#i hope i got them all :'D

[ohitslen]

Sharing a blanket

Request by @volaenii ✨

Accidentally incorporated this to my uni au oopsieeees

[seyaryminamoto]

Fic-to-Art #39: Gladiator's ELEVENTH Anniversary! (+ BONUS: Fic-to-Art #36...)

And here we are! March 26th arrived and I did not forget about it, but I paid for my ambitious madness with my wrist and forearm. Somehow, I finished my intended pieces on time, but I do not advise that you ever try to make 9 artworks in 3 days. No, sir. Bad life decisions, that's what that was... but this fic, as anyone knows, moves me to do things I never thought possible, starting with writing the fic itself!

It's really crazy every time it hits me that I've been doing this for as long as I have. It's been a complicated, chaotic journey, with its many ups and downs, but ultimately, it has been our journey. For some people, this is just one more fic in the pile: for me, it's been the best adventure of my life so far. Everyone who has ever been touched by Gladiator, who has ever cherished this story, who's looking forward to the big conclusion, who wants to see how the chaotic war is going to end... you're all part of this crazy adventure along with me, and I can only thank you for joining me.

This year, I had no time to make as big a project as I usually go for. Thus, I did a sort of free-for-all edition of Fic-to-Art over at Patreon and challenged myself to draw as many scenes as I could, out of their suggestions. I even sprinkled in a few scenes I impulsively wanted to draw because I loved writing them or because I look forward to writing them... and this is the result!

In order, the scenes are as follow:

Sokka combing Azula's hair, a common occurrence throughout the story.

Azula watching over a convalescing Sokka in the Chase of Jeong Jeong arc.

The outcome of Sokka's final battle in the Superior Gladiator League, namely a moment where Sokka and Azula more or less gave away their relationship's true nature to the public by raising their hands towards each other...

And now, spoiler territory! Some were by my choice, some by Patreon requests:

An important moment shortly after Sokka and Azula reunite.

Azula confronting her father, with a LOT of backup.

Xin Long's long-awaited freedom.

The aftermath of the final battle.

The full-blown confirmation of their relationship to the general Fire Nation populace.

Sokka, Azula and Hotaru's first night together

And the big final one is ACTUALLY Fic-to-Art #36 but hahaha woops I didn't post it here on time because it was super hard to finish since I had a LOT of things going on... but here it is now! :'D it's a glimpse VERY far into the future of this fic's timeline!

Alright, that should be enough talking and explaining. Some things are vague, some things aren't, but ultimately I really hope you guys will be looking forward to the scenes you haven't seen yet, and to Gladiator's eventual outcome.

So now... with all this being said and done, I'm gonna go take a trip down memory lane and watch my Tenth Anniversary video once more! Feel free to do the same thing if you'd like to commemorate the fic, I think it's a good way to experience Gladiator all over again, hahaha.

Thank you if you read all this, and if you read all THAT: 5 million word landmark, here we come! Thanks for hanging out with me across ELEVEN years of Gladiator!

[crescentfool]

happy mochizuki monday, have a little doodle i made based on a convention i went to this past weekend :)

[rosynova]

(first off, i'm so sorry about the quality, i've been fighting tumblr for 2 hours trying to fix it and it doesn't want to work with me :') please click on the pics for better resolution!)

so ever since reading this ask from @blank-house i've had this little scenario in my head because of jamie's bit, and i've finally gotten the chance to sketch it out :>

[sukugo]

i have to ask because i adore you and i want to know about your new blorbos- who are they and what are they and why are they always soaked in blood

JDHSJFHJFDDJFFSDFDF, oh man where do i start cassie.

they're from the anime/manga jujutsu kaisen, and they are:

gojo satoru. love of my fucking life. my fucking everything my boy my man, i am so so in LOVE with this man i cant even begin to tell u. he consumes my every waking thought, my life is dedicated to seeing him get fucked. (he's the guy in my header humping his all into the other's arm)

and (ryoumen) sukuna. beautiful sexy evil man.

(can u tell who's my fave)

so in this world, we have jujutsu sorcerers, who are people with special powers that they use to defeat/exorcise curses, which are basically evil spirits born of negative human emotions

gojo is the strongest jujutsu sorcerer alive. he is insanely strong, not a single person can go against him. his powers make it so that u literally physically cannot touch him. he controls "infinity" and can warp space, and he also has pretty special eyes that let him perceive things at a much deeper level than a regular person. those two things combined make him quite literally untouchable. and insanely powerful.

as for sukuna, he used to be a human who lived thousands of years ago, who used to be the strongest sorcerer of his time, and is considered to be the strongest sorcerer in history. he is the King of Curses, no one could ever defeat him, or destroy his soul, which he divided into his 20 preserved fingers so it would survive through time, even after dying.

so itadori yuuji

this lil baby boy (literally the babiest sweetest boy to exist btw) (he's actually the main character haha)

due to some stuff, he ends up eating one of sukuna's mummified fingers and sukuna reincarnates inside him. yuuji becomes a vessel for sukuna, who lives inside yuuji's mind now and sometimes takes over his body (reason why they look the same)

and now, yuuji is sentenced to be executed bc he holds the most evil sorcerer in history inside him, but gojo goes nope! wait a minute, let's not do that. and manages to convince the people in charge to postpone yuuji's execution, saying that they'll get yuuji to find and eat all of sukuna's fingers and then execute him, getting rid of sukuna all in one go.

ok so that's the context (that's actually what the anime's about haha), but as to gojo and sukuna.

THEY ARE IN LOVE

well, they're there. sdkkhfkjdkfdf

ok no, so like they do their things right. gojo is a teacher (tho we never actually see him do any teaching lmao) and sukuna lives inside yuuji and causes trouble sometimes. they don't really ever interact in the story (they literally meet and have a lil confrontation, decide to kill each other and never talk again djshjfdasdadfd) (until they actually have their Fight, more on that later)

BUT!!!!!!!! they may not interact, but they are completely tied together narratively.

as u can see, they're both the strongest from their respective times, so they have a lot of links when it comes to their characters themselves and what they are referred to in the story. specifically that, in being the strongest, they exist in a plane above everyone else, literally untouchable.

now, in the story, this position of strongest is coupled with solitude, being the strongest meaning u're alone and no one else understands you bc of this

and SO they have their fight. bc plot reasons right. this is obv what it was all gonna lead to. fight of the two strongest.

and the fight, consequently, revolves around that idea of solitude, and understanding each other.

which like. ok. yeah we saw that coming. ofc. no big deal.

EXCEPT, to make reference to their relationship and that idea of understanding each other, the term that is used is, and i kid u not, love.

there's a very specific phrase that is used multiple times between them. which is actually used originally with a character who shows romantic feelings towards sukuna.

she challenges sukuna to a fight and sukuna promises to marry her if she wins. her goal in this fight is to share in sukuna's solitude and show him love (read R→L)

but she says this to sukuna and this. this is his reaction.

SUKUNA KNOWS LOVE ALREADY

to which she gets super pissed bc that's not!!! love!!!!!!!

sukuna defeats/kills her. and u know when the next time that exact fucking phrase is used? when sukuna and gojo finally meet again and set up the date to have their Fight, where sukuna remembers her words

which tells us that.

sukuna was.

thinking about gojo when she said that.

*screams into hands*

BUT IT DOESN'T STOP THERE. this phrase is then repeated. multiple times.

1. right after gojo punches the fuck out of sukuna:

2. said in reference to gojo, when he realizes there's a chance of him losing:

3. gojo reminiscing about their fight:

so, as u can see, they were going to teach each other love. their fight is. canonically. about teaching each other love. what the FUCK.

but ENOUGH love talk (or else i'm at risk of going crazy insane)

LET'S TALK ABOUT HOW THEY'RE LOADED WITH SEXUAL TENSION

this was in their first meeting where they fought (for quite literally 10 seconds)

like... why he do dat.... .......... . ....

next day sukuna goes "hey im gonna kill u first <3" and gojo just goes "teehee omg really? *hair twirl* <3"

they also decide to have their final battle on dec 24 which is like a super romantic date in japan (explicitly said so by another character)

and their FIGHT. it is LITERALLY just them flirting and touching each other

LOOK AT THIS SHIT!!!!!!!!!!!!!!!!

i fucking lost it. i still haven't recovered. that is the hottest thing i've ever seen in my life. gojo wants that dick so fucking bad

not to mention thigh grabs and hand touchies

and the entirety of the fight is just them having fun 😭😭 they're supposed "enemies" on opposite sides and the fate of the world is at stake here, but they actually don't give a fuck about that.

they're literally smiling and having a great fucking time. this fight for them is just play. their fight is just for them to have fun as the strongest and to connect with each other. they're enemies but they don't hate each other or anything, they only search for that sense of fulfillment in each other OTL

AND ABOUT THAT, oh my GOD

sukuna wins. he defeats gojo. and at the end, this. is what sukuna says to gojo at the end of the fight:

FUCKING. I'LL NEVER FORGET YOU. SCREAAAAM THAT'S ROMANCEEEEEE.

and the soft smile? the fucking petals falling all over them? oh GOD they're trying to kill me

but that's on sukuna's side, what about for gojo? well

HE GENUINELY TRIED TO REACH SUKUNA, GAVE IT HIS ALL TO CONNECT WITH HIM. TO TEACH HIM LOVE AGFKDHSKFHFKJFHDF (BUT HE FAILED HE COULDN'T GIVE SUKUNA WHAT SUKUNA GAVE HIM 😭😭😭😭😭😭😭)

HHRRRRGJFHSJDFHDSJFSDFA KJHDKFJSFKASLDKS ADKJKFHEWRKJEKRKTRELRW

and if i start crying OTL

but alas *deep breaths*

even without all that they're just very fucking sexy. two insane powerful men going at it? come on. how could u NOT want them together. they both hold the same title of the strongest, might as fucking well fuck nasty about it.

and oh god, when i tell u gojo is a fucking brat and he's so strong and untouchable, but then sukuna is capable of putting him down which is. insanely sexy. and i need it. i need gojo obliterated. and i know sukuna won't let me down (AND HE DID NOT. HE OBLITERATED THAT MAN) can he now obliterate his holes too

agdkhfhdkhdhs, anyways.... yeah.. that is the situation.........

im just gonna end this by saying

SUKUGO MY LOVES

[sneez]

lord general fluffy now in high definition

[id: a digital portrait of a man in profile, from the shoulders up, facing left. he has long dark hair, a small moustache and beard, and a scar across his cheek. he is wearing armour, a white falling band, and a pale blue sash. on the right is a photograph of a gold medal showing the same man in the same position which was the inspiration for the drawing. end id.]

[willczek-art]

Turtles!! In my outfits!! WIP :D

I love this meme that's going around the fandom and I wanted to jump in but i only have two casual outfits-

[good-beanswrites]

hi! may i request some mikoto + amane (platonic obvs) … anything? they are very dear to me 😭

Yes!!! Thank you so much for the request -- they really are such a good pair ;-; (The thing is, I had so many nice scenes in mind about how they parallel each other, but they wouldn't know or reveal that about each other so I kept restarting...) Anyway, here's something right after Mikoto's first trial/verdict!

Mikoto could pick up on someone’s bad mood from a mile away, though the skill was unnecessary when the other party very clearly and calmly informed him, “I’m in a bad mood.”

After refusing his offer, Amane turned back to a thick textbook she’d been taking notes on. Didn’t kids usually complain that school was already a prison? She must have wanted the full experience. He'd worked nonstop at his studies as well, but this was a new level. Amane often reminded him of his little sister, though she always took the extra step like this. His sister would have jumped at this opportunity to play a few rounds of their favorite card game.

“It’ll be fun!”

He flashed a smile, but it had no effect on her severe expression. “I know you’re just trying to comfort me about our verdicts. I refuse to be pitied.”

“Comfort and pity are two very different things. But anyway, it wasn’t either of those things.” He gave an easy shrug “To be honest, I’m just a little bored. It’s weird not having any work to do during the day.” 

Mikoto couldn’t remember the last time in his life he’d had so many hours to himself. A lot of the others were fun to play games with. A few of the sportier prisoners helped him stay active. He enjoyed smoking breaks with the other men. Still, he was left to his own devices for the majority of his time. It was maddening. He’d recently requested some more art supplies, having used up the last batch, but they had yet to come in. Now with the verdict announcement, he wasn’t sure they’d ever arrive.

“That is your own problem. I already have something to do.” Her eyes lingered on the cards for the briefest of moments before returning to the book. “I told you, I’m not in the mood for it.”

Regardless of her hostility, he took a seat beside her. He leaned his arms out on the table. “We don’t have to play the same game.” The last time they'd played as a big group, several prisoners pulling the tables together to fit everyone. Amane had kept very quiet, eyes darting around at the cards as she tried to keep up with the rules. Not many of the others noticed the frustration clear in her face. Mikoto wasn’t the type to let her win out of pity, though he had begun to mutter the rules and strategies to himself a bit more as the night went on… 

“Is there a game you liked to play at home?”

 “No. There was no time for games in the house.” 

“All work and no play… hah… I know what that’s like.” He slumped his cheek onto his arm, lazily shuffling the cards around. He felt bad for bothering the girl if she truly was upset. He thought it was the bad experience that made her reject him, he hadn’t realized there were also family issues attached. Usually he could read people well; maybe he was losing his touch. He seemed to be losing touch with a lot of things, these days.

He readied a game of solitaire. 

“Mikoto?” Amane kept her face turned away. “There was… one game.”

“Yeah?” Mikoto shuffled the cards back together. He slid them over to her. “You should teach me!” 

She didn’t touch them. “You probably already know it.”

“Nah, I only know a few games. I’m better with tarot cards, though those aren’t really the gaming type. Come on, what is it?”

She told him the name of the game, insisting it wouldn’t be worth playing. She kept her attention on the textbook, but her eyes weren’t reading any of it. 

“Ahh, I’ve heard of that one! We start with four cards, right?” He started dealing them out.

“No, five –” she pointed to the deck, urging him to add two more. 

“Right, right.” He laughed lightly. “And the goal is to get pairs, and put them in a pile, uhh, here.”

Amane shook her head. She shifted her body slightly towards him. “You must be thinking of a different game. There’s actually three piles for pairs. One here, one here, and when it’s your opponent’s turn…” 

Her eyes gleamed as she explained the rules. She pointed to various cards, telling him exact moves and point values. “And to win, you need to –” Her expression shifted. “You… you already knew all this.”

“Of course not!” He put on his most convincing smile. 

She deflated. “You’re not a very good liar.”

“Tch, tell that to the warden.”

His shoulders sagged along with her. If Amane could see right through him, why was the rest of Milgram still coming up with stories about what he did and didn’t do? “Well, I might already know the rules, but it’s been a long time since I’ve played. You can still give me a hand. Plus, if you really are in such a bad mood, it’ll be good to take a break from your studies. You should always take a break when things get too overwhelming, yeah?”

She gave him a withering stare.

“Eh? What’s that face for?”

“Alright, let’s play. You can go first.”

“I mean it, what was that look? Aw, come on…”

[deus-ex-mona]

MEOTO MV TOMORROW AUAUAUZHDJSJSJNSJSNANSNS

[kirby-the-gorb]

[adipostsstuff]

My @milgram-valentines-exchange gift for @good-beans. Honestly I was worried about getting this finished on time but I actually got a couple of weeks to spare at the end of it. Once I got it to a fairly good standard I ended up putting it aside to focus on studies. While I'm not sure if it's as good as I want it to be, it's good enough. This is the first fanfic I finished and it's the first Milgram fic I've written (I have a Danganronpa fic I've uploaded but it's multi-chapter and really long, I need to get back onto that). Taking this from my notes app and reformatting it was hell, I hope I didn't miss anything. Hope you enjoy this and Happy Valentines Day! (Please ask me about the writing process please ask me about the writing process please ask me about-)

What a pain...

Yuno looks up from her navigation to check her surroundings. A client was going to take her to the bar in the Ritz-Carlton Tokyo and asked her to dress up for the day, so she is looking for a beauty parlour to help her get ready. It was a well paying client, so she couldn't refuse him, but it did bother her to have to mould herself into the desires of others. Whatever. She had chosen this work of her own accord, so she needs to just suck it up and do what she does best: lie and keep appearances.

Ah. This must be the place.

Yuno stands in front of parlour her phone sent her to. She pulls up the receipt from her booking and walks in.

"Excuse me," she says to the receptionist. "I have an appointment for 10:15."

"Alright. Can I have your name?"

"Kashiki Yuno."

The lady behind the desk checks some things on her computer before looking back up at her. "There you are. Would you like to come with me?" She takes her to one of the stations and settle her down. "Your stylist will be here shortly."

Yuno takes a minute to take in her surroundings. This place seems quite well run and professional, and the products high quality; not a bad deal for the cost.

"Ah, hello there. I haven't seen you before."

Yuno turns to her side to find the voice. Next to her, a woman with light brown hair and round face sat by the neighbouring station. She looked from be in her early twenties and she wore a warm smile that felt like the sun itself.

Yuno attempted to match her disposition with a smile of her own. "Yeah, this is my first time here. I'm Kashiki Yuno."

"Shiina Mahiru. Nice to meet you, Yuno-san. I come here all the time. Usually its just for advise from my beautician. She's like my closest friend right now. Today I'm going on a date, though, so I need to look my best. Even though my boyfriend never really pays attention to how hard I try for him. Hey, what are you here for?"

"I'm going to be going out to a fancy place tonight so I'm dressing up for the occasion." She leaves out a lot of details, having no interest in telling a stranger about her job. She didn't need anyone's judgement on it.

"Ooh, fancy. Is it for a date?"

"Hm? Something like that." Mahiru giggles in response.

"Found it! This one is sure to - ah! Were you two talking?" a woman on the other side of Mahiru, presumably her beautician, perks up.

"Ah, yes, we were just introducing ourselves. This is Yuno-san, it's her first time here," Mahiru answers. Yuno gives the woman an awkward wave. She sure loves talking, doesn't she?

"Hi. I'm Sayori, Mahiru-chan's beautician. Nice to meet you. Mahiru-chan, I found the thing. This one is sure to catch his eye," says Sayori, holding up a bottle of something Yuno can't identify.

"Ah, I wanna try," responds the brunette. Yuno turns back to her own desk, assuming the conversation to be over.

"Sorry for the wait. You must be Kashiki Yuno, correct?" A ginger woman in her early thirties walks to her side.

"Yes, that's me," Yuno replies.

"Oh, she's a good one. You're in amsafe hands with her," says Sayori.

"Thank you, Nanami-san. Ms. Kashiki, Is there a particular look you are going for?"

"Oh, I don't know. Maybe something a bit more refined?"

"Alright. First, I am going to wash your face and clean up your nails. Is that okay?"

"Sure. You would know best, after all.

"The woman, who Yuno assumes to be her stylist for the day, begins to apply a scrub to her face. It feels weird on her face, though her touch isn't too rough. She leaves it on and washes her hands before picking up a nail file and taking Yuno's hand in her own and getting to work on them.

"Hey, Yuno-san," Mahiru says, causing Yuno to face her slightly. "What do you normally like to do?"

"Oh, I like shopping and going out with my friends. I'm also part of the theatre club at school, so you could say that's also a hobby of mine."

"Theatre sounds pretty exciting. I've been to a few shows. It looks like a lot of fun."

"It is. At least I think so. Very different from watching." Yuno is pretty used to playing a part, but at least with theatre it was entirely for fun, with no one assuming anything about her based on her role.

"Ooh, maybe I should try it. There's a theatre group at my university. I'm in my final year at Aoyama Gakuin University studying literature. Me... I also enjoy shopping. I'm into fashion and astrology, and I like reading magazines and watching dramas. I mainly do running and film watching because those are my lover's hobbies."

"You just copy your lover's hobbies?"

"Oh yes. In order to have a good relationship with your partner, you must adapt to them. Relationships are about compromise."

"Yep, yep. As said in the Lain magazine, a good relationship relies on shared interests. It is important to take interest in the things your partner likes and abide by what they desire," says Sayori.

"Even so," says Yuno, "to change your lifestyle for their sake... you have to leave something for yourself, right?"

Mahiru says, "No need. I'm ready to give all of me for my lover, and I only ask for him to do the same. Say, have you ever been in love before?"

Yuno thinks. "There was this one boy I had a crush on in middle school, Haruto-kun. I wouldn't really say I was in love with him, though. So, no, I haven't been in love."

"A shame. Don't worry, Yuno-san, I'm sure it will happen to you eventually. Love is like a time bomb that will explode one day. You can't stop it from happening. And when it does, you will understand just how beautiful it is."

To Yuno, this all seems a bit idealised. She has been empty for so long she can't remember what it is like to form close bonds with people. Sure, she cares about her friends and family, but even they don't fully understand her, so she cannot truly feel close to them. For someone like her, does 'true love' really exist? "I hope so." Yuno trails off. "Say, Shiina-san -"

"Oh please, Mahiru is fine."

"Mahiru-san, then. What's your boyfriend like? You've been talking about him a lot."

She brightens up at this. "My boyfriend is a really kind person. He takes care of me really well. We get into arguments sometimes, but we always come out of it closer than before."

"Uh huh. What else can you tell me?"

"What else... Oh! Do you want to see a picture of him?"

Yuno didn’t miss how she dodged the question. "Sure." Mahiru pulls up her phone and opens up her photos, showing Yuno a selfie of her and her boyfriend smiling together. He looked somewhat plain, but still cute. They did look happy, so Yuno may be overthinking their relationship. It wasn't like it was any of her business anyways. "He looks alright."

"I know. But it's not just his looks that make me like him. He has a charming personality too."

"Haha, that's nice to hear."

"Miss Kashiki, can you lean forward?" her stylist asks, gesturing to the sink in front of her. She does so and her stylist washes her face before placing her back and wiping it with a small towel. She then picks up a foundation from a shelf. "This is the product I am going to use for your face," she says, applying it on. Yuno suspects this is a way of trying to advertise it to her. Once she is done she takes a contour pen and applies to to different pats of her face, blending them with a beauty blender. "This is how you look so far. How do you think?" The beautician turns her to the mirror. Her face looks natural, barely as if anything is there, but she still appears to be somewhat older and more mature.

"Looks good so far," she says.

"Alright." The lady picks up a book. "You said you wanted a refined look. Do you have an outfit prepared?"

"Hm, I think I do."

"OK. Describe it to me and I'll see if I can come up with something that matches." Yuno opens her mouth to reply, but at that moment a voice calls from behind her drawing her stylist's attention.

"Natsumi."

Yuno turns to see what she is looking at and finds a man with bright red hair wearing a union jack hoodie running up to them.

"Futa? What are you doing here?" the beautician, apparently named Natsumi, asks.

"Dad called. He wants to talk to you."

She sighs. "Now? I'm in the middle of an appointment."

"He says it's urgent."

"Fine. Hand it over," she groans, taking the phone from Futa's hand. "I'm sorry about this, ma'am. Stay here, Futa, I'll be back."

"I'm not staying in a beauty parlour. That's gross."

"Maybe you should. It might make you less misogynistic."

Futa stares at her in disgust as she walks away. Nearby, Mahiru's stylist whispers "I've never heard Kajiyama-senpai speak like that before."

"I'm not misogynistic. I just think girl talk is boring," Futa complains.

Yuno comments, "That sounds pretty misogynistic to me."

Futa glares at her. "And who are you?"

"Kashiki Yuno. Nice to meet you. You are..." Sayori called her stylist Kajiyama and, from them appearing to have the same father, they are probably siblings. "...Kajiyama Futa?"

He rolls his eyes. "Why are you acting do friendly with me? Its weird to talk that way to strangers, you know."

"All relationships start with strangers."

"What makes you think I want to be friends with you?"

"How rude," Sayori whispers.

"Just ignore him. He's being a jerk," says Mahiru. "By the way, didn't you say you were in school? Which year are you in?"

Relieved to change the subject, she replies, "In my final year."

"Oh, that means exams and applications and all of that. How's that coming along?" asks Sayori.

"It's a struggle, but I think I'm doing well. I go to cram school, so that should help."

"That's good to hear. What universities or courses are you thinking of applying to?" says Mahiru.

"I'm not sure. To be honest, I'm not if I even want to go to university."

"Oh, you absolutely should! It's a completely different experience from school. You get to meet so many new people and try new things in a new environment. You might even find your true love there. I believe it's worth it."

"It really isn't," chimes in Futa. "You barely learn anything and all the people there are so lame. There's no point, most degrees are useless anyways."

"Didn't you say you didn't want to be friends with us?" Mahiru retorts. Futa huffs, looking away.

"Why did you go then?" Yuno asks. Mahiru gives her a look but Yuno shrugs. I'm curious.

He sighs. "My dad made me. Said I would never get anywhere without one. Not that having one would get me anywhere. Besides, it was what everyone else was doing, and I didn't want to start working immediately or do a vocational course."

Yuno hums. "Honestly, the main reason why I'm not sure is because I don't know what I want to do with my future. I haven't thought that far ahead yet. I don't want to choose a path and end up regretting it."

"You're probably better off than me, in that case."

Mahiru says, "What I did is choose a subject I liked in school and look up universities that offered it. I knew I wanted to move to Tokyo because it's a busy city with lots of things to do..." she trails off. Did the city not live up to her expectations? She brightens back up. "So I looked into universities here that offered courses in literature, and I really liked Aoyama Gakuin's course because it's really varied. Of course, there's also admissions tests and tuition fees to think about: they weren't particularly a problem for me but I can imagine you different people have different needs. You just need to think about what's important to you."

"Nice going, Mahiru-chan," says Sayori. "Personally, I knew I wanted to be in the beauty industry, so I went to a junior college and took a course in it."

"That was really helpful. I might have a better idea now. To be honest, it's figuring out what I like that's the main issue. Most of my friends are going to different unis, so it's not like I can just follow them."

Mahiru says, "You are going to make new friends at uni anyway. What about theatre?"

"Well, I'm not sure if after 3 or 4 years I'll still like it, and I don't think I can change my course half way through. I'm really worried about not having good time. It may be a bit self-centered, but I hate things that are boring."

"That's understandable. If you really can't think of anything, why not take a gap year? You can try lots of different things in that time and decide what you enjoy the most that way."

"That's a good idea, actually. You're like a dependable older sister who sounds very wise."

Mahiru laughs. "Really? That makes me so happy. I'm an only child, but I've always wanted a younger sibling to fawn over. Maybe I'll have that chance when I have a child of my own."

"Hoping for the traditional lifestyle, are you?"

"Yep. Isn't that the ideal?"

"You know some people would call you old-fashioned for that?"

"Not a problem. It's my dream, after all."

"Well, I wouldn't put that much stock in it. I have a younger brother myself, and it's really not super exciting."

"Don't you get along with him?"

"I do, and I'm glad to have him, but he can be annoying at times. That's just how younger siblings are."

"More like older siblings," Futa mutters under his breath. Unfortunately for him, Yuno is close enough to hear.

"What was that?" she asks.

He begins, "My older sister loves to get on my nerves. Every chance she gets, she keeps interrupting me whenever I'm doing something and going on about how I should try harder in life and make real friends. When I was younger and she first started out on here, she would try to test her stuff on me. Do I look like I'd be into that girly shit?"

"Do you not like her very much?"

Futa pauses. "Somewhat. She did take care of me when I was younger, especially after mum left. It's just sometimes, she can get real grating. H-Hey, don't tell her I said any of that!" he nervously tacks on at the end.

Yuno giggles. "Don't worry. I won't. Say, did your parents get divorced as well? For me it was my father, instead."

"Really? Yeah, they did."

"Guess we are more similar than we thought."

"Don't even try that. We're nothing alike. Besides, you're probably more like my sister."

"Yeah, Yuno-san, don't insult yourself like that," Mahiru adds, which Futa tries to ignore. But Yuno could tell. While their outward appearances were very different, they had things in common. His apathetic attitude to life, his fickle and shallow relationships, all were things he shared with her. Yet in some ways they were different. He didn't hide the way he thought about things the way she did, yet he appeared to care more about what people think about him. In a way, they were like fire and ice.

"Sorry for the wait," Ms. Natsumi hurries to her side.

"My phone," says Futa, extending an arm.

"You're so addicted to that thing," she retorts, handing it back."I'm not addicted. It's the 21st century, everyone's on their phones these days. You're not in the 90s anymore."

"You say that as if I'm some old woman. You're only, what, 13 years younger than me."

"Exactly. Ancient. Besides, you flaunt that around all the time when it's convenient, so you have no right to get mad when I bring it up. Whatever, I'm getting out of this dumb place with all of it's dumb people." Futa turns away and walks out, not taking a second glance back.

Natsumi sighs. "That boy. I'm sorry if he disturbed you in any way. Anyway, where were we? Ah, yes, you were going to describe your preferred look. Would you please continue?" Yuno starts explaining what she's planning to wear. Mahiru watches her for a moment before turning back to her own stylist for her own job.

The rest of the session passes smoothly with little interruption, and by the end her stylist turns her to the mirror. "What do you think?"

Yuno watches herself in the mirror, hardly able to recognise herself. She has not changed much, but she gives off a subtly sophisticated aura. "It's perfect," she breathes.

"That's good. That would be time, so you are free to go. If you liked any of the products used today, you can purchase them at the counter. Have a nice day, I hope you come again."

"Thank you." She moves to leave, but gets stopped by Mahiru.

"Wow. You look great," she says.

"Thanks. You look really good too," Yuno says. And she did. She was given a more youthful appearance that really brought out her features in a very flattering manner.

"Thank you. I hope my boyfriend sees this as well."

"Did your session end just now as well?" asks Yuno, surprised she's still here. Mahiru was here before her, so surely her session would have ended earlier.

"Nope, ended a while back. I waited for you."

"Really? Why?"

"I wanted to talk to you again," she says, as if it's the most obvious thing in the world. "Are you heading to your outing now?"

"I'm going home first to change. What about you? Are you going on your date?"

"Hehe, yep. Do you live nearby?"

"Uh huh. I'm assuming you do as well."

"Yes. Hey, do you want to exchange Lines?"

"Huh? Sure, why not?" Of all things to happen, Yuno didn't expect to make a new friend here. They exchange Line numbers and Mahiru promises to keep in touch with her before leaving. Yuno stands there for a second watching her go, before turning away herself. In a sense, Mahiru was different to Yuno as well, in a way that made her similar to Futa, though neither would admit to it. They were earnest, willing to be genuine with others and trust them with their hearts, while Yuno could only lie her way through life to be accepted. If Yuno was ice, Futa would be fire and Mahiru the sun.

She walks off; she needed to get back to work anyway. Whatever friendship Mahiru thinks will come out of this, it probably won't happen. By the end of the day, they'll forget about each other. Not like her compensated dating gives any warmth either, but it's not like she can quit it now. She goes home, gets ready, lies to her family about where she's going again and heads out to another lonely luxury date with a client who will refuse to see her as she is and spend the night with her to offer her temporary warmth that will fade just as quickly as it came, leaving her empty once again.

When she arrives home that night and is about to tuck into bed, she gets a message.

Hi Yuno. How was your day?

And, for a moment, she feels slightly warmer.

[ramenwithbroccoli]

finally introducing the other character who also occupies a part of my brain:

Meet Giewont!

while the creator of it, Maria Leszczyńska, originally intended to make a war machine, she struggled a lot with finding resources then. however, with her and her family's life deeply affected by both world wars, the idea never left her mind. inspired by utopian idea of glass houses from a novel "the spring to come" ¹, she created her machine from glass. it would be cheap to make, yet durable, available as help to those in need, able to do hard work in times when it was needed - but if fragile peace was in danger again, it could fight alongside other soldiers. as if to set that role of protector in stone, she named it Giewont ². to test her creation, she gifed it to her brother Andrzej, who owned a small farm near the seaside.

Giewont worked as much as four men, not needing to be paid or fed like people would. it was a perfect solution for everybody, the new industrial revolution. that was, until about half a year into her work, glass started to shatter. it turned out not to be as durable as the utopian story made it to be, especially in contact with rough farm tools. small cracks also started to appear after they worked outside in winter, with low temperatures on the outside and hot steam circulating inside. with her fingers and edges getting sharper every day, Giewont was forbidden from taking care of animals anymore, as she would injure them. she was given the only task with no way to injure others - they recieved a showel fully made from metal and was ordered to dig. she did as she was told, even though the work put strain on her already-falling-apart fingers.

but when one day, when returning home, she noticed daughter of Andrzej, Aniela, swimming too far away from the shore and having trouble coming back, long forgotten wire snapped into its place as she jumped into the water to save her. while Giewont did bring her back home, carrying her in their arms, the girl had severe cuts on her body from coming in contact with robot's sharp hands. furious with his sister creation, Andrzej took it outside, desperate to destroy it. blinded by anger, he didn't even notice the storm gathering over the horizon

Andrzej took the metal showel and struck Giewont on the side on their head, then again, until her body fell and crumbled to pieces. He covered it with sand and raised his hands to deal the final blow.

that's when the lightning struck.

and the man fell to the ground, dead.

the sand melted from the heat around Giewont, filling the empty spaces and connecting the pieces back together. raising from their shallow grave, with body more rigid than what she was used to, she took her shovel and decided to bury the man, with what respect they had left for him. that was, after she dealt the final blow herself.

although miraculous, the lightning didn't return her to the previous state of being. their motions were stiff and some parts of theirs got lost forever among the sands of the beach. the part of her head where the first blow was dealt never worked properly again, rendering Giewont deaf in one ear (or whatever was left from it). however it did some good as well, as it widened the space around her mouth, finally making them able to talk - even if it was simillar to a whistle. determined to help people but with a body that kept hurting everyone around her, Giewont set off into the world, trying to find a home and piece herself together, leaving parts herself and a dead body behind.

footnotes below the cut:

1. "During one pause in their journey, the elder Baryka tells Cezary of an entrepreneur who, along Poland’s Baltic coast, devised an ingenious method for manufacturing durable glass from the vast reserves of pristine sands that had lain for eons beneath coastal peat fields. By a massive Rube Goldberg-type arrangement of channels and a creative method for harnessing the westerly winds (the storytelling here is a literary engineering feat in itself), an incursion of the sea provides power for converting the extracted sand into glass. From this vitreous wonder substance, prefabricated houses of glass are built inexpensively. The houses are strong as steel, hygienic, and easy to heat in winter and keep cool in summer. Whole villages are built with houses of brightly colored glass. Life becomes less of a struggle for mere existence, more civilized, and without the need to toil incessantly. People eat less meat or no meat at all, and begin to revere farm animals as sacred beings. For the reader, the digression serves to freshen the mental palate. For Cezary, however, the story is altogether beguiling, raising the utopian prospect of a more wonderful life, reunited with a homeland that might have been his to begin with and a father he has just rediscovered" - via neh.gov

wow thanks for skimming through footnotes as well! as a reward, here's the first ever design of both Janka and Giewont (which proves they were both created around the same time :] )

2. "Those knights had been in a deep sleep for hundreds of years and they only would wake up if it is time to fight on a great battle. When this day comes, the earth will move, there will be thunders that would shake the sky, many trees will fall and break, and there would be noises when the Border Mountains will break. On that moment the knights will take their horses and they will gallop to fight for Poland once again." - the legend of the sleeping knights

a lot had changed since that time :]

[8rujaa]

my therapist really saved me….

[revenantghost]

The pretty fanart of the ladies in space made me watch a Signalis let’s play

I don’t know what happened but that was fun

OH MAN, Signalis is a trip. I love it so, so much enough that I wrote fifty-something poems for it lmao and it's lived rent-free in my brain ever since. I haven't watched anything more recent on it because three pistols brainrot, but if you want to dig more into the horror space lesbians (because it is very confusing depending on your playthrough, for sure--and it only gets BETTER the deeper you dig), these two videos in particular are very good, very relaxing, and so well-made imo:

[dootznbootz]

I have Penelope as just "#penelope" even though I KNOW she's "#penelope of ithaca" but I don't tag her as that as 1.) To ME, there is only one Penelope, (even though yes, she's very proud to be of Ithaca) and 2.) it's mostly because ...I don't think most people want my goofy, weird, Water Wife™ Penelope 😅

[sneez]

tervis (oc) sightings

/ id: three screenshots from the video game pathologic. tervis, a hunched figure wearing long hooded robes and carrying a walking staff, has been digitally painted into each scene. the first shows tervis crouching on a metal walkway between two buildings in the factory district. the second shows tervis with their hand pressed against an infected house, looking balefully out into the night. the third shows tervis sitting against the wall of the railway station, observing the trains. end id. /