#if the character doesn't have a very silly mustache i'm not interested

[deadbeat-motel]

ᕼᑌᔕK ᗩᑎᗪ ᑎIᖴᖴTY ᖇEᗪEᔕIGᑎ

Deadbeat father with his baby-leashed daughter.

I believe these are the last of the designs that will try to follow the original design as best as it can because looking at my sketches right now, Alastor, Cherri Bomb, and Pentious (and Crymini) goes a different direction than their counterparts.

You know how this works, thoughts below:

My issues with their Original designs:

Niffty:

Man, I only have two things to critique about this one since she's also a solid design:

What is the purpose of the scarf? It comes out of nowhere for the design, what is the connection/purpose of having it? Genuinely asking since it does bother me a bit.

She barely is a bug, there is no feature in the design that gives us any idea that she might be a bug (Or even an alien since apparently Cyclops are just a normal sinner type in this hell). Looking at the Wiki, I think the only reason for the alien aspect is that it came from a song? Either way, she doesn't showcase any of either in her design.

Husk:

GOD THE WINGS. DEAR GOD THE WINGS. IT'S SO UGLY AND CLUTTERED AND THE PATTERNS BARELY MAKE ANY SENSE. It's so awful ewwww. Every scene that didn't have them closed looked extremely rushed and ugly. It could've benefitted from just copying how actual feathered wing patterns naturally are.

His eyebrows are not a problem for me (It's my favourite part of him) but the unnecessary two black stripes are.

He's probably supposed to be a tuxedo cat, but he legitamately looks like the cat in the hat with his entire face being white.

The thought process for these two:

Niffty:

Personally was not into the whole Cyclops thing, especially when there are no hellborns (that I can recall at least) in Helluva Boss that posess a singular eye. She's got 2 eyes now because.... reasons.

The mismatched eyes was my solution to removing the Cyclops sinners of this world. Plus it's a neat little character detail that her insecurity of some kind of eye defect manifests as this odd eye shape.

Her hair is a bit neater because as much as I enjoyed how her original hair looks, It's kind of silly to think a person who's obsessed with cleanliness would have such an unkempt haircut? (Specifically talking about that scene kid-esque bangs she has.)

While I kept the maid aspect with her clothes, I made it a lot more flowery so that it reads more like a child's outfit mimicing a maid's.

I gave her one fucked up antennae since in the rewrite ill be doing, she's very easily lost and thus became homeless, drifting to any place that would allow her to stay for a little while long until they kick her out.

Bug wings and the spurs on her arms and legs are just to sell the bug aspect a bit more.

Hopefully, it was clear enough. But her arms are made of two arms conjoined together to create a singular arm.

Admittedly, I did not choose a specific bug for Niffty. Insects are not something I'm interested in and I got lazy with this aspect.

Husk:

MADE HIM A LOT FATTER AHAHAHAHHA. Husk feels like he could've ended up as a bara if Vivzie's twinkif-y ray didn't hit him.

Specific fluff areas as well as a red mustache make him look older and do more to make you understand he's much more aged than the rest of the cast.

Genuinely enjoyed the hair that they gave Husk in his flashback, it looked handsome on him. Why Vivzie didn't put that in his actual redesign is beyond me, but here it is on him now

Since his wings barely play any role in the story, I shrunk it and de-cluttered the poor thing.

The red suspenders are there to simply put a pop of color on his already muted colors.

Despite the running joke that Vivzie's characters all have a bowtie, kept it on Husk since I think it would be cute that he probably keeps it on because Niffty made it herself for him.

This is just personal, but I wanted to give him an actual cat's pattern because I saw Husk from the headcanon voices video and thought that he was a sloth for some reason.

[hongtiddiez]

my stand in ep 4 thoughts, feelings, etc

WOW WA WE WAA THAT SURE WAS AN EPISODE HUH - happy to report i went back through the episode slowly this week and took notes and really tried to gather everything i wanted to say (but i will inevitably forget something)

🌸 ok disclaimers because i have a lot of them for this particular episode 🌸

i'm just a silly guy on the internet, i'm not an expert in mental health, psychology, body language, whatever. most days i can't even take care of myself. i'm just saying things recreationally.

PLEASE do not put novel spoilers in my replies, reblogs, or tags without a warning notice. i've got an itchy blocking finger for it these days.

i am treating ming and joe and everyone involved in this show as if they were real life human beings. ming was not born some mustache twirling villain sent from hell to make joe miserable. joe is not some pure angel descended from the clouds to do no wrong. everyone in this show exhibits very human behavior and that can be distressing under certain circumstances. i'm just going to comment on them as humans. i'm not interested in a round table discussion on why a character is irredeemable, the scum of the earth, etc. i'm just putting my thoughts out there and you can take them or leave them.

🌸 alright yucky disclaimer time over 🌸

the episode really just picks us back up where everything left off - and yet joe still made ming breakfast, and ming isn't stupid (well right now at least,) he knows something is off.

i am confused why tong needs to get married on this specific day. and like bro how fast are you getting married? relax. the whole thing is just unstoppable force (trajectory of this producers career) meets immovable object (tong's fuckass stubbornness) and the collateral damage is massive.

and then there's the question of did joe ever want to play a lead? or did he let his impulsiveness and hurt put a target on his back? (only emphasized by the fact that everyone assumed joe would turn down the role)

i DO apologize for all my doubt surrounding wut. he, ja, and may are the only people in this show with any god damn sense. maybe jojo and yim. we'll see.

getting into the confrontation at joe's work, i really don't think it's that surprising when we keep in mind ming genuinely has no fucking clue what is going on. all he knows is joe woke up, was acting weird, didn't come home, and then told him to pack up his shit and leave with ZERO explanation. like, joe's completely in the right, but i'd also be confused as fuck. (i wouldn't go to someone's work about it but, y'know, we know ming acts in extremes.)

and to me this is where it really became obvious that joe has always been able to overpower ming, to get away from him, as we have seen joe's physical prowess, we've seen what he's capable of, but he never uses his body to move ming away from him - that's not who joe is, he's not someone that would put his hands on another person like that. it's just another way ming and joe are the direct antithesis of each other.

it's my thought that the argument escalates because ming is used to getting everything he wants - except for tong, and now joe. when joe begins to push him away and deny him his substitution for tong i think ming lashes out in his hurt with a thought of "it's happening again, why doesn't anyone want me?"

i will say while i do believe sol has good intentions for the most part his white knighting is getting a little irksome. while convenient, it just shows how much he's still hovering and laying in wait for a chance with joe - he, too, is not respecting joe's wishes. no is a complete sentence, sol.

and then things continue back at home and joe finally, finally throws ming's words back at him: if i'm so terrible to be with, if you're so great, why are you wasting your time with me?

and ming doesn't have an answer. what ming DOES have is another back embrace, arms wrapped around joe as he asks "don't you love me anymore?" but is he asking joe or tong?

"although i'm not as good as tong" even now joe's rampant self worth issues are still at play but at least he finally knows he's worth more than whatever this is.

then the phone rings and to me, ming looks skittish. he looks shaken. he's never seen joe so angry and he's scared and as the call progresses that fear morphs into rage when sol calls joe. and the thing is, regardless of who played the main role, ming was never going to be happy. it was either going to be joe or tong playing opposite sol and neither of those things would have been acceptable.

and then i said, out loud, in my quiet office: OH! and promptly lost my shit in the group chat.

ming doesn't look wholly present after his act of violence. his face is vacant, like he isn't completely seeing or grasping what he's just done. i get the impression that ming isn't mentally well; stress and fear and anger have a way of making people do really fucking stupid things and as these things happen you risk falling into the sunk cost fallacy - you've already gone this far, you can't stop now - which all aligns with the obsessive behavior we've seen from ming in the past.

as joe wakes up and they talk once again joe doesn't blame ming, he blames himself for not seeing the writing on the walls even though it was written in invisible ink.

"all these times we were together did you ever love me?"

"you can't tell?"

again, so much of the blame and emotional responsibility of their situationship is put on joe and ming refuses to communicate any of his feelings, perhaps because he doesn't know how to after repressing everything for so long.

WE DIDN'T GET HOT KINKY CHAINED UP SEX THOUGH, WHY DOES GOD HATE ME SPECIFICALLY

but the way joe looks at ming as they linger there in the wake of joe's request looks like a goodbye, the way his eyes soak in every detail of ming's face. despite all of this and the nightmare it has turned into he did love ming, perhaps still does, and he does have some of those good memories he was so desperate to keep.

though like.. joe.... maybe we could consider a different career path??? instead of just jumping to risking our lives? like sure food service sucks, cashiering sucks, etc. but you aren't in danger of falling off any cliffs, you know? and let's be real, he could just go into modeling with those looks.

it's my impression that when ming calls joe he looks haggard, like he's lost numerous nights of sleep (and we really don't know how much time has passed) but either way it does seem like he's at least done some amount of reflecting. his voice comes across soft, subdued, and sincere.

and after everything, back in the present, we see ming. he's still in the apartment, desperately calling joe's name all these years later, still unable to sleep and waiting for joe to come home just like he asked him to years ago.

maybe ming never wanted to enter the entertainment industry before, but he has now. perhaps it was never for the attention or the money, maybe he chose to promote those watches because it was a reminder of the gift from joe. and maybe this job, in this specific industry, is the closest he can feel to joe now. and maybe with new influence and connections ming can find out why he was never able to tell joe he loved him before he lost him.

WHO KNOWS, NOT ME, CAN'T WAIT TO FIND OUT THO

[lonniemachin]

Did you you like anarky in beware the Batman

i haven't seen the full show so i feel under-qualified to answer this but from what i have seen of him... no, not really </3

i understand that the show isn't trying to be a one-to-one of the comics so i feel kind of silly admonishing him, but lonnie is a character that no adaptations have ever really "gotten right" and as someone who cares so, so, so much about him i tend to be a bit of a pessimist because of that. and i'm not against getting creative, he just doesn't even have an adaptation that does something different and interesting with him while still keeping certain core traits like dano's riddler, or one done with so much care and consideration for creating something new that still honors the source material like raimiverse doc ock. i always say that his arkham origins adaptation is the closest we've gotten to a good one, but even then, it glosses over very vital tenants of who he is and, imo, flattens a lot of his politics. it seems people would rather invent a new character and slap the anarky name and aesthetic on them while completely ignoring what makes him so good (imo) in the first place.

i feel like shows' first mistake in adapting lonnie is making him a full-on villain. BTB takes a route that i hate when it comes to villainizing lonnie, using the "chaos for the sake of chaos" definition of "anarchy" and going from there. lonnie would never, in the bulk of his appearances, reign mass destruction upon gotham if it meant innocent civilians would die or come to harm because of him, he is an overtly political vigilante motivated by social injustice that means to offer an alternative to batman's method of viewing crime while also paralleling him in many ways creating an interesting dynamic. he doesn't do what he does because he's bored with order, he does what he does because he feels he *has* to or else the world will fall to chaotic destruction as a result of oppression by the corrupt ruling class.

BTB anarky just comes off as diet joker. i get wanting to showcase less popular characters, but whats the point in changing them to more closely resemble the traits of those popular characters? you could explore so many relevant and complex themes using lonnie as an opposite to bruce in a show or movie but adaptations would rather ultimately portray lonnie as someone who is inherently wrong and invent new flaws for him than utilize what the character was meant to do. i cannot take mustache twirler anarky seriously. also any adaptation that makes bruce and lonnie the same age is automatically lesser in my eyes, its so important that he's significantly younger, the initial naivete that comes with the capes of his generation (the young justice crowd, like tim, kon, bart, etc.) is such a vital aspect to him and his development that any adaptation that leaves it out is soured for me.

this is getting way too long but tl;dr read the first sentence.

[eternallog]

in my ‘middle aged men portrait’ era

[chicoriii]

Season 4, Episode 9 - Gabriel Agreste

It hasn't been planned at all, but today I had time to watch Gabriel Agreste and write a post (as it should not take nearly as much time as I needed to write that one about Ephemeral). This is absolutely a good episode, probably even the best in the whole season in my opinion (though that's really not a big accomplishment), but it won't make to my Top 10 favourites of the entire show. I would definitely enjoy it more if it was fully in a more serious tone, the silly parts are not not fitting much here in my opinion.

Besides, I expected that this episode will be at least a bit about the father-son relationship, we will see the reason why Adrien seems to start distance himself from his dad this season. I thought Gabriel would do something really terrible for him, even worse than usual, but not, it was just usual Gabriel towards his own son, who doesn't let him to have fun with his friends. So if Adrien is really distancing from his father (we can never be sure if things are really happening in this show or not, knowing how much inconsistent it is this season), it's maybe more because he is more and more sick of how much disrespectful his parent is.

Geez, I really don't like classic Disney movies, the fandom made me sick of the trope "Adrien is a Disney princess" ages ago already. I think saying that he is like one of those passive princess from fairytales is an insult. That's why I highly disliked the whole scene about it.

Marinette started pursuing Adrien again even sooner than it seemed before. So we just got another evidence that the whole "I can't have a boyfriend as long I'm Ladybug" was really only a cheap for two episodes that ever existed just for one reason: to make her tell secret identity to Alya, that's not something which has ever been intended to have an actual impact on the protagonist. That's so annoying and sad that Marinette is not developing to be a better person, she is only getting worse this season: more reckless, less responsible etc. Also Alya hasn't learnt anything despite all those failures throughout the whole shows, that all complicated plans "how to make Adrienette happen" don't work and they will never work. She also completely forgotten the reason why her best friend has been as much weak when she told her she is Ladybug in the first place. So the thing that annoyed me in her the most in previous seasons (forcing Marinette to confess to Adrien or to be close to him when she's not ready) is still present.

That was the weakest disguise that Marinette has ever had. Even Marino from Part Crasher was much better, there she was wearing a full set of mustache with glasses and big nose, as well as a helmet. This is typical silly Miraculous disguise and I should not make a big deal from it, but they could have tried a bit more.

I can imagine that Chloé fans are upset that this episode made her an evil person. Personally I don't care much about her anymore (also thanks to her fans), but I also think it's too much. I didn't think that she is able to make something that would make Adrien's life completely miserable. She definitely has to be aware how much he wants to go to school.

With all those guests wearing dark costumes, I had a feeling that Gabriel is holding a funeral banquet the whole time, only white masks and dances didn't fit to that. ;) By the way, I really liked the music during dances, it was like a spooky jazz, very cool!

I didn't expected to ever see Félix this season at all before getting a glimpse of him in the thumbnail of the video with this episode, because I felt it would be too nice to get him, knowing as much they ignoring the characters those are not needed (Lila!!!). I knew someone from the creators has confirmed that he will return, but I expected him no sooner than in season 5. I'm happy with this. I didn't know what to think about Félix exactly as a character seeing him just his debut episode. This one makes him definitely much more interesting, maybe even on a par with Lila. They both could make a good villain duo. Better not a romantic couple, just two persons who is working together only to get what they want.

At first I thought they made Félix too smart, as in this show it's very hard to discover identities of Miraculous users. He doesn't know Gabriel and Shadow Moth well enough to make a connection as easily as Alya did with Carapace. Since the actual reason why Alya knew it is that Nino acted exactly the same as a superhero, as he is in civilian life, and she spent enough time close to Carapace to notice it. But then I realized that firstly he probably wasn't sure. He was only theorizing that Gabriel could be a supervillain, seeing that he is hiding two brooches under a tie. That's definitely suspicious and he is aware how awful his uncle is, he is a believable candidate to be a bad guy. Also it seems he had to know the powers of the Miraculous very well. Félix had to know that Shadow Moth is able to create a sentimonster of his civilian self, otherwise he would not try to rip his pants. Also Gabriel made a big mistake, showing him he isn't hiding Miraculous under his tie. Now I can't wait to Félix appearing again and see the consequences of him knowing the villain identity. Most probably we will need to wait to the next season. I want him to be seen more than once per a season, and it could happen if he becomes a new villain who is using a Miraculous in season 6.

The scene in which Gabriel was threatening Félix was definitely my favourite in the whole episode. We rarely see this show in as much serious tone.

It was nice to finally see a decent akuma battle. But the thing I liked about it the most was Kagami trying to battle Senticollector without being trapped immediately. Despite she is still angry at Adrien, she cares about his safety and she truly wants him to be just happy (as we've seen in Glaciator 2).

After Dearest Family we knew that Collector is going to reappear, since otherwise Gabriel would not have gotten his magical charm. But I was almost sure that real Gabriel would be akumatised, since I didn't think that charm which sentimonster got would work with a real person, as they should count as two separate beings. I still don't think it should really work, but that's not a big deal, so I can ignore it even if it's a plot hole. There're already too many much more significant issues with this show.

After writing this post and reseeing few scenes of it, I feel more convinced that it's my favourite episode of all season 4. And I really doubt I will enjoy more any of the remaining six. It's one of very few episodes that I will really willing to see more times and I'm looking forward to watch it in Polish dubbing (though I still haven't seen anything from S4 in my native language yet). I remember seeing someone worrying that Gabriel Agreste is going to be a filler, thankfully it definitely wasn't.

If there are no that the most stupid Marinette's disguise and the whole "Make Adrienette happen" plot, I would rank it much higher. It somewhat killed the atmosphere of the episode, besides Marinette's presence in the Agreste mansion wasn't even needed for anything. I think they wanted her to be there only because she is the protagonist. Instead of that redundant things, more Adrien (there wasn't much of him), father-son relationship content and a proper Kagami-Adrien scene would fit much better.

[movienotesbyzawmer]

August 30: Mission: Impossible - Ghost Protocol

(previous notes: Mission: Impossible III)

I bet the powers that be at the Mission: Impossible movie factory didn't lose any sleep over the stupid colon in the title that screws everything up. I mean, just look at that up there with the colon after my date, then the colon in the middle of the OG title, and then it's like, well, you can do whatever you want with punctuation but we're adding a subtitle after it now and you just have to deal with it. On posters and stuff it's just "Mission: Impossible" and then underneath those words they put "Ghost Protocol" so they don't have to deal with it. What a mess. I tell you it is a damn mess is what it is.

Anyway, we have arrived at the M:I movie that, more than any of the others, just really hit the spot for me when I saw it upon its original release. I saw it at the end of a frustrating and tiring work day and it was exactly what the doctor ordered. At some point in the middle I realized that I was enjoying it thoroughly without having to tolerate the kinds of flaws that were apparently part and parcel of this kind of movie. Maybe there were flaws that I just wasn't registering. We'll soon see.

Continuing the tradition of making very hip choices for the directing duties, here we have the live-action directorial debut of Brad Bird, who started off directing episodes of The Simpsons before moving on to no less than The Iron Giant and The Incredibles. Dude had two Oscars on his mantle by the time he showed up for this. Press play already!

Um Sweet Christ those opening shots look gook in 4K like HOO boy

Whoa, neat opening where Sawyer from Lost is chased off the top of a building in Budapest but his jacket deploys an air mattress right as he almost-hits, but then he's shot by Lea Seydoux in an alley, rat-a-tat-tat with the action here, like what is up

Simon Pegg is back, and he's being tricksy with the tech in a prison! He's opening cell doors and the prisoners are surprised and delighted with that twist! He plays them a jazz standard on the intercom and Ethan Hunt suavely emerges from one of the cells. Fun silly things ensue involving Ethan's rebellious and confident independent strategy and a small riot that seems kind of like a bar fight.

He has made a pal in the joint and he's breaking him out. Some kind of cool tech creates a really sweet vortex-y hole in the floor and they are swooped up by their helpers, it's fun.

We're introduced to Paula Patton who is a new team member, and then the credits roll, and they are spirited in a way that recalls the first movie, also showing real scenes from later in the movie.

Flashback to the thing that was happening with Sawyer shows how that botched operation, something about a file and a courier, got Sawyer killed because lots of bad guys were all over the place there. AR contact lens technology figures prominently, and that is a good idea (plus we totally might have those soon, right?).

0:18:16 - Once again we begin the movie without the leading lady from the previous one, but we're starting to get an explanation here. Or just a tease of one I guess.

And quickly we get a sneaky-style self-destructing message that sets up that Ethan has to disguise himself as a specific Russian and sneak into the actual Kremlin. This movie 100% gets what a Mission: Impossible movie is supposed to be.

This time, they aren't using fancy masks or voice shifter things, just costumes and a fake mustache. They comment about that in the dialogue but don't explain why.

0:24:52 - Dialogue mixed SO QUIET here I have no idea what SP just said. It seems like you're supposed to have heard it.

But that is quickly forgotten when they use the coolest spy gadget of them all - a screen that is placed in a corridor that makes the guy at the other end of the corridor think it’s the corridor, but it's a screen and SP & Ethan are hiding behind it and it is super super neato I love it

Then just when it's cool that that is going well, it's suddenly cool how NOT well it's going because someone is spying on their spycraft! The thing they were going to heist isn't there, and someone deliberately makes their comms thing be heard by the bad guys!

And THEN we see something we really didn't think we'd see and it is kind of mind blowing - Ethan escapes from the Kremlin with a very smooth quick-change of his disguise that we see him do in all one shot… but then the Kremlin totally explodes and it explodes all over Ethan as he's running away! It looks amazing!

Right after that there is some fun with subtitles - Ethan is in the hospital all damaged and concussed and stuff, and the news is talking about the obvious big story, and the subtitles are in Russian. At first I was like, "hey is my home theater tech busted?" but no, the subtitles become gradually more in English as Ethan starts to come out of it. Then we see with subtitles that Ethan is reading lips about the police people that want to be bad guys to Ethan.

After Ethan escapes, we shift to a wholesome-looking Russian family we haven't seen before. The scene is a nice little piece of drama about how the dad sees the Kremlin news and wants to get the family out of there, and very quickly that goes south and thugs have them all at gunpoint, it's nicely done

Ethan is being extracted by two new characters played by accomplished, Oscar-nominated actors Tom Wilkinson and Jeremy Renner… the conversation is dire and I don't want to type during it gahhh gah gah gah I am watching because holy shit this goes south too! TW informs Ethan that the DoD is going to frame him for blowing up the Kremlin and his only choice is to escape. He's telling him HOW to escape in a funny way, but they are attacked and it's visually very interesting and TW is headshot and they are in the water and it is such bad news for Ethan and his new colleague played by Mr. Renner, I probably typoed a lot during that because it was so hard to look away.

So Ethan is on the hook for the terrorist attack of the century and he's being chased by a little battalion of thugs who just shot that important spy boss, and he's in Russia. It is very not good for Ethan.

He's with JR and JR is playing a different character for him. He's a bookish analyst guy who feels very out of place in action-land.

We're learning about the main bad guy, Hendricks, who was the guy that screwed everything up in the Kremlin. He's a super-smart theoretical physicist or something who has big, well-thought-out ideas about destroying the world with nukes, and he took nuke codes from the Kremlin. So things are just really really hairy and it's effective storytelling is what I'm saying.

Also effective is that they met up with SP and PP on a neat secret train car thing that is well appointed with spy gear

And VERY VERY EFFECTIVE is what happens next, which is a series of establishing shots of Dubai which KILL ON MY TV. I am glad I have a 4K panel, kids. This begins what I recall as being an extended sequence of sweet-ass suspense. Ethan has to break into a server room by climbing the outside of the 130th floor of the Burj Khalifa using glove-gadget tech that will hopefully work. There is at least some actual Tom Cruise clinging to the side of that building. It's so cool looking. And to make matters worse, a dust storm approaches! Or should I say "to make matters even cooler looking". Yes I should. Please read that part.

Paula Patton's character seems underdeveloped so far, especially compared to her teammates Simon Pegg and Jeremy Renner.

Jeez you guys, if you like suspenseful action scenes about barely surviving climbing a skyscraper this movie is for you.

1:05:34 - In the middle of a tense conversation we see that they were using the maskmaker but it wasn't working. They just don't want us to have mask fun in this movie. They hate mask fun. Why does Brad Bird hate mask fun.

Oh then this scene which is neat - bad guys are meeting with LS… but Ethan and JR are taking their place, and PP is taking LS's place for the real bad guys one floor down. The movie explains it better than me, but it is pretty exciting, the two meetings happening at the same time with opposite trickery.

Hah, SP does a sweet fake-hand trick to get the diamonds from the bad guys so he can get them to Ethan and JN, and JN is doing the thing where he uses the contact lens tech… gosh why are you even reading this, just watch the movie. I really like the tricksy espionage.

It all falls apart because LS spots the contact lens in JR's eye. The plot is moving along in a way that, I'm once again noticing, would normally require more half-assed-ness. It's just a solid spy plot. Which probably makes these notes more boring. Poor you.

LS dies by getting kicked out of the open window of the Burj Khalifa with a brewing sandstorm in the background! Neat looking!

And then a thing where Ethan is in a thick dust cloud and he's tracking the important paper thing with his tracker device, and it starts moving quickly at him and we realize just as it's too late that it's in a car that's gonna run him over! Then that mechanic gets used in a car chase in a dust storm, which we don't see very often outside a Mad Max movie, and that climaxes in a really cool looking collision, followed by the reveal that one of the nuclear code bad guys was Hendricks in a supermask. So we DO like mask fun after all! Except why do we care that it was Hendricks?

A scene where JR is confronted for maybe being a double-crosser has a beautifully choreographed gun-get-grabbity-grab thing that was probably super fun for the actors.

1:27:05 - JR tells a story that at first we think is that family we saw briefly almost scramming, but no, he's talking about Ethan, and what seems to be a story about Ethan's wife (Julia from the last movie) getting killed in Croatia, and Ethan killing six Serbians for revenge, and that's why he was in prison in the beginning? It's still a little mysterious and kind of complicated. It doesn't quite fit with what we think we know.

Dubai imagery is pretty. I have been to Dubai. I am standing by for your marriage proposals now.

I didn't really follow how we got to this point, but Ethan went for a walk and met with some underworld Dubai person and made a deal the ended up with a huge cache of spy gear and a private plane to India. I went to India like right after Dubai. I have my own car and a job kind of so you might need to calm your hormones at this point.

A probing exchange with PP establishes that indeed Ethan's story is that he killed the men who killed his wife. Doesn't really seem legit, though. There's more to the story, clearly.

One of the tech things they play with on the plane is the most magic-seeming one. It is a suit that looks like tight chain-mail, and it floats over a cart, like a magic carpet that you wear.

We're introduced to Brij Nath, whose name I had to look up so I could tell you how it is spelled. He has an access code that they need, which seems like they just kind of simplified the situation, and he's one of those only-kinda-bad bad guys that's really just a pawn, for our heroes as well as for these storytellers.

The wearable magic carpet gadget is fun and funny! SP has to remote control JR wearing the floaty-suit and JR is trying not to freak out too badly, and maybe on purpose it recalls the scene from the first movie where Tom Cruise hovers parallel to the floor.

Hendricks is now in a secret room in the place where they all are, and he has a bad-guy briefcase computer and orders some subordinates to do something with a virus, and I don't actually understand what's really happening but am I to believe that Ethan et al are thwarting literal nuclear terrorism here in Mumbai? Right here at this pleasant party at the palace of an only kinda-bad bad guy?

1:48:30 - Ha, the climax of the wearable magic carpet thing involves JR barely surviving by doing an acrobatic stunt that seems oddly intuitive and satisfying. You'll just have to watch the movie to know what I mean.

The spy-tech car they have is rad.

They fail to prevent the launch of a nuclear missile! We see it come out of the sub and start missiling toward its destination which we have learned is California! Hendricks mutters things about how that should get the ball rolling making world powers hate each other and nuke each other and may there be peace on Earth, he also, yes, says that.

A chase on foot has Ethan and Hendricks suddenly brawling on an exotically elegant robotic parking ramp. Platforms move around mechanically and transfer unmanned cars to different areas, and it is against that video gamey backdrop that Ethan and Hendricks struggle to get that sinister suitcase which is all bouncing around that environment. Unexpectedly, Ethan's hope of grabbing it is thwarted by Hendricks suicide-jumping down several stories! We see it! He definitely does that! Ethan drives a car off a thing to follow him, plummeting down hood-first, and the airbag saves him! He gets the briefcase and barely saves the day in time!

Again a denouement making it very clear that everything is really shockingly okay and tidied up. Even the thing with Ethan revenge-killing Serbians and the thing with his wife is cleaned way up, but with an elegance and sweetness that elevates this movie above the others. She's not dead after all, just fake-dead for her protection. And they're only where they are in Seattle so he can glimpse her lovingly across a marina.

So! I feel strongly that this is the best Mission: Impossible movie! It is an extraordinarily deftly-constructed spy thriller! It's got all the funnest types of things that are in the other movies, and other fun spy thrillers, but with so much less garbage! They did a great job and they should be proud.