#i kept trying to make tags and tumblr kept eating them so tags tk pray that this posts

[mercyisms]

wld love for u to expand on your thoughts about asian jewish mercymorn?? my beloved hater girl

(:<<<< i was delighted to receive this ask and rolled it around in my brain for days and days, even though the real answer is "i'm silly and i like to have fun." to preamble: very, very generally, i think it can useful to have fun with white characters in works written by white novelists. i think it can be a lot of fun, too, to see a fancreator re-interpret a work into a culture they know a lot about and bring out different textures or tensions. but i also think it’s fun to reconsider specific characters (sometimes especially the ambiguously raced ones) and tease out tensions that might feel interesting or ones that somebody without cultural context may have overlooked. i like resisting the idea that whiteness is the default or a neutral default.

though! on the flip side and despite routinely joking that augustine being canonically blonde is a hate crime against me somehow, i also recognize that, for example, augustine’s whiteness (or presentation towards whiteness) seems intentional and is doing work in the text. (when i joke about john always having one six foot plus blonde around, it’s funny! but it’s also reflecting something the text is engaging with with regards to race.) so, anyway, that man can stay white. but to speak, at last, to our beloved hater girl. i think the first thing that opened the door for me is one of the initial descriptions we get of mercymorn.

The face beneath the icy parti-coloured hood was a prim, virginal oval; much in shape and feature like the shape of a saint’s face in a portrait, or a death mask. The nose and jaw and forehead were all carven and serene, and therefore had the same indifferent dullness of a well-formed statue.

i am fairly certain tamsyn is consciously trying to evoke one of the infinitely funny and also very beautiful medieval paintings or sculptures of the virgin mary (etc.) (divine conception: difficult mode, am I right, lads?). but for me, the refrain of mercy’s oval face is a great example of a descriptor that isn’t exclusive to whiteness. very practically, when i started looking for references to make humble sketches of mercymorn, i first turned to michelle dockery (expressive eyebrows! a face that can be cold and severe but then melts into heartbreaking, childish expression!) and then more and more to (an aged down!) kim seo hyung. (for the record, when i make stabs at augustine, i am usually drawing on a richard ii era fiona shaw, with dashes of young peter capaldi and perennially ancient jeremy irons. recently, my go-to for cytherea has been ophelia-era—of course—helena bonham carter.) but it’s rooted in more than just me dicking around in procreate. the idea of an asian mercymorn became more compelling to me when i considered how that would change the texture of her character. to try and be as brief as possible, there, as you may well be v familiar with yourself, are longstanding stereotypes of (largely east and south, but it all gets homogenized) asian immigrants being depicted as cold and unfeeling robots, as excelling only at rote memorization and lacking critical thinking or social skills, as being dangerous or suspicious or obnoxious over-achievers, and as, depending on the day, being too sexy or utterly sexless. (i am not claiming any of these are unique to the very broad category of ‘asian,’ just setting the table.) and i think mercymorn becomes really compelling reinterpretation and rebuke to expectations if she is asian. because she is so many of those things: overachieving med school graduate; someone who (though she seems to have excelled at the magicky part) gift comes from stubborn, rote memorization; someone deeply repressed; someone who is told and believes herself to be unfeeling and inhuman (”Every time you’ve said that I did not understand the human heart, that I was unfeeling, that I only knew worship without adoration”)—but is also a disaster of emotions, despite it all, and is driven by incredibly messy emotions and whose skills (the memorization, the drive to overachieve, even the repression) come from this vast and terrifying well of emotions that even she can’t really look at head-on. before mercymorn, i don’t know that i had seen these tropes reworked in exactly this way or thought to rethink these stereotypes in this way, and so that’s some of what mercymorn-as-asian does for me. (obviously caveat that i’m very strongly drawing from a north american context and i totally confess to not knowing what stereotypes are present in new zealand! but anecdotally through friends in australia and england, these stereotypes certainly seem present throughout the globe, and i would not be surprised if they were also present in nz. but just recognizing that!) i also, personally, find this a lot more satisfying than just going off tamsyn’s canon sheet and being like, yeah, got it, isaac is the one canonical east asian. that’s nice! that’s lovely! but it doesn’t really do anything for me or the narrative. i’m not upset about it! but the lyctors, those who lived pre-ressurection and lived closest to john and carry some of their biases with them, are people who have been shaped by a society where race is very present. vs. the younger 10,000 years out gen who ostensibly (though of course they are in a text written here and now) live in a “post-racial” society, at least from what we see within the house system. (i mean, i say this, but then i also feel like... have u met east asian christian converts. there is some eighth house energy there is all i will say. so, again, i just like to have fun.) re: the jewish thing, i am a hater girl myself and cannot like catholics have anything not ever (hashtag joking, tbc) and a) would love for a foot in and b) as myself and others have pointed out, mercymorn would love to kvetch, she’d be so good at it, she understands it implicitly and she deserves to have a community to kvetch with and c) as i think the inciting post for this ask pointed out she’d be so good at saying ‘oy vey’ and d) idk i just think it’s even funnier if a lapsed jewish woman and a nun walk into a bar and then kiss. in general, i also feel a vested interest in opening the door for mixed race readings of characters and one’s that, again, reinterpret or add to the texture of that character’s presence in text and are done in a thoughtful, fun, interesting way. i could possibly say more but i think this is enough for right now!! maybe!!! sorry this took me so long!! uhh but that’s a taste into my thought process, anyway, for how i like to interpret and reinterpret les lyctores and specifically best beloved hater mercymorn m. nolastname i love u. it is (obviously!) not the definitive or only interpretation, but is the one that currently speaks deepest to my soul. but i do love to see all kinds of interpretations and reinterpretations of our beloved necro-cast.