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#i was also amused by the advert for the album on the next page at the price of £3.99
steveinscarlet · 24 days
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Another Pyro-era Sounds article for your delectation (text under the cut)
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IT'S BETTER TO BURNOUT than fade away
GEOFF BARTON ignites DEF LEPPARD and stands well back
RECOGNISE THE headline to this feature? It's a phrase intoned by Def Leppard vocalist Joe Elliott at the beginning of 'Rock Of Ages', the awesomely anthemic and best track on the band's Friday-released third album, 'Pyromania'. In addition, the words are emblazoned for all to see on Joe's stylishly tatty UK tour T-shirt stagewear.
'It's better to burn out than fade away. A catchy slogan - and one that accurately defines the current Def Lep philosophy?
"Oh yeah." confirms Elliott. "I'd rather die at 25 than end up fat, old, bald and nowhere at 50."
But it's not really a 'hope I die before I get old' statement though, is it? I took it more to mean that it's better to go for broke than take a slow slide into obscurity.
Elliott mulls this point over for a couple of seconds. "I suppose you're right. And if you take it to to mean that, then it kind of relates our British tour, you know?
"Just because we're British we want to be big in Britain. But the fact is, the reality is, America's paying for us not to be big in Britain at the moment. 'Pyromania's doing great in the States; even our second album 'High 'N' Dry' is still selling well. But in Britain his voice trails off. "We're losing a heckuva lot of money here. We're going to lose £50,000 just by playing 11 gigs. It's ridiculous..."
"If we were businessmen, only in it for the money like some people think we are, then faced with that kind of financial disaster we'd probably go, uh-uhl No way! But, contrary to popular belief, we've never been like that. If the money comes in, great, if it doesn't, OK, at least we're having a good time doing what we're doing. If I had been in it just for the money I'd have left the band two-and-a-half years ago, when I first realised how difficult it really is to keep your head above water In this business."
Elliott gets momentarily mournful. "It's not worth it. It's terrible. If we actually were selling out we'd just say, 'Up yours, Britain, stuff ya!" He shoves his middle finger In the air for effect. "We wouldn't play one gig here and we'd be £50,000 better off. That's £10,000 for each member of the band, which is a deposit on a house, whatever..."
It's a matter of pride." Sitting in the bar of an Edinburgh hotel, a couple of hours after the Def Ones' gig at the Playhouse, you can't help but feel for Elliott. The guy craves for success and acceptance in his home country, you can see the hunger and, yes, desperation in his eyes. But at the moment that gleaming, glittering goal seems light years away. Unreachable. Unobtainable. Impossible.
As I said in my recent review of the 'Pyromania' LP, the reasons for Def Leppard's current, apparently untenable UK position have been well documented. No HM fan worth his salt should be unaware of the band's spectacular rise to fame and abrupt fall from grace or of the part played by a certain hard-hearted rock journalist as the so-called instigator of the whole sorry affair.
Can just one slag-off article have caused such a dramatic change of fortune? Or was it just one negative element amidst a whole heap of other minus factors? I know the right answers to these questions and I think Joe Elliott does too, otherwise we'd be tearing at each other's throats instead of sitting here sensibly, semi-tearfully,
attempting to right some of those wrongs.
"Trouble is," continues Elliott, "now is a terrible time to try and re-establish yourself as a band. It's not hard rock time any more, is it? That was 1979, 1980, let's face it."
Right. The ol' metal scene definitely seems to have peaked. When 'Big Al Lewis and I first launched Kerrang! the joint was jumpin' with dynamite bands, great albums, killer commitment and boundless enthusiasm. But now there's been a definite downturn. The hot new acts, with one or two honourable exceptions. just don't seem to be coming through any more and the old guard's constant games of musical chairs (Gillan 'n' Sabbath? Do me a favour!!) make everything seen faintly ludicrous.
"Plus people can't afford to go to as many gigs as they used to," says Elliott, making an equally pertinent point."
"Now they just save their money for the big tours your AC/DCs and Queens and the like. They haven't got the dough to see bands like us out of interest, like they used to in the old days. People might be thinking, Hey. I wonder what Def Leppard are like live these days? But they haven't got the readies to find out. They've just got to keep wondering.
And just in case you were.
ONLY 700 People in the Edinburgh Playhouse this Tuesday night. A doctor's just poked down Joe Elliott's throat and diagnosed acute laryngitis.
Support act Rock Goddess are kicking up a storm but are only garnering a polite, vaguely blase reception. It's cold. Echoey. The atmosphere is far from electric. The situation is far from ideal.
But I've I've been stuck behind my hi-rise executive desk for too long to become depressed or downhearted.
And the Leps, it seems, have much the same attitude. Show opener 'Rock! Rock! (Till You Drop) sounds very much like a statement of intent, a plan of attack, the band obviously aiming to recreate the scene of desolation painted on their (creased-up) stage backdrop out front in the auditorium.
As the set progresses it steadily dawns on you what an incredible wealth of quality material these youthful Leppard cubs have at their disposal. From fist-clenching skull- cleavers like 'Rock Brigade' and 'Let It Go', through the cleavers like Rock beefy, barbarous ballads 'Bringin' On The Heartbreak' and 'Overture', to the breathless steamhammer sounds of 'Wasted' and 'Rocks Off', the group are unquestioned masters of the art of good, strong, memorable HM songwriting.
Would that their stagework was equally irreproachable. While the collective Def dudes work well and hard on the boards, they still lack the distinction and sheer, superior presence of their peers.
The addition of Phil Collen on guitar (replacing Pete The Midget Willis, who used to go offstage during shows to hide behind his amps) is a definite step in the right direction, although the ex-Girl axeman's zippy choice of performance costumery is too punky by half.
Hopefully the ebullient Collen will bring his counterpart strummer Steve 'Steamin" Clark out of his shell. The unrecognised compositional lynchpin of the band, to my mind Clark needs to cultivate and build upon his soundcheck style, where I saw him posing fag-handed and moody, like some taciturn, sunken-cheeked Keefalike.
Slimline Joe Elliott, also, is still a far from ideal frontman. Tonight he over-compensates for his bad throat by flinging himself about the stage like a man possessed. He also does some very silly things, like picking Collen's guitar strings with his teeth, climbing a lighting rig to shine a white spotlight over the crowd and making a Dave Lee Roth-style splits leap from the drum riser at the end of the show.
However, Def Leppard are still an incredibly young band; plus, prior to this current series of British dates, they'd been off the road for all of 14 months. Their stagecraft can only improve. And when it matches the quality of the music the result'll music be devastating
MEANWHILE, back at the hotel and our regularly-scheduled interview. Elliott and myself are chatting more genially. The solemnity that tainted the start of our conversation is slowly beginning to ebb away..
So tell me about 'Rock Of Ages'. Its basic, stompalong sound reminds me of Judas Priest's "Take On The World', although it's nowhere near as crass..
"Yeah you know, we've re-christened 'Rock Of Ages' Another One Bites The Stroke' by Joan Jett's Rainbow! People've got to realise that we're taking the piss not out of the audience, but out of ourselves, out of 'anthems' in general. We've always been renowned for anthems, what with 'Rock Brigade', 'Let It Go', 'Rocks Off', you name it, we've got so many we don't know what to do with them. But with 'Ages' we wanted to bring a bit of fun back into it, put our tongues in our cheeks slightly. I don't know, I just got the feeling that things were were becoming too po-faced, too serious. This is the entertainment business, after all, and you can't entertain people unless you're enjoying what you're doing yourself."
"It's like tonight. I was sick. I know for a fact that I didn't sing particularly well, but I enjoyed it. I got a buzz back from the crowd, it made feel good. I've never been one of those singers who, all due respect to David Coverdale, who's a brilliant vocalist, I could never touch - just stands there and sticks his cock in people's faces. I want to smile, I want to be happy, I don't want to prowl around the stage all stern and grim-faced. Singing 'Rock Of Ages', I try to bring that sort of feeling across." Do you think Def Leppard were guilty of taking things too seriously at the early part of their career?
'Yes, definitely. But when you're as young as we were when we started out you can fall into loads of traps, which I admit we did. Mind you, at the time I was sure we were doing the right things; around the time we first started getting knocked God couldn't have told me I was wrong.
"Now I realise, yeah, alright, the first album 'On Through The Night' was a load of shit. It was very representative of the band for six weeks; six weeks after it came out it was true to our sound, afterwards we weren't anything like that any more. I learnt to sing, the band got better..."
"We've always been able to write good songs that first LP has some great numbers on it, they just weren't that well played, recorded or sung. Our second album 'High 'N' Dry' I can still listen to. Yeah, I think that's a good LP.
And 'Pyromania'?
'Pyromania' I'd like to be regarded and revered like Montrose's first album in the years to come. I'd like it to be awarded the same kind of stature. Whether it will or not don't know, but without wishing to come across all big headed. I seriously think 'Pyromania' is one of the best recorded LPs I've ever heard
For which kudos must go to producer 'Mutt' Lange.. surely and indisputably the reigning king of HM in-studio knob-twiddlers. Elliott is also quick to quick to credit Lange for an inestimable improvement in the vocal department.
"Mutt's really patient" relates Elliott. "he does take into consideration that I haven't got the talent of Lou Gramm or Robert Plant, he just tries to bring out in my voice what I'm capable of but what I wouldn't do myself because I'd get fed up with trying. If I was in charge of recording vocals I'd probably pack it in after six attempts but Mutt'll keep me going for twelve, It's painful and I hate him for it at the time. but when I listen to the end result I'm proud because know that's me at my best. It's the best I can do.
GOING back to what you were saying earlier, about it not being hard rock time any more, how do you see the genre developing in the future? Is there another sudden upswing on the horizon? Or will we be in the doldrums for years to come?
"It's very 1969 now, isn't it?" comments Elliott. "All these bands with names ending in -ER are are coming back! It's like everything is growing old again. I don't know. I guess what we really need is an audience that'll accept a band that looks like Duran Duran but sounds like Saxon. That's the next step because, let's face it, Duran Duran look amazing. And if a heavy rock version of Simon Le Bon and company is possible then, who knows, could be on the way to recreating the spirit of "74,"
You're talking about an early Eighties version of the Sweet?
"Could be, could be... because, thinking about it, by today's standards of pop music, the Sweet were heavy metal! 'Blockbuster. 'Ballroom Blitz... that is definitely heavy metal compared to Depeche Mode, Spandau Ballet and the Belle Stars."
What do you think about Hanoi Rocks' chances?
"If they only sounded as good as they look, they could be in with a shot. But at the moment they're too much like the New York Dolls. That's not to say that I never liked the Dolls, but I can't really see a pastiche of their music getting chart success in 1983. If Hanol Rocks practised, they'd be great. Maybe in two or three years...
But if Joe Elliott's vision of the future is accurate, then where does this leave Def Leppard? Is a quick trip down the Kajagoogoo instant image clinic in order?
"No," laughs Elliott, his depression now fully dissipated, "of course not! I've just got this gut feeling that, whatever happens, one day we will do it in Britain, on our own terms. We'll have a hit single, the crowds will start coming to gigs, the albums will begin selling..."
"I don't want to sound arrogant, but I I know I'm right."
He's got to be.
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Ghosts of the Past
Chapter 50
Word count: 1269
A/N: credit to @aarmensfuglybutt and @maria-rivera-soto for the idea.
Snape was sitting on the sofa in front of the fireplace, and you were laying on his lap, resting after a long walk. With your eyes closed, you enjoyed his gentle soothing touch. His fingers slowly and carefully made their way through your hair, which, to your surprise and pleasure, had a relaxing effect on your whole body. You felt his love pouring into you through his palms, when he tenderly caressed your face, your neck, your shoulders. His strong yet caring arms were the safest place in the world, where you wanted to spend the rest of your life.
Snape watched you with admiration. His once empty soul now overflowed with warmth and tenderness.
You sighed peacefully and opened your eyes. "I feel so good with you, Sev..."
"Me too, girl..." He whispered, and his lips stretched in a smile.
You snuggled to him, making yourself comfortable. Leisurely looking around the room, you suddenly caught a glimpse of an object you hadn’t noticed before. On the shelf over the fireplace there stood a golden statuette in the shape of a small ball.
“What is it over the fireplace?”  You raised your head amused, pointing at the curious thing, which drew your attention.
“Gobstones Cup,” he answered indifferently.
“You played Gobstones?!” Your face twitched in surprise, as you returned your cheerful glance back at him.
“I didn’t,” he snapped with a heavy frown.
The smile faded from your face, you started up and sat next to him, worriedly looking into his eyes, trying to find the reason of such a sudden change in his mood.
He didn’t want to talk about it, didn’t want to recall a single day from his past, and this Cup really was something, that could revive a chain of unpleasant and painful memories. Seeing your concerned face, Snape felt ashamed for responding you that sharp. Scolding himself, he clenched his jaws and cupped your face, gently stroking your cheeks with his thumbs. He smiled apologetically, his glance full of regret.
“It’s my mother’s Cup,” he said softly.
Your heart raced, he never spoke about his family. Despite of numerous questions swarming in your head, motionless, you just sat, peering into his eyes, being afraid to ask. Giving him time to collect his thoughts, you tensed in anticipation. Would he be willing to tell you his story, or he’d consider this information enough for you?   
“She was the Captain of the school team and the President of the Hogwarts Gobstones Club,” he continued after a pause.
You carefully rested your hand on his shoulder, rubbing gentle circles on his chest, encouraging him to go on.
“She also studied in Hogwarts?” Your quiet voice acted soothingly, as well as your tender touch.
Snape took your hand which held his face, kissed your palm and got up from the sofa. Confused, you remained sitting, following him with a wary glance. He walked slowly to the fireplace, grabbed the Cup and twirled it in his hands, resurrecting pictures of the gone days in his memory. The wrinkle between his brows deepened in a sullen frown, giving his serious face a thoughtful expression.
You regretted for unintentionally forcing him to return to his past and watched him silently, not daring to approach.
Snape stood as if venturing on something. After a moment, which seemed you an eternity, he sighed and pulled out an old leather-bound book, which was hidden behind the others. You were the only person he could entrust his deepest secrets, without fear of being condemned or misunderstood.
Eyes fixed on the things he held, Snape slowly returned to you and took a seat beside you. He handed you the Cup. There was not just one ball, as it first seemed to you, but three of them. Tracing your finger over a small tablet below, you read the inscription engraved on the pedestal. It said: Eileen Prince, Gobstones Tournament, 1945.
“Eileen Prince,” you repeated to yourself. That was his mother's name. Excited at the new feeling, which grew inside of you, you raised a grateful glance on Severus.
“She was very proud of it,” he said quietly. There was so much sadness in his voice, that your heart sank painfully.
Snape took the Cup from you and placed it aside, pushing the old book in your hands instead. You looked at him as if asking for permission to open it, although it was obvious he gave it to you for this purpose. He nodded approvingly, chasing your doubts away.
Turning the cover, you realized you were holding a photo album.
You got to know him better with each story he told you, with each experience he shared with you over these years. But this time everything was different, now he opened all the doors wide open before you, letting you into his world.
You stared at him again with a frightened, uncertain look. He smiled gently, touched by your advertence and delicacy. Pulling one half of the album to himself and leaving the other on your lap, he gently put his hand on your shoulder, drawing you into his hold, and turned the first page. A faded photo of a young skinny girl of approximately 15 years old was attached to the old shabby sheet. Unlike the usual happy smile, expected to be found on pictures, her look was cross and sullen. She wasn't attractive, but you noticed familiar features you loved so much in the man, sitting beside you. You couldn't help smiling at their similarity.
The corners of Snape’s lips raised, as he watched you.
“You are very much alike,” you gave him a kind glance.
He didn’t answer, only tightened his grip on you. You rested your head on his shoulder, and stroked his hand, which held the album. He turned the next page, and you saw his mother surrounded by her school friends, gloomy and surly. Just like him! You chuckled.
Another photo showed Eileen standing with a tall young man. It was probably his father, you thought, but decided not to ask questions entailing obvious answers.
“Tobias Snape,” Severus explained in a prickly voice, his upper lip twitched in disgust, “my bloody father.”
You slowly raised a questioning glance at him and saw a well-known contemptuous expression on his face, it was never meant for you, but you had to see it quite often. You understood at once, that the story wasn’t going to be pleasant.
Snape told you, how his father abused him and his mother, how he hated wizards, and how Snape hated him. Your heart was aching at the thought, that your only dearest person hadn’t known love and happiness since childhood. Determined to give him everything he lacked in his wretched life, you clung to him, letting him know, he wasn’t alone any more.
On the next picture there was a thin boy with huge black eyes. You couldn't believe it was Severus. Remarkable, how years alter people. 
The following photos showed him as a student.
“Your hairstyle hasn't changed much,” smiling sadly, you paged further, trying not to focus on his unhappy appearance.
Snape didn’t pay attention to the album anymore. He was watching you and the way your face changed touchingly, when you looked through the pictures. Now he knew, that everything bad, that had ever happened to him, was left on the old pages. Overwhelmed with love for you, he realized, there was no space for grief and sadness left in his soul. Now that he had a reason to live, for the first time in his life he could happily look in the future.
@astridstark13 🍒 @kissing-the-earth @written-by-living-stars @longblackcape @emeraldwitchart @taschaschwarz @bloodyhollows @fluffymadamina @diaryofafan17 @none-of-them-were-you--caskett @ellysiacat @shinykavendish @tickletrout @mybulletproofheart7 @sitkafay @thephenomenalkingofthebrogues394 🦇  @otaku4potato @magnificentbandittreedonkey @lokilover-39 @floraltheo @wretcheddiablo @youtube4life10  @a-slytherin-sin  @lou-nahdie @joscelyn02  @cookiemonsteryuum  
@dandyrua
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universeinform-blog · 7 years
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Unique and Effective Local SEO Tips for Local Businesses
New Post has been published on https://universeinform.com/2017/03/19/unique-and-effective-local-seo-tips-for-local-businesses/
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Catch hold of the buddies misplaced in Facebook icons
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Permit the warm temperature of affection drift In the air of your property. Decorate your own home collectively for the nighttime. Put together the meal together, watch a romantic film, play his favorite online game and opt for an extended force or walk. Relive the beautiful moments spent collectively and create a small album of those golden reminiscences.
Carry returned the romance and amusing for your lifestyles this New 12 months. Add a few exhilaration in your courting with couple video games. Is not it interesting? Allow’s find out how the sport works. Create a want list of the upcoming yr and take a vow to fulfill one desire a month. In case you are parents dress up your child, click on photographs, make castles and play the ones kid special games. Revive your youth along with your youngster and enter the brand new yr with chirpiness. This may create superb vibes at home and the concept is likewise value-effective.
Beautifying the relationship canvas with computer graphics
In the technology of nuclear families, the affection and power of a joint own family are evading out. It is the time to tie up the one’s free threads and be as one. Call up all of the loved ones you didn’t Name for months because of your very own priorities and invite them over for a potluck. Let each nuclear own family come with their very own taste and refresh their flavor buds to bear in mind how adolescence changed into. Be far from telephones and Fb, play games vintage style, dance, narrate/ display the pictures of flashbacks and swirl in nostalgia knowing how we all grew in distinctive branches yet the interconnection led anybody to one root i.E. Our own family tree. Make your family one and plan to have special meetings, Skype chats to keep the sensation of harmony and this time forever.
Assertive Communication – 6 Tips For Effective Use
What’s assertive verbal exchange?
Assertive conversation is the ability to explicit wonderful and negative thoughts and feelings in an open, sincere and direct manner. It recognizes our rights while nevertheless respecting the rights of others. It permits us to take responsibility for ourselves and our movements without judging or blaming different human beings. And it lets us to constructively confront and discover a together pleasant solution where warfare exists.
So why use the assertive verbal exchange?
Anyone use assertive behavior at instances… quite often when we sense inclined or unsure of ourselves we may additionally resort to submissive, manipulative or competitive behavior.
Yet being skilled in assertive communication truly will increase the correct use of this form of behavior. It permits us to change vintage behavior styles for a more advantageous technique to life. I’ve determined that converting my reaction to others (be they work colleagues, customers or maybe my own family) may be thrilling and stimulating.
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There are many benefits of assertive verbal exchange, maximum notably these:
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Negative aspects of the assertive conversation
Others may not approve of this style of communication, or won’t approve of the perspectives you express. Additionally, having a healthful regard for every other person’s rights method which you may not usually get what YOU want. You can Also find out which you had been incorrect approximately a standpoint which you held. But most significantly, as cited earlier, it involves the threat that others may not apprehend and consequently not accept this style of communication.
What assertive verbal exchange isn’t always…
Assertive conversation is really now not a lifestyle! It’s no longer a guarantee that you’ll get what you need. It is without a doubt not an acceptable fashion of conversation with everybody, However, as a minimum, It’s no longer being competitive.
But it’s miles about preference
Four behavioral picks
There are, as I see it, 4 selections you may make about which fashion of communication you could hire. these sorts are:
Direct aggression: bossy, smug, bulldozing, intolerant, opinionated, and overbearing
Indirect aggression: sarcastic, deceiving, ambiguous, insinuating, manipulative, and guilt-inducing
submissive: wailing, moaning, helpless, passive, indecisive, and apologetic
assertive: direct, sincere, accepting, responsible, and spontaneous
Characteristics of assertive communication
There are six important Characteristics of assertive communication. these are:
Eye touch: demonstrates interest, shows sincerity body posture: congruent frame language will improve the significance of the message gestures: appropriate gestures help to add emphasis voice: a level, the well-modulated tone is more convincing and appropriate and isn’t always intimidating timing: use your judgment to maximize receptivity and impact content: how in which and while you select to remark might be extra essential than WHAT you say The importance of “I” statements
A part of being assertive includes the capability to appropriately explicit your wishes and emotions. you may accomplish this by using “I” statements. those indicate ownership, do not characteristic blame, makes a specialty of behavior, identifies the effect of behavior, is direct and sincere, and contributes to the growth of your dating with each other.
Strong “I” statements have three specific factors:
Behaviour Feeling Tangible effect (effect to you) Instance: “I feel pissed off whilst you are late for conferences. I don’t like having to repeat records.”
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