#i will always love my gay babies but i decided i didn't want to invest time actively being a fan of people who don't share my ethics

[saintqueer]

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[bengiyo]

She Loves to Cook, and She Loves to Eat 2 Eps 1-4 Stray Thoughts

The lesbian sister to WDYEY is back and I am so ready to see these two get deeper into their romance. They had barely started when we left.

Episode 1

THEM. I missed Yuki and Kasuga as much as I missed Shiro and Kenji.

Love that both WDYEY and SLTCSLTE are struggling with inflation.

God this rice bowl looks great.

Ladies, I know food is pricey lately but you cannot sacrifice these meals together. This is an important aspect of your relationship. Can we just discuss modifying the menu??

I love the work bestie. She cuts through the noise and calls it what it is. Nomoto is lonely because she stopped hanging out with the person she's falling for.

Kasuga is definitely not moving out. You see that TV and chair? She's settled. I love her because she does everything real big.

Yes! Have a mochi party! You both like hanging out together!

I was into the mochi pizza concept until they added corn. No thanks

Smash cutting into Nomoto fighting off the itis is exactly what I hoped for in the mochi party.

They're both so tentative with each other, but at least the fondness is obvious.

Episode 2

Wow they captured all of lesbian film discourse in one tweet. The only part they missed was a comment about it being a period piece.

Of course she's gonna watch this film from her kitchen table with a tablet. I get it but you have a friend with an enormous TV.

Baby's first gay film. It'll do that to you. I'm fairly certain my first film was Get Real (1998). I'm not sure what my first lesbian one was. It's either Chasing Amy (1997), But I'm a Cheerleader (1999) or Pariah (2011).

Oh good. Nomoto and Sayama were both offered positions. I was worried they'd be outted against each other.

We have a young woman who just moved in who has a bunch of quality ingredients and no idea what to do with them..she looks a bit disheveled and tired. She is in the lesbian food drama. Oh yeah. It's all coming together.

This was really excellent. The imagery of all this raw potential in the new tenant via her ingredients she doesn't know how to use, with Kasuga's ability to move them around, and Nomoto's ability to find a way to turn it into something delicious. I am ready.

Yes, Kasuga! Suggest meal dates! Nomoto's eyes dilate every time!

Episode 3

I like Sayama a lot. I appreciate that they have her pursuing het romance so I don't have to wonder about romantic tension between her and Nomoto.

There's such a huge demisexual component to Nomoto that I really love.

Wow, it's actually so unexpected to see a romance say that the big swells of emotion in film don't match the experience some of us are having. This is how I've felt my entire life.

Nagumo, you have two women who live alone who want to feed you. You gotta let them in, girl.

Kasuga is always so direct about how much she enjoys spending time with Nomoto.

I love Kasuga so much. She asked Nomoto how to receive the news about her new project at work and didn't assume.

I like these two admitting that they like their lives right now.

Episode 4

I love that Nomoto is doing research now that she knows how to describe her feelings.

I'm so invested in these cabbage rolls you have no idea. I need Nagumo to eat one.

450 yen is not bad for that amount of food! Food is so expensive in America!

I'm losing it over this sushi mat business.

I'm worried about Nagumo! She doesn't seem unloved by her family, but she's clearly going through it!

Nagumo is a gamer, and she put her fridge on the opposite wall Kasuga and Nomoto did.

The Japanese really snapped when they decided that soup was a requirement of most meals.

These rolls look delicious.

I hope the friend on Twitter gets revealed.

I love these two so much, and I'm glad we have 20 episodes if this is the romantic pace we're moving at! I like them balancing the challenges of maintaining their dynamic in the changing world, and I like that they were both willing to invite someone else into their space. I especially love that Kasuga encouraged the young woman to be safe and watch out for herself. I can't wait for their romance to be out in the open and for the new neighbor to comment on it.

[youngbloodbuzz]

Chapter Threeeeeee

The imagine of Tiny Jamie jumping down from a big truck makes me cackle. (I know it the story it's night a giant beast like in the American south but it's what I visualize for funzies) I think because AE and I are the same size and the idea of me driving a truck is laughable

Anyways, moving right along...

"Dani was still staring after her when Hunter asked, 'Was there anything else you wanted?'

Dani jolted as if from a daydream. She shook her head. 'Uh - no. Thanks, Mr. Thompson. I'll see you at Church tomorrow.'" LIAR... can't name name a single little thing you might want. Brown hair..eyes that's a definitely... a colour.

Both these bitches are having a hard time. In like every scene of them running into each other.

"Dani chewed at her lower lip, glancing away when Jamie bent over further so that the torn collar of her t-shirt revealed her collarbones and a length of silver chain disappearing beneath the fabric." What mental gymnastics is Dani putting herself through to explain away her gay ass feelings towards Jamie. Also the necklace, excuse me while my over emotional ass cries a bit.

The bandana making a cameo.

"Dani lifted her chin. 'None of your business.'" The first time i read the fic I was like Dani baby, ease up. But after reading chapter 10, WHICH I WILL HAVE WORDS WITH YOU ABOUT, Especially the heart breaking last line, I'm like you know what Dani be pissed, I support you. It's also a first real glimpse to Jamie about how Dani has felt these last 10 years/seeing her again. I wonder if in the car ride home Jamie was debating with herself if that was easier, Dani being pissed. If it would be easier to not rekindle the friendship, have a clean break? Not having to get emotionally invested only to watch her marry Eddie. All that is for sure is that she would let Dani decide. She always lets Dani decide.

"It was like the house had eaten it, swallowed it whole. Hungry in its desire to consume anything that didn’t belong. That didn’t fit in." Fuck I love this line

"The basement. Right. Nine feet below the earth, like a coffin." This too. fuck

"Instead, she reset her mask, pulled the rope to part the stage curtains, and tied the other end around her neck." I mean...brilliant.

"And to think she used to know Jamie so well she could tell what she was thinking just from the barest crease of her eyes." Hmmmmmm. Did you though? I mean to an extent yes. But you missed something pretty big.

"'Do you know how I found out that you'd gone?' she asked quietly, and didn't wait for an answer. 'I came over to your house, and your neighbor told me.'" Fuck that's rough.

Jamie knows her so well, getting them to leave as soon as the people started showing up.

Yesssss. Fight it out bitches.

I know it's a serious scene but this: "No goodbye! No note!" But makes me think: "beds empty. no note?! Car gone! You could have died! You could have been seen!"

"Jamie stared at her as though the rug had been pulled right out from under her boots. 'I'm here now,' she said." Sweet Jamie, even after 16 years, it still shocks her that she could possibly mean so much to Dani. She undervalued herself so much and I just want to hug her. And with, "Jamie breathed in sharply before she said, 'You would've stopped replying. Eventually. You would've slipped away, and I — I couldn't do that. Not this time. Not with you.'" She never would have stopped. Never. Shame on you guys for making Jamie cry.

I love Nan, but I'm mad at her. Not that she died, I'm sad about that, but that she made no plans for the two children in her care for when she was gone. Where was her will?! Extremely irresponsible. (Can you tell I'm about to be a mom lol)

Just one touch from Dani has Jamie all fucked up for her again.

"Wasn’t sure how far she herself was willing to go." Again with Dani's mental gymnastics

God I can only imagine what Jamie is feeling being there in Dani's childhood bedroom. Seeing Dani's life that went on without her.

I love the way that Dani feels when she gets little glimpses behind Jamie's mask. She so used to it being up and a part of her that it's almost like she she sees past the wall it's as vulnerable as her seeing Jamie naked.

Not me crying at how Dani wants to tell teenage Jamie about her home. You guys fuck me up damn.

Poor Mikey, I'd die with my teacher showed up at my house and then proceeded to fall in love with my sister. I'd need a bit of therapy.

Not Dani feeling more comfortable at Jamie's house after one afternoon than the entirety of her time at home with Eddie.

A bit of a mess Jamie says gesturing to the house she probably spent the last two days manically scrubbing down and probably yelling at Mikey for having the audacity to sit on the couch and rumble the cushions. Mikey's there like this lady's lost the damn plot.

Jamie is so sorry for Mikey, tough girl act is a damn lie.

"'We're friends again?'" Fuck you. Fuck Roman. Fuck everyone for these feelings.

Well guys we're powering through.

See you next time ❤️

This may have been sent several times because it was having issues lol.

dgjksdlfdsfd

man ch3 was our first real favourite chapter, everything happens so much WHEW!!!

goD yea i think a clean break was prolly the best jamie could've ever hoped for when she saw dani again. some kind of closure, even if it did mean closing the door on their relationship. anything to heal the wound and set her on her way.

jgkadsjf oh my god i also do hear molly weasley's voice in my head with that line lmfoaoo

and nan did her best. she DID have a will but well...it's Complicated. nan left money behind in the bank but everything in the will jamie didn't get until she was out of prison. and honestly....nan was only 71, she absolutely did not expect to die so soon. the heron's are a hardy bunch generally. the heron twins just had....Very bad luck.

"Jamie is so sorry for Mikey, tough girl act is a damn lie" i imagine you meant "soft" and YOU WOULD BE ABSOLUTELY CORRECT. she annoys and bugs him and vice versa, but god does she adore that boy with her whole heart and soul i am so soft for them

yeehaw! these are so fun, hope you're managing well! we got those photos you shared and ohHHHHH my god the tiny babies!! ADORABLE!!

@romanimp

[silverinia]

I came for Baranski, I stayed for Baranski - a quick Christmas On The Square review someone* actually asked for

(* thank you, anon)

Disclaimer: I am in no way a professional of any sorts when it comes to film and I'm not a journalist either. The last movie review I've written was probably for a school assignment in eighth grade. I didn't do research for this and I've watched the movie exactly one time, so this is just for fun.

It was a Sunday, Sunday the 22nd of November, nearing the end of the train wreck of a year that is 2020. I woke up on an air mattress around seven am, my head aching, my throat itching with pyrosis and light nausea, it was still dark outside behind the closed blinds in front of the windows, when I slowly realised where I was, one of my best girlfriends sleeping next to me in her bed. I had crashed at her place after a warm, fuzzy evening of mulled wine, tacky Christmas movies I would never watch alone (Christmas Chronicles and Holiday Calendar, which I quite honestly didn't enjoy at all, but the company made it fun anyway), doing our nails, wearing the fun kind of face masks for a change and smoking too many cigarettes, as the soft pain in my head informed me right now. She woke up an hour later and the morning went by with coffee and reheated pizza for breakfast, when we decided to watch another movie and I realised that it was THE Sunday I'd been waiting for through Zoom interviews and Dolly Parton twitter memes and the infamous wig gate that will be briefly discussed in the following, and so we clicked on the small icon in the Netflix menu that said "Christmas On The Square".

And oh boy, was it a ride.

To start off, I should mention that I have a hard time watching most modern day American Christmas movies, as I noticed quite vividly again when I watched the two aforementioned Netflix productions last night. The character development is always foreseeable to say the least, the plot lines are plain clichés hunting each other like they're the kids in The Hunger Games, and the writing is generally so bad that you can join the actors in reciting the entire scripts on your first watch. I watch How the Grinch Stole Christmas once a year while I'm gift wrapping and pause every fifteen minutes to shamelessly stare at forties Christine Baranski (I think we should all turn away from the birth of Jesus and instead count our years based on Christine Baranski's date of birth) in flamboyant nightgowns and short Christmas themed dresses, looking so fabulous that every interpreter of Santa Baby ever could only dream of it, I watch Love Actually at least five times a year to lust over Hugh Grant, cry with Emma Thompson and miss Alan Rickman, I enjoy Bridget Jones, which I would definitely consider a Christmas movie, and that's it. That's my yearly Christmas time entertainment routine and I can barely tolerate anything beyond, because I'm still traumatised from the time when I was around five years old and on a holiday family visit where had to sit through National Lampoon's Christmas Vacation, the dumbest movie I have ever seen (my apologies if you like it but also, who hurt you?), with my cousins. I hated it. I hated every minute of it. And it scarred me for life.

But this was a Christine Baranski movie, I knew she was going to play the lead and so I was pretty much as excited about this as I could. And the fact that Dolly Parton wrote the whole thing didn't hurt either. As I said earlier to my friend I was watching it with, I have the pop cultural taste of a fifty year old gay man, a quality I am most proud of, and this simply ticked off all my boxes.

I expected something similar to a Mamma Mia experience that wouldn't cause me to crave packing my bags, give Covid the finger and run off to Greece. Light-hearted entertainment, easy to stomach, uplifting music and so little plot that the simplicity feels like a creative choice. That's what my pained, hungover brain knew it could cope with and that's not what I got.

The movie started and I was immediately in the zone. I saw Christine Baranski's name in the front credits (an experience that never fails to make me scream "Yass Queen" at the screen, regardless of where I am and who I'm with, as if I'm the sobering result that pops out of the package when you order Jonathan Van Ness on Wish), the setting was wonderfully corny (I grew up watching Gilmore Girls once a week, so give me warm fairy lights and a gazebo and I'm perfectly happy) and as my friend wondered whether Dolly Parton, in her exaggerated homeless attire that didn't make her look shabby at all, was green-screened into the setting because she stood out so much (which she was because the background dancers were dancing in slow motion, but to be fair, we were probably still a little too drunk to notice that from the start) and I told her I thought that it was just the natural glow someone who's Dolly Parton simply carries with them everywhere they go, I was happy. This was the movie I was prepared for. A movie in which the most problematic thing would be stereotypical characters and the wig they hid Christine's real, flawlessly handmade by God herself hair under.

And then, around five minutes in, Christine Baranski's childhood love interest was revealed as she pressed her perfect pointy nose against the window of his shop and sang about her unrequited love.

And suddenly, things started taking turns at a pace I was still way too sleep-deprived for.

Suddenly, in the middle of my general amazement at seeing Christine Baranski do literally anything and laughing loud at her impeccable comedic delivery, there were unresolved daddy issues, hanging prominently at the wall in her marvellously designed house (she literally says "Daddy" at one point and I couldn't help but think that only someone with her vocal skills could keep from making it sound cringe-worthily kinky). One moment, I was clutching my chest above my heart while she was bonding with little bartender Violet and munching on pretzels while downing some whiskey in that elegant way only Christine Baranski can bond with ten year olds who had it rough, eat pretzels and down whiskey, and the next she felt responsible for said girl's mother's death (which she kinda was too, but I'm not the boss of her). I was still busy making fun of how the very annoyingly, but when you're snacking on pizza with extra cheese at nine in the morning also highly funny, slow talking pastor's name was Christian, and suddenly there was a cancer scare.

It was a lot, a hasty sprint from major issue to major issue with a hint of comedic relief every now and then, and it didn't get any less until the very, rather poorly resolved, end.

The entire, constant up and down was followed by the movie's peak of suspense, the near death of precious Violet, something I couldn't even get too invested in because I was still so busy worrying about Christine's MRT results (I was truly fucking worried), not to mention that I hadn't even started to really process the sudden revelation of the love child and how it had affected her character's actions until this point. Was her constant tendency of pushing people away, as we've seen most clearly with her angel in training assistant who's name I cannot recall right now, the result of her broken trust in her father who practically ripped her son away from her after she had just given birth to him? Was it a result of her never getting the closure she needed with plaid flannel wearing Carl she was clearly still in love with? Maybe both? And what of the many issues was it that made her so incredibly shaken up when Violet blamed herself for her mother's death? Was it 'just' due to the fact that the closed pharmacy was on her, or was there more to it? Was it because she had grown up without a mother herself? Or did I miss a major piece of information because I was momentarily distracted, dumbfoundedly staring at Christine's very blue eyes? No time to ponder on that, little Silverinia, because here comes unconscious Violet in an ambulance, WEE WOO WEE WOO WEE WOO!

I'm not going to go in depth about what plot lines I thought were especially carelessly handled and why, real standouts were the sudden forgiveness towards her father who had still acted like a shitty asshole even though he might have had his reasons, because giving the baby up for adoption just wasn't his choice to make, and the fact that I kind of didn't buy how quickly Regina managed to forgive herself, especially for Violet's mother's passing, considering how deeply her tall, slim, dare I say angelic and entrancing figure was buried beneath the weight of all her issues. It felt rushed and incomplete, but that's as detailed as it gets because my major point is something else.

I think this movie made the great mistake of trying to be more than your average, flat, happy ending Christmas movie. I think no one involved thought it was possible to make it a big hit if the only real plot would've been great Dolly Parton music, fun ensemble dance choreographies, Christine Baranski's outstanding acting skills, fun settings and costumes and a redemption arch with as little plot as it could possibly take to make Christine likable to those who aren't already lost forever in the rabbit hole of being obsessed with her (poor fuckers, can't relate). They didn't notice that with the legends that were involved, they could've easily gone the Mamma Mia way. And I think that's why they tried to include heavier plot lines than most creators would've chosen, experiencing loss at an early age, struggling to find closure, dealing with sickness, teenage pregnancy, parents forcing their choices on their children when they affect their childrens' lives first, adoption, and the fear of losing your kid.

It was a lot and I don't want to say that it didn't work because my friend was crying, like, pretty hard and I questioned my entire existence all through the movie in not the worst way, and I did enjoy it a lot while watching. The "grief is love with nowhere to go" line was a real standout, for example, where the attempt of complexity DID work. It positively gave me fleabag season two, "I don't know what to do with it now, with all the love I have for her." - "I'll take it. It sounds lovely. You have to give it to me." feels, and that's about the biggest praise I can come up with. BUT (and this is written in capital letters because it's the big but) I'm also totally convinced that I wouldn't have enjoyed it if they hadn't cast Christine Baranski for the lead role. In my humble opinion, the hasty, not really at all resolved plot of this movie only worked because Christine Baranski is just a fantastic actress. She quirks a mocking eyebrow and you laugh. She parts her perfectly painted red lips and you immediately hang on them because you don't want to miss a single breath she, a literal goddess, graces us mere peasants of people with. She smiles and you're happy. She laughs and even while she's still laughing, you can't wait to hear her do it again. Her eyes fill with tears and you feel goosebumps on your arms, her voice slightly trembles, a breath hitches in her throat and you feel your heart shattering to pieces. As Chuck Lorre once said, this woman could read you the phone book and you would end up laughing tears because she just gets the job done. She knows what she's doing, she's an absolute pro in her game, and it doesn't matter, not even a little bit, what she's working with, because the work she eventually delivers with it is always at a minimum of 200%. I forced my friend to watch this movie with me because I adore this woman, and I felt for this movie because I felt for her. It wasn't the plot that sadly brutally overestimated itself, it wasn't the songs that I obviously enjoyed, nor the comedic elements that truly made me laugh a lot, it was all her. I came for Baranski, and I stayed for Baranski. This woman can do anything. She can even look graceful in a terrible wig job.

(side note / unpopular opinion: I actually didn't think the wig was all too bad. It wasn't good, actually far from good, but for me, nothing can match the awful wig game of Mamma Mia 2. I loathed that wig, I absolutely cannot stand it. So this didn't feel all that terrible. It definitely wasn't the most problematic part about the movie.)

I enjoyed watching this. It was a nice distraction from all the bullshit in the world. Watching it today was the first thing this year that actually brought me something close to excitement about the holiday season, even though everything will be very different and probably not quite as jolly this year. But it just gave me good vibes and as someone who did not watch this as a film reviewer, that's the biggest part of what leads me to enjoy a movie.

Will I watch this again? For sure. Will I enjoy it when I'm not hungover, having freshly done nails and munching delicious pizza for breakfast? Probably not as much, but it'll still have Christine Baranski in it. Would I recommend watching this? If you share my obsession with Queen B, one hundo. If you don't, probably not.

[alittlefangirlish]

Dear Fandom5k Author,

First of all, thank you so much for writing a story just for me! 

 To start, some of my general likes/dislikes:

What I Like kid!fic (as in, the characters have kids, not the character are kids - toddler age is perfect), crushes/beginning of relationship (the concept of the feelings coming to fruition and both parties going, “WTF is going on? Why am I acting this way around him/her?” is one of my favorite fandom tropes), smut is always good, flirting.

What I Don’t Like Incest, bestiality and molestation are my only three sexual squicks, fandom has desensitized me to everything else. Character bashing. Yes, I’m generally a slasher but that doesn’t mean I hate the female (or in the case of a femslash ship, male) characters (or, if I do, it’s for reasons unrelated to “I ship his/her love interest with his/her best (fe)male friend and s/he gets in the way of the gay sex”). On that note, I also hate when writers completely disregard canon pairings. As much as I don’t want them to, they exist. If you’re gonna break them up, let us know how it happened. Please. And now, my specifics!

Requested Fandom #1: Backstreet Boys, Brian/Nick (AU - Canon Divergence, AU - Modern, Established Relationship, Fluff Getting Together, Slice of Life, Smut) I would be content with just about anything you write me for these two, but here are a few ideas to maybe jumpstart your plot bunnies: 

College AU: Nick is the wet behind the ears freshman, Brian is the TA that steals his heart. Workplace AU: Either one of them gets the other a job, or they meet in a training/orientation session. Things progress. Canon Set: I really love the Millennium/Black & Blue era set stories, so maybe some sort of AU set in that time where the two of them get together versus Brian ending up with Leighanne (and thus Nick doesn't ultimately end up with Lauren).

Feel free to mix and match the requested genres as needed/wanted.

I adore these two so so much (as you can tell because I request them a lot)! They are my babies. I know I gave a few prompts but by all means, don't feel limited to just them. Honestly, if it involves these two, I've seen (and probably loved) some sort of AU with them. (Though I didn't request it, I have even done these two IN SPACE!) I think the only AU I've ever done with these two that I didn't like was a Medieval AU because trying to keep the old timey language in check was tough.

Requested Fandom #2: Voltron: Legendary Defender, Hunk/Lance, Allura/Shiro, Hunk, Lance, Pidge, Shiro (AU - Genre Shift, AU - Modern, Canon Style Plot, Character Development, Fluff, Getting Together, Smut) For Allura/Shiro: A coffee shop AU - Shiro visits this local coffee shop every day before work not just because the coffee is amazing, but the owner isn't bad on the eyes herself. Or something canon set after season 2 where Shiro returns from Lord knows where (the Astral Plane?) and while he was there he realized exactly how he felt about Allura.

Oh, my Space Parents. I really just want them to be happy. And, don't feel like you're limited to these two options. I mentioned them as a jumping ground, not an end all be all, this is what I want and nothing else.

For Hunk/Lance: I really just want a soulmate AU of these two. If you do decide to write smut of these two, please age them up to 18+, thanks.

I've been really invested in soulmate AUs for a while, and these two just seem perfect for it. If you do write one, I'd like something different than a typical "countdown to the day they meet" or "first thing said to them" tattooed on their arm type of AU. But if that doesn't spark you, whatever you want to do with them is fine.

For all of the paladins: I really, really, really just want the character development these four deserved, but did not get, in season 2 since the writers were so darn focused on Keith.

Oh, my feelings on season 2 (I have strong ones). Why did they have to focus on Keith so much (and we got a little bit with Shiro during his astral plane fight with Zarkon, but not nearly enough)? I want to know more about the rest of the Paladins. I want Pidge finding out more about her brother. I want Lance to have more angst about his assumed "seventh wheel" status, that was resolved way too quickly for my liking (and seeing Lance with a vulnerable side was refreshing). I want Hunk... just... not reduced to fat/food jokes. He is so much more than that. I want more of Shiro struggling with his time as a prisoner of the Galra, slowly remembering more of what happened when he was there.

Requested Fandom #3: The Social Network, Mark/Eduardo (Angst, Fix-it fic, Getting Together, Smut) Ah, the bane of every Mark/Eduardo shipper: canon, and the need for fix-it fic. Because everyone in this fandom loves its fix-it fic. Maybe have something set during one of Facebook's milestones: the 10th anniversary, a user count milestone. Something involving a huge party.

These two. My heart. So much heartbreak. I really, really just want them to be happy. I would love it if Mark were the one to extend the olive branch to Eduardo, but however you want to do it is fine with me.

Requested Fandom #4: Pokémon (Games), N/Hilda, Lillie/Moon (AU - Modern, Canon Style Plot, Established Relationship, Getting Together, Smut) (If you write smut, please make sure everyone is aged up to 18+, thanks.)

For Lillie/Moon: Either Moon returning to Kanto, or Lillie returning to Alola. Maybe Moon takes on the Kanto Gym Challenge and Lillie is Indigo League Champion, or Lillie is asked to replace one of the Alola Elite Four.

These two girls completely stole my heart, and I want them to have nothing but happiness. I want to see Lillie as a competent trainer, I want to see Moon impressed by her skills, I want to see them having to battle each other (bonus points if Lillie wins!) and Moon being impressed by Lillie's skills.

For N/Hilda: I see these two reuniting many years in the future, even after the events of Black and White 2, possibly as trainers in their late 20s/early 30s. How has Unova changed? How have they changed?

My babies. I wasn't feeling them until the end of the game, but I fell for them and fell hard. What have they been doing the last couple years? Do they think of each other? What happens when they finally reunite? Do Reshiram and Zekrom have anything to do with their reunion? Does Team Plasma strike again, causing them to have to join forces? 

Requested Fandom #5: Original Work, Female Barista/Female Customer, Female Rock Star/Female Groupie, Male Athlete/Male Athlete (Canon Style Plot, Established Relationship, Fluff, Getting Together, Smut) For Female Barista/Female Customer: She comes in every day and gets the same thing. Maybe she's not just doing it for the coffee. 

For Female Rock Star/Female Groupie: Seeing the same face in the crowd night after night, like the fan's following the rock star around, leads the rock star to want to know more about the fan.

For Male Athlete/Male Athlete: The two are teammates, and one thing just leads to another with them, perhaps.

For any of these, being original work, feel free to take any of these prompts however they lead you (or if something else strikes your fancy, go for it!)