of costumes in MMO games I found cool, and sharing them with my friends at school. I find myself still drawing, still creating, for hundreds, if not thousands of eyes to see. Still I get inspired by the stories others tell, and I create in turn. In appreciation, in love.

Bring Me To Life as a song, is a slate that, to me, reflected what I saw in the relationship of Treebark. Bring Me To Life is also a demand, of a piece of art that I had a vision for, that I wanted to bring to life. I struggled at how to end it for a while. Closing the book became very straightforward. It’s the end of this video, this saga, and another way that me, as a Watcher myself (as what they’re originally meant to represent) exercises control over stories in my own unique way. Creation is never limited to a select few. I think everyone should keep getting inspired by the things around them, and keep making art in turn.

To the people who’ve made it til the end here, make art, keep creating. Do shitty doodles, write whatever you want, make sounds and crafts and keep living. That’s all I really want, and this was what this whole series was about.

Programs used: mspaint, Aseprite, Blockbench, Bannedstory 3, Pencil and paper, After Effects

#art #writing #mcyt #treebark #treebarkweek #treebarkweek2024 #inthelittlewood #rendog #itlw #kishdrabbles

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dollsorwhatever · 5 years

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My Salon Doll

So I’m not gonna do like a full review, but you can find a pretty good one here if you’d like to see all of the specs like the body type and some close-ups of the micro-rooted head, clothing compatibility etc. Everything is below the cut!

Lemme talk about the doll first, and then I’ll rant about everything else when I’m done lol.

I knew there were some inconsistencies with the hair length from doll-to-doll, so prior to making my purchase I sent them a DM and they gave me a list of which characters had the longest hair for the current batch, and luckily one of them was on my list of faves (Olivia) so I got her. I only have pics from after I removed her from the box (the box is hideous and makes the doll look cheap) and redressed (her outfit was pretty tacky but not the worst). Her hair was in two pigtails which tbh was annoying; she had this big kink around the mid-shaft of her hair because of this, and the back was split straight down the middle. A hairnet would have been better. The hair felt...dusty and dry, which is to be expected since dolls can’t exactly produce the oils necessary to protect and hydrate the natural hair that’s been rooted into their heads. Along with that, she also has these short little hairs everywhere- this is also, probably, a result of the hair being real, but I kinda wish they’d have brushed out those shorter hairs prior to rooting- they stick up all over the parting in particular and it’s not the cutest look. I think these dolls are really poorly presented both by the brand and the way they’re packaged, but I’ll get to that later lol. Her layering is also longer on the right than the left, which is annoying because I’m not sure I can taper the ends enough to match the rest of her hair if I decide to even it out. Here’s a (crappy) photo I took after I changed her outfit and gave her some quick curls with my curling wand:

I want to note that my bedroom is not a great place for this doll- her skintone has a slight olive undertone, and her hair is also a bit ashy, so she doesn’t look the best in my 100% grey and black bedroom with dim lighting. Her hair definitely looked that dry irl tho lol She also has like...shine spots on her face? I saw this on a few other dolls too, but mostly on played-with, used dolls so I assumed it was a result of product usage and play. But no, my doll is presumably brand new and she has some shiny spots on her forehead and nose. The body is kind of a weird sculpt (you can see this in the review I linked above) and it’s a weird size, too- I’m sure I can find something to fit her in, but she’s much skinner than an American Girl so clothes kinda hang weirdly on her. Her torso is a strange shape, the legs are pretty short and so is her neck. I think a big issue is also that none of the clothes I have for her, are particularly flattering on her body type so I’ll need to find something that works lol I decided to wash and heavily condition her hair to add some life to it, which REALLY helped (and got rid of some of the shine on her face thankfully- the rest will probably need to be buffed out with a magic eraser)

Also gave her a far-far side part like I do my own hair lol The wash and condition really helped, but her hair was still frizzing up a little while it air dried, so I just went ahead and gave her a full blowout and some very very subtle waves with my curling wand (she’s wearing an AG outfit from Etsy which is P loose):

I’m probably going to wash and condition it again tonight and leave it to air dry- but this time I’m gonna leave her hair soaking in the conditioner for an hour or so, just to really hydrate and compensate for the lack of scalp oils in her hair lol My overall thoughts are that the doll is pretty; she has a beautiful face sculpt, with subtle paint and and a nice, serene expression, and I think her micro-rooted, human hair is a fascinating concept and a pretty fun experience. Her hair is kind of an adjustment for me, because you can’t work with it in the same way as synthetic hair- it lays differently, reacts differently to heat and product, requires a different kind of care and I’m simply not accustomed to it, but I still absolutely love playing with her and her hair. My biggest qualm is that everything-everything- about the branding, aside from the actual dolls, themselves, is just..bad. Like to the point where I’ve known about this line for almost a decade and hadn’t purchased one until now because the website, branding, even the outfits and the HORRIBLE unflattering stock photos are so bad that they literally deterred me from buying one lmfao, and even now I was only convinced by seeing other people’s photos of the dolls, like the amazing ones from this user and this photo of Olivia (which is what made me pick her lol) The dolls have such subtle features and neutral hair colors, which should both be the focal points of the line along with the human hair obv, but they drown it all in tacky kiddy MSPaint branding. Like this is the only mass-produced doll line to ever have micro-rooted human hair, and despite being around for almost a decade there is SO little information about them when it comes to reviews and IRL pictures and it has to be because of how poorly the dolls are presented by the brand itself.

Like you know your branding is bad when it makes you not want the doll lol

Anyway despite the branding issues, I’m gonna buy another one lmfao. I want Brynn or Sydni, but they both have similar qualities to Olivia so I might go with Jade instead. Plus her hair looks shiny and gorgeous in every photo I’ve seen of her lol. But first I need to find clothes that fit them. I think slim 18′’ dolls like Magic Attic and Kidz n Cats might be compatible. All of the AG clothes are too low on the waist line, so they really drag her down and make her look really stubby.

#my salon doll #mysalondoll #american girl #18'' doll #human hair

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