#if we can't agree on whether or not the lump that we feel exists

[knife-at-a-knife-fight]

you’re in my DMs.  I’m being ignored by accessibility while five different people in the past month have suggested i talk to accessibility (each suggesting it for a different reason) 

we are not the same. 

[thesherrinfordfacility]

I would like to know how Neil's interpretation of a scene he didn't write as not being a sex metaphor somehow means he's suddenly decided Aziracrow aren't in love. With how much the Good Omens fandom insists that all headcanons are valid, why does Neil sharing his for one scene suddenly mean he needs to be tricked and bullied into having Crowley and Aziraphale kiss or be otherwise romantic?

Is it because he said a dramatic last ditch attempt at communication in the form of a completely non-sexy kiss is just that? He didn't say it wasn't a romantic kiss, he said it was a non-sexual kiss. He said, to him, the oxrib scene was not a sexual metaphor. He has not said, anywhere, that Aziraphale and Crowley are not romantically in love.

Neil does not need to be bullied or tricked by Michael and David or anyone else to make Crowley and Aziraphale be and show they are in love. He's doing a remarkable job of making them that way all on his own.

hi anon!!!✨ okay, so ive pondered over this ask, and i can't quite parse out from the tone if you might be generally asking/ranting, or if you believe that im - put simply - anti-neil in this whole discourse fiasco? because if it's the latter, i'll happily share my personal thoughts on the matter as to why that is definitely not the case. initially, just to support my point, take a look at my tags on this and this post, because that will give you a little flavour as to my opinion.

essentially, i completely agree with you. first, for full disclosure - i know that there have been quite a few comments that neil has made (in interviews, tweets etc) over the years that have fed into this discourse that i do not have receipts for; so anyone that wants me to take these into account, please feel free to send me them.

okay, now i'll try and summarise my thoughts on this (and some may repeat points you have very rightly - imo - already made):

good omens, and in particular the show, is very diverse, and inclusive. it is a triumph in this respect. specifically, i think aziraphale and crowley's story has been written very cleverly and quite sensitively to provide or reflect representation for a wide array of sexualities, gender identifications, and in general queer experiences.

my second main thought is that there is a difference between author/writer original intent, author/writer interpretation of their own work (retrospectively, as a consumer or critic in their own right), and audience interpretation. none of them have to perish for others to exist; they can exist together, even if they can conflict each other in their conclusion/s. the best stories imo are those that can be read multiple ways.

the ox-scene in ep2 (and im also going to lump 40s minisode in this too... plus multiple other specific Acting Choices throughout the season) can be interpreted sexually. i don't think there are two ways about it, it definitely can. it may not be the author's intent (bearing in mind, whilst likely overseen by neil, ACtO was written by john) to write it sexually, but the direction/acting choices are, i think, undeniably sexual in subtext and tone.

that being said, whether or not this is what the writers had in mind when writing the episode (and im not saying they absolutely did, im not psychic), the literal written narrative is not sexual at all. it's crowley tempting aziraphale into eating, an earthly pleasure that we know aziraphale later enjoys. it is therefore perfectly reasonable for some people, i imagine particularly those that are aspec, to read this scene non-sexually. whether metaphorical for sex or just a complete mukbang on aziraphale's part, i read it as an uncomfortable, intimate, eldritch-like scene. all interpretations are correct, and none are wrong. it caters for many.

the kiss scene is, to my mind, not particularly romantic, and it's certainly not sexual. crowley meant it out of love, no doubt, and hand-in-hand with that love, out of desperation and as an 'everything else has failed' way of communicating. i personally read it as a temptation, as something desperate but almost on the cusp of being possessive and cruel - thats my personal opinion/interpretation. i'll be completely honest, i don't personally see how anyone can possibly read this scene as sexual (imo kisses are not and should not be gatekept by those that are sex-inclined), but where someone does, id be happy to learn why, to try to understand that interpretation. the romantic element is a little more questionable - technically speaking, yes, it probably is romantic, and i do understand how/why people read it as that, but for me it isn't.

the story in totality is however, to my mind, romantic; in my opinion, there is love of the romantic kind between aziraphale and crowley. furthermore, neil has stated that that is the writer's intent; he intends for it to be romantic.

taking the writer intent out of the equation however, for a moment, admittedly i think their story even throughout s2 could be seen as very lovingly platonic, right up until the kiss. but even then - as I said before - the kiss for me doesn't read as completely romantic. i think one could argue that crowley just simply saw it as something he could do because 'humans do it!'. the script itself doesn't confirm outright it is romantic - it strongly alludes to it, sure, but there has been no indisputable declaration of romantic love. therefore (whilst, again, i do not personally think this to be the case - i do see romantic love here) it is entirely possible to interpret the narrative, text and subtext, in completely different ways and those interpretations still be valid.

where the story, and their relationship itself, goes and concludes is unknown. they could have multiple kisses of the romantic variety in s3, or they may never kiss again. they could just hug, or hold hands. they could have a full-on sex scene, or potentially have a scene that could be interpreted as leading to one. they could even have a conversation about being willing to try sex, another human experience, but agree that if neither of them like it, they don't do it again (but will still love each other), and the conclusion is left purposefully ambiguous. there may be a love confession, an outright declaration, or something could be said in a subtle way such that can be interpreted as both platonic and romantic.

i agree that neil doesn't need to be bullied by anyone into writing the story he's going to write... there will however be jokes about it, mainly from the hyperbolic perspective of michael being quite vocal that he too sees aziraphale as being in love with crowley. michael has admitted (jokingly? professional research?) to reading fanfiction that helped inform him on this personal confirmation, and this may have informed him on his acting. there are some of us that joke about the 'feral-ness that is michael in being hellbent on getting a sex scene' etc., and i know some have taken that joke further in saying that michael should essentially campaign for one, but i think we can all safely say that neil will write what he writes, and michael will continue to play aziraphale absolutely perfectly, and according to the script and direction offered to him. they are professionals, colleagues, and im fairly certain are definitely friends; the jokes are jokes (on this blog at least, anyway).

final point; i think neil has a fairly difficult task - whether he actively pays a deliberate mind to this or not, or it just comes naturally - in continuing to write a story that can be representative of everyone. he has his intent, sure, and his later own interpretation, but he has provided something amazing; characters and a story that is supernatural in setting, but entirely human in nature. that can speak to so many people, of so many different walks of life. that everyone can see a bit of themselves in these characters, can recognise parts of them in their own spirit. sees them go through decisions and experiences and joy and pain that each of us have at some point probably encountered ourselves.

that balancing act - again, whether he purposefully does pay this any mind or not - cannot be easy. i do not personally see him as homophobic for what he said in that tweet. i do not personally think he has queerbaited, or led anyone on to think that the characters/narrative is something that it's not. that's my opinion, and i fully respect that others will have theirs (and id be happy to hear them!), but i think he is respectful that people will have their individual interpretations, and leave it at that. he may even agree with some of them - he has said that he has liked metas etc based on merit and effort, out of respect too i imagine, but not necessarily as a veritable stamp of approval that the post agrees outright with his original intent or personal interpretation.

in any case - why would he agree to one interpretation if that could mean that that could upset someone else with a different one? that's not fair on anyone, so i think it's more than fair that he sticks to confirming what he intended in what he wrote, and not comment on how it should be interpreted. its because of this - brass tacks time - that i think any questions about interpretation should be kept out of his askbox... sure, ask about what is literally in the script, or what physically happens on screen, or background 'canon' info, but don't ask him for how you should interpret it, because i think it's fair to say he is only ever going to give back his original intention, or how he personally interprets it.

that doesn't automatically mean that he thinks any other interpretation is ridiculous or inaccurate, or not valid; everyone else's interpretation can exist at the same time too. he might disagree privately, but that's up to him - same as the rest of us✨

[themadauthorshatter]

WELCOME BACK ONE AND ALL!

Welcome back to MY take on Toppat!Charles, the series that gives you... angst and cliffhangers in every chapter, just like Game of Thrones😅.

In case you haven't read them yet here are links to the first three parts, which I recommend you read because the brief recaps don't do them justice.

Part 1:

Part 2:

Part 3:

BRIEF RECAP AND HEADCANON TO FOLLOW FOR THE POST TIME!

After his attack on Burt, Charles has caved and is now open to what Right has to say and vice versa. Henry and Gerneral Galeforce, more Galeforce, have been contacted by the Center for Chaos Containment and offered their men for one Henry Stickmin. Ellie has been good emotional support, but Henry goes against Galeforce and Ellie in order to save his friend.

Got that? Great!👍

So what's the headcanon this week? Well, @triple-threat-toppats and @azuri-the-imperfect-artist have AU's/headcanons that Toppat-ing is in Henry's blood, whether that be biological or otherwise, and we'll be meeting a new character this chapter who ties this all together perfectly😈.

We all good? FANTASTIC!

LET'S DIVE IN!!

We pick up where we left off with Henry outside as a receptionist, of sorts, freaks out that he called, telling everyone on the floor and shouting for an official to take the call.

Through this entire exchange, Henry rolls his eyes at how much of a fan boy the receptionist is, groans that no one can find an official at two' in the moring, and eventually takes a seat and listens as a few mid-ranking officials argue about who gets to talk to him; 10.6 anomaly, he's a pretty big deal to them.

They all fall silent when a man shouts, "Hand 'im over to me."

Henry should be scared, but he's glad that FINALLY someone is on the other end to talk to.

"Mr. Stickmin," says the official. "Nice of you to call."

"Who am I speaking with right now?" Henry asks as he stands up, not at all interested in playing games. (The irony that hit me after I typed that🤦‍♀️😂😂)

The official scoffs, "Not one for banter. I respect that. Son, name's Corporal Bill Bullet, leading official of the Center for Chaos Containment. How can we help you at this hour?"

Henry paces as he continues talking. "You talked to General Rupert Galeforce, right?"

"We did, actually. About you, but you probably already guessed that."

Henry looks back at the toppat orbital station, staring at it as he stays silent. Again, he is not in the mood for games.

Bullet sighs on the other end of the phone. "Guess you calling means you've made you're choice?"

Henry is quiet for a second and swallows a lump in his throat. "What happens if I agree to the terms?"

"Take a guess, kid."

Henry sees flashes of his life if he is in the CCC's custody and groans at the migraine said flashes give him.

"You're quite the interesting person, Henry. Robbing a bank with a bag, breaking out of prison by dogding and throwing bullets before stealinga police car, stealing a diamond by pushing yourself off a bridge, taking down the toppats, and escaping a maximum security complex with barely even a scratch."

Henry bites his tongue as he remembers those moments and their alternative paths INCLUDING the fails.

"But you didn't just get a few scratches, you did? 10.6 is a pretty high rating on our meter. Can't imagine what would happen to a person who causes as much chaos as you."

Henry shakes his head and snaps, "Just tell me!"

Bullet is silent once more, disappointed at how he can't at least tease what is essentially a rabbit walking right into an easily seen trap.

"We'll study the source of your... ability. How one person can live one life before jumping to the next, but existing like he did before that life ended.

"You may be a young man, Henry, but you've probably lived longer and died more than the rest of us put together. Why is that? How, excatly?"

Despite the knot forming in his stomach, Henry nods and hums to let Bullet know he's listening.

"There's also a certain balance to the world, one that shouldn't be bothered, 'less we want to cause A LOT of collateral damage. Lead to a lot of people getting hurt, cause a lot of casualties. You already lost one person you care about. What if you lost all of them?"

Henry gulps as he remembers the complex riot and how a robot was sent to tear down the museum he stole the Tunisian Diamond from.

Any of those people could've easily been Ellie or the General or, if he'd gone down the Toppat route, the entire clan.

Bullet may be manipulating emotionally, but he kind of has a point.

The chaos Henry causes is extremely dangerous, if what we've seen in StD, ItA, FtC, and CtM are any examples. Imagine if he had caused that sort of chaos in a major city, like real world New York or Detroit.

I don't know about you guys, but if something like any of the games happened IRL, all caused by Henry, there would easily be cities flattened to the ground with COUNTLESS fatalities.

"Helloooo? You still with me, Mr. Stickmin?"

Henry snaps out of his stupor and takes a deep breath before talking again. "Promise me you'll help. I want your honest word."

"Which I'll stay good on as long ad you keep your end of the bargain," Bullet retorts. "A quarter of our forces at your disposal to help you get your friend back as long as you turn yourself in to our facility. Deal?"

Henry is silent again, but when he speaks again, he tries something:

"Will I still talk to anyone outside? Send them any letters?"

"Not really. Think the government would handle our research well? Or what you can do?

"Last chance, deal or no deal?"

Henry stares up at the sky, counting the stars and moon, and then watches orbital station drift across the sky, covering part of the moon.

"Sir, we have a situation!" Someone yells on the other end.

Bullet does one if those angry growls or snarls. "Don't keep me waiting on your answer, Henry. Our resources are limited, too. Make your decision and call me back the second you do."

"Sir-"

"I'M COMING!"

The call ends and Henry lets out a sigh as he drops to his knees and then hugging them to his chest, shaking and now doubting whether or not he's making the right choice.

Unbeknownst to him, however, Ellie had followed him when he walked out and is struggling very badly with hiding her tears and sobbing from Henry, who is over a few feet away.

JUMP TO SOME FAN SERVICE!!😍🤩

Er, Charles. Jump to Charles. I SAID CHARLES!!!!!

Charles is mostly done showering, mostly because he's done washing and cleaning himself up, even shaving because he looks better without facial hair, and is now simply standing in the shower and letting the water fall on him.

He can't exactly remember how long it's been since he showered last, but he doesn't bother trying to because it only makes him think about how the government destroyers were blown up and anyone who managed to get on the station was killed as a message to the government and Henry and Ellie, and as an example for Charles, in case he gets any ideas.

He keeps thinking about how Henry looked at him before he went unconscious, how Henry did nothing to help him even though HE could've done something. He had before on missions, so what had stopped him then and there?

"I was wondering the same thing," Right says, though Charles doesn't hear him over the water running.

Charles gasps as he slips to the ground and realizes how he's thinking about his friend, forgetting Right was standing on the other side of the wall and curtain to keep an eye on him, just in case.

"N-no," Charles says to who he thinks is himself. "He... He wouldn't just leave me. None of them would."

Right rolls his eyes at this and steps closer to where he's in front of the curtain, though he does grab a towel. "You know, you talk to yourself a lot. 'S kind of freaky."

Charles curls into himself and into the corner of the shower and covers his ears. "Shut up! Just shut up and leave me alone!"

"How long have you been here?" Right asks as he looks up at the ceiling. "And why isn't Henry here to get you out? Aren't you two supposed to be friends?"

"Stop it!" Charles cries, curling into himself further.

Right smirks and decides to twirs the knife. "He helped that Ellie girl, didn't he? When she needed his help? I wonder if what they say is true? Birds of a feather flock together? They're both criminals, so I wouldn't really blame them for teaming up."

"SHUT YOUR STUPID MOUTH!" Charles screams. "YOU'RE WRONG! ALL OF YOU ARE WRONG! HE'S COMING TO SAVE ME, THEY ALL ARE!"

Right's smirk drops and he raises and eyebrow before drawing back the curtain.

Charles flinches back, covering his head and waiting for the strike.

But it never comes.

He looks up at Right, who's standing and giving him a look that says very clearly, 'I'm getting sick of your shit, stop.'

The two stare at each other for a bit, Charles wide eyed and scared before glaring as hard as he can.

Right keeps his bored expression because while he's probably in the best shape he's been in in a WHILE, Charles has lost at least twenty-five pounds and is cowering in the corner of a shower with long hair and clean shaven face; one lesson they teach you: you don't always need a mirror to shave your face.

The two continue their staring contest until Right slings the towel over his shoulder, takes off his top hat, and reaches into the shower with his cybernetic hand and turns off the water, flicking any off his fingers before stepping back and putting his top hat back on, Charles staring the whole time in case Right attacks him.

Right doesn't, of course, and tosses Charles the towel before pointing to a set of clothes hanging behind him and , just something neat but comfortable, not exactly a sweater and sweat pants, but close enough.

He then walks away until he's facing the door, his back to Charles.

"Hurry up and get dressed. Your room's ready."

Charles dries off and does get dressed, but he's careful to not take his eyes off Right.

First this guy got Charles captured and isolated him from everyone else, and now he's letting Charles shower and have his own room?

What's he up to?

Don't worry, he doesn't talk to himself this time.

Charles finishes putting on the clothes Right gave him, and looks at the towel he'd just hung on the hanger that held his clothes. Then he looks at Right, who's back is still turned.

You know EXACTLY where this is going.

Charles takes down the towel, careful that it doesn't hit the wall, and starts twisting it up as he sneaks up to Right, who either looks down at a wrist watch or checks a pocket watch because now he's getting a little bored.

Just as Charles is about to get the jump on him, Right pivots to face him.

"Good. You're done. It took you long enough."

Charles is absolutely speechless as he goes completely pale his face drops.

"Here, let me take that for you." Right pulls the towel out of Charles's hands and unwinds it. "Shouldn't do this to a wet towel. Could get moldy."

Right nods his head as a 'follow me' and leaves the showers.

Charles remains shell shocked for a minute and tries not to burst into tears at how his plan blew up his his face, but ultimately walks after Right, who strides ahead with a smile on his face.

Think Henry got away with that call? Weeeeeeeelll...

CUT TO THE GOVERNMENT

Galeforce SLAMS his hands on his desk, making Henry jump slightly in his chair and Ellie flinch against the wall, her arms crossed and shoulders hunched.

"HAVE YOU LOST YOUR MIND!? ACCEPTING THE DEAL MADE BY THOSE NUTJOBS!? WHAT WERE YOU THINKING!?"

Henry's sign is sloppy and fast, but the general still understands it. 'Wanted Charles safe.'

"So do we, Henry, but not by selling one of our best!"

Henry shakes his head and signs again, this time more clearly. 'You can't make me change my mind.'

Ellie speaks up after being silent for so long: "Henry, think about what you're doing."

'Already did. Made up my mind.'

"Son, it's not worth it."

Those words hit Henry harder than they should, making him grit his teeth.

"Trust me. Those CCC guys are nothing but trouble. We can't accept their help."

Henry shoots up to his feet. "I DON'T CARE!" He screams. "CHARLES IS TRAPPED IN SPACE WITH NO ONE TO HELP HIM AND IT'S MY FAULT HE'S UP THERE TO BEGIN WITH, SO LET ME FIX THIS!"

No one talks as Henry pants, falling back into his chair and holdong his head in his hands, pulling slightly at his hair and shaking.

"It's all I can think of doing. It's our only option. I can't think of anything else."

Ellie and Galeforce exchange glances before turning back to Henry, who leans heavily on one hand or arm as he meets their gaze.

"You're sure you know what you're doing?"

Henry looks at them both for a moment while not speaking before nodding slowly. 'I can't think of anything else. The corporal hung up before I could say yes. Someone talked about a 'situation.''

Ellie and Henry stare at each other, the former more puffy eyed than she was last night because this could very well be the last time she sees her friend.

She doesn't want him to leave, but if it's really his choice, who is she to not support him after all he did to help her?

"When do you-"

'I'm going in to visit later. Called back and told them I'd gove my answer AFTER I talked to someone.'

Both look at him incredulously.

"Talk to who?" Galeforce asks as he turns his head to look at Henry through the corner of his eye.

Henry takes in a deep breath through his nose and holds either of his hands at the top of his head, raising them up and down, gesturing a top hat to them.

BACK TO CHARLES

Right leads Charles to the room and watches him walk inside and look around, almost confused because it's been so so long since he'd last been in a normal bedroom. And because there's a chance this could all be a trick.

"Been a while since you had a decent room. Prob'ly nicer than what you're used to."

Charles takes a seat on the bed and keeps his head down, confused and tired of Right's games.

"You don't really believe Henry's gonna save you, do you? It's been a while since the last destroyer was sent and the government has more pilots. You military people are pretty easy to replace. You are just a pilot, after all."

Charles keeps his head down and lets his hair hang; it's obviously grown longer and Right gave him a razor but no scissors.

"Why are you doing this?" Charles asks. "What do you want from me?"

Right fights a smile and approaches Charles, taking a knee infront of him and waiting for the pilot to acknowledge him, which Charles does by picking up his head and meeting his eyes.

BACK TO THE CCC HEADQUARTERS!!!!!

Henry is being led by four guards and Bill Bullet. He hasn't gotten a lot of sleep, but he's good at not showing it.

"Weird request to visit someone before you make your decision. Usually we don't allow visitors." Bullet turns and sees Henry keeping up behind him, zoning out slightly but snapping out of it when he sees him looking. "You're not as talkative as you were on the phone the other night."

'Only way to contact you,' Henry signs.

Bullet smirks a little bit. "You deaf in one of your ears?"

'If I need to, I'll talk. Otherwise, I'll sign. Now where is he?'

Bullet sighs stops at an acrylic wall, seeing a doctor talking to a man.

Henry bristles slightly before calming himself back down.

"Guessing you two haven't talked in a while. I love reunions."

Henry narrows his eyes at Bill and gestures to the room. 'Private?'

"Enough. Don't worry, we won't listen in." Bill then grabs Henry by his jacket lapel and shoves him against the wall, catching the attention of doctor and occupant. "But I'm warning you right now," Bill growls as he leans close to Henry's face. "Try anything funny while you're in there, and I'll make you regret ever being born."

Henry nods and Bullet backs off him, letting him collect himself as the doctor walks out.

"Sir? He's done with his tests. His vitals and mental state are stable. He's also ready to see his visitor."

Bullet sweeps a gesture to the door. "He's all yours, Mr. Stickmin."

Henry nods and enters the room, his eyes on its occupant.

The two stare at each other for a bit, taking in each other's features.

"Hello, Henry."

The man in this room used to be moderately fit, and a REAL charmer, but years spent in the CCC's facility have taken their toll. He's gotten skinnier, his face is wrinkled and sunken in, and his hair, while it's slightly longer than Henry's, is greying and becoming thin. He doesn't look terrible by any means, but he has definitely seen better days.

He has cybernetics for both his arms and one leg, along his spine, neck to tailbone, and in part of his jaw. Where his left eye used to be, the eyelids are closed and flat; he's not even allowed to have a glass eye.

Being overthrown by Reginald Copperbottom, both literally and figuratively, forever left him with a permanent reminder.

The two stare at each other for a little while longer before Henry replies to the notorious worst leader in the toppat clan's history.

"Hi, Dad."

The two continue staring, Henry shuffling in place and Terrence rubbing his neck.

Henry signs, 'How is it here?'

"A hell hole. Nothing to do, no one to talk to, and you only get something when they say you can. Other than that, it's peachy."

Terrence's eye darts to the guards and Bill before moving back to Henry. "Guess what they said was true. You're actually coming here so you can save your friend."

"Yeah," Henry replies after a second.

I know I'm putting in a lot of pauses, but these two don't even send letters to each other, so sharing a room and having a conversation for them is awkward and extremely uncomfortable.

Back on track, Terrence scoffs at Henry's line of thinking, commenting, "And I thought these doctors were crazy. Let me guess: Reggie decided to take something from you because you took something from him? He always was a child."

'Reginald's been in prison since I arrested him.'

"You arrested him?" Terrence repeats as he stands. "The leader of the toppat clan, the most infamous group of bandits and thieves, and you just turned him in to the government? Why didn't you join him, you would've been perfectly fine!"

'Right hand man has my friend, I need to get him back. That's why I'm here.'

Terrence puts his hands on his face and groans. "No. Do not tell me I'm hearing this." He meets eyes with Henry, who nods with a shrug.

"You broke out of prison with a bar from your own cell, stole a diamond on a scooter, and escaped a maximum security prison, but you arrested the leader of the toppat clan, the son of a bitch of did this to me-" Terrence holds his arms out to gesture to his cybernetic body. "- and gave him to the government, but didn't see his lap dog wanting to settle the score or even the odds with you!?"

'A lot goes through my head on missions, okay!?'

Terrence nods, humming cheekily. "I'll bet. Think it would've gone better if you'd used that gun you had? We both know he wasn't going to do anything."

Henry sees himself charging at Right rather than throwing away his gun, but signs back, 'You don't know what he would've done. You haven't seen him.'

Terrence points to a tv in the corner of the room, one right next to the camera. "Saw how he got an upgrade. You can groom and pamper a dog all you want, its bark will still be worse than it's bite."

Henry spots Bill talking to the guards before waving at him and tapping on his wrist, more specifically on a watch. 'Don't take long.'

"Saw their orbital station, too. Like hell you're getting your friend out of space. And like hell sunglasses over there is gonna let you out of his sight if you're serious about that deal."

Henry looks Terrence directly in the eye and nods. 'I know.'

Terrence's face drops as Henry continues.

'During the mission, I hesitated because I was scared he'd kill Charles, my friend. I helped the government by giving them plans, but nothing worked. This is my last option. You are my last option. You weren't around then to tell me what to do, but I need you now because for once I have everything I could ever want, and I'm about to lose it all for being a coward. I know you're not going to like it, or even care, but I just need you to be here when they bring me in. Just be there and tell me I did enough for once, when you're really around. That's all I need right now.'

It's this that makes Terrence drop the "tough loving father" act and makes him realize that this is for real. This is not his son saying, "I made a mistake, fix it for me." This is his son telling him that this is his plan and he needs support to know he's doing the right thing.

Henry is extremely shaky because this is something he does not do with his father. They aren't usually open with each other, as in they do get emotional; toxic masculinity at its finest... and daddy issues.

Regardless, Henry collects himself before signing again.

'I'm going to agree to the terms. If they can send a piece of the ground to space or erase the universe, then they can help me. It's all I can think of doing that'll work.'

Terrence is quiet for a moment, looking at Bill and the guards as they gossip about something before turning back to Henry.

"Are you absolutely sure about this?"

Hebry nods. 'It's all that I can think of that's going to work. Again, if they can send a chunk of land of space or erase the universe, then they can help me.'

Terrence steps back and shakes his head.

"You're going to die here. You know that, right? I'm telling you now it's not worth it."

Henry's face drops.

"Look, I get it. You never were good at keeping friends, but, Henry, I'm telling you, just let this guy go. Do you really want to spend the rest of your life locked in a cage?"

Henry shakes his head as he signs. 'No, but I'm not going to abandon my friend like you abandoned us.'

"I had a clan to run, Henry!" Terrence snaps. "I wanted you to stay, have an easy life, but no. You two just ran off on me!"

'Just because something's easy doesn't always make it right,' Henry signs. He begins signing something else, but stops before continuing. 'Look. I'm accepting the terms. I wanted to tell you now ao you're not disappointed later.'

Henry holds up a hand in farewell and turns to leave, ready to get back to the base and start forming a new plan.

"Henry?"

He turns to see Terrence staring once again, but also sees his throat bobbing, like he's coughing or about to be sick.

"Good... Good luck. Getting your friend back."

Henry's eyes widen and he shakily nods. 'Thanks.'

The two stare at each other like before, but this time they slowly advance towards one another, maneuver their arms until they're in an admittedly awkward, uncomfortable, but welcome embrace; again, emotion is not their strong suit.

"You're going to regret it. Turning yourself in. Life's for living, and you're throwing it away."

Henry pulls back and waves 'goodbye' once more and leaves the room.

"Took you long enough," Bill says as Henry rejoins him. "Have a nice visit?"

Henry narrows his eyes.

"Well, you got your visit. Hope you know how to get into that station."

Henry takes one last look at his father before nodding.

'The terms-'

"Same as advertised," Bill interrupts. "A quarter of our forces as long as you come quietly so we study your ability."

'AFTER my friend is rescued and safe.'

Bill waves him off. "Fine, yes. After your friend's back home and safe." He holds his hand out infront of him and Henry. "What do you say, Henry? Do we have a deal?"

Behind the acrylic, Terrence watches the two of them, his hands against the wall and his eyes on his son.

Henry keeps his eyes on Bill's hand before looking into his eyes. With a mental push, he claps his hand into the corporal's and shakes it, nodding.

"Deal."

Terrence bumps and shakes his head against the wall. "You idiot," he murmurs. "What are you doing?"

AND THAT'S A WRAP ON PART 4!!!!! Oh my goodness, did I enjoy writing this one! A lot of twists and turns and opportunities to just leave you all hanging, I'm not even joking. I haven't really written manipulation or character dynamics like Henry's and Terrence's before, and I think I did pretty well.

Again, check out @multiverse-madness and @azuri-the-imperfect-artist for their Terrence Suave AUs because they are both amazing artists and, honestly, do better with the character than me.😅

For real, all of you, thank you, thank you, thank you, so much for your patience with this one. Like I said in my update post, I have a lot going on in my personal life and just couldn't get in a good creative mindset to do this.

I know we didn't see a lot of Charles this time around, but that's gonna change in Part 5😈

ANYWAY, thank you for reading, I hope you enjoyed, and HAPPY THANKSGIVING!!!!!!!!