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#i should actually try to take my time on this one. and not just draw it as quickly as physically possible
inkedroplets · 2 days
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#i will take the bait
i love this for me :D can i start with the 🖤supercorp that i’ve been sending everyone :DDD
I don't really like how this one turned out but I've made my peace with it. Hope you like angst. I know you do.
This is everything I’ve ever wanted…
The kiss that they share on the couch in Lena’s office is sweet and clumsy in the best kind of way. The kind of first kiss that until now Kara has only thought to exist in movies. Real life is never quite that romantic. Never that perfect. Only, this is perfect.
Almost… 
The kiss is brief and all the sweeter for its brevity but so is the rush of excitement, of joy bordering on rapturous that is there and gone in an instant. It should have flourished in her chest bursting into something so much larger than itself like a firework exploding across the dark canvas of the night sky. But the guilt makes it impossible. She can feel it seeping in through invisible cracks and with it that familiar feeling of shame from having kept something so important from Lena as it eats away at her. 
She tries to shove it aside to no avail, to cajole it into slipping back into that all-too happily forgotten corner of her mind. I’ll deal with you later, she pleads. Later, later, later. But the answer she gets back is one she doesn’t want to hear. There is no more later. Not anymore. Not after this. It’s already too late.
“Kara?” She smiles reflexively when she hears Lena call her name and brightens a little despite the storm raging inside her. It’s even easy to do so. It’s Lena, after all. 
“Are you… Is this okay?” Lena asks. She smiles just as sweetly, just as softly as the kiss they’ve just shared. “Nothing needs to change,” she says in a low whisper. “We can pretend it—” “Of course it’s okay,” Kara whispers. She touches her lips with the tips of her fingers, hoping that doing so will help her quantify what the kiss means to her. She thinks she knows what it means, or at least what she hopes it could mean for the both of them. But it feels far too soon to say aloud. Instead she leans forward shyly, tentatively and kisses Lena again. Their second kiss is as brief as their first and there’s that same rush of excitement, that same joy and Kara realizes what it reminds her of. It feels like flying… She almost tells Lena this, wondering, maybe a part of her hoping that Lena might feel the same but stops herself. She can see Lena smiling at that. The lips of her mouth curving up into an amused grin and then sees her asking: How do you know what it feels like to fly?  Playful teasing. A question to which Lena would expect no answer but one that Kara would feel obligated to provide. Because you feel guilty…
Would she launch into an awkward retelling of the last time she was on a plane, and rob her words of their sweetness? Or would she simply stumble over her words until Lena tactfully guided their conversation elsewhere like she had done so many other times in the past whenever Kara had been forced to clumsily explain away either her appearance or disappearance whenever some crisis occurred. Trying desperately not to draw attention to the fact that whenever Supergirl was around, Kara Danvers wasn’t. 
“Is this okay?” Kara asks shyly, trying to ignore the guilt that is now so much like a specter looming over her that she feels that if she turns around she might actually see it there. That if it had a shape she would see it as a faceless entity wreathed in a cape. 
“One way to put it…” Lena smiles again and glances away for a moment. She’s still looking out the window when she speaks again, maybe too afraid to see Kara’s reaction to what she has to say. “I’ve wanted to do that for a while now.” 
 Her statement seems to shock Lena just as much as it does Kara and she understands why almost immediately. After all, is there anyone we can lie better to than ourselves?
“I think,” Kara says carefully and now it's her turn to look away, “I have too.” She nods, a little, more sure now. “Yes… I know I have.” 
It's her own little epiphany although one without any fanfare. Because it's not a truth that she's buried away in some deep, secret part of her heart. It's a truth she's run from more times than she cares to count. That she would have kept running if the circumstances were a bit different, if she had been more mindful of what it would mean, because now…
It's too late.
“Kara?” 
She knows what Lena wants to ask her. She smiles. It's harder this time and she reaches up to brush away the tears that have begun to fall like the first drops of a summer storm. 
“Happy tears,” she lies and knows that they could be. They should be, she thinks because this is everything she's ever wanted. 
Lena brushes one of them away gently before Kara can get to it. Instead of pulling her hand away it lingers and after Kara is finally able to meet her gaze, Lena leans closer and kisses her again.
It's not too late, she insists. The lie is just as sweet as it was the first time but she finds that it’s become cloying. Not that it stops her from trying to swallow it. To hope that it’s not too late. Another tear slides down her face and another. It’s only when she feels that she can no longer hold back the sob building up in her chest any longer that she reluctantly pulls away. 
“I need to tell you something,” Kara says. It spills out of her all at once like a jar of water being upended. She watches as Lena’s expression turns stony and her eyes fill with tears that shimmer but do not fall as she stands to leave.  She understands that she’s lost everything she’s ever wanted. 
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the tortured poets department (sponsored by my procrastination)
excuse my essays for each song the lyrics are so interesting to me so there’s like actual analyzation for each one.
fortnight - dex
that lingering resentment disguised by surface level friendship is that not literally him and sophie come on. “run into you sometimes, ask about the weather” the awkwardness!! “your wife waters flowers, i want to kill her” he was the #1 fitz hater for multiple reasons after all (although i think he was over it by the time keefe became prominent)
the tortured poets department - sophie
this is so keefe from her perspective come on “you’re in self sabatoge mode, throwing spikes down the road, but i’ve seen this episode and still love the show” “i chose this cyclone with you” “sometimes i wonder if you’re gonna screw this up with me. but you told [biana] that you’d kill yourself if i ever leave. and i had said that to [dex] about you so i felt seen. everyone we know understands why we’re meant to be.” also let’s be so real keefes drawing journals + goodbye letters, he’s giving tortured poet
my boy only breaks his favorite toys - fitz
guys he’s just a silly little boy with anger issues, and he’s MY silly little boy with anger issues stop hating him 😞 “the voices in his head called the rain to end our days of wild” “he saw forever so he smashed it up” he may have fucked up but it happens!!
down bad - dex
CUZ FUCK IT HE WAS IN LOVE!!! also if i may present to you: “i might just die it would make no difference” in the context that outside of sophie saw no purpose to his own life. he saw himself just as he is presented in the books: as her best friend and nothing more. so in losing that (blaming himself and his own feelings for it) what was left of him? who was left? sophie was also his ONLY friend. not to mention in the context of the fact that when he WAS presumed dead nobody cared, they still cared more about sophie.
so long, london - keefe
no not bc of london actually but because “and you say i abandoned the ship but i was going down with it, my white knuckle dying grip holding tight to your quiet resentment” is actually a direct reference to keefitz’ friendship falling apart as fitz got angrier and keefe got more closed off. “you swore that you loved me but where were the clues?” “im just mad as hell cause i loved this place” me when everglen is no longer keefes safehaven. nor anyone’s for that matter bc its haunted by alvars betrayal and alden’s mind break and fitz’ anger.
but daddy i love him - biana
“i just learned these people only raise you to cage you” “i just learned these people try and save you…cause they hate you” “dutiful daughter all my plans were laid…growing up precocious sometimes means not growing up at all.” i hate alden vacker. how do u manage to use and fuck up all ur kids by age 12 like wow. “i’ll tell you something about my good name: it’s mine alone to disgrace” she would 100% say this. she would also 100% say “im having his baby! no im not but you should see your faces.”
fresh out the slammer - keefe
sokeefe or keefitz take it as it comes. “in the shade of how he was feeling.” “as i said in my letters.” “my friends try, but i wouldn’t hear it…for just one glimpse of his smile” “swirled you into all of my poems” it’s so him it is truly.
florida!!! - keefe
THIS one’s about london! “well me and my ghosts, we had a hell of a time! yes i’m haunted but im feeling just fine” ethan and eleanor wright who?? “your home’s really only a town you’re just a guest in” candle shade/shores of solace type beat “i need to forget so take me to [london], i have some regrets i’ll bury them in [london]” “i don’t want to exist so take me to [london]” aw bae
guilty as sin? - dex
i don’t know how to explain but i just feel like this feeling of i shouldn’t be doing/feeling this the literal guilt and all these delusions and the sheer intensity of it all is just giving me dex. “this cage was once just fine, am i allowed to cry? i dream of cracking locks, throwing my life to the wolves or the ocean rocks” “i keep these longings locked in lowercase inside a vault” this must be the way he loves if he thinks so little of himself and doesn’t let himself have good things. “i choose you and me religiously” because at the end of the day when he makes a decision or chooses something or someone he puts his all into it.
who’s afraid of little old me - sophie
“you lured me and you hurt me and you taught me. you caged me then you called me crazy. i am what i am cuz you trained me.” all of it’s literally giving her growing into herself in stellarlune and making decisions on her own. SHE IS NOT A PAWN!!!
i can fix him (no really i can) - tam
idk its just giving him defending rayni with his life when everyone else including linh was like who tf is this girl.
loml - fitz
every sad pining song is fitz vacker to me. esp the refrences to the romance being dead but never buried... "still alive killing time at the cemetery, never quite buried...i'm your holy ghost" the way that sophie switched up on him in stellarlune (although i fully support her) didn't give him much time to recover. "are they second-hand embarrased that i can't get out of bed because something counterfiet's dead" give me heartbroken fitz!!! for once instead of angry fitz just give me tired, resigned fitz. "it was legendary, it was momentary, it was unecessary, should've let it stayed buried" is such a good summary of sophitz imo.
i can do it with a broken heart - linh
linh is so interesting to me as a parallel of fitz: meaning she, just like him, is always angry. however she masks it in smiles and kindness the way he never learned to, he just lashes out. this song feels like it’s talking about that mask: “i’m so depressed i act like it’s my birthday everyday” “i can read your mind ‘she’s having the time of her life’ …i can show you lies” “cause im miserable and nobody even knows” “i can hold my breath, i’ve been doing it since [i] left”
the smallest man who ever lived - keefe
it’s giving a letter to cassius/gisela/alvar. “and i don’t even want you back, i just want to know if rusting my sparkling summer was the goal. and i don’t miss what we had” “did you sleep with a gun underneath our bed?” “in 50 years will all this be declassified and you’ll confess why you did it, and i’ll say ‘good riddance’” “i would’ve died for your sins instead i just died inside. and you deserve prison but you won’t get time” “in plain sight you hid, but you are what you did. and i’ll forget you but i’ll never forgive.”
the alchemy - sophie
“cause the sign on your heart said it’s still reserved for me. honestly, who are we to fight the alchemy?” aw sokeefe.
clara bow - biana
BIANA BEING COMPARED TO HER BROTHERS AND ALL THE VACKERS BEFORE THEM "the crown is stained but you're the real queen" "beauty is a beast that roars, down on all fours, demanding more...its hell on earth to be heavenly" i love her.
the black dog - fitz
bring back petty fitz!! i think the young girl not knowing the starting line could parallel with keefe not being able to understand things about telepathy that really connected fitz and sophie. i also think we could shift the angle and make it about alvars betrayal and how it sparked his angry trauma response. “you said i needed a brave man, then proceeded to play him until i believed it too.” “now i want to sell my house and set fire to all my clothes…even if i die screaming, and i hope you hear it.”
imgonnagetyouback - fitz
he is 100% this delusional. he's just like me. "you'll find that you were never not mine" "even if its handcuffed im leaving here with you." "told my friends i hate you but i love you just the same, pick your poison babe, i'm poison either way"
the albatross - keefe
“one bad seed kills the garden. one less temptress, one less dagger to sharpen.” “the devil that you know looks now more like an angel. i’m the life you chose, and all this terrible danger.” HE IS THE ALBATROSS. i can’t wait for the movie i want edits of him to this. ACTUALLY I WANT A LOT OF THINGS maybe I’ll make a separate post about that.
chloe or sam or sophia or marcus - keefe
you saw it coming. this song SCREAMS KEEFITZ. like- “you said some things that i can’t unabsorb…you needed me but you needed drugs more.” “changed plans and lovers and outfits and rules all to outrun my desertion of you.” “if you want to break my cold cold heart just say ‘i loved you the way that you were’” WHAT THE HECK DUDE IM SOBBING “back to the moment i crashed into you like so many wrecks do” that line solidified this as keefe’s pov for me. in conclusion. SOBBING.
how did it end - biana
i propose to you: not a relationship, but the vacker family falling apart and the way they became a huge subject of gossip in the lost cities. when alden’s mind broke, while fitz had turned to anger biana became depressed, and i think this song could relate to that as well. the whole part of “guess who we ran into at the shops” feels very much like conversations others would have about the vackers at the time and when alvar betrayed them. “soon they’ll go home to their [brothers], smug cause they know they can trust him.” and i think at the end of the day when all of it happened biana was just young and betrayed and lost, because she didn’t see it coming or understand why (who did?) “the deflation of our dreaming, leaving me bereft and reeling” “i can’t pretend like i understand, how did it end?”
so high school - biana
HER VIBES ALL THE WAY she’s so cute and lovely and i want this for her (and dex. specifically dex. not anyone else.)
i hate here - sophie
was leaning dex until “you see i was a debutant in another life but now i seem to be scared of going outside” but the whole idea of escapism applies to both of them. especially to sophie though when she lived with humans and was so alone because even her own family couldn’t understand her, and she canonically is a bookworm and probably found more comfort in those other lives than she ever could in her own. "I hate it here so I will go to secret gardens in my mind...i read about it in a book when I was a precious child" "ill get lost on purpose, this place made me feel worthless"
thanK you aIMee - tam
aimee 🤝🏽 the song parents. “everyone knows that my [sister] is a saintly woman. but she used to say she wished that you were dead.” “but when i count the scars there’s a moment of truth: that there wouldn’t be this if there hadn’t been you.” thank you song parents 🫶🏽
i look in people’s windows - fitz
i thought this song sounded so creepy till I actually listened to it and now the idea of like lowkey stalking someone just to see if they still care about you or have moved on is slightly making sense. "does it feel alright to not know me? i'm addicted to the if only." it's giving keefitz (when isn't it?)
the prophecy - dex
"let it once be me, who do i have to speak to about if they can redo the prophecy?" THIS JUST REMINDS ME SO MUCH OF THE BEGINNING OF STELLARLUNE WHEN HES LITERALLY MOURNING WHAT HASN'T EVEN HAPPENED TO HIS BROTHER YET i need more dex being the oldest sibling and shouldering that burden. the love-hate relationship with his siblings while simultaneously trying to make their quality of life so much better than what he had. also "a lesser woman would've lost hope, a greater woman wouldn't beg" is so him. he is so that middle.
cassandra - tam
"so they killed cassandra first cuz she feared the worst...do you believe me now?" "you can mark my words, i said it first. in a mourning warning, no one heard." tam when keefe joined the neverseen fr
peter - keefe
pls tell me you saw this one coming. "are you still a mindreader? a natural scene stealer, I've heard great things [fitz], but life was always easier on you than it was on me." "promises, oceans deep, but never to keep" "forgive me [fitz], my lost fearless leader...from when we were just kids. is it something I did?" i think I'm just in a constant state of mourning their friendship.
the bolter - keefe
obvious reasons but also "i can confirm she made a curious child, ever reviled by everyone but her own father." "hearts are hers for the breaking, there's escape in escaping." "she's got the best stories, you can be sure, as she was leaving, it feels like freedom."
robin - dex
had to do some research for this one but apparently its talking about preserving a child's innocence! for this reason it reminds me again of dex and his siblings because of the way he really wants to protect them from things that haven't happened yet (especially considering rex being talentless). "way to go tiger" definitely sounds like something he would say to them feeling all sentimental but then, knowing siblings, they'd probably grill him about why he's being nice 💀
the manuscript -
we know the drill by now, fitz gets all the breakup songs because they could be about sophie OR keefe. "afterwords, she only ate kid's cereal, and slept in her mother's bed" while the song is discussing reverting back to childhood habits in vulnerability, fitz's vulnerability made him angry (but it was still a big change from his regular self) "looking back might be the only way to move forward" I hope he does get to move on!!! im tired of the love triangle plot if we're not gonna focus on keefitz' friendship 😭
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