#i just wish Will had been given more character and that Nico's character remained consistent!!

[jankwritten]

it's interesting that the only pro-tsats posts i'm seeing are people defending Nico and Will's right to be cringe. Which, yes, they're two fucked up 15 year olds who are dating someone for the first time! They're allowed to be Fucked Up and Weird About It!

The thing is - I haven't seen a single negative TSATS post that mentions that specifically. All the negative posts I've seen are about how OOC Nico is, how his actions/speech don't align with what we've seen in previous books, and how a lot of the behavior from both Nico AND Will is WILDLY out of left field or in some other way unexpected.

I've also seen a lot of people who aren't disappointed that they act like teenagers, but are disappointed that even in a book meant to be exploring trauma and healing, it seems like so much of the trauma was in some way glossed over or handled poorly. Like Nico coming out to the entire camp goes ENTIRELY against everything we've seen and heard from him in HoO. Nico getting to see his mom and sister again completely rewrites all the deep, meaningful healing that he did in the previous series. People are upset that a lot of Will's trauma specifically was glossed over, and that as the story went on he seemed to fade more and more into a husk of a character rather than an actual developed person himself.

I've also seen a lot of posts commenting on the whole "Nico's internal demons which are personified and given Actual Life are described as being the offspring of this LITERAL CHILD and a primordial being" situation. which is a WEIRD situation. like why the fuck would rick and mark decide to go with that? of all the options?

so, anyway, TLDR: it's interesting to me that the people who are "defending" TSATS are defending parts that nobody actually seems to have a problem with, and are ignoring the parts that are Off.

[toonstarterz]

BECAUSE I’M NOT POPULAR, I’LL READ WATAMOTE: CHAPTER #141

The first half of Golden Week is over, and Tomoko has found herself the object of “platonic" affection for four different suitors. And as our intrepid heroine muses over the which of them to pursue, out of nowhere comes the dark horse. Once thought to be missing in action, this little girl, having been there since the very beginning, threatens to overtake the competition in one psychotic swoop. 

Chapter 141: Because I’m Not Popular, I’ll Go to School with Kii-chan

The things that Stuffed Yuu-chan and Pals have seen...

Ah, the classic Introvert Burnout. I had a feeling Tomoko would be drained after having what may have been the most socially stressful time of her life. Not simply for being social, but for how much she had to navigate as a fish out of water. Each “date” involved a new experience for Tomoko to address, and that much effort at once can be really exhausting for a layabout like her.

That my friend is what we in the TvTropes community call, “Tempting Fate”.

Heeeeeere’s Kii-chan!

Can’t even begin to tell you how much I love this entrance. We all know who Kii-chan is. But even those outside of the loop would get a feel for who she is. Adorable and sweet-natured, but disturbing due to an apparent lack of negative emotions (even when appropriate). Ah, Kii-chan, it’s been far too long. 

Nothing to say here, really. Just think it’s a particularly lovely picture of Tomoko. 

Because the popularity of a manga series is largely dependent on real-time reception, it’s very common for mangakas to add new, “popular” characters, or give the spotlight to characters who’ve been out of focus. Watamote is no exception. It may seem contrived to bring Kii-chan back after being gone for a while, but it works here because it relies on Kii-chan’s character to it, instead of a series of implausible plot developments. Kii-chan is just considerate of her cousin’s schedule–that’s all we need.

The first hint of Tomoko’s reawakening as the role model onee-chan. 

One of the perks of being a sporadically-appearing character is that you can really see just much the art style has evolved since the character’s last appearance. For Kii-chan, she hasn’t really changed much design-wise other than being a little taller. But even then, the linework is much cleaner and consistent this time around, which compliments the more “everyday slice-of-life” approach Watamote’s been embracing. 

If only she could grow a nose.  

The best thing about this type of censorship is that you don’t necessarily have to understand what's being censored. All you really need is a bit of context to put the pieces together. The outlines are detailed enough that we can see the characters as some kind of humanoids with animal features. And given what we know about Kii-chan, it makes perfect sense.   

Y-Yeah, I...I’ve totally heard of that show.

Other than the whole Ucchi situation (which is slowly becoming an unintentional blessing), this is the last of the misunderstandings that still needs resolving. It’ll be hard, though, since this particular issue isn’t that troublesome. For now...

Look at that platonic sibling bonding.

Perhaps I’ve been conditioned by manga/anime, but I find it refreshing how Watamote has managed to develop the Kuroki siblings’ relationship while avoiding any incestual subtext. Lots of series oversell the sibling relationship by having them be overly affectionate and clingy. With Watamote, their bond feels organic because they don’t have to be touchy-feely. An unspoken quality time is all there is to it.

It’s hard to get a read on Tomoko’s emotions here, but at the very least, she seems troubled. It could very well be that Tomoko just realized that she’s changing in regards to the media she consumes. The former her would’ve probably jumped on the Kemono Friends bandwagon, but the reality is, Tomoko’s otaku interests are being compromised by the mainstream, at least as mainstream as rap battles get. 

But the kicker is...she realizes this change isn’t all that bad.

Of course, nothing beats watching anime with your psychotic cousin. 

The whole “pet-sitting” relationship they have here is a tricky one since each side is trying to accommodate the other based on “flaws” that don’t exist (or no longer exist). This usually results in an endless cycle of misunderstandings that lead to nowhere, but this confusion has transcended that cycle to develop into a progression of sorts. Similar to the Ucchi situation, the absurdity became so frequent that it just became reality. One that each side has been influenced greatly from.

With her constantly adorable face, you forget that Kii-chan is a middle-schooler and is therefore old enough to know about things like sex and perversion. Like Yuu-chan, she may look innocent, and while she was aware of such things as a kid, she didn’t really get it until they approached high-school age.  

You know, I read this really good manga called Kaguya-sama: Love is War (shameless plug, I know), and they actually had a chapter about a rap battle a while back. Given that both series tend to be up-to-date on contemporary trends, it makes me wonder...has rap suddenly become a hot thing in Japan? Or has it always had its niche audience?

I’m sure many fans knew that this was going to be an inevitable development whenever Kii-chan showed up again. Unlike Tomoko’s school friends, Kii-chan wasn’t there to see the slow, gradual growth of Tomoko’s character, so it must have hit her like a ton of bricks to see her precious onee-chan go from helpless loner to mature teen in the blink of an eye. 

Sometimes I wonder just how pitiful Kii-chan thought Tomoko really was...

Why would you censor Disneyland now of all times?

Those of us who were clamoring to get close-ups of the photos taken in the Disneyland arc finally get their wish.

The Kowarith photo is my favorite, even though two-thirds of the people in it are faking their asses off. While that may be my personal bias towards the Tomoko-Yoshida-Yuri trio, I think it reflects a better sense of kinship between the girls. The effort is there, phony as it is, to support each other in an awkward situation, which is fundamentally what the series is all about.

The assumedly Fireworks photo is also pleasing, make no mistake. You can definitely feel more genuine emotions (or lack thereof) being expressed than in the other photo. But this focuses more on the individual than how they work as a collective group, despite there being more people. The girls ultimately look like six different colored Skittles–part of the same package, but each unique.    

Could this be the start of Kii-chan revitalizing her perception of Tomoko as a super popular girl? I sure hope so.

How ironic. Kii-chan’s perspective of Tomoko is starting to grow ever so gradually on the upside, whereas Tomoko’s perspective of Kii-chan grows more and more negative.

Hang on, is that supposed to be some fake Dragonite shirt? Neat.

At this point, people assuming that Yoshida as some kind of punk based on her looks is a dead horse of an issue. Some stereotypes exist for a reason, I suppose.

I see your game, Nico Tanigawa, using a deliberately vague line about “two girls” to make your readers overanalyze a single panel. All I have to say to that is that I am completely and utterly guilty.

One of the girls is probably Yuri, if only because she’s the only girl to appear in both photos. As for the second girl, your guess is as good as mine. I’m inclined to say Ucchi because if Kii-chan only has their appearances to go on, then Ucchi and her emoji-face make quite the impression.   

I’m getting Yuu-chan vibes here with the way Kii-chan phrases half-insults with a friendly demeanor. 

+ 1 TO THE HAREM.

Kii-chan is definitely that relative you leave a self-imposed boundary on. Fine in small doses, like at parties and family gatherings, but long-term exposure is unhealthy for the brain. This isn’t even a wholly exaggerated fantasy on Tomoko’s part. Okay, the eating bit is a little much, but given that Kii-chan allegedly dreams about treating Tomoko like a pet, the latter is right to be a little concerned.

There needs to be an AU one-shot of Tomoko, Tomoki, and Kii all going to the same school at the same time. Right. Now. 

I do appreciate that despite Kii-chan’s deteriorating sanity, Tomoko doesn’t view her as a lost cause and even tries to put a positive spin on it. Reconciliation Arc is a-go! 

Did Kii-chan really have that big of a growth spurt, or has Tomoko just reached her peak in height? Not sure how far the genetics will go, but Kii-chan becoming taller than Tomoko is only going to make her even more intimidating. 

This little scheme of hers is definitely reflective of the “old” Tomoko, but there’s a nice reversal going on here. Instead of Tomoko trying to make things sound cooler than they actually are, she’s trying to make things seem worse. Of course, Murphy’s Tomoko’s Law states that anything that can go wrong, will go wrong. Especially if Tomoko wants it to go right. 

Ah, Ogino. The only character whose relationship with Tomoko has remained relatively unchanged despite indirectly having the most impact on Tomoko’s life.

Better update her Wiki page now. 

It’s pretty telling how it’s these two who cause Tomoko the most grief. It’s not the delinquent who routinely bashes her face in, not the pervert(s) lusting after her little brother, and not the otaku who passive-aggressively teases her. As for why, I think it boils down to the fact that Ogino and Kii-chan challenge her comfort zone the most. It also doesn’t help that Tomoko doesn’t interact with them as often as the others, so she hasn’t really had the time to get desensitized by them.

This freakin’ teacher, man.

The second worst part of Ogino’s “help” is that she never actually lies. Sure, she exaggerates to hell and back, but it’s always loosely based in reality, like some cheap movie adaptation of a best-selling novel. 

But the worst part of it is...you can’t hate Ogino for it. Her personal assessment may be founded on largely suspect reasons, but it’s still an honest assessment. I have no doubts that Ogino really is proud of Tomoko, and that’s exactly why she’s the best worst teacher.

That’s true. If Ogino gave that spiel to people like Hijirisawa or Hatsushiba–y’know, people who don’t know her as well–they might actually buy that crap. But people who know Tomoko like Yuri or Nemo, people like us, can tell that Ogino’s sugarcoating the whole thing. Kii-chan, with her terrifying skill for knowing too much, is no exception.  

Ah, I see. This is one of those put-all-the-secondary-characters-who-we-haven’t-seen-in-a-while-into-one-chapter chapters. 

Can’t complain, though. I like Itou. 

“Or something” can also be translated as “lust after Tomoki”. 

We don’t really have much to go on for how Itou views Tomoko, but I think it’s reasonable to think that she may not see her in that good of a light. Not only did Tomoko give off a weird impression when she played off the whole fist bump thing, but Itou’s “powers of perception” probably made her aware of Tomoko and Komiyama’s frenemy-ship, hence her “warning” that Komiyama was around.

The Inherent Awkwardness of Second-hand Relationships: The Life of Tomoko.

Betcha’ no one saw this interaction coming. Whether it’ll lead to anything more remains to be seen. Itou’s still got the whole “friendship potential” going on with Futaki, but given that she has the tolerance to BFF Komiyama, I see no reason why she can’t befriend a psycho like Kii-chan. 

That desire to “loudly blow” is Kii-chan’s inner demons screeching out in desperation for release. I pity the fool who unleashes the beast.

That does sound like your typical amateur definition of a psychopath, doesn’t it?

For the record, I don’t actually believe Kii-chan is a psychopath, despite the jokes I made. There are way too many moments that discredit such a claim. Now, if you were to accuse Kii-chan as being some sort of deviant (sexual or otherwise) I might see that. But ultimately, I think Kii-chan was just a victim of having her innocence shattered too fast and too soon, which made her more, uh, crafty than Tomoko could handle. 

Man, it’s been a long time while since we last saw Dicky-chan, hasn’t it? Hope we get to see more of her (and Sayaka, for that matter) after this chapter.

I love how even when she’s collecting masturbation material, Komiyama has to hold her camera phone all lady-like. If the term “purevert” ever needed a concrete definition, this girl would be it.

Main Character privileges, that’s why. 

Get. The. FUCK. Out. Of. Here.

With each subsequent appearance, Komiyama’s standard for what constitutes a bitch primed to steal away her Tomoki-kun falls hilariously lower. It’s not enough that a girl in their class makes two seconds of eye contact with him, nosiree. Any girl with an inkling of a relationship with Tomoko is not immune, even if it’s his own damn cousin. Granted, I don’t think Komiyama would be so pathetically scummy as to confront Kii-chan about it like she did to Yoshida.

...I hope.

“Best friends” may be stretching it now that we’ve gotten this far in the series. However, there is one aspect of Tomoko and Komiyama’s relationship that triumphs over all the others:

Absolute candidness. Even now, the only one who gets to see the complete, raw package that is Tomoko Kuroki is Komi-something. While Tomoko has made substantial friendships with the likes of Yuri, Nemo, and Katou, Tomoko still restrains herself just a tad lest she pushes them away. It’s only with Komi that Tomoko bears her full ugliness, which I think has developed into some freakish level of respect/understanding that none of the others can claim.

Damn, even the bishounen dude gets to make an appearance. All we need know is Lethal Chef Girl to make a cameo and I’m set. 

Nope. Any game is an away game when your “harem” shows up to cheer you on.

A few people have expressed discontent with how the chapter seems to end so abruptly, and it’s a fair criticism. It may be the lack of a “Next time...” tagline throwing people off, but while this chapter indeed ends at an odd point, it’s not that unprecedented. Some of the previous chapters ended this way, like that time Komi was all “Oi!” at Yoshida at the cafeteria, which indicates that this chapter is likely one of those series-of-vignettes that also doubles as a build-up chapter. 

On a positive note, while the chapter does feel prematurely ended, how the next chapter plays out if it is connected to this one is sure to be a surprise. 

[renaramblesaboutcomics]

Wednesday Roundup 6.9.2017

Here we are with a fairly straightforward week! I know, I’m surprised by my restraint, too! Who could have imagined I’d ever manage a week with less than five comics. My wallet definitely would appreciate if I did so more often. 

Regardless, let’s get right into the bones I have to pick. With one of these entries. Because it’s a bone and a half. And I use a lot of UPPERCASE so uhhh Guess which one gets that treatment!!!

Marvel’s Generations: Iron Man & Ironheart, Dark Horse’s Usagi Yojimbo, DC’s Wonder Girl: Adventures of a Teen Titan

Marvel’s Generations: Iron Man & Ironheart (2017) #1 Brian Michael Bendis, Marco Rudy,Szymon Kudranski, Nico Leon

Whooooooooo boy. It’s been a long time since I picked up a new comic at release date and just.... did not have a pleasant experience reading it. Like at all. So this was kind of a disappointing conclusion to what has for the last year been a pretty solid record of maintaining great comic book readership. I don’t know why I’m even a little surprised it’s a Bendis comic.

Here’s the thing, I don’t... aggressively hate BMB as others do. I’m just critical of him on what I feel are pretty logical issues to be critical of someone on and in turn that leads to this dagger’s edge of when his comics are good, they’re really damn good. But when they’re bad? It’s like this collision of all the things in comics possible that work as my personal pet peeves. Which is why, though I genuinely adore Riri Williams as a character, and had been enjoying her book, I moved it to a trade wait status right along with Miles Morales: Spider-Man -- it’s easier to take the good with the bad when it’s not an issue by issue basis. 

And... well. Let’s just say that for being THE guy at Marvel who usually gets all the very best talent to lift up even most of his comics I didn’t personally enjoy? There was not that saving grace this time around. Believe you me. I wish there were. But let’s just jump into the details.

Story: TONY STARK AS THE SORCERER SUPREME. TONY. STARK. SORCERER. SUPREME. Who asked for this. Who wanted this. Who thinks this future makes absolutely any sense whatsoever other than calling what everyone has thought since Tony “died” in Civil War II which is that Marvel doesn’t have the actual guts it takes to permanently kill off a franchise character that isn’t the original Jean Grey? Who thought this was a good idea? Bendis. Basically because Bendis likes to pretend he’s doing Morrison-style shake ups of continuity and bringing things together but rarely delivers it in a way that is either consistent or satisfying. 

The one reason I’ve been giving a good number of these Generations books a chance isn’t because I’m particularly interested in the event itself. Truth be told I have absolutely no idea why it’s happening or why Laura was sent back through time to meet up with Logan in Japan or just... anything. I didn’t catch a single clue of what was going on. And I didn’t really care because I’ve read comics long enough that I just want the issues themselves that center around the characters I care about to make sense and be enjoyable on their own. That, for me, is the most valuable part of an experience comics can grant me. And when it doesn’t, I would hope that at the very least it would be because they were providing me some insight on the event as a whole because it was substituting characterization and plot for the Event. Which happens. 

This comic managed to not only provide neither of those things for me, I would argue that it made me unerstand less about the event and less about Bendis’ own characterizations for Riri and Tony than I had a handle on before. Which is... frankly impressive. Also... what a fucking bland future. Like I appreciate it not being a nightmare dystopia like every other comic book future, ESPECIALLY at Marvel, but..... damn, man. There was exactly no life in the city of mushrooms and LSD of tomorrow. Apparently the only inhabitants of a positive future are.... oh my god I can’t believe I have to type it again, Sorcerer Supreme Tony Stark, and the blandest version of the future Avengers I think I’ve ever seen. Like at that point why even bother. 

Oh and adult Franklin Richards is special. Shocking. YES. FRANKLIN IS AN OMEGA LEVEL MUTANT BUT WHY WOULD STARK GO TO HIM TO FIX TIME TRAVEL SHENANIGANS WHEN IT’S VALERIA WHO IS THE SUPER GENIUS AND WAS THE ONE IN THE PAST RUNS OF FF THAT INVOLVED FUTURE FRANKLIN TIME TRAVELING WHO CREATED THE TECHNOLOGY FOR HIM TO DO SO. BENDIS HAVE YOU NOT BEEN KEEPING UP WITH THE FF FOR THE PAST TWO DECADES OR SOMETHING WHAT THE HELL. Moving on... 

Art: One thing I can usually always count on with Marvel is that they love to match their best artists with the leading talents they have writing, and there’s no one shaping the entirety of the Marvel Universe right now more than Bendis, so usually the art for his comics is easily some of the best to come out in any given week.

....

That’s not.... really the case here??? Is it terrible, no not at all. And there’s definitely nice sequences. The problem arises from the page layouts which, ngl, utterly awful. There were multiple pages in a row where I had to reread the whole page again just so I could follow the dialogue. It was not easy to follow from one panel to the next, and the psychodellic affects just made me wish for 70s comics. Back when they had rulers. 

Characters & Dialogue: Sorcerer. Supreme. Tony. Freaking. Stark. No I’m not over it. Especially since this entire issue was more dedicated to beefing up how awesome and amazing Tony is. Riri’s fine, but her biggest part in this issue is to be Tony’s fan and to learn that she’ll be awesome!!!... in the future. She’s only 15 now! She’ll have to grow up into a more prominent hero in the next 45 real world years. But mostly it was... just really lazy. What’s interested me about Generations is that it’s given an excuse for Legacy characters to team up across timelines with versions of their predecessors that in all honesty would have not made sense in other context. What was great about the Wolverine issue I covered before wasn’t just that we got to see Logan and Laura the way we had back when Logan was alive. We got to see Laura with a version of her father that she had never met before. And to make it even more unique, it was viewing this older, more matured Laura almost entirely through the eyes of the father who didn’t yet know her. It was creative and it added depth for both characters even if it’s not going to be the source of some great shift in the main comics for them, it provides a refreshing look into who they are and even how far they’ve come. This issue? Honestly I can’t even tell you what Bendis’ goal was here. And that cover -- the name of the issue? -- the idea we’d get to see Iron Man and Ironheart team up together and kick ass is apparently just too predictable and lame for an event that is literally advertised as being that exact premise. 

I’m so annoyed with this comic. But I’m really more annoyed with myself for expecting something more interesting and paying Marvel’s outrageous and nearly unethical price gouging of their comics. $4.99 for this comic. I’m never getting that $4.99 back. That’s... That’s like five bags of chips from the vending machine at work. That’s a Hot & Ready pizza at Little Ceaser’s. I spent it on this comic. What’s wrong with me. What did I expect???

Dark Horse’s Usagi Yojimbo (1984-present) #161 Stan Sakai, Tom Luth

Why are the best comics always the most difficult to explain in quality? This thing has been going on for thirty years, has never changed writer or artist, has impressed by the hundreds of thousands, and drastically impacted the atmosphere and tone of comics publishing since the 80s right alongside Teenage Mutant Ninja Turtles, all without truly getting due credit. I would tell anyone who asked to just immediately drop what they’re reading and go catch up on Usagi, but it feels like that should go without saying. 

Instead I’ll say, this issue is the first of a new arc and since you can jump into Usagi Yojimbo comics at any point in continuity and be assured to have a good time and pick up what you need to know along the way, pick up today’s issue and get started.

Story: We see the collision of a few of Usagi’s favorite supporting casts and as always it leads to a lot of ruckus and a lot of fun. Though not specifically fun for Kitsune this time around as she’s been seemingly framed for murder. Fortunately Usagi comes in to vouch for her and due to Ishida’s immense respect for Usagi earned over the years Kitsune gets off relatively lighter than usual. But there’s still a murderer about. 

Now one of my compliments to Usagi Yojimbo and really the genius of Stan Sakai in general is that he’s maintained a high quality solo comic for over thirty years and somehow still makes new stories always keeping hot takes and ideas for characters refreshingly new and refreshingly fun. That remains true of this story, too, since this match up of supporting characters hasn’t exactly been seen yet, but at the same time I’m suspicious of the retread of the idea of Kitsune being framed for a crime other than the one she really did and Usagi having to figure out the mystery. I don’t expect that plot to be repeated beat for beat, especially since Inspector Ishida is here and that almost always develops into a more thickly plotted mystery story. So part of me talking up all that flowery wording on my adoration of these comics is to explain why, despite my usual instincts to be distrusting of a repetitive plot beat in comics, I know to expect more from the upcoming issue continuation and don’t have that fear of disappointment that has been instilled in me for the past two decades. 

Also new to the comic is the addition of a one page sub-story at the end of Chibi Usagi which might be the most adorable idea ever and Stan Sakai truly is the hero we don’t deserve. 

Art: I once read a comic reviewer’s explanation of Usagi Yojimbo’s art as being “deceptively simple” -- the bold lines, the character designs, the adherence to a completely black and white comic -- what is seemingly such a simple comic in theory dazzles with its true complexity and tight control of action sequences and blocking. Stan Sakai uses Japanese patterns and crosshatching as well as detailed background art to turn almost every sequence into an unmistakable landmark that makes every town and prefecture that Usagi travels to feel unique. 

It’s just one of those amazing things you have to see for yourself to truly believe. 

Characters & Dialogue: This section is pretty much purposeless on an Usagi Yojimbo comic because Sakai has been writing these characters so long and giving them all such identifiable traits and voices that they’re just always good. If you enjoy these characters then Sakai meets every heightened expectation along the way.

DC’s Wonder Girl: Adventures of a Teen Titan  John Byrne, Bob Kanigher, Bruno Premiani, Neal Adams, Ross Andru, Bob Haney

One thing I have liked recently that DC’s been doing is these recollections of their properties that for a long time they haven’t capitalized on the most, and there’s probably no better example of that exact thing than the severely underrated Wonder Girl Legacy, which has finally earned a short and cute collection going over all the (three) Wonder Girls over the years and even includes the introduction of SOLSTICE! One of my favorite underutilized characters. 

It’s a super neat collection, especially if you’re unfamiliar with the history of Wonder Girl (which is a bumpy ride to be sure) but it also spans so many generations and so many writers and story arcs that I can’t really summarize it the way I do my usual reviews. I can just say that if you’re curious about the Wonder Girls, it’s a great collection to check out. 

Also as a side note, as someone who was deeply disappointed by the lackluster to downright confused and insulting use of Cassie Sandsmark in the New52, DC is apparently doctoring the character to resemble more of what she was in the preboot because the New52 is utterly ignored in this collection, hilariously enough.

Oh, those tides. How they turn. 

The unsurprising pick of the week is, obviously, Usagi Yojimbo. It’s one of the best comics ever made, it continues to be one of the best comics ever made, and also the competition was thin if only I’m being lenient. But regardless, this comic was a fantastic start to the new storyline and I’m so excited to see what twists and turns shall be weaved. 

Now that’s all for this week, but I’m curious about your opinions! Did you agree with me? Disagree? Think I missed out on some great comic I didn’t pick up? Please let me know!

And finally, another necessary plug:

I am in a bit of a financial crunch for a multitude of reasons, not the least of which being the medical bills I’m paying for my dog, Eve, who experienced a catastrophic dog fight and underwent surgery recently.

As such, I really would appreciate if you enjoy my content or are interested in helping me out, please check out either my Patreon or PayPal. Every bit helps and I couldn’t thank you enough for enjoying and supporting my content.

You could also support me by going to my main blog, @renaroo, where I’ll soon be listing prices and more for art and writing commissions.

RenaRoo Patreon

RenaRoo PayPal