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#i love when female characters are kind and sweet but don't mistake kindness for weakness bc starlight is easily one of the most badass
katierosefun · 1 year
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i am almost done with season one of the boys and it’s so good i want hughie and butcher to make each other go worse. come on hughie i know it’s in there somewhere. go insane little white man. go nuts.
#caroline watches tv#i think this should be a new tag just for reactions in general to whatever i'm watching#that isn't kdrama bc kdrama is so . . . on-brand for me#the boys#also like do i lowkey ship butcher and hughie? mayhaps#listen. i'm almost done with season 1 and they. scratch a funny part of my brain and i can't describe it#but that said i also adore starlight and hughie they're ver cute and they're like. actually so lovely#they've got a good amount of flavor to 'em too i love the whole 'i am getting to know u bc i like u but also my psycho boss/coworker wants#me to know u bc he hates supes and wld like to kill them all'#'so this is stressful'#i just kinda adore that dynamic y'know y'know?#and i finished that one episode where they're at the samaritan thingie (OOPH) and idk hughie saying that annie said the only thing he could#actually . . . understand and feel comforted by . . . okay that touched my stone-cold heart#i think i just love starlight a lot#i love when female characters are kind and sweet but don't mistake kindness for weakness bc starlight is easily one of the most badass#superheroes OKAY#girlie is nuts and when her eyes do the glowy thing . . . i fuckign love her i LOVE Her she is MY WIFE#and then i. i love butcher#he's so deranged. there's something so wrong with him.#i love him.#also ngl when i saw him in his little flashback with his clean shave and the necklace . . .#for a split second i thought 'BONES??!?!?!!!!?!?'#until he opened his mouth#karl urban . . .. the man that u fuckign are THE MAN THAT U ARE#karl urban is a true chameleon i think#because like. he was in lotr and thor and star trek and the boys#and he is SO DIFFERENT. IN EACH ROLE.#*ACTING*
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madara-fate · 9 days
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I don't want to be a asshole or anything, but I really struggle with the notion of a 'well-written female character' that people have been shoving down our throats in recent years. Nowadays, for a female character to be considered 'well-written,' she must either primarily fit the 'badass femme fatale' archetype - almost invulnerable with its derivatives - or be a 'masculine woman’.
 Oddly enough, these are also the two most popular types of women in fiction right now (lol).
As much as I understand why people want women to have more diverse roles and not be reduced to the 'dumb blonde,' the 'damsel in distress,' or the 'walking love interest' as before, I also think that what we have today does just as much of a disservice to female representation as years ago.
How is what we are doing today inherently different from before?
We have taken female characters out of the tropes that imprisoned them... to fundamentally lock them into other stereotypical tropes that we refuse to let them out of again. These types of characters are often praised as examples of quality female representation, but is that really the case?
I'm not saying they are bad, far from it. But that shouldn't be all there is, that's my complaint about it. And people should also stop passing this off as 'representation' when most of these characters are far too unrealistic to even come close. They are amazing, yes, they are icons to admire because they are truly impressive for the most part, but I challenge anyone to say they are relatable. And that's fine because they're not even supposed to be in the first place. 
Fiction should have these types of women because it's fiction, but it should also make room for other types of female characters. The diversity of roles for women is terribly limited, and honestly, I can't really say it's entirely the media's fault.
Is it really too much to ask for diversified female characters?
I would like to see more weak women because it is not necessary to be traditionally strong to be valid. I want to see crazy people, psychopaths, eccentrics, but also sweet, shy, calm characters. I would like to see more women make mistakes without needing a tragic past to justify them.
I would also like to see more realistic women. There are some, yes, but not many, and strangely these types of characters tend to be labeled as poorly written and then completely rewritten by their fandom to fit their idealized version of what a 'good female character' should be.
The most uncomfortably accurate examples I have in mind are Mabel Pines and Sakura Haruno; just look at the hate these two receive to realize that a majority of the public can't handle female characters whose behavior is more human than extraordinary.
The funny thing about this is that people don't even realize that with this kind of behavior, they are perpetuating stereotypes that ironically they are trying to break. Some realize it but prefer to absolve themselves by blaming the media/authors they accuse of poorly writing women, largely in order to justify the disgusting and relatively hypocritical behaviors they have towards certain female characters.
This is particularly evident in Sakura's case; the hatred people have for her is just pathological at this point, further exacerbated by mass effect. Many fans blame Kishimoto for « writing her poorly », which they believe is their main issue with her character. The fact is when you look at the situation as a whole, this excuse doesn't even hold up. The things she is condemned for cannot be solely attributed to her; some of the other most popular characters in this franchise exhibit the same characteristics and sometimes even worse than anything she has shown before, but for some reason, she is the only character in this series who is so vilified because of it. When it comes to others, most fans make excuses for them, except you can't judge a character for something they did while turning a blind eye or even worse, praise another for doing exactly the same thing; it's a blatant double standard and it's not objective at all.
Her character isn't perfect; she is horribly underused and since she occupies the position of tritagonist aka heroine, it stands out more than others who, although also sidelined, are only supporting characters. That's the main problem I've always had with Kishimoto's writing about her, but apart from that, I really can't find much bad to say about her character. Again, I'm not saying she's perfect; far from it, but that's what makes her interesting. Sakura's role was to bring a more human side to this series; that was her job. She was never supposed to be like her teammates; Sakura was meant to stay on a human scale because she was created for that. 
That's the beauty of her character. 
Changing that is changing her very essence, what makes her who she is, and that's what this fandom does; they rewrite her by using the excuse of 'poor writing' as a kind of defensive flag and eliminate from her character everything that makes her, well... her.
Mabel, (a character from the show Gravity Falls) is another case of a rather strange fandom. She is literally 13 years old and yet her character at the time (and even today) has sparked such waves of hatred that those who hadn't watched the show could believe she's the she-Devil incarnate when she... just acts her age. She is, however, an adorable child. She is eccentric, good-hearted, quite prone to blunders, but that's also what makes her endearing. However, the way some talk about her is just... revolting. 
To hear them, being a pre-adolescent in fiction and behaving as such is a crime. Like Sakura, she also suffers from a rewriting of her character - although it doesn't manifest in the same way - and from what I've noticed, sometimes it's not even done consciously.
Another thing I've noticed is that they are not the only type of characters to benefit from this treatment from fandoms. Even female characters meeting their 'writing standards' sometimes have these problems. Just look at Diana (Wonder Woman), and how some - many - of her fans have transformed her. She went from the epitome of feminism, meaning a woman treating everyone as equals regardless of their gender, believing in justice and doing her best to uphold it into a lame and arrogant fanon version of herself who hates men, thinks she's superior to them, believes girls are the best thing in the world and no man can surpass them - apparently their version of feminism.
People need to understand that just as we can't please everyone, not all characters can suit everyone's tastes, which is normal. They should focus more on what suits them and ignore what doesn't instead of trying to adapt characters that are not their cup of tea to their personal tastes.
 Really. 
This crap is why there are so many fanon versions of 'strong and feminist women,' not because their canon version is 'poorly written,' but because they are not written according to their tastes.
 On the rare occasions when we actually have unusual characters, different from what we're used to seeing, the fandom takes it upon itself to ruin that by transforming them, thus ruining their characterization.
God only knows how much I have my own issues with the current film industry - and some authors in general - but I acknowledge that they at least make the effort to try in certain aspects, whereas fans don't even try. They tend to blame everyone but themselves because they refuse to accept that they are also part of the problem. So yes, the media is certainly crappy in some ways, but the fandom with their obsession with wanting to "fix" every work or character that doesn't suit them, makes it even crappier. They standardize everyone.
I it's all well and good to reblog/like posts criticizing fandom spaces and their treatment of fictional characters, but maybe it would be wise to actually apply what you claim to agree with, and not selectively.
This is a subject I didn't really intend to address on Tumblr, but I couldn't help myself after coming across one of your requests where you were talking about the writing of female characters in Naruto. As someone who is currently writing a thesis on media-fandom dynamics, this syndrome of 'good/bad writing' is one of the points I address, which prompted me to express my opinion.
Anyway, I hope I'm not bothering you with my overly long essay; I tend to talk way too much when a subject is close to my heart.
I'll be honest - When I first saw the length of your ask, I was just like "holy shit", and my first thought was to just read it and give a generic "yeah I agree" answer at the end. However, this was a very good read and I pretty much agreed with most, if not all of what you said. So it ultimately made me want to give my thoughts on a few specific things you mentioned which resonated with me.
I don't want to be a asshole or anything, but I really struggle with the notion of a 'well-written female character' that people have been shoving down our throats in recent years. Nowadays, for a female character to be considered 'well-written,' she must either primarily fit the 'badass femme fatale' archetype - almost invulnerable with its derivatives - or be a 'masculine woman’.
Yep, I made a similar point during this post where I discussed a YouTube video about how Nobara (JJK) is apparently what Sakura (Naruto) was supposed to be, and I went into detail about how utterly flawed their reasoning was.
As much as I understand why people want women to have more diverse roles and not be reduced to the 'dumb blonde,' the 'damsel in distress,' or the 'walking love interest' as before, I also think that what we have today does just as much of a disservice to female representation as years ago. How is what we are doing today inherently different from before? We have taken female characters out of the tropes that imprisoned them... to fundamentally lock them into other stereotypical tropes that we refuse to let them out of again. These types of characters are often praised as examples of quality female representation, but is that really the case?
Yep, the feminist, boss babe archetype is dominating now. It's even seeped into the Marvel movies, which is a component of why they have tanked recently. It hasn't improved their character depth, and it often just seems as though the writers these days care more about racial diversity, LGBTQ representation, and their skewed idea of "female empowerment", rather than creating plots which are actually engaging and make sense.
I would like to see more weak women because it is not necessary to be traditionally strong to be valid. I want to see crazy people, psychopaths, eccentrics, but also sweet, shy, calm characters. I would like to see more women make mistakes without needing a tragic past to justify them. I would also like to see more realistic women. There are some, yes, but not many, and strangely these types of characters tend to be labeled as poorly written and then completely rewritten by their fandom to fit their idealized version of what a 'good female character' should be.
This part above resonated with me a lot.
The most uncomfortably accurate examples I have in mind are Mabel Pines and Sakura Haruno; just look at the hate these two receive to realize that a majority of the public can't handle female characters whose behavior is more human than extraordinary. The funny thing about this is that people don't even realize that with this kind of behavior, they are perpetuating stereotypes that ironically they are trying to break. Some realize it but prefer to absolve themselves by blaming the media/authors they accuse of poorly writing women, largely in order to justify the disgusting and relatively hypocritical behaviors they have towards certain female characters.
This is a very interesting point.
This is particularly evident in Sakura's case; the hatred people have for her is just pathological at this point, further exacerbated by mass effect. Many fans blame Kishimoto for « writing her poorly », which they believe is their main issue with her character. The fact is when you look at the situation as a whole, this excuse doesn't even hold up. The things she is condemned for cannot be solely attributed to her; some of the other most popular characters in this franchise exhibit the same characteristics and sometimes even worse than anything she has shown before, but for some reason, she is the only character in this series who is so vilified because of it. When it comes to others, most fans make excuses for them, except you can't judge a character for something they did while turning a blind eye or even worse, praise another for doing exactly the same thing; it's a blatant double standard and it's not objective at all.
💯
It's as I always say - Sakura and or/SasuSaku are the exceptions to everything.
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That is the reason why I even created this meme for myself, because I found myself saying this so often in response to Sakura being the only one getting hated on for things other characters have exhibited.
Her character isn't perfect; she is horribly underused and since she occupies the position of tritagonist aka heroine, it stands out more than others who, although also sidelined, are only supporting characters. That's the main problem I've always had with Kishimoto's writing about her, but apart from that, I really can't find much bad to say about her character. Again, I'm not saying she's perfect; far from it, but that's what makes her interesting. Sakura's role was to bring a more human side to this series; that was her job. She was never supposed to be like her teammates; Sakura was meant to stay on a human scale because she was created for that.  That's the beauty of her character.
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Changing that is changing her very essence, what makes her who she is, and that's what this fandom does; they rewrite her by using the excuse of 'poor writing' as a kind of defensive flag and eliminate from her character everything that makes her, well... her.
That reminds me of how often I see people describe themselves as Sakura fans, and then they proceed to criticise the fuck out of her (mainly due to her relationship with Sasuke and how it goes against all of their "boss babe" ideals of how apparently strong and independent women don't need no man!). And so I'm just like, how are you a Sakura fan then? If they had their way with Sakura's character, she would be unrecognisable to her canon self. They don't like Sakura, they like the idea of what they wanted her to be.
Mabel, (a character from the show Gravity Falls) is another case of a rather strange fandom. She is literally 13 years old and yet her character at the time (and even today) has sparked such waves of hatred that those who hadn't watched the show could believe she's the she-Devil incarnate when she... just acts her age. She is, however, an adorable child. She is eccentric, good-hearted, quite prone to blunders, but that's also what makes her endearing. However, the way some talk about her is just... revolting.
I don't watch Gravity Falls so I know nothing about the situation, but I can imagine what you're talking about.
Another thing I've noticed is that they are not the only type of characters to benefit from this treatment from fandoms. Even female characters meeting their 'writing standards' sometimes have these problems. Just look at Diana (Wonder Woman), and how some - many - of her fans have transformed her. She went from the epitome of feminism, meaning a woman treating everyone as equals regardless of their gender, believing in justice and doing her best to uphold it into a lame and arrogant fanon version of herself who hates men, thinks she's superior to them, believes girls are the best thing in the world and no man can surpass them - apparently their version of feminism.
Yep, that's essentially what recent feminism has devolved into, there's a lot of misandry involved in modern feminism, which is a shame because that doesn't align with its core principles.
This is a subject I didn't really intend to address on Tumblr, but I couldn't help myself after coming across one of your requests where you were talking about the writing of female characters in Naruto. As someone who is currently writing a thesis on media-fandom dynamics, this syndrome of 'good/bad writing' is one of the points I address, which prompted me to express my opinion. Anyway, I hope I'm not bothering you with my overly long essay; I tend to talk way too much when a subject is close to my heart.
The manner in which you articulated your opinions was very good, so I'm not surprised you're writing a thesis on this, I can tell how passionate you are about this topic. If you haven't done so already, you should consider starting your own blog or something similar as a hobby, I can tell you'd excel if the above is anything to go by 👍
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dany36 · 3 years
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officially done with tales of zestiria!! overall, i really enjoyed the game and i'm glad i finally sat down and played it. more junk thoughts below.
so it's definitely not as bad as i had heard people say it was. i was really surprised when i saw just how much of a bad rep this game gets, but...i can definitely see some things as to why people don't like it... one of the things i had heard was that there was barely any character development in the game, and i agree with that. i was 35ish hours in when suddenly people were already talking about going into the final battle and i was like...what?! no sub-story about rose or eizen or lilah that goes more into their past/characters like sheena in tos or something?? i guess we did get more into edna with that sidequest about eizen (it was nice seeing her show emotions for once!), but other than that, i really didn't feel like the game focused on ANYONE else at any point in the story. they just sort of get introduced into your party and are there to help sorey in his quest.
speaking of sorey, i REALLY didn't care for his character at all. i think he's the only one where i was super apathetic towards in terms of character and personality. even zaveid, who i thought i was going to dislike because of how annoying i found him in berseria, grew on me and learned to like him. i don't know, i guess when i compare him to other protagonists in the tales of games i've played, he really is the most forgettable of them all. like, when he "sacrifices" himself and goes in a sleep slumber, i felt no emotion whatsoever. as soon as i got rose in my party, i switched to using her as my main (which never happens lol i'm boring and usually stick to main characters as my Player 1--emil, lloyd, luke, velvet, dude with the purple hair in vesperia for the amount i played in the game) cus i was just like wow give me someone more interesting PLEASE. so, sorry to sorey fans (if there are any) but to me he's one of the most boring aspects of the game...and he's the damn shepherd!
and continuing on that point, i think the plot in this tales game is also probably the weakest one out of the ones i've played (weak main character, weak plot). the game starts off with the simple premise that sorey is the shepherd and he must get rid of the Lord of Calamity, and...that's pretty much it. in other tales games, you start off thinking your objective is A, but then as you journey along, a plot twist occurs and you realize now that objective A really was just a small task in what is your true objective. Something like this never happens in the game, so the pace just pretty much stays the same throughout the entirety of the game. sure, there are some cool moments (rose's introduction and her learning to armatize will forever be my favorite), but they are scattered out and about and honestly in this game i can't really remember something as impacting as luke sinking that one city (haven't played tota in a while lol) or palmacosta being destroyed in tos or velvet finding out the truth about her brother.
but anyway, the rest of the cast, i absolutely loved, so it's truly a shame that they were stuck in a sort of forgettable plot. i already talked about edna and rose being my favorites, but lilah (that scene with the oregami...OOF...OOF!!!!) and zaveid are cool too. alisha is barely in the main game, but it was great seeing more of her in the DLC and showing her struggle of what she wants to do (her combat also seems cool for the couple of fights but i had to stick with rose...sorry!). i only wish we could have had more skits showing the party interacting with one other. i don't know if it's just me but i really felt like there were barely any skits in this game, which is sad because most of the cast is enjoyable and it's a shame we didn't get to see them talk with each other in skits more!
i had seen people say that it's best to play zestiria and then berseria so you can catch all the references in berseria, but...to be honest, i don't think i would have enjoyed zestiria as much if i had played it first! prime examples are the eizen sidequest and the sidequest where you FREAKING FIND MAGILOU'S TOMB. like...hello??? when i got to the eizen sidequest, i 100% would not have given as much of a shit on killing that dragon if i hadn't played berseria beforehand. it really made me sad knowing the tragic ending that eizen wound up having. and finding magilou's grave being guarded by her friend also broke my heart. like...seriously!!! that was something that i also would not have given another thought if i didn't know who magilou was. so yeah i don't regret playing berseria first since i actually think it enhanced the experience a bit more.
gameplay-wise, i really enjoyed it! took me a while to get the hang of the equipment system, but once i did, chaining combos with Rose was a blast. i also really enjoyed how easily you could change party members (unlike in tob where it costs 1 BG!) in the middle of a fight. and MAN i never get tired of seeing those sweet, sweet mystic artes animations. <3 <3 <3 it increases any character's coolness factor three-fold.
my main gripe in berseria was the terrible dungeon design. at the beginning, zestiria did a better job at putting in puzzles in dungeons so as to not make the same mistake that berseria did, but then...towards the second half of the game...it was pretty much all berseria-like dungeons of endless same-looking rooms with endless enemies (the DLC dungeon being a prime example of this). which is honestly just terrible and boring, but at least the gameplay makes the fights seem not AS tedious...
i also felt like zestiria did a better job with the music than berseria did. i can hardly recall any song i liked in berseria (there's like two or three i'd put in my vgm collection), but for zestiria, i'm gonna need to hunt down quite a few. also, i could actually remember the names of the towns/locations and what they looked like. in berseria, i felt like i was going town after town but for the life of me i couldn't remember at ALL what we did there in the first place. i really just felt like i was passing through each town not learning much about the place, but in zestiria i really got a feel of each town, so that was nice!
oh, and the ending i felt was...kind of weak lol especially cus...no one talked at all??? it was so weird haha in tos, tota, dotnw, and tob we have the characters at least saying SOMETHING in the ending but in toz it was just...animations and that's it lol. so glad we got a DLC cus i would have been PISSED seeing just rose leave off like that without saying a word and then...they show us her GRAVE??? i always think "wow i wish they would show us how the future of (insert favorite characters here) are like!! :)" but seeing rose's grave made me so sad (as well as eizen's and magilou's) like nononono you do NOT show my favorite characters just DEAD!! >:'v but anyway, yeah i mean it was an ok ending but nothing that made me feel with a great gap in my heart like tob's or tos's did. like mikleo seeing sorey again at the end? cool. did it make me feel something like when tear sees luke again at the end of tota? sadly, no. :(
and last but not least, the DLC. i mean, i absolutely LOVED seeing the girls in the team going out on their own little adventure and just interacting and talking with each other!!! lailah + edna + alisha + rose...who doesn't love that?? we got to see more of rose being the badass that she is and uh yeah her and alisha? totally gay for each other...like that last scene before they kill the final boss?? just A+++ material (except that terrible last dungeon AND the HORRID design of the last bosses??? dragons with purple bright titties so that the player will know they're FEMALE dragons??? LMAO)
oh wow i wrote more than i thought i would but uh yeah. all in all: DEFINITELY NOT a bad game, has a great cast of interesting and fun characters (except sorey) but sadly the game doesn't delve too deep into them as in other tales game, DLC was a fun addition to see more of who i thought was going to be a greater protagonist in the main story, but overall when compared to other tales of games, the weak plot puts it second-to-last in my list of tales games i've played. would i play it again? definitely :)
WHEW, ok, now off to watch the anime!! <3
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valkerymillenia · 4 years
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@animecat33​ tagged me for this
Rules: Name 10 characters from 10 different fandoms that you like, then tag 10 people.
I enjoyed this but... At first I thought, do I even have 10 I consider favs? And then I ended up with a list of, like, 25, and couldn’t pick 10 so I chose more or less at random. And I admit I cheated seeing as some kind of fit in the same fandom in some way.
It’s just too hard picking favorites. 
Undercut, cause it’s gonna be a loooong post.
1. Morticia Addams (Addams Family)
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My tattoo probably makes this one obvious. 
I love Morticia so much, not only do I love her aesthetic, I just love her personality and attitude, not to mention her marriage is ‘goals’ and as a mother and matriarch she’s incredibly supportive and loving despite the unorthodox life the Addams’ live. I love a character that can be a mother without having it define her completely.
2. Catwoman/Selina Kyle (DC)
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Selina was one of my OG crushes back before I even understood what I crush was or that being queer was even a thing (looking at you, Michelle Pfiffer).
I love her style and strength and personality (when she's well written), her grey morals and competence, and cats are just my thing, ok? Plus bisexual icon.
Have you noticed I have a thing for a dark women with grey morals?
3. Raven/Rachel Roth (Teen Titans/DC)
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I kinda share a name with Raven but that's not why I like her. I've always loved the emotional complexity of this character, her incredible power (and how it's also her weakness), and style as well. I'm not too thrilled about some more recent incarnations of her but she'll always be an OG fav.
4. Nightwing/Dick Grayson (DC)
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Yeah, yeah, DC again, look the other way, please (they have individual comics anyway).
I couldn't leave out my darling Dickie. I grew up with this dude and I love his backstory and relationship with his family. He's a beautiful ray of sunshine with a dark streak, a competent leader without being a broody bossy jerk like some and he's very well rounded and consistent in his characterization (plus that design is top notch). I know the Romani thing was a ret-con on something just vaguely implied in the past but honestly it was a good one and some much needed rep despite the constant whitewashing (though not as bad as others in his family).
Also, he drinks his 'respect woman juice', he's flawed without being edgy, and has been queer-coded and female-troped for decades which makes him much more likeable as a male character. He actually became an LGBT icon despite the cowards at DC constantly trying to shove heteronormativity into his storyline.
5. Rose Quartz/Pink Diamond (Steve Universe)
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Is she problematic? Yes and that's part of the appeal.
I already loved Rose when she was this sweet, compassionate and wise old soul, this rebel and leader and mother with many secrets.
I guessed really early on that she was PD so that part didn't surprise me but when the backstory of her as PD finally appeared to give us so more in-depth knowledge I was surprised by the amount of hate the character got. To me, her flaws, pain, mistakes and growth were part of the allure.
Also, gorgeous and much needed plus-size rep. I loved cosplaying her more than anything.
6. Princess Leia (Star Wars)
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Did I like her style or design? Nope, I much prefer her mother's but Leia is an immensely competent, wise, strong female character that takes no bullshit from the male-dominated plot around her, she deserved so much better. Honestly, she deserved her own goddamn movie.
Carrie Fisher was a feminist icon and an advocate for mental illness visibility. She's was also fucking hilarious. All this translated into Leia's character very well and she deserved so much better from society than being sexualized in a metal bikini and remembered that way forever.
7. Hela (Thor Ragnarok/Marvel)
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I already loved Hela's character in the comics (except the arc where she sexually abuses Thor, that was shitty edgelord writing and I refuse to acknowledge it's existence) but Ragnarok gave her a whole new meaning.
Firstly, my God is she hot! Just.... Umpf! Step on me, queen.
Secondly, she's dark and evil but she has a goddamn point (people are hypocrites). And in the comics she's not even evil, she's neutral and only a villain because she opposes Thor on a personal level. She's also incredibly competent at what she does and if that isn't a turn-on idk what is.
8. Korra (Legend of Korra)
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Korra will always be bae. There's a reason my behemoth of a fic revolved around her.
Not only is she incredibly well-rounded and fun, she's also very competent, has a fascinating backstory and is immensely powerful, plus she grows beautifully through her show. Not to mention she's GORGEOUS.
POC and LGBT rep, plus she showcased one of the most incredible arcs on disability and recovery that I've ever seen in a family show.
9. Scarlet Witch/Wanda Maximoff (Marvel)
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You can pry Wanda from my cold dead hands.
I'm not even the biggest fan of her movie version, I'm all about comic Wanda.
POC rep and an incredibly visceral portrayal of mental illness and trauma. And she's beautiful beyond reason, morally grey, and powerful as hell.
Most of all what I like about Wanda is how loyal and family-oriented she is without letting it diminish her as an individual or as a powerhouse character, so many female characters loose all agency and individuality when they have kids, they get delegated to role of mother and lose their heroics or become extensions of their husbands and children, Wanda was nothing like that. Her relationship with her brother is fascinating too (let's pretend the incesty vibes in certain alt universes don't exist).
I only hate that she and Pietro always get the short stick in adaptations and their origins keep getting needlessly retconned (Magneto's kids with his Romani wife, raised by someone else- that's it, stop trying to change it and then change it back over and over). That and how she's not allowed to have her well deserved relationship with her babies because of stupid old-fashioned comic rules that led to a needlessly convuloted and far-fetch story arc (the erasure, reencarnation and hyper-aging of her sons).
10. Jessica Rabbit (WFRR)
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For most people, Jessica's appeal is "she's hot" and yes, this "pinup femme fatale" look really does things to me, I won't lie about that, but that's not why she's my favorite.
Jessica is fav because she's loyal and loving to her goofy husband, she completely turns the femme fatale trope upside down for love and doesn't give a damn about looks, she uses her appearance as a weapon and she's confident but she's clearly not vain ("I'm not bad, I'm just drawn that way" and "He makes me laugh"). She's also hilarious in her own deadpan way.
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Other worthy mentions to this list are:
Wednesday Addams
Mystique (Marvel)
Shuri (Marvel)
Maleficent (Disney)
Vanya Hargreeves (TUA)
Blind Mag (Repo!)
Venom (Marvel)
Lust (FMA)
Evelyn O'Connell (The Mummy)
Alice Lidell (Alice Madness)
Jessica Jones (Marvel)
The Kagamine twins (vocaloid)
Amon (LoK)
Sesshoumaru (Inuyasha)
Loki (Marvel comics)
Liadan (Sevenwaters)
Furiosa (Mad Max: Fury Road)
Crowley (Good Omens)
Jericho (Titans/DC)
Sadako Yamamura (from the Ring BOOKS)
Susan Sto-Helit (Discworld)
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