#i would like to say that merlin is incredibly strong and completely capable of protecting himself

[planet-poptropica]

*SLAPS A CHEESE ON MERLIN'S FOREHEAD AND RUNS*

⋆ Merlin: "It's just a slice of cheese....I'm not harmed." ^v^; ⋆

[tiecladartist]

Okay, spoilers beneath the cut because I have some issues with Rise of the Titans.

Tales of Arcadia is one of my favorite series ever. It handled the "Kid is the chosen one" situation brilliantly, every character had depth (even characters like Steve, Eli, the teachers, etc). Theme was expertly handled with each part of the series. Destiny, heroism and sacrifice for Trollhunters; Family, duty and home for 3-Below; Legacy, prejudice and family (again) for Wizards. Every season brought me to tears, made me laugh, made me fear for the safety of the characters and want good things for them after watching them sacrifice over and over again. It is a comfort show for me and always will be.

Now, the movie...

So, I don't think it was bad. I also don't think it was good, unfortunately. The animation took a bit of getting used to after bingeing everything else leading up to this, but I can't deny it was incredibly beautiful. It was especially nice to see places other than Arcadia and Akiridion-5. It started off strong with the train fight, and admittedly there were a lot of scenes I quite liked during the movie. But, just the scenes. I liked moments, but overall it didn't come together quite as well as the shows did.

The biggest factor is likely time. I doubt making this a movie was the initial plan since I know production companies enjoy snubbing out strong series for various reasons. Honestly, I was surprised we got an "ending" at all based on the trends of recent shows being forced to wrap things up prematurely. Even Wizards felt rushed compared to the others and as a result a lot of interesting concepts were brushed over quickly. I mean, I for one would've loved to see more Camelot "filler" shenanigans since those less plot-heavy episodes that we had throughout Trollhunters and 3-Below helped us explore the characters and grow to love them, and we didn't get quite as much of that with Douxie, Archie, Lancelot, Charlemagne, etc. But I digress, this post is supposed to be about the movie, not Wizards.

So yeah, I think Rise of the Titans should've been a show rather than a movie. We could have more time before Nari is captured, focusing on the "where are they now" of all the characters after the year we skipped. Jim gets to cook and eat human food after losing that passion when becoming a troll, adjusting to being human again! Maybe him and Toby talk about Barbara and Stickler being together and how it's kinda weird (Toby could compare it to having conflicting feelings over his Nana dating an alien). Krel and Aja have a call about how it is being the Queen and Steve interrupts because he misses Aja. Perhaps we hear Eli in the background doing something related to the "Secret weapon" and the call gets cut off quickly because this leads to a small disaster on Aja's end that she needs to go fix. Claire is practicing her magic with the help of Zoe while Douxie is off with Nari. NARI AND DOUXIE INTERACT WITH EACHOTHER AND WE ACTUALLY GET TO SEE IT! (Like, I know that they were travelling together for a year and that that is why Douxie is sad when Nari dies, but it didn't impact at all outside of empathy because there was no emotional investment on my end towards their friendship). But yeah, we get to see what's going on with everyone, and then perhaps this first episode ends with the reveal of them being ready for a plan of sorts (luring the arcane order and cutting off their magic. That wouldn't be revealed though). Cut to the Arcane Order in their super secret clubhouse saying they're close to finding Nari and you get a decent cliffhanger.

Episode 2 would start with the train fight and go fairly the same way. We see Jim struggling with fighting with no armor. Or perhaps he has akiridion armor, but it's too rigid or keeps malfunctioning (doesn't fit, so to speak). Only difference is that Jim's arc wouldn't be about whether or not he's still the trollhunter, because we've been through that already and he knows. I could get having moments of doubt, but his full on denial was kinda out of place after everything he went through. Instead, it could be that he feels useless due to now being a burden in a fight. Or perhaps instead he's wrestling with guilt. He's blaming himself since the arcane order got the seals due to them trying to rescue him. Maybe both? Maybe he even misses his troll body and feels that he's too weak now. Yes, he's still the trollhunter, amulet or not, but he's feeling less and less capable of answering this particular call, and that bothers him. He doesn't want to be a burden after all. Fight ends with the train crash, arrest, Douxie swapping with Nari, all the same.

Now, this is where things would go very very differently. Have more time before Douxie and Nari switch back. Let the Arcane order monologue a little more. They want to reset the world because the balance has been shifted? Cool! Tell me more! Did they used to try to get along with the humans? Did they try diplomacy in the past only to fail due to the stubborn humans, and that's why they've decided to take drastic measures? Or if not, explore why they believe they're the ones allowed to decide the balance is off. Is it because they're powerful? Or how long they've been on Earth? Did they reset it in the past and thus know through experience? I don't mind not knowing, since not everything needs to be spelled out for the audience, but there was potential to make them characters rather than obstacles, and it wasn't really utilized to its full potential. Allow Douxie to pick their brains a little instead of immediately swapping him and Nari back and only succeeding in delaying things a few more hours. Hell, if it was a TV show I honestly would've had one or two episodes before doing that while we address how that initial failure (and the fact that magical creatures/aliens were revealed to the world) affected everyone.

Maybe I'll go through and like, actually plot out episodes and stuff, but since I only just finished watching, here's just some various things I'd change:

-Get rid of that whole Steve pregnancy. That was just out of place and rather than the "comedy" breaking the tension, it shattered it completely and distracted from everything. If you wanna explore his father-based character arc, maybe have him and Aja discussing the fact that now that she's queen, she'll need heirs. And maybe Steve isn't sure he could be a good dad due to his history with paternal figures. You could even have it that he's taking care of Nari while her and Douxie are switched, and that leads to a situation where he helps her out and realizes he may be a better dad than expected. Or perhaps Blinky gives him paternal advice. Or Strickler. Or even BARBARA AND JIM like, Steve couldn't be worse than Jim's dad, and letting Steve and Jim bond over that would be nice. There was so much potential, but instead, Steve was reduced to an out of place running gag instead of getting a resolution to his character arc. And hey, if you wanna keep the whole male akiridions give birth thing that's cool, but it's gotta be done in moments where it won't distract. Or, you could even have it be that it means Aja and Steve need to adopt because uh... she's inorganic and he's organic? His body likely isn't actually built for akiridion childbirth despite the movie glossing over this fact? And maybe Steve has mixed feelings about someone else being the dad of his kids, but Coach and him talk about how Coach isn't his biological dad, but that doesn't mean he loves Steve any less.

-GIVE DOUXIE MORE SCREEN TIME! Seriously, had this been a show he would have the most potential for character growth out of everyone. His series was the shortest, so really all he got was a confidence boost and moving past needing Merlin's approval. But there was so much to explore with him still. What was up with that extreme burst of magic after Merlin's death that was never brought up again? How has he been mentally handling singlehandedly guarding Nari against the Arcane order for a year? Once he and Nari switch back, does he feel guilt over not being able to protect her? "Merlin wouldn't have failed like that. He kept her safe for thousands of years, I lasted a little over one". Perhaps, in his constant desire to prove himself to the people he cares about, he takes risky moves to try and save Nari again and make up for his mistakes, similar to how Jim was acting in the movie. Eventually, when he and Nari meet up again when trying to break her controlled state, Douxie is apologizing and talking about how he wants to make things right. He sees Nari as a friend; as family, just as much as Archie, and he doesn't want to lose her like he lost Merlin. He doesn't want to lose anyone else (which would make Archie getting stuck in the other Trollmarket, and Nari's sacrifice even more painful later on if that still happened).

-Krel, Eli and Stewart also needed more time. I get it was a movie, so time was short, but still. Krel's entire thing is that he grew to see Earth as his true home, and we didn't get to address the fact that he was immediately at risk of losing it at all. Not to mention the sheer amount of stuff he'd built for everyone. Like, could you imagine an episode where, to break up the tension (in a proper way, not a weird pregnancy way), in the midst of everyone trying to figure out how to stop the titans, Krel has overworked himself fixing and managing everyone's tech. He has to spend a day resting and disasters ensue as no one knows how to fix any of the stuff he usually manages. Like the tech keeping Camelot afloat, for example. Stewart and Eli could be the ones that end up stepping up to fill the Krel sized gap for the day.

-And I know that these fillers would lower the tension a bit, but like, having the titans need to charge up after awakening (like, absorbing elemental energy or something), or perhaps making the Arcane Order have to collect certain things to break the seals in the first place that they had on their fortress but lost when that was destroyed , or any other kinda obstacle to give time between the train fight and the Titans waking up would give time for less plot-heavy, more character focused episodes. And even after the titans wake up, they were moving super slowly and walking across the planet. It's not like they'd be short on time despite the movie making it seem like walking from china to america was a short jog at most.

-Don't give Toby the amulet. Don't get me wrong, I love Toby very much and literally bawled out loud at his sacrifice scene. But like, it made no sense to give him the amulet? Jim doing everything again with years of Trollhunter experience would help solve a lot of problems from his first go around (and I'm not fully on board with the whole time reset in the first place. Resetting to the start of the movie, or even just the fight with Bellroc would be better). Jim knows the burdens of being a trollhunter first hand, and you really think he'd be okay dumping all that on Tobes? Toby, the guy completely content with being the wingman and helping the people he cares about. Toby, the guy who never worried about not having a grand destiny up until the movie. The guy who in his biggest dreams was a Duke, not a king. I think Toby was well aware of how important moral support is and wouldn't see it as a lame superpower. But even if he did, in a tv show they could explore that in a way where he comes to learn just how much that moral support does for his friends. And if you still want his moment of glorious sacrifice (because I count that as one of the well done moments), then do that! But rather than going back in time to save everyone, make it so they sacrifice the stone to turn back time a bit. Risk their victory to try saving Toby. Have them fight Bellroc together instead of it being just Jim, because it's trollhunters, not trollhunter. It always has been, always will.

-And if you're like "But if they don't go back then Strickler and Nomura stay dead!" Then how about they don't kill them for shock factor in the first place? Have Strickler badly injured instead, because by god Barbara deserves some happiness. And think of the potential scene of her treating his wounds, and the two of them think about how things have changed since that visit to trollmarket when they were both hurt. About how Strickler stuck around, and when Barbara thought she'd lost him it scared her. How she's sick of almost losing everyone she cares about. She could talk a bit about Jim's dad then too, and it could be revealed that Jim was outside because he was going to check on them, but stopped when he realized they were talking. And then later on, he asks about his dad, admitting he overheard, and we get that conversation they had in the movie. And if you keep the Nomura sacrifice, give her more of a moment ffs. Like, she deserved better! Have the death be a sacrifice to save someone else instead of just "oops I got caught and I'm in the sun now". Make it deliberate. Make it her decision after a life of serving others. Finally, she got to be the one in control of her fate, and she chose to protect the people she cared about.

There's so much more I could say about this and the potential that was killed by the lack of time, but this is getting long and I should probably try actually doing the work I need to do today.

Edit (Because this just popped in my head and I need to add it).

THEY WERE LITERALLY AROUND THE ROUND TABLE! THE NINTH CONFIGURATION (which like, screw that there are more than 9 heroes here to save the day) WERE THE NEW KNIGHTS OF THE ROUND TABLE. They were there to protect the world, and like... did the bond between Lancelot and Steve just not exist anymore? Did that get timeline erased too? Could you imagine Steve fighting to protect the world, doing his best to protect the people he cared about so that he never loses someone like he lost Lance again? He gets to keep his promise to carry on the legacy of the Knights even after they died. THE POTENTIAL WAS THERE!!! THE SET UP WAS THERE!!! BUT NO! WE GET MPREG STEVE INSTEAD!!

[zelskzerker]

Mangadex went down so I read alot 1/7

Lets review a bunch of isekai and related stuff I binged because mangadex went down. The scale will be a single thumbs up to a single thumbs down in terms of how much I would consider recommending it in general.

Legend

Chapters 1-51 Pretty straight forward in most aspects. For the best. Nothing crazy bad or good happening, making it surprisingly straight forward for an isekai. [Insert isekai startup here] but this time the MC is given a super magic body and the knowledge of ancient magic. Which he promptly uses to create a griffon buddy. Gets a THUMB IN THE UPPER CORNER for just being a nice, believable stay in a world, but I have read some stuff that really has interesting sparks the way this doesnt. MC is brutal at times and General Princess is cute. They make a good pair for each other.  Although there are no ecchi situations, that artist really knows how to slide in the lewds, whether its mid combat flourishes or pre chapter artwork.

The Black Create Summoner: Revolt of Reincarnated

All Chapters

Truly is revolting. A resounding THUMBS DOWN.  Apparently this was just an advertisement manga, which means that its intentionally incomplete and unsatisfying. Ontop of that, the sketchy artwork was generally rough and got worse to look at the more it went on. [Insert isekai startup here] but this time he has a grimoire that lets him summon stuff he draws. The power isn’t used that much though or in that creative of ways. Characters didn’t really leave an impact except maybe the elf little sister that is stubborn yet knows she is incompotent and recruits a dragon out of stubbornness. 

Minotaur’s Sweetheart

Chapters 1-16

So what if a minotaur accidentally seduced the adventurer that was assigned to kill him? This is a good romance manga deserving a THUMBS UP because the pure-hearted minotaur boy and the unmarriageable adventurer girl actually develop a relationship and progress as people. The manga is ultimately about monsters and humans interacting and is fresh due to having a plot that evolves the situation a lot beyond the initial setup of the manga.

Moon-led Journey Across Another World

Chapters 1-64

[Insert isekai startup here] but this time the god of the new world calls the MC ugly and banishes him to the edge of the world to die off. In order to help out the MC, the god of our world (Tsukuyomi) gives him a bit of power. The MC is funny to watch once you realize that he is an incredibly cautious pureboy and expecting every common street thug to potentially end him but in reality he is a god-rivaling cataclysm himself and never realizes. He is so powerful that he recruits the blue haired mist dragon, Tomoe, and accidentally turns her into a weeaboo. Tomoe can read minds and access pocket space with her mist ontop of her sick weeaboo katana skills. She really shines as the most mature person in the story, gaining information that no one else in the story has and carefully withholding it from the MC in order to protect his innocence. She is a DAMN good tomboyish waifu and sarashii is a blessing. Other main girl is yandere spider, Mio, which has shockingly good and well conveyed bouts of emotion. She has an extremely rare “can’t cook at all” joke that is explained due to her “eat literally anything” nature. In terms of plot, the MC hates the god of the world he is in and pretty much plans to do everything she doesn’t want him to. Which means mingling with humans, and eventually, god slaying/usurption. Odd think about this manga is that it’s heavily Japanese-inspired. That may sound odd because its a manga, but generally isekai are most medieval/western skinned than this one which leans in on Japanese mythos. Just look at the god of our world in the manga.

THUMBS UP.

The Unsuccessful yet Academically Unparalleled Sage ~A Cheating S-Rank Sorcerer's Post-Rebirth Adventurer Log~

Chapter 1-10 So lets set up this genre here. This is a part of the “reincarnation” genre, which is a spinoff of isekai. They generally depict a very capable mage who reincarnates themselves into the future of their own world. At which point they realize that although they were pretty strong in their day, they are now practically a god in the deteriorated modern day. This genre will hereby be indicated by [Insert reincarnation startup here]. For this manga in specific, [Insert isekai startup here] but this time the MC could only use lightning magic and was the best at it but failed the gene gacha then [Insert reincarnation startup here] and he fails gene gacha again but is still the walking thunder god. These kinds of manga are always precious when the MC can walk through the world and see the fruits of their past labor. Specifically through Merlin, the MC’s adopted demon daughter who has grown up to be his heritor and bridge human/demon relationships. Truly adorable and heart warming. Lacks a bit of spice from themeing or ongoing plot due to its short length however. THUMB IN THE UPPER CORNER.

Older Elite Knight is cute only in front of me

Chapters 1-17.1

THUMBS UP. This is an oneshota manga where shota is a chad with incredibly good tastes. A really good ecchi manga with a light hearted story featuring Haru(the shota) knight that joins Karen’s(the oneesan) knight crew. As with all good romance manga, the main plot isn’t romance. Knight shenanigins are always happening, with a big (and lewd) bad entering recently. Top tier variation on the lewds, even including a princess loli in on the fun. Must read for all oneshota fans.

Lonely Attack on A Different World

Chapter 1-91

[Insert isekai startup forma de classroom here] but this time the MC gets leftover garbage skills and has to learn to survive. Learning to survive thus makes him the most op and he can magic trick his way out of literally anything. Strong start as the whole classroom first tries to get their footing, but after the starting arc is done this manga starts spinning it’s wheels. The manga is kinda lacking in themes, overarching plot and end goals, so stuff just happens to make this a sort of slice of life trap room escape manga. Magic “just works” in this universe so its not very dramatic when the MC pulls out a new trick out of his bag of million tricks. Just kinda stagnates too much for my liking. THUMB IN THE BOTTOM CORNER.

The Unwanted Undead Adventurer

Chapters 1-34

Rentt Faina, the MC, is a good guy with no talent who aspires to be a legendary adventurer. But then he gets turned into a skeleton, giving the chance to evolve his way to greatness, kinda like in Spider isekai or Dragon isekai. The MC is most like Goblin Slayer in his serious and knowledgeable approach to the world, how characters that know him revere him. End goal so far is just him seeing how far he can evolve as he comes across other vampires and vampire hunters. Really want to see him go to the top. Fuckin great art. Girls drawn perfect. Like the hat on the guild girl, but nothing beats the witch Lorraine. THUMBS UP.

Teihen Ryoushu No Kanchigai Eiyuutan

Chapters 1-13

THUMB IN UPPER CORNER. Pretty funny comedy about a lord of a poor land who wants to be a stereotypical evil lord but can only use healing magic. Therefore he bumbles his way into accepting a heretical cult nun, beast men who hate humans, etc. All the girls are to crazy for him to want to sex them(weak. give the assassin nun your babies). Most interesting parts are aforementioned nun, his fujoshi assistant, and the MC’s willingness to use his power to commit heretical and immoral warcrimes. 

The Undead Lord of the Palace of Darkness

Chapters 1-11

Art average, don’t come to this one for spectacle. It’s strength is in the subertfuge that it’s recently-necromanced-back-to-life MC goes through to get his Master killed and to later, probably, evolve into a vampire. MC isn’t evil though, just wants to survive. Main girl on cover was born and raised to hunt vampires but has a compassionate heart. Obviously she goes easy on and relates to MC. Story is still kinda in it’s first arc so the overall trajectory of the story is a bit hard to gauge and not quite satisfying enough by its own right. Probably a thumb up with more chapters but for now THUMB IN THE UPPER CORNER.

The Reincarnated Inferior Magic Swordsman

Chapters 1-38

[Insert isekai startup here] but this time.... uh... THUMB SIDEWAYS. Usually I am patient, but 31 chapters with no goal and just barely plot? Wow. Saving grace is uh... I guess the world of “other isekai people existed but they sucked because they didn’t level uncap like MC” could go somewhere but. I take it back, lowering this one to a THUMB DOWN.

The Invincible Sage in the Second World.

Chapters 1-12

[Insert isekai startup here] but this time a pro mmo player in a game called “Broken Balance Online.” Guess what his class, the sage class, was considered in the game? Not far along enough to really pop off but it isn’t horrible. MC is moderately cautious to a healthy degree which is actually rare in most isekai. THUMB IN BOTTOM LEFT CORNER. 

The Dark Queen and I Strike Back

Chapters 1-29.5

Although technically an isekai, no isekai startup here. This a battle manga with a big mystery on the backdrop of a war. That is to say, the MC gets teleported to a world to kill the demons but he ends up defending them from the humans with all he’s got. Of special note is the complete seriousness of this manga that whiplashes into debauchery like tentacles, the above cover, oneshota, and even really dark jokes in some of the omake. That tonal lash effect will be either make or break, and it is a HUGE make for me. I love when a single piece can have both absolute serious scenes and utterly lighthearted and fluffy ones. Or in this case utterly lewd ones. May the average-human-amount-of-perverted MC one day slam some demon lord loli. THUMBS UP.

Chillin' in Another World with Level 2 Super Cheat Powers

Chapters 1-24

THUMB SIDEWAYS. Has the feeling of a nerfed slime isekai. Nerfed in all ways except romance. Art surprisingly good.

[swanqueeneverafter]

Sins of the Past Pt.19

Somewhere In The Forest. (After travelling through the night and getting completely lost, Richard decides to lighten Henry’s mood.) Richard: “Psst! Psst! Psst! Henry. Henry! Henry, wake up. (Tapping his chest while leaning over him:) H-Henry! Wake up! I have incredible news!” Henry: “Ugh! Is that news that you've misplaced your toothbrush?” Richard: (Laughs:) “Zinger! No. No, you know how we're lost and if we keep heading into the land of the Giants we’re liable to be trampled to death?” Henry: (Sighs:) “Yes, we discussed it last night in great detail.” Richard: “Well, I have someone here who wants to lay all your fears to rest.” Henry: (Yawns:) “All right, but it better not be that pathetic excuse for a dragon.” Richard: (Turns holding said dragon in his hands:) “Can you believe it? Imagine how our foes will run in terror! What do you think?” Henry: “I think you're a complete idiot. (Throws off his blanket, stands and begins to walk away:) You do realize that I’m further away from joining up with Ella than I was when I started?” Richard: “Well... Hey, where you going?” Henry: “To find Ella... Without you.” Richard: “What? Why?” Henry: “Because I am done. I am done cleaning up your mess. I am done telling you that it's not your fault, because... news flash, Richard... it is your fault. I'm done with your weakness, with your whining, but most of all, I am done with you!” Richard: “Okay. I admit, I'm on a bit of an unlucky streak, but I am destined for great things. You'll see.” Henry: “You have about as much chance of great things as that lizard does of breathing fire.” Richard: “It's a dragon, and it can breathe fire. Show him, Tad Cooper! (Lifts him up:) Show him. Come on. Well clearly you make him nervous.” Henry: “The perfect pair... A dragon that isn't a dragon... And a king that isn't a king.” (Henry walks away.) Richard: “Well, I am done with you, too!”

Storybrooke. Town Line. (While Emma and Regina put up a protection spell at the town line, David concludes his phone call.) David: "That was Kristoff. He, Anna and Elsa are just leaving with a small delegation for Camelot." Mulan: "I understand how Elsa is feeling, but walking into Camelot without a plan is madness."

Ruby: "Elsa has a lot of experience with not showing her feelings. Her plan is to enter Camelot gracefully in order to get Lily and Maleficent out, gracefully." Regina: "That will never work. Are we forgetting about when Elsa first came to Storybrooke? She ended up freezing half the town because she couldn't keep her emotions in check. The sight of Lily being held behind bars is likely to cause Elsa to spiral out of control and send Camelot into a new ice age." Emma: (Considers:) "That might help Morgana and Morgause cool off for awhile." Regina: (Chuckles:) "That was terrible." Emma: (Smiles:) "I know." David: (Agitated:) "You know what, I don't think you realise the gravity of the situation here.” Snow White: “David...” David: “The Queen of Camelot has put a bounty on my daughter's head. Not only that, but it appears that she's kidnapped Maleficent and Lily in an attempt to persuade Emma to turn herself in. So you’ll excuse me if I don't happen to think that this is a laughing matter." Regina: "And you think I do? You think I enjoy the fact my wife is being hunted? Or that there's some rogue knight with magical powers out there waiting to strike and I have no way of finding him? It's been tearing me up since I first heard about the bounty in Neverland. So don't you dare lecture me on how I should feel when you're the one who let Mordred go on two separate occasions!" Emma: "All right, look, the protection spell is up so that means no one is coming in or out of Storybrooke. If we want to catch this Mordred guy, we're going to have to work together. Now I know Hook and Rumple are out looking east and Ruby and Mulan have volunteered to start searching west, which leaves the town and suburban areas. So I say we all head back to town and try to live our lives as best we can for now." Regina: "Agreed." (They break up. Mulan and Ruby heading to the woods while Emma and Regina walk back to Emma's bug. Now alone, Snow pulls David aside to talk.) Snow White: "David, you have got to calm down. You can't go having shouting matches with Regina every five minutes." David: (Sighs:) "I know, but I just feel like this time things might not turn out the way we hope. No matter what she says, Morgana is out for blood. If she has any chance of winning over her people, she has to look strong. And I'm terrified of what that'll mean for Emma." Snow White: "We won't let that happen." David: (Nods:) “I know we’ll try, and I will fight with my very last breath to prevent anything from happening to my daughter. But I gotta wonder how many more chances we have left until our luck runs out."

Wonderland. (Ella and Lizard walk together down the winding road.) Ella: "You're not helping me find Will for repayment of a financial debt, are you?” Lizard: (Stops walking and removes her hat. Shrugging:) “I was on the streets. He took me in, gave me a place to sleep. Taught me everything I know.” Ella: “Well, sorry to hear that.” Lizard: (Laughs:) “Come on, I know he can be difficult, but his heart's in the right place.” Ella: “Sounds like you two were close friends. Unless wait, were you two...” Lizard: “No. Uh, no. I mean... that would never... Will and I we just ran together. You know, stealing. Sometimes for the Caterpillar, and sometimes just for fun.” Ella: “You'd rob people for fun?” Lizard: “Will kind of went through a dark period after the whole Alice in the tower thing. So how do you know Will?” Ella: “Oh, he’s helping me find my mother.” Lizard: “Your mother?” Ella: “Yes, she fled to Wonderland a long time ago. Given his experiences here I thought Will would be the perfect guide but, well, we’ve had some interesting diversions along the way.” Lizard: “Speaking of diversions, we might not know where Will is right now, but if you’re interested, I might know someone who could help you find your mom?” Ella: “Who?” Lizard: “Well, she’s sort of an Oracle. She uses these crystals and... (At Ella’s sceptical look:) yeah I know, but it could be worth a shot?” Ella: (Considers:) “How far from here is this Oracle, because Will did say we’d meet back up at Tulgey Woods?” Lizard: “Oh, well that’s perfect, it’s right on the way. So, what do you say?” Ella: “All right, you’re on.” Storybrooke. Zelena's Farmhouse. (While Zelena dotes on Maria, Regina and Emma smile at each other.) Emma: "Thanks for looking after her, Zelena. We kinda needed our hands free while putting the protection spell around the entire town." Zelena: (Replying to Emma, but speaking to Maria:) "Oh we didn't mind at all now, did we? No, we didn't." (Emma and Regina exchange looks, Emma motions towards the baby and Regina shakes her head.) Emma: (Sighs, awkwardly:) "So, um, thanks again and we'll just take her and be out of your hair." Zelena: (Finally looking up:) "Oh, so soon? It seems I hardly get to see my niece much anymore." Regina: "Well we just figured with you helping Robin out at the bar and any alone time you wish to spend with Robin Hood..." Emma: "We didn't want to impose." Zelena: "It's no trouble at all. I can take her all day if you'd like?" Emma: "Well..." Zelena: "It's just so hard sometimes, thinking about all those years I missed out on with Robin. Between Gothel's aging spell and... that unfortunate incident with some enchanted onion rings... I feel as though my time spent with Maria gives me at least a glimpse at what those precious years of motherhood could have been like." (Running her tongue across her lips to stifle a smile, Regina looks up at Emma, who realises she's being played.) Emma: "I... if you think it wouldn't be too much trouble..." Zelena: (Her attention already focused on Maria:) "I'll have her back before dark." (Under the distinct impression that they've just been dismissed, Emma and Regina make their farewells and leave the farmhouse.) Sheriff's Station. (Sitting with his feet up on one of the desks, Rumplestiltskin watches as Hook paces angrily up and down.) Rumplestiltskin: "You'll wear a hole in the floor, you know." Hook: "That's the problem! I don't know anything. I don't know if my wife and daughter are alive or dead!" Rumplestiltskin: "I understand how you're feeling. When the Jabberwocky took Belle and Gideon from me, it was all I could do not to lose my mind. But we must be patient." Hook: "Patience is not something I'm used to. Action has always been my answer." Rumplestiltskin: "Well it can't be now. At least not yet. Despite the fact that we would be crushed if we attempted to go up against Camelot's army, we don't know what capabilities Morgana and Morgause have."

Hook: "Emma and Regina can tackle any magical force that comes their way." Rumplestiltskin: "Not necessarily. Don't get me wrong, their combined magic is stronger than any I've encountered. It is far more powerful than even the Darkness could've hoped to be. But these two women, they have honed their magical craft under the Old Religion." Hook: "So?" Rumplestiltskin: "There is a reason I stayed away from Camelot all those years. The Old Religion encapsulates the entire history of magic, light and dark. It goes back even further than Merlin's time. Without truly knowing what we'd be up against, I'm afraid caution is the only correct course of action we have available to us right now." Walking Through The Forest. (Still angry about his fight with Henry, Richard trudges through the forest talking to his pet dragon.) Richard: "You can't do anything right, Richard. Everything's a disaster, Richard. You've ruined my life, Richard. That's not a real dragon, Richard. Well, you know what? Henry may not believe in you, but I do. I super believe in you, Tad Cooper. ♪ Hey, little fella, I know just what you're thinkin' ♪ ♪ Nobody gets you or sees what you could be ♪ (He walks through a field to the bewilderment of several sheep:) ♪ But pluck up your courage and turn that frown up ♪ ♪ Soon we will eat this entire town up ♪ ♪ Then they'll believe in my dragon pal and me ♪ (Richard and Tad Cooper now sitting upon a tree swing:) ♪ That's right, little fella ♪ ♪ We'll leave those doubters blinkin' ♪ ♪ We're gonna show 'em a thing or two or three ♪ (Richard now spinning in circles as he sings:) ♪ Imagine the wonder that we'll inspire ♪ ♪ When we are setting their heads on fire ♪ ♪ Then we'll be even, my dragon pal and me ♪ (Crossing a bridge, letting the dragon feel the wind blow through its... scales:) ♪ We'll rise up ♪ ♪ And open their eyes up ♪ ♪ We'll light the skies up ♪ (Back on the tree swing:) ♪ And rain destruction and death on their wives and kids ♪ (Mimicking an attack on a village:) Raar! Raar! Aah! ♪ So, when, little fella, you feel your heart is sinkin' ♪ ♪ Just you remember, one day, we'll make them see ♪ ♪ And when they are watching, completely flipped out ♪ ♪ As their intestines are being ripped out ♪ ♪ They'll all look up to us, then I guarantee ♪ (More spinning in a field:) ♪ Then they'll believe in my dragon pal and me ♪ ♪ Doo-doo, doo-doo, doo doo doo doo ♪ ♪ Then they'll believe in me ♪ ♪ They'll believe in...Me ♪ (Richard collapses contentedly onto the ground, Tad Cooper clutched against his chest, when a group of men surround him with clubs:) I must warn you... I have a dragon.”

Storybrooke. Goldilocks' Gym. (Rather than sit and do nothing, Regina and Emma decide to work up a sweat at the local gymnasium. Having sparred with Gabrielle and outrun Tinker Bell on the treadmill, Emma searches for her wife. Wandering to the back of the gym where the private rooms are located, Emma glances through each window before finally finding Regina. Entering the room, she finds the brunette doing stretches while wearing a blue leotard.) Regina: (Smiling over her shoulder:) "Good workout, dear?" Emma: (Taking a seat on the floor, wincing:) "I'm definitely gonna feel it tomorrow. (Watches as Regina continues stretching:) So this is what you've been doing, warming up?" Regina: (Chuckles:) "There's slightly more to it than that. I haven't done these kind of stretches in years." Emma: (Leaning back on her hands:) "Well don't let me stop you, I'm loving the view." (Wordlessly, Regina turns to her and, placing her hands beneath her chin in an innocent pose, begins to sink to the floor. When her elbows finally touch the ground, Regina enjoys the expression on Emma's face.) Regina: "I can't tell what's wider, your eyes or my legs." Xena: (Standing in the doorway:) "That's not so hard." Regina: (Lifting her eyebrow:) "Oh really? (Swings her leg beneath her and somehow manages to spin around into a standing position:) Care to try it?" Gabrielle: (Arriving, towel in hand:) "Xena, don't you dare." Xena: (Confidently:) "I've got this, Gabrielle." Gabrielle: "No, Xena. Don't-" (But before anyone can stop her, Xena lets out a yell, flips in midair into a somersault and lands, split legged on the floor. Emma places her hands over her ears at the thudding sound, Gabrielle covers her eyes, unable to watch and Regina covers her mouth, to stifle her snigger of laughter. With her eyes now wider than Emma's were a moment ago, Xena remains in her prone position, incapable of movement, mouth agape. After a brief moment of uncertainty, the three spectators converge upon Xena, each helping the famed warrior princess up from the floor.) Forest. (While looking at a map, Henry walks through the forest and trips over something, landing in the dirt.) Andre: (His voice echoing through the woods:) “Who goes there?” Henry: (Staring up at the men stood at the top of a steep hill:) “Oh, goodness. Giants.” Andre: “State your business, wee man.” Henry: “I'm Henry. I’m completely lost and need to find my fiancee. (They stare down at him, unmoved by his plight:) You know, I'm told your people are among the fiercest warriors in the land.” Andre: “Among? We are Giants, with fists the size of pumpkins.” Henry: “Pumpkins, good.” Andre: “And heads so big, they blot out the sun.” Henry: “Perfect.” Andre: “We love a good war. Don't we, fellas?” Other Giants: “Yeah!” Andre: “Hush! Titan, Colossus, pull him out of there!” (A giant reaches down and offers his hand, pulling Henry out of the mud.)

Henry: “This is great. Thank you so much. Hi. Henry. I'm... Hello. (He looks around, now towering over the giants:) I'm so sorry. Aren't you supposed to be...Taller? I mean, not to be rude, but you did say that your heads blocked out the sun.” Andre: “Yes, they do block out the sun. You've got to catch it at the right angle. Sorry. Can I, uh, just... Here? Uh...There. Complete darkness.” Henry: “Mm. Are you sure that you're giants?” Andre: “Of course we are giants. Just very short giants is all.” Titan: “Fee fie fo fum.” Andre: “Yeah. Well said, Titan. We will join you on your quest... On one condition.” Henry: “I’m quite certain I didn’t ask, but yeah. Go on.” Andre: “You must prove your loyalty by helping us fight our most hated enemy... The Dwarves!” Giants: “Yeah!” Titan: “Stinkin', tiny, awful, high-pitched-voiced Dwarves.” Andre: “Right again, Titan. Tonight, we meet to set the rules of battle, and tomorrow, we fight. So, what do you say? It shouldn't take long. They're only very small. (The giants laugh:) Stop laughing!” Henry: (Takes a breath:) “Yeah. Why not? I'm desperate. Let's do this.” (The giants all cheer.) Camelot. Dining Room. (After a formal greeting between the two Queens, witnessed by courtiers and common people alike, Morgana and Elsa share dinner together alone.) Morgana: "I can't tell you how much it means to me to have Arendelle's support in this troublesome time." Elsa: "Of course. Camelot is a treasured ally." Morgana: "Even so, I realise Guinevere's abdication must have come as a shock?" Elsa: "From my conversations with her, I never had the impression that Guinevere truly embraced her position as queen. She, much like myself, was thrust into the role after the tragic death of a loved one. For me, my parents, for Guinevere, her husband. Your brother." Morgana: "Indeed, but you seem well suited to the role now." Elsa: (Smiles:) "I have my moments." Morgana: "Don't we all. Thank you, by the way. For referring to my brother's death as tragic. Others I've spoken to remember him as a cold and callous ruler." Elsa: "I couldn't comment, we never met." Morgana: "Others say his death was justified, and that Emma Swan was acting in self defense." Elsa: "Again, I couldn't possibly-" Morgana: "You are friends with Emma, are you not?" Elsa: "Yes, I-" Morgana: "Close friends, would you say?" Elsa: "For a time, we were very close, yes." Morgana: "Was that before or after she became the Dark One and killed my brother?" Elsa: "I don't know what you're trying to imply but-" Morgana: "I'm merely asking if you are still friends with the woman who killed this nation's King and refuses to stand trial for that crime under Camelot law." Elsa: "From what I understand, your majesty, Arthur not only threatened Emma directly, but also her family. (Sitting a little higher in her seat:) And frankly, if you want my honest opinion, yes, your brother did deserve exactly what he got. If it had been me, I might've done the exact same thing." Morgana: (Smiles:) "There now. That wasn't so hard, was it?" Elsa: "Excuse me?" Morgana: (Chuckles:) "The one thing I remember vividly from my time in Uther's court is having keep up the pretense of propriety. It was always exhausting and I hated it. We are alone, Elsa. You don’t have to worry about airs and graces with me. I've hated my so-called brother for years for what he did to me. Of course I do not mourn his loss, but you must understand, for me to be truly cemented as Queen in the eyes of the people, his death must be avenged. Now, please tell me why you are really here?" Elsa: (Taken aback by Morgana's mercurial nature:) "I..." Morgana: "Oh come now, I know you didn't just come here to welcome Camelot's queen." Elsa: (Conjures Lily's sweater into her hand:) "My lover is missing. I used a locator spell to find her and the trail brought me to Camelot." Morgana: (Sitting back in her chair, fingers pressed together:) "I see." Elsa: "I have reason to believe that Lily and her mother Maleficent may be imprisoned here in the castle." Morgana: "Maleficent? Her powers are legendary. And you believe me capable of capturing both her and her daughter and locking them away in my dungeons?" Elsa: "Well...I..." Morgana: (Leaning forward:) "I'm not sure if you're aware, but we've had a mass breakout from our dungeons just very recently. Of those who escaped, none of them possessed any trace of magical ability. (Chuckles:) I'm sorry, but to think that I would be brazen enough to house you, your sister and brother-in-law whilst keeping your lover and the mighty Maleficent locked away in my dungeons is ludicrous." Elsa: "So you deny it?" Morgana: (Still smiling:) "Wholeheartedly. In fact, why don't I accompany you to the dungeons so you may see for yourself? (She stands, tossing down her napkin:) Come, I could do with a walk before tackling dessert."

Storybrooke. Swan-Mills House. Night. (With Maria tucked up in bed, Regina sits at the piano. Practicing a few chords, Regina doesn't see Emma as she enters the room. Smiling when Emma rubs her shoulders, Regina leans back against her.) Regina: "Ready to play?" Emma: "You have no idea." (Walking to stand beside the piano, Emma's nakedness is revealed for the first time. The moonlight pouring in through the windows highlighting every breathtaking curve of her body.) Regina: "So you weren't serious about letting me teach you then?" Emma: (Smiles, perching herself against the piano:) "Oh, I thought we might teach each other. You know it's always more fun when we both learn a thing or two." (Slowly rising from her seat, Regina seizes Emma's lips with her own. The keys of the piano playing a cacophony of notes as Emma's body is pressed up against them.) Regina: (Smiling against Emma's lips:) "I think you'll be glad to know, I've already warmed up my fingers." Wonderland. (Lizard and Ella stand at the entrance to the Oracle's garden. The Oracle herself can be seen a short distance away, her back to them.) Lizard: "Are you sure you want to do this?” Ella: “If you were granted the same opportunity, would you not want to meet your mother again?” (Walking further into the garden, Ella nervously approaches the Oracle while Lizard stays behind, watching.) Oracle: “Welcome, Ella.” Ella: “That’s... (Glances back at Lizard then stares at the Oracle:) How did you know my name?” (The Oracle turns to face her, revealing herself to be...) Morgause: “I’ve been waiting for you. I hold the answer to the question that burns inside you. I know what happened to your mother, Ella.”

[glatisants]

Albion: The Legend of Arthur (Closing Thoughts)

I’m gonna start with some really general, spoiler-free notes on what I liked, what did and didn’t work, the characterization choices, and that kind of thing. Further down will a more specific discussion of the story and writing decisions and such, and that will get into more spoilery territory.

also before I get into my subjective opinions about the series, I want to say that this should be taken with a tremendous grain of salt, given that

I am probably not the best person to ask for lit recs in general, given that my favorite piece of Arthurian lit is unironically, wholeheartedly The Dream of Rhonabwy;

My standards for audio media are probably lower than most people’s—I used to listen to 1940s radio for fun and that has absolutely numbed my palate;

I’m a little biased, in that I think Owain/Ywain is sort of underrepresented in Arthurian media, and as such I get irrationally excited whenever he’s included as a character in anything, however loose that characterization may be (my caveat, though, is that I strongly dislike the real historical Owain mab Urien; I want a cool Owain/Ywain who is also very obviously fictional).

***

All in all, I liked it, but I’m not sure I liked it as an Arthurian adaptation. Something like this is kind of a departure for me—honestly, I’m not usually a fan of Arthurian adaptations that do away with the Round Table and make Arthur a 5th century warlord. Legendry, and particularly Arthurian legends, can be this very odd thing, in that it lies in this liminal space between pure mythology and, like, history fanfiction, and honestly that makes me very uncomfortable.

I get the sense that the writers’ main sources were mainly “chronicle”-type things and Welsh bardic poetry—things like Nennius, Aneirin, Taliesin, Geoffrey of Monmouth, maybe Layamon’s Brut, and possibly the Welsh Triads and the Mabinogion. When certain familiar narrative elements are stripped away—no Round Table, no Grail, no courtly love—it can be difficult to reconcile that with more traditional takes on Arthuriana. Still, it’s not like I’m an expert on adaptational integrity, and I know modern authors do weirder takes all the time. And some things—such as the sword in the stone, and the idea of a Round Table—are hinted at in a way that are tailored to the more “grounded” nature of the story, while still capturing the ideas that live behind the symbols. And magic and fantasy do enter the story, in a deeply satisfying way, even as the story is largely focused on politics and warfare.

The gritty, “realistic” setting of Dark Ages Wales can be a dealbreaker for some people; honestly, I’ve felt that way before. I did appreciate it wasn’t overly violent, and there wasn’t any rape/sexual assault—there is one scene where a character is implicitly threatened by a group of Picts (but to put it mildly, things turn out well for her), and in the final episode one character is almost forced into an unwanted political marriage, but those are the only moments I can think of. And the series as a whole ended up being more optimistic than I thought it would be. The main themes are that hope is a beacon that lights the way into the future, and that stories are powerful and immortal (a bit cheesy, perhaps, but I love that sort of thing).

Characterization Notes

Gwenhwyvar—I absolutely loved this take on Gwen; something about the way she was written just hit perfectly for me. She was incredibly clever, perceptive, and protective of her people above all else; she was serious, astute and pragmatic, but also kind and gracious. She commanded an army, and yet always approached conflicts with the priority of peace.

I’m not usually a fan of Warrior Princess Gwen because it can remove a lot of the subtlety of her character, but that problem didn’t come up here; they make a point of showing how she’s underestimated by her peers and uses this fact to her advantage in order to wield her power discreetly. But when she met for political negotiations with councils of men, they always spoke as equals, with nothing but respect for her.

Arthur—Honestly, he fell flat for me compared to the other characters, and I felt like I couldn’t get a good sense of him. Arthur can be a tricky character to write, because there’s this inherent need to make him stand out as a heroic figure, and that usually entails either seeing him eye to eye or elevating him to great heights; either he’s written as someone someone people can emotionally connect to and see in a personable way, or he is extraordinarily capable and thus untouchable. Here, I think that the pathos was largely found in characters like Anna and Owain, and that untouchable capability in Gwenhwyvar, and it seemed perfectly natural that the focus would move away from Arthur and towards them as the series progressed.

Honestly this might have been intentional—one of the points we’re left with by the end is the idea that Arthur grew to be far more than he ever could have realistically been, and that the hope he inspired was the reason he lived on in the stories, rather than who he might have been as a person.

Medraut—I found him a bit underdeveloped, and that was a shame—I really wish we’d gotten to see more of him. There were some mentions of his past friendship with Arthur, but that tension was hardly felt until they finally met in battle; I think there could have been a lot of potential there, and besides, he was a fun character. He was charismatic and affable, manipulative and petty, stuck on nursing old grudges; but he was also without friends, family or country, completely alienated and digging himself into a deeper ditch with every move he made. 

Owain—Genuinely uncertain how I feel about this characterization! He was intelligent, good-hearted, courageous, caring, and thoughtful; he was extremely likable, and I found that…a bit odd, honestly. I can’t really articulate my thoughts further than that. 

Others: Myrddin—this is the only take on Merlin I’ve ever genuinely liked. He’s such a nuisance and just beautifully weird. Aergol—I found him really interesting, and I was actually a little surprised by how much he grew on me by the end. Cynon—I found him such a tragic, miserable character, equal parts contemptible and heartbreaking. 

Room For Improvement

The pacing mostly fine, but a little bit odd in places—I felt like the final act could have used a bit more buildup.

Audio coherence could’ve been better during some of the action scenes—there were definitely a few parts where I was not totally sure what was supposed to be happening. Most of the time it didn’t bother me, but when it’s something like Arthur facing off against Medraut, that should be a dramatic high point, and I want focus and clarity; otherwise, whatever is trying to be conveyed will inevitably come across as anticlimactic.

I might’ve liked to see music used in more interesting ways, bc it can be really integral to effective sound design. There were a couple scenes where it was used really well (the leadup to the Battle of Badon, for instance), and I would’ve loved more of that.

I don’t know if this was supposed to be an intentional choice, but I could not take the Saxon characters seriously at all—they were performed in such an over-the-top way that they made me laugh more than anything else. The other characters were portrayed very well, I found the voice acting quite strong, so the sheer oddness of the Saxons stood out to me.

***

Okay spoilers below

I was all about Anna’s storyline and I think it was one of the strongest parts of the series. I loved the idea of this woman, killed unjustly for fiercely clinging to her ideals in spite of tremendous pressure, finding strength in her fallen ancestors and rising again as a powerful enchantress determined to seek revenge. It felt right for her, totally cathartic, and I was glad that she was treated so sympathetically.

I tried not to think about it too deeply, but I think I saw her as sort of a Morgan/Morgause composite; obviously the name Anna is associated with Morgause, and she’s linked with Lewdwn (aka Lot) of Gododdin, but her transformation to enchantress led her to call herself Morgan.

It was pretty clear that Owain had feelings for Arthur, but I sort of wish it was a little less implicit (fyi for people who haven’t read the other recaps, they’re the same age and not related in this). Like, I guess they were involved in a major plot point that was a pretty clear allusion to Achilles and Patroclus, and other characters kept mentioning rumors about them, but the most direct reference we got was Arthur confessing to Gwen that they had been together briefly when they were kids, and while Arthur never loved him, he had never thought to ask Owain how he felt. By the end, you kind of get the sense that Owain’s main motivation all along has been this love/loyalty, but it’s done in such a subtle way it leaves a lot of room for interpretation, and the fact that there was so much in their dynamic that went unspoken just exacerbates that.

I wasn’t sure how to read the ending and especially the final line. What I’m going with—just my personal interpretation—is that both Anna and Owain are stuck somewhere between life and death, possibly in a literal way as well as a figurative one. One of the recurring themes is, like, legendry as a means of resurrection and even immortality; legends are a place between life and death, where the dead are made immortal to walk among the living. So by the end, both of them have come to see firsthand how legends are made, and have become people tied to the liminal space of legendry, and thus belong to neither world.

I say this could be in a literal way as well as a figurative one bc Anna was given new life both through a physical transformation and the stories people would tell about her, and possibly some combination of both. And I think this could apply to Owain as well—maybe when he chose to take on the mantle of Arthur, he and his bronze sword somehow joined that part of the Otherworld with Anna and Merlin, and he became the proverbial King Asleep in the Mountain. But that might be a bit of a stretch. 

***

That’s all I have to say about this. I think the combined word count of all these posts could be a full-fledged novella, so thank you for your patience and for reading!

[chasingxprongs]

ship meme thingy

♛ fill in the blanks - fluff otp edition || Accepting

We have done barely anything, so here’s me inventing this with your version of Marlene who I stalk and I’m going to slowly force you to love me and this ship. This is all.

Who’s more likely to find who wearing their clothes?: James will actively encourage her to wear his clothing okay. Well, he will actively encourage her to wear no clothing, but if this is a sex break and pizza in bed is going to be a thing, then he would very much enjoy seeing her in his shirt and nothing else. Who initiates hand holding?: James. It’s always going to be James. Even before they were together and just ‘childhood friends’. It’d be ‘Merlin, look at that spider on your hand...oh it’s gone...we’re still holding hands? Never mind. Just extra protection for you.” She’s gorgeous and if he can just pretend, even for a little while that she’s his, then he’s going to do that. Who likes having their hair washed by who?: James likes it, because who knew girls had all these different smelling things? And that his hair could be so bloody soft? But convincing her to do it takes a lot of effort and even then, it’s not a guarantee. Who likes to slow dance?:  James is probably the more romantically inclined one in this relationship. He’s not the biggest slow dancing fan, but he does like pulling her in close, her body flush against his and murmuring song lyrics in her ear. Either till she blushes, or hits him for being a cheese ball. Muse that’s more likely to fall asleep with their head in the others lap?: Marlene. She’s so strong and capable. Sometimes James worries she doesn’t need him to protect her and he’s hardwired to default to protective. He loves her strength, and how capable she is, but he also loves when she trusts him enough to lay her head in his lap. He loves it when she trusts him enough to close her eyes and know that he’s awake and will protect her while she sleeps. Muse that does all the cuddling in a blanket fort?: Let’s be real. They would fight about a blanket fort. About the correct way to build one. Why the other was so bloody wrong. It would end up being torn down, and then a round of angry sex would ensue on the ruined blankets. Who hogs most of the covers at night?: Marlene. James has resigned himself to this fact, because she’ll deny that she’s a selfish blanket stealer. Muse who nuzzles the others shoulder to get them to give them a head rub?: James might do it, just to be annoying. Because he likes riling her up. How do they share a desert? Two forks or one?: Unless she wants him to eat chocolate off her body, they aren’t sharing a dessert. That’s only going to lead to a fight and actively splitting this dessert into equal portions and then fighting that it isn’t bloody equal at all. A third party would need to be called, measurements taken. It’s a mess. Who gets jealous more easily?: James. Probably a ridiculous amount. She’s stunning, she knows it, he knows it. Every fucker else knows it. And he loves that she’s his, but he is not here for other people looking at her like they want her. It was worse when they were friends, he took on the protective ‘big brother’ role to a point where they would have blazing arguments about him ruining her dates. Who gets angered more easily? Marlene. Mostly because James likes to rile her up. Makeup sex is the best kind after all.How do they go to sleep at night?: James is a big spoon, and she gets little to no choice in this prison of arms James will call a cuddle. Except he won’t call it a cuddle, cause he’s a bloke and that’s what’s girls say. He’ll call it a protection of arms. Who gets the most shoulder rubs?: Probably Marlene. But he’ll do it badly so he doesn’t have to do it again.  What are there arguments/fights like? How often do they fight?: Loud. Often. And usually over something fucking stupid. James gets jealous, Marlene gets feisty. They fought more as friends because there was a lot of unresolved sexual tension and denial of feelings, but they still fight a lot. It doesn’t usually last very long though.Who is more likely to throw things in fights?: Marlene. She’s a feisty one.How do they make it up to each other/apologize after an argument? Sex. Always default to sex. Might even have sex whilst fighting to be honest. Do they have nicknames for each other?: James invented the McKnickers thing, and continues to say it, even if it gets him punched often. Caring for each other while ill, how does the other muse go about it?: Once again, James is horrific. He worries, he panics, he tries weird cures he read about. He shoves potions down her throat, he refuses to let her out of bed and confiscates her wand. He’s awful. But it comes from a place of love. Who’s more likely to be patching the others wound?: Marlene. James gets into fights a lot if he’s jealous, or just can’t be bothered arguing. He’s the typical bloke of, we had a fight, now we’re cool. Muse that says ‘I told you so’, after they come home from the beach and other muse is burnt to a crisp while whining how bad it hurts for not listening and putting on sunblock after the other muse repeatedly told them they’d get burnt?: Marlene. Although let’s be honest she probably told him one time and he refused to listen so it was his own bloody fault if he got burned. She wasn’t going to repeat herself.Your otp has a newborn baby, who gets up in the middle of the night when he/she cries?: James. He tries to do it as often as possible to let her sleep. Although he’s the worst for bringing the baby into the bed, because they seemed lonely. Your muse’s of the otp reaction to finding the others crying about something? And how do they make them feel better?: Neither of them cry very much. I think both when dealing with the other upset, would most likely just listen quietly. Or crack an awkward joke, tell them they look awful and they’re lucky they love them. There’d be a quiet hand squeeze, to let them know despite their words, they are here but if they would rather take the joke and run with it, they can. What would they be like as parents?: A lot of humour, a lot of purposely embarrassing the kids. But a lot of love and both incredibly protective. What would they have been like as childhood sweethearts? They were childhood sweethearts. They’ve known one another since before Hogwarts, and James always thought of Marlene as one of the blokes. Until he didn’t anymore. Until he realised she was a girl, she was stunning and she was everything he wanted. Except he didn’t say any of this, just acted like a complete jealous dick. Who initiates taking a bath together?: Probably neither, showers are more fun and easier for a quickie.  Who likes who playing with their hair?: Both of them.The place they mostly likely accidentally fall asleep together?: On the sofa in the common room. Before they were an actual thing. They’d stay up light messing about and talking. 

[wrath-and-regret-blog]

Tarot Meme: Vel - The Star; Akira - The Hanged Man; Lowell - Strength; Andralena - The Chariot; Kaladin - The World or Justice; Wax - The Hierophant; Navani - Death; Gwaine - The Sun

Put a tarot card in my inbox and I'll answer the question! || ACCEPTING

                                                                         @luck-crowned​

VELKYN

The Star: If your muse had one wish, what would it be?

Vel has never really been the sort of person to wish for things. He’s more of a ‘take what you can get, roll with the punches’ sort of person, despite his pessimistic attitude. If pressed, he’d probably say that it’d be nice to say he’d wish to be a better person or something like that, but while it would be nice, it wouldn’t be true. At all. If he wished for anything, it would be for power. Not political power or anything, more along the lines of power enough to destroy anyone he wished to destroy. No matter how important they think they are or how strong they might be.

While he takes no issue in killing almost anyone who becomes his target, he does have a personal sense of justice deep deep down, although it’s more akin to vengeance, not only for himself, but for those who can’t exact vengeance on their own. Seeing people prey on the weak and defenseless has...an effect on him. It reminds him of himself before he became what he is now and he isn’t able to detach himself enough to just ignore it when he sees it happening.

So if he wished for anything, it would be for the power to fucking demolish the real monsters of the world and he’d be fully aware that one day, that would mean destroying himself as well.

AKIRA

The Hanged Man: Name a bad habit your muse can't give up.

Akira never fucking sleeps. Ever. He tires himself out so much that eventually he just drops. He’ll stay up until sunrise sometimes, running on nothing but coffee, energy drinks or sheer willpower. Once, he spent the night doing pull-ups from the rafters and ended up falling asleep curled up on the floor.

The only time he goes right to sleep is after a day in Mementos or a Palace and that’s only because Morgana won’t stop pestering him to go to bed. If left to his own devices, he finds something to do in place of sleep and soon loses track of time until he can’t even keep his eyes open anymore. The worst case of insomnia ever.

He’s also that friend who texts the others random shit at 4 in the morning like. ‘Ryuji do you think knives have feelings’, ‘draw me like one of your french girls Yusuke’ and ‘Ann how do you get your hair to do that whole curly without being a complete embarrassment thing because mine just gets worse every day’

Not a cool dude at all 0/10 Joker is a complete fucking nerd (BUT ALSO 100/10 MY CUTE CRIME-SON)

LOWELL

Strength: Name a time when your muse had to be strong in the face of danger or trouble.

Honestly, though he may not seem like it on the surface, Lowell has a lot of courage and strength. It takes an incredibly strong will to handle Soulwalking in any capacity, otherwise, the walker risks losing their mind. Apart from that, he’s in nearly constant danger from his own older brother, though that danger is far less obvious, and his constant traveling makes him an easy target for those who would like to harm the Ethleseeri royal family.

However, one of the first times was when he was around 13 years old. He had accompanied Ignace and Reinault, his older brothers, to the mountainous snowy region of Norvang, to meet with their chief in regards to an alliance between their societies. Ever since their father had fallen ill, the two oldest Ashwind boys had taken care of everything that required travel. Lowell had never been invited to join them before so he jumped at the opportunity, though looking back, it was suspicious how easily Reinault relented.

The trip was going smoothly at first. While Lowell was very interested in the peace talks and getting to know the people better, children were not allowed in the tribe’s council hall. He had to remain out in the snow, much to his frustration. However, luckily for him, the chief had two children of his own. His son, a few years older than Lowell, was almost ready for his hunt, a ceremony that proclaimed when a child was ready to become an adult but had not done it yet, and the chief’s daughter was only ten years old at the time, so the three of them were left sitting out in the cold while their families held council. There were snowball fights, new friendships and everything seemed to be turning out for the best.

Until there was a raid on the village. Among the Norvangian tribes, there are some which resent the chief’s rule and are in a constant state of conflict with other settlements. The enemy warriors descended fast and before Lowell understood what was happening, the chief’s son had grabbed a hatchet and was fending them off the best he could, ordering Lowell to protect his sister while he guarded the council hall. Lowell took the girl’s hand and ran through the snow the best he could, but the half-giant warriors of Norvang caught up with him easily. The raiders told him, in their guttural language which he had only just begun to study that he could either ‘stand aside or die’.

It was then that he had to make a decision. Did he put himself in harm’s way to protect the chief’s daughter? Or did he save his own life?

He did not move. He grabbed a fallen tree branch from the snow-covered ground and held it like he had seen his tutor, Vega, hold his bowstaff in the training gardens. It was a pathetic attempt to look threatening but he managed to hold off the attacker for the next ten seconds, giving the Norvangian chief and his son the time they needed to arrive, armed and out for blood. The attack was repelled and the Ashwinds departed from Norvang with the chief’s promise of aid whenever it was needed, offered as repayment for defending his daughter.

ANDRALENA

The Chariot: If your muse ruled the world, what would they change first?

Depending on the world, it could be a number of things. In her main verse / Dragon Age verse, it would be to abolish the stigma surrounding magic. No magic, even blood magic, is evil unless the wielder is and magical crimes should be judged the same as nonmagical crimes. Simply using a type of magic, in general, should not be considered criminal and certainly not punishable by cruelty or death. The circles would not be completely disbanded, but she would make the voluntary. Only mages who feel that they need to be in a circle will be put in them, and the chantry would no longer have control of the circles. They would be run by other mages who are capable of teaching and guiding instead of frightening and controlling.

In her Stormlight verse, she’d likely make it so that female warriors were more widely accepted. Not really changing a law or anything, but giving more opportunity to women like her. At least then someone would tell her where the damned sparring grounds are holy shit

KALADIN

The World: What has been your muse's greatest success?

This is a complicated one, considering many of his greatest failures stemmed from what he had once considered great successes. Currently, though, it would be protecting and teaching Bridge Four. He took an unruly, downtrodden group of men with no hope, facing certain death, and turned them into a family. A family that would soon become the royal guard, defying all the expectations working against them. This time, he’s really managed to change something. Managed to make it better. He’s raised these men up after the world knocked them as far down as possible. He’s still terrified that something will happen and he’ll lose everything, but for now, he can be proud of his men.

He considers them his greatest success. They deserve no less than that.

WAX

The Hierophant: What is one rule or law your muse would never break?

I mean, there are quite a few laws he wouldn’t break but not as many as you’d imagine? Considering he’s. Supposed to be a law keeper. Gunfighting is cool, trespassing is cool, destruction of property is cool...The list of things he won’t do is much shorter than the list of things he would do.

Any and all sex crimes are a resounding no, he would absolutely never do something like that, and so is theft...usually? Unless he really needs something and it’s like. Life or death. or imperative to crime solving. Also, he would never consider harming a child or killing someone for anything other than work or upholding the law. He’s not squeamish about killing, but there’s a difference between bounty hunting/justice and murder.

NAVANI

Death: If your muse had to change something about themselves, what would they change?

She would like to be more capable of understanding emotionally driven people. She sees value in logical thinking and likes that part of herself, but she would like to be able to better understand her son and people like him. Like any good mother, she doesn’t enjoy having such distance between herself and her child, but she doesn’t have the tools to understand Elhokar, much less be of any help to him. Jasnah she can handle, and even agree with in some aspects, but Elhokar...she’s at a loss and feels that her attempts to help will do nothing but frustrate the both of them.

GWAINE

The Sun: What was the happiest moment of your muse's life?

First off, this tarot is so appropriate for my boy, what a ray of sunshine.

At the risk of sounding sappy, making friends with Merlin was a very important happy moment for him. Of course, it was sandwiched in there with danger and difficulty, but it was still a very happy occasion. At that point, he had been wandering alone for so long, without family or friends or purpose; not that he’d admit to being lonely, and he probably didn’t realize just how lonely he was until realizing ‘oh. This is friendship. I’m not alone.’ There are people everywhere he goes, and he tends to get on well with them, but Merlin is the first he can actually trust and relate to and that makes him so happy, just to have that bond that he didn’t realize he’d been missing between the taverns and the brawls.

That’s also why leaving was more difficult than it had been before. Because for once, he actually had a reason to want to stay. And then once Merlin found him for another ‘let’s save Arthur’ quest, he jumped right on board because being around Merlin makes him happy even if they’re facing possible death. Fuck it, right? That’s what friends do!