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#im just going crazy iver here tbh
ncmadsteve · 2 months
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im watching jc-t's today's livestream for erno laszlo and it's!!!!!!! way too cute to stand 🥺🥺🥺🥺 also his hands look so good and delicate in this what
oh look what just
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gaylorlyrics · 4 years
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Folklore Songs - what are they about??
This is a developing thread, but I’ve been listening all day so I’m taking a stab at it.
1."The 1"  
Common consensus is that this is about Dianna Agron and what they could have been. Telling lyrics are the general idea that the relationship wasn’t truly given a chance (”it would've been sweet, If it could've been me”) and “Roaring Twenties”, referring to the below circus themed party pics with Diana dressed like a flapper
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tbh im not totally sold on this - most because it seems more recent with lyrics like, “In my defense, I have none for never leaving well enough alone” sounds like a reference to ME! and “Roaring twenties” sounds like a reference to something that happened this year (2020). Also “throwing pennies in the pool” could be a reference to throwing Penni (Karlie’s agent) in the pool. Finally, Route 1 is the road along California’s coast, where Tay & Karlie drove on their legendary road trip...this makes my lil Kaylor heart worry. 
2. Cardigan
This is the first installment in the Teenage Trio, which also includes August and Betty, and is told from the perspective of Betty. It’s about feeling so loved by someone but then being betrayed by them (”Chase two girls [Betty + August’s narrator] lose one”). The line ”And you'd be standin' in my front porch light” foreshadows to James professing love in “Betty”. Potentially Taylor is Betty - but I’m still thinking about that theory.
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3."The Last Great American Dynasty"  
We <3 a Rhode Island throwback. Here Taylor tells the story of her house in Rhode Island that Rebekah “Betty” (??!?!??!! more on that later) Harkness used to live in. Rebekah married an heir to Standard Oil which made her one of the wealthiest women in the USA at the time. She was also known for making a scene (”She had a marvelous time ruining everything”). Additionally, she founded the Harkness Ballet (”And blew through the money on the boys and the ballet”). After Rebekah’s death Taylor purchased the house and it is now best known as the place of many epic 4th of July parties.
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4. Exile
Such a sad song! This is a duet between Taylor and Bon Iver, telling the story of a failed relationship that they have tried to mend many many times. Interestingly, this is also about a love triangle (like the teenage trio) -  "I can see you starin' honey/Like he's just your understudy." This line specifically feels like it could be about bearding, and seeing someone else with the person you love, but feeling like - or knowing - it’s fake. “You were my town Now I'm in exile seein' you out” references and end to the relationship Taylor discussed in False God “Staring out the window like I'm not your favorite town I'm New York City”. To me this indicates that it is about Karlie and them breaking up or going through a rough patch - continually trying to fix things - and eventually being unsure that it could ever be repaired.
5."My Tears Ricochet"
This is pretty clearly about Scott & Scooter - “And if I'm dead to you, why are you at the wake? Cursing my name, wishing I stayed” and “You had to kill me, but it killed you just the same” seem to be a reference to them trying to exploit her work and how her leaving Big Machine really ruined the business - plus there’s some LWYMMD imagery. “You wear the same jewels that I gave you as you bury me” also seems to be a clear reference for trying to use Taylor’s own work against her, taking the profits, and pushing her out of the deal. As if we needed more evidence “You hear my stolen lullabies” clearly references her stolen masters.
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6."Mirrorball"  
Big 80s prom vibes from this song. Mirrorball is about being famous and all of her work - her most personal thoughts and dreams - just becoming different ways for other people to see themselves once she releases her music into the world. Part of being an artist is knowing that your work will reflect more of who the viewer is than who you are yourself. Here she uses the metaphor of a disco ball to explore that idea, and worries that she is losing her own identity through it “I'm still trying everything to keep you looking at me”. She also alludes to her fears that she will age out of relevancy “I know they said the end is near”, something she discussed in her documentary Miss Americana. Obviously this is internalized misogyny because we love Taylor and will listen to her music always and do not subscribe to the belief that women need to be young to be relevant because if they were a man then they'd be the man, and tay’s the man <3 
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7. “Seven”
Personally, this is one of my favorite songs on the album. It’s so sweet and pure and lovely. This is about young love, with imagery of summer, toys, and child’s dreams to runaway together. Many people have speculated that it is about the same girl that the two unreleased Taylor songs “Sweet Tea and Gods Graces” and “Me & Britney” are about. 
[Side note: initially I wondered if Me & Britney was about Britany Maack, Taylor’s long time friend who recently got married, but the names are spelled differently. Also the line in Seven “I can’t recall your face” indicates that this is about someone who Taylor is not currently in touch with.] 
Both M&B and STAAG seem to be about the Seven relationship because there are general parallels with outdoor scenery, childlike wonder, and ( in the case of STAGG) sweet tea. Also all three songs indicate a gay relationship: STAGG - “And you can love like a sinner and lose like a winner”, M&B - “That boy she went ran off with, well, I thought he was crazy. Maybe I was just jealous that he'd come between me and Britney”, and Seven - “You won't have to cry or hide in the closet And just like a folk song our love will be passed on”.
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8. “August”
This is the second installment in the Teenage Trio, told from the perspective of the “other woman” who James meets while on summer vacation. The other woman (she doesn’t seem to have a name...unless it is August...which it could be? idk) is in love, but realizes that James isn’t in love with her - “Will you call when you're back at school? I remember thinkin' I had you”. The line “Remember when I pulled up and said "Get in the car" references the same incident which is retold in Betty, but this time with James telling Betty it was just a summer fling that didn’t mean anything.
9. This Is Me Trying
Here we have a break up song, about Taylor trying to win her lover back and feeling completely lost without them, unable to concentrate or be around people, and turning to self sabotage. It’s about the general loneliness that one feels when they’ve lost someone they truly love, and the miscommunication that can happen in a relationship when you’re not understanding each other or receiving love in the same way (hence the song’s title). I think this could be about Karlie, it seems clear that their relationship has not been smooth and that they have had many on-and-off times. It could also be serving a purpose of building the Joe break up narrative, but only time will tell for that.
10. “Illicit Affairs”
Taylor loves her secret love - this song reads like a sad version of “I Know Places”. It seems clear that this is about Karlie Kloss. “Tell your friends you're out for a run” is one of my favorite lines because Karlie started Klossy run club, where you commit to running a certain distance in a month - and she posts about it on instagram CONSTANTLY. But overall, the song details a relationship of a woman being with someone she doesn’t love (kushnerd) and sneaking around to meet up with the person she does love (tay!). The line “Tell yourself you can always stop” is so sad to me, the idea that Karlie got into this and keeps telling herself that it will only be a little longer and she can leave when she wants, but staying in her fake marriage anyway.
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11. Invisible String
This is pretty much the only pure love song on the album - about feeling connected to someone throughout your whole life, knowing that that somebody is out there, and then finally finding them. Taylor talks about being in Centennial Park in Nashville as a teen, and then eventually showing her lover around. The song is really self referential, with lots of easter eggs for her past work, including Bad Blood and Delicate. She also references Joe Jonas with the line “Cold was the steel of my axe to grind For the boys who broke my heart Now I send their babies presents”.
Some people have pointed out that there is a similar idea presented in Jane Eyre - when the protagonist says to her love interest “I have a strange feeling with regard to you. As if I had a string somewhere under my left ribs, tightly knotted to a similar string in you."
12."Mad Woman"  
Another Scooter one - “It's obvious that wanting me dead has really brought you two together”. “The master of spin” is word play referencing the masters records scandal. “Watching you climb over people like me” points out that agents and labels are making money off the performers they find and pushing them around. There’s also a reference to Scooter’s wife Yael and how he cheats all the time, but she doesn’t do anything likely because of her own internalized misogyny - “has a couple side flings. Good wives always know. She should be mad, should be scathing like me”.
13. “Epiphany”
The first verse of this touching ballad is about Taylor’s grandfather in WW2, storming the beaches at Normandy - “Crawling up the beaches now "Sir, I think he's bleeding out"”. The second verse is about a nurse helping patients with Covid-19 - “Holds your hand through plastic now "Doc, I think she's crashing out"”. The bridge here talks about wishing there was some great epiphany, some magical solution for the suffering in the world. The chorus refers to experiencing trauma with others and staying loyal even in the hardest times, even if it means literally dying. Although this seems like a departure from the themes of rest of the album, the whole album examines loyalty and considering what you would do for the people you love - so I really don’t think it’s a departure at all.
14. “Betty”
Obviously this is the gayest song on the album and an early fan favorite. It is the final song in the teenage trio, told from the point of view of James, going to win Betty back after betraying her and sleeping with someone else (August!?) over the summer. The line "Will you kiss me on the porch in front of all your stupid friends?”, a line that is very clearly about wanting to kiss a woman, is especially striking (& gay!) when sung by Taylor. The clearest version of this plot is someone begging for forgiveness after betraying the person they love.
There is also a bit of a nod to a line in “Picture to Burn”, a break up song off Taylor’s first album. In PTB Taylor says “So go and tell your friends that I'm obsessive and crazy that's fine, I’ll tell mine you’re gay”. This lyric has since been changed in versions available online, but on the original album that's what it was. This is interesting because she’s calling attention to knowing that someone is gay and hasn’t told their friends...which you would definitely know if you had dated them.
The names “James” and “Inez” are both mentioned in the song, which are the names of Blake Lively and Ryan Reynold’s daughters. James was already featured on a Taylor Swift album, as the lil baby voice at the beginning of “Gorgeous”. Worth noting that “James” is traditional a male name, but that this character is named after a female.
ALSO I have this theory I’m working on that Taylor is Betty and this whole album is in the same world with the same people, but WILL POST MORE ON THIS LATER.
15."Peace"  
Ok - this is Archer 2.0 for me, about how she is worried about how no one will ever love her or stay with her because its too much work - “the rain is always gonna come if you're standin' with me” and “No, I could never give you peace” are pretty telling lines about her concerns that people will think it is not worth it to be friends with or in a relationship with her due to all of the baggage that comes with it. 
The opening lines - “Our coming-of-age has come and gone Suddenly this summer, it's clear” feed into my emerging theory that all of these songs exist in the same universe and are about the same three characters...but I’m still figuring that one out. The line “And you know that I'd swing with you for the fences Sit with you in the trenches” reference Seven and Epiphany, respectively - further supporting that all of these songs are in the same world.
16. “Hoax”
Out of all of the songs that make my little Kaylor heart ache - this is the most heartbreaking. Specifically the line “My eclipsed sun” refers to Karlie, who Taylor has called “sunshine” on multiple occasions, and her light being covered up by her contract with Kushnerd and Scooter. The line “Don't want no other shade of blue But you” makes it clear that this song is in reference to the muse for the album “Lover” - aka Karlie. 
However, this is a song about betrayal and completely trusting someone, only to find that they stabbed you in the back, as is clear by the line ”Your faithless love's the only hoax I believe in”.
Additionally, the line“You knew it still hurts underneath my scars” seems to again feed into the idea that all of the songs on the album involve the same characters. This one is a bit more clear, it seems that - if this theory is correct - Betty is the narrator of this song, as she referenced her scars before “Drew stars around my scars” in Cardigan.
OK- I'm going to go deep into song by song later, but I just wanted to get something out there!!! Also def interested in hearing what everyone else thinks!
EDIT: I just found some lyrics from The Lakes in an article from Billboard. I wanted to add them in even though we don’t have the full song because I felt like we really ended on a sad note with hoax and then when I saw these I was like there is hope!!
SO the lyric Billboard included in their review was “A red rose grew up out of ice frozen ground / With no one around to tweet it” which is a continuation from the line from “Hoax” - “ This has frozen my ground”. What I’m taking from this is that in the final song Taylor finds hope <3
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hermionegranger56 · 4 years
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ok lads its time for my breakdown of folklore, something absolutely no one is asking for but here we are!! this album. thIs ALBUMMMM. dear GOD. the intersection of my two favorite things, taylor swift and indie folk???? i feel like i’m dreaming. when she announced the surprise drop i literally burst into tears and evidently for good reason lol.
anywho here’s the thing. Red has been my all time favorite album for 8 years now. it holds such an important place in my life and i never thought anything she did could come close (though Lover almost did). but this. THIS IS BETTER THAN RED
the lyrical genius is unmatched here. taylor isn’t just writing songs here, this is POETRY. every song is nuanced, intricate, devastatingly beautiful, with words that’ll haunt me for a long time. and the fact that it’s stories, literal folklore, no longer just about her own life is incredibly creative and is executed so well for someone who has interwoven her life into her entire body of music thus far. folklore blends facts with fiction so seamlessly and is a true exhibition of taylor’s power as a songwriter.
and the vibessss!! from haunting heartbreak songs, to ethereal lost-in-the-woods vibes, to a comforting return to her old self, this album has everything. taylor is without a doubt one of the most versatile artists of our generation, having success and skill in multiple genres and folklore only solidifies this fact.
ALL RIGHT KIDS LETS JUMP IN
the 1: hell yeah explicit tswift give it to me lol you ARE on some new shit!! ok when i first listened to this i hadn’t read her statement about the other perspectives and i was about to RIOT about her and joe breaking up (like they could ever lol). this is such a catchy beat, such a casual?? look at such a painful feeling? a really good start to this album. the part where she goes another day waking up aLONE killlllllls me wow
fave lines: “in my defense i have none/for never leaving well enough alone”
cardigan: (don’t get me started on the mv it’s gorgeous) YES THE TEENAGE LOVE TRIANGLE suchhh a good concept!! the melody of this song is unreal, the chorus makes me want to scream it’s so beautiful, the i-i-i is SOMETHING ELSE. it’s crazy how just the melody makes betty’s pain so palpable, but so enchanting at the same time. it’s bittersweet and cinematic and i’m in love. PETER LOSING WENDY GOD. easily top 5 song here
fave lines: “when you are young they assume you know nothing”, “cause i knew you/ heartbeat on the high line/ once in 20 lifetimes i” “you drew stars around my scars/but now i’m bleeding”
the last great american dynasty: watch hill!!! her watch hill house!! i live near there!! oh i think this song is so clever and i love how it ties into mad woman as well as harkens back to starlight. i LOVE the way she ties her self in, “and then it was bought by me” like ughhh her mind? and its catchy AF
fave lines: “i had a marvelous time ruining everything”
exile: YOU KNOW HOW TO DO AN INDIE ALBUM??? BRING BON IVER INTO THIS SHIT!! wowww this song is haunting and is definitely the “i’m you but stronger” version of The Last Time. the overlap of both of them singing and their parallel lines are flawless. i could play this on repeat for hours and contemplate my whole existence
fave lines: “you never gave a warning sign/i gave so many signs”
my tears ricochet: ok somehow a track 5 with tears in the title is not the saddest song here but DAMN is it good. I love the visual of someone watching over their funeral and reacting. the music is stunningggg here. ALSO i am pretty convinced this is about the whole scott/scooter drama, like the lyrics fit so well? and she said it was the first song she wrote so the timeline kinda fits?? geniusss
fave lines: “I didn’t have it in myself to go with grace”, “and if i’m dead to you/why are you at the wake?”
mirrorball: ohhhh this one is so pretty!! it just makes me want to dance around the kitchen with the person i love??? its comforting, ethereal, happyyy ugh i love it. I also think it could be about her relationship with her fans? like her music shows us different sides of ourselves idk? or just absorbing into a relationship?
fave lines: “on my tallest tiptoes/shining just for you”
seven: i’m gonna call this now: this is going to be the most underrated song on this album. it is STUNNING. POETIC. HEARTBREAKING. the music is so hauntingly nostalgic. and the lyrics, holy absolute shit. they’re a delicate testament to childhood, memory, and innocent love. it’s gut wrenching and i love it so so much
fave lines: “i’ve been meaning to tell you/i think your house is haunted/your dad is always mad/and that must be why”, “and just like folk song/our love will be passed on”, “before i learned civility/ i used to scream ferociously” ALL OF IT
august: and now we get the girl james cheated with’s perspective, which i think is great. its sunny, wistful and sad underneath all that beautiful production. when she slides from the chorus to the “back when we we’re changing for the better” and hits that “mineeee to lose” GOD, it just fills your chest. i feel like even if you never have, this makes anyone feel like they know exactly what a summer fling feels like. one of my faves
fave lines: “august slipped away/like a bottle of wine”, “cancel my plans just in case you call/ and say meet me behind the mall”
this is me trying: the slow pacing of this melody serves to show these EXQUISITE lyrics here. this is so intimate and personal and i feel like everyone can relate to this feeling of just trying to hold on and put on a brave face?
fave lines: “they told me all of my cages were mental/ so i got wasted like all my potential”
illicit affairs: ok all you need to know about this one is a) I’m obsessed b) this is the closest she has come to creating a bridge that makes me feel like the All Too Well bridge has, like scream sobbing in the car type vibe??? its unreal. and this song makes me feel that shitty feeling of: “this was supposed to be casual but oops its very much not” hmmm maybe that’s where the scream sobbing comes from hahah
fave lines: “don’t call me kid/don’t call me baby/look at this godforsaken mess that you made me/you showed me colors you know i can’t see with anyone else”
invisible string: this. THIS is probably her most stunning love song. like. i thought it was Lover. i was wrong. this one is confidently from Taylor’s perspective, about Joe and dear lord i want a love like theirs. and shit does this song put the folk in folklore, the music is so simple and gorgeous and harkens back to her country roots without losing this new sound she has. and the first few notes remind me of Mystery of Love by Sufjan Stevens so instantly im sold. this and betty are tied for my number 1, it’s just too beautiful
fave lines: “time curious time/give me no compasses/give me no signs” “isn’t it just so pretty to think/all along there was some invisible string/tying you to me”, “cold was steel of the axe that i had to grind/for the boys who broke my heart/now i buy their babies presents”, “hell was the journey/but it brought me heaven”
mad woman: FUCK YOU FOREVERRRRRR!!! yes taylor said fuckkkk ugh i LOVE this vibe, the revenge of the mad woman that the town cast out is so eerie and powerful, i’m obsessed. it ties back into the maddest woman of TLGAD and it feels like a spiritual sequel to The Man, the same feminist thread weaving through it. the lyrics are razor sharp and biting, i love it
fave lines: “and you poke that bear/till the claws come out/ and you find something/ to wrap your noose around”, “it’s obvious wanting me dead has really brought you two together”
epiphany: so uhhh THIS is the saddest song on folklore. fight me. the seamless comparison between wartime and the pandemic and waiting for some epiphany that could make sense of all the horrors surrounding the both. idk man, as someone who’s been a covid nurse since March, i just….this one HURTS. similar to Soon You’ll Get Better tbh
fave lines: “hold your hand through plastic now/doc i think she’s crashing out/and somethings you just can’t speak about”
betty: OH I LOVE IT WITH MY WHOLE HEART! this is such a TRIUMPHANT return to old taylor, it is so joyful but sad at the same time?? the harmonica?? the last part of the love triangle?? it sounds like Taylor Swift and Fearless all grown up and it makes me ache for back then, but love where we are right now. tbh the first time i heard this i sobbed through the whole thing just out of pure nostalgia. she’s back but at the same time she never left. this feels like a love song to original fans and it. is. incredible. my favoriteeee goddd
fave lines: THE WHOLE CHORUS BABYYYYY
peace: it’s gorgeous, especially the guitarrr ugh. this feels like delicate’s quiet older sister. i think it’s definitely about joe and how taylor, despite loving him, still has these insecurities and fears about what a relationship with someone in her position could be like? like there will be struggles, but he’s her family and she “would die for you in secret”. stunning
fave lines: “i’m a fire and i’ll keep your brittle heart warm”, “the devils in the detail/but you’ve got a friend in me”, “give you my wild/give you a child”
hoax: i’m surprised she ended it on a sad one (but we still have the lakes!!) but this song is hauntingly beautiful WOW. every line of this absolutely floors me. i think this one will also be largely underrated, but it is pure poetry and deserves so so much hype
fave lines: “stood on the cliffside/screaming give me a reason/your faithless love’s the only hoax i believe in”, “it still hurts underneath my scars/from when they pulled me apart/but what you did was just as dark” “my kingdom come undone/ my broken drum/ you have beaten my heart”
ANYWHO TAYLOR HAS PRODUCED HER BEST WORK TO DATE AND IM READY FOR SAD GIRL AUTUMN
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elegiesforshiva · 5 years
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This is a review for the amazing sasusaku fanfic Perpetual Winter by @thefangirlslair It’s a brilliant modern AU and I highly recommend it!!!  You can read it on fanfiction.net or tumblr :)))) FF: c l i c kkkk Tumblr: Part I, Special Chapter, Part II And time for a criminally late and obscenely long review!!!
Pt I
Winter has never been his favorite season
Damn what an intro, I’m already getting angst vibes lmao.  I really like how you set the scene and stage the world of this AU.  I didn’t expect the existence of clans in this piece, with it being a modern AU, but this is such a fascinating twist on the setting to me. I loved how you described Naruto’s endurance as unnatural, “like there’s a demon living inside him” and Sasuke and his clan have inexplicable warmth….inexplicable do I dare say…fire ???? ;))))))
Lmao seriously what a great way to pay homage to canon though.  I love these attributes!
Modern au Sasuke that reads poetry and drinks coffee is a brand of pretentiousness I can get behind
Aaaaaaa omg I really REALLY REALLY fucking love this intro!  I love how you describe Sasuke as appreciating liveliness, and vibrance—which we can honestly assume is canon with how his two closest people are the embodiment of these traits.  And I love how you tie it back into the seasons.  This really gives so much life to that motif in this story, and the title. That was clever af
…he was taken back to the time where winter was just a mere season, Bon Iver was playing on their shared earphones, and Sakura was his. 
WHAT THE FUCK YOU JUST FUCKING DESTROYED ME WHAT A WAY TO SEGWAY INTO THE NEXT SCENE OOOOF IM KSJDFHLJSAKFL
There are so many things I love about this following scene…  you really know how to write a couple in casual, mutual love.  The banter and candidness of their interaction just has me floored. I also REALLY love that this is from Sasuke’s perspective, and how even though he doesn’t have an overwhelming amount of dialogue, we’re in his head, and his appreciation and love for Sakura just radiates.  Lines like these:  
From her latest discovered band to a recent discovery in medicine by a genius dude whose name he doesn’t even remember, she shares it with him. Favorite anime character, favorite memory with him, favorite pair of underwear — he knows it all because she’s that open to him about things she love.
They’re just….so good. I can hear his voice, his ardor, and his impeccable understanding of Sakura’s personality while also expressiong his own.  The choice of having the narrative skewed through his lens was def a good decision. And ugh this piece is just overwhelmingly amazing already
He doesn’t know the pain to be dealt with when you’ve broken up with someone because Sakura was his first girlfriend. And honestly, he doesn’t, couldn’t, even think about being apart from her. Just the thought of them breaking up already makes him panic a little. He always thought to himself, ‘I will never let that happen.’
Okay this paragraph……………this paragraph tho……..dropping this.  KNOWING. They’re gonna break up……….HOW DARE U
Seriously, what powerful writing.  I don’t know how you do it……
I think it’s incredibly interesting that you chose music to be the catalyst for this beautiful, climactic moment of closeness  My best friend/partner and I have had convos before about it, and she and i once talked about how we think of sex with music lol.  I don’t know how to entirely explain myself on that, or where I’m really going with this, but I get the same vibe here too.  Music that’s close to you is like an artistic intimacy and there’s something very personal and vulnerable about it.  Maybe it’s an auditory thing, like getting lost in one of those guided meditations.  (idk if you’ve ever had one that actually worked, they don’t always for me, but when they do god damn, it’s unreal)  Either way, I really loved the way this scene played out, it was highly relatable and highly emotional, and I feel serenity and ardor just reading it.  Beautifully done.
I love the way you moved back to the present and we immediately feel the differences and the similarities.  The fondness and affection is still there, if not a little more muted, and it’s so obvious they still have feelings for each other.  But there’s definitely moments that speak to their separation too, with the little differences in Sakura that Sasuke notices, or instances like her no longer drinking coffee or him deciding to open the door.
I really like how you inserted the interaction with Kakashi too.  One thing I’m quickly noticing about this fic and your writing is how you very stealthily relay information to us readers.  It’s seamless and entertaining, and I’m learning about this world and the past in ways that are so attention grabbing I don’t even notice it.
Also Itachi’s death and the way you handled it from Sasuke’s pov is so reminiscent of canon and also so gut wrenching.  The lines 
How dare Itachi leave him alone? How dare Itachi sacrifice himself and die? How dare Itachi pass his responsibilities onto his shoulders… 
especially gutted me because of how is stands in stark parallels to the Sasuke we know in canon.  This really smacked my head around with feels….poor Sasuke
OMFG POOR SASUKE !!!?!?!??!?!??!? THAT ENDING OOOLOGDSLGFSLKDGHLSDHFLKDFHVSLKV WHAT A FUCKING CURVE BALL LMAO
I mean maybe I should have seen that coming because like of course!!!  But also I’M LOSING M Y SHIT HAHAHAHAAA
I can’t wait to see how this unfolds!!!!!
Special Chapter
This is such a powerful scene to start with.  Itachi’s entire character was such a major influence in canon and seeing the way his death is affecting everyone now is so emotional.  I feel so bad for Sasuke, having to take on all the burdens Itachi had left behind for him.
Also these lines:
“Mikoto cried, “Don’t you think it’s too soon? I just buried my first-born just barely a week ago and now we’re discussing how you’re gonna ruin my youngest’s life just like you did with Itachi?!”
The way her voice cracked when she said his brother’s name broke his heart. She’s still grieving, probably forever, and here they are talking about Sasuke’s suicide.”
Literally killed me. Dead.  Deceased.  Fallen to the Void.  It’s so brilliant and powerful, and speaks so deeply on their dysfunctional family dynamics and feelings with so few lines.  Really loved this…
This next scene was so stark and sad and beautiful.  I meant to comment and pull lines again, but I couldn't stop reading tbh.  Sasuke's thoughts and emotions concerning Sakura are so vividly gentle and full of praise.  There's such a soft worship in the way you write his feelings towards her and tbh it's my absolute and only interpretation of feelings I care for concerning the depiction of their relationship.  Still, you do this with a certain cleverness and mastery.  It's really so moving for me...
The dream sequence that follows is absolutely debilitating, but so well done.  I got the sense it was a dream only a few lines in just from the bluntness of the lines.  It was truly very dream-like lol.  I really could feel the panic and guilt along all of his inner turmoil.  It's incredibly horrific to have such a dream about murder just after Itachi's too.  This was devastating.
I really loved the way Sakura calms him groom the panic/anxiety attack.  I've actually had a similar experience once, where I woke up from a nightmare and I was very frightened and stiff and couldn't really articulate myself.  I remember I had felt deep horror and self loathing and nothing else.  (I still remember the nightmare too, it was horrible.)  My best friend at the time just threw herself on the bed and held me.
It's so crazy how grounding touch can be.  I really felt that with Sasuke and Sakura too.  The comfort she offers him is so seamless to her character and so ardently palpable.  The repetition of "I got you" really touched me especially.  It breaks my heart knowing the inevitable end of their relationship to come.
Oooooohhhh daaamnnnnn
I did NOT see the raunchy sex coming lmfao!!  Although in hindsight, I probably should have.  You already told us how they tend to get down and dirty when emotions run high with the arguments and make-up sex.  I imagine this is instigated by Sasuke often, with him struggling to articulate his need for Sakura verbally so he does so physically.  And I imagine Sakura is just kinky enough to crave this sort of animal want.  
I do love how sexual interactions are easily moving in tandem with their emotions, how it just feels like another mode of communication.  Sasuke breaking down during it leaves me feeling so tender too.  It's tragic
She smiled. Sasuke doesn't know if he wants that smile or not.
These exit lines are going to fucking kill me istg
The following events honestly hurts to read because Damn haven't we all been there...  the fallout of a relationship to the point where you're just dragging it through the mud… it’s a true deterioration of soul and you capture that slow death so well.  I really feel terrible for Sakura—Sasuke too—but it sucks for her to be in the dark like this.  
I love the way you write Karin!!!  Honestly, I think it really mirrors the way she's written in canon.  She's cold and strategically loud and generally calculating and overall kind of apathetic.  She doesn't really know the value of meaningful relationships (and therefore doesn't prioritize them) until much later on in the series.  I definitely get this sense of her here too.  She's a little cold, but not cruel, and she has the pragmatic values of her and Sasuke's union in mind as she agrees to it all.  I really like how you made her personality come through here.
Meanwhile there’s him, sucking all the hard traits from their father. His competitive streak, arrogant way of speaking, harsh words — it’s all Fugaku. And suddenly, he feels so exhausted.
This line hit me so hard. I love this fic already for an endless number of reasons but a striking one is how well you interrogate the relationships between family.  When you described Itachi’s death as Sasuke losing a part of him, I really felt that. And here when you write about the way Sasuke takes after Fugaku and hates it and is also exasperated from it, just like how his father likely is, it just runs bone deep.  You really know how to speak to life experiences and relationships in consistently intimate ways.  I love that about you
This is his reality now — no more dream, no more Itachi; and pretty soon, no more Sakura.
’It hurts,’ Sasuke thought. 'It hurts, aniki.’  
Wow death by angst lmao thanks for the pain, maren, glad to know you like to torture your readers as much as our ninja babies.  Srsly tho the cadence of these lines and the material itself sync up perfectly.  It’s such powerful writing
This entire scene is stuffed to the brim with dread and turbulence, and it’s so lifelike, I feel it’s haunting.  The way you describe the suffocating atmosphere of the car ride, how Sasuke snaps at Sakura for simply knowing that something is up, the awkwardness of the dinner… You really brought so much passion into these scenes, I feel like I’m being tortured right with them lol
I looooooove the drama of this playing out omg.  The way you have this convo go down is like a punch to the gut.  Sakura announcing her acceptance to Harvard, and then her refusal to go. Sasuke knowing he’s the reason why…the guilt…the anger…
Also omfg these lines:
Sasuke hardened his resolve and stiffly said, “No. I don’t need you, Sakura.”
’Yes, I do.’
Sakura shook her head, “Yes, you do.”
I DIED.  Sakura callin’ him out on his bull shit I fucking LOST IT lmaooOOooo   I love this so much and I love how you write their dynamic!  It’s funny how this fic plays into a lot of romantic clichés but also subverts them—gives them a twist that knocks the reader right off their feet. It’s honestly incredible
I loved the way you brought in winter into this scene too.  The image of it, the feel of it, the terrible, lonely tone.  It suits the entire mood of it all.
This is going to sound super dumb but I genuinely love how much agency you give Sakura btw.  You probably know I’m a raging, batshit feminist by now and I gotta say, her dialogue is consistently powerful and reeks of someone who knows who they are, and their worth, even when in the fallout of a relationship where they are getting the short end of the stick.  Like I’m just sitting here reading “Sasuke, you dumb jackass, what are you doing” lmfaoooo LIKE GURL I WOULD TREAT U SO GOOD…. SAKU BB IM SO SORRY BUT ALSO TRUST I KNOW HOW IT BE
I really do love it.  And I love how you wrote Sakura as an orphan too.  It really flips the script on the canon material (eat shit, kishimoto!!  Women can have trauma and real backstories not centered around men, u misogynistic pile of adskjfhsklhfalkd)  I just feel she’s very well written, and tangible, and powerfully human.  I’d be just as smitten as Sasuke tbh
The last scene is so upsetting… it’s also strangely warming too though.  It’s terrible Sasuke’s been broken down like this, but there’s something about this scene where he feels raw, and expresses his pain in a very infantile way, literally crying out to his mother about how it hurts.  I really feel he’s been stripped of not just his life, but himself, under the weight of Itachi’s death and all that’s come with it, and it makes my heart ache.  I loved this chapter, in all it’s infinite sadness.
Part II
He closed his eyes and thought about his talk with his father earlier, “We’re okay now. He called me while I was with Itachi.”
Love the ease and depth of this single line of dialogue.  How Itachi is not alive but is still with him, and how it speaks to the way we humans grieve and the continuity and strength of relationships even after someone leaves.  It’s just very simple and human, and it popped out at me.
He couldn’t even remember the last time they talked on the phone, or the last time he heard Fugaku as a father, not as the Uchiha patriarch.
Uggghhhhhhh this is exactly how I felt Fugaku was like in canon too.  This fic is just full of brilliance, I really adore the way you describe all the relationships, but the complexity between Sasuke’s and Fugaku’s is really striking to me.  You nail it perfectly.
And this whole intro where Fugaku apologizes to Sasuke and tells him he is proud…. I feel as if a major levee has been broken.  While he’s in front of Itachi’s grave too.  This Sasuke really has that same parallel with the one in canonverse where I feel he is held back by his family trauma, family obligations, the weight of blood.  And this scene feels like a breaking point.  Where Sasuke can be a man instead of an Uchiha, in the same way Fugaku gives him this moment as a father instead of an Uchiha patriarch.  It certainly feels like a cleansing of sorts.
Once you thought you’re over it, one pink-haired beacon of spring will bloom in your eternal winter and blow all your progress into next week. What a woman. He will never find anyone better.
AaaaaaaAAAAAAAAAAA !!!! this IS what I mean!!!  His inner thoughts of her ugh….i’m so weak…Sasuke you lovesick fool…. And the return of the beautiful seasons motif.  I love this so much
 You can say they were drunk — with liquor, with each other, with love.
I just adore this line. It really emphasizes the vibe of their past relationship and the picture as a whole, and just that electric feeling of being consumed with someone.  The description and cadence of it is just really catching, and I love it
 God, this entire scene. Damn, maren.  It’s criminal how well you write the tension of such a casual conversation.  It feels as if an interrogation of sorts is occurring, and yet it’s still a heartwarming kind. Sakura is not vicious or mal-intentioned in inquiries and yet it still leaves Sasuke weak and defenseless if only because of his feelings for her.  There’s so many ways you assert it too.  It’s in every line, every detail.  This one in particular stood out to me:
Sasuke clenched his fist under the table and scoffed, “I hope my mother didn’t tell you how miserable I was.”
'Still am,’ he corrected in his mind. 'How miserable I still am.’
I remember you used this particular tactic when also describing Itachi’s feelings from Sasuke’s POV. (Something along the lines of how he does became how he did because he is gone)  In this fic where time is moving back and forward in a non-linear fashion, these details are especially striking.  Despite the changes and pushes and pull, this one fact is consistent—Sasuke loves Sakura.  And we, as readers, relearn it with every line.
Also I LOOOOOOOOOOOOOOOOOOOOOvE that Mikoto saw Sakura off, and that there is this undertone of a bond. Like ughhhhh I’ve so been there, where there’s that depth of understanding between women and relationships that men don’t always know about or know how to grapple with it.  My ex resented me for it lmfao
Adkjfasklfalsjdkfakls SASUKE CAN RELATE TO HIM APPARENTLY AHAHAHAAHHA B SNAPPEDDDD I totally get it though, it’s a little intrusive of Sakura to ask for that, but we all also know why she did.  Poor saku bb is in love with this emotionally constipated idiot lmao.  Oh I love the endless pining and miscommunication of it all !!!
“I thought you’d be here,” a voice came and knocked on the closed door of his heart. He turned his face towards it, he saw her and suddenly his doors came opening again.
The winter sun was directly behind her, giving her this eerie glow. Like a nymph; a spring nymph being born in his perpetual winter. He shivered inside.
Back at it again with that seasonal motif !!!! ugh you are killing me.  I also really loved the phrase “knocked on the closed door of his hear.”  You really have such a way with these metaphors and images, it’s so striking and makes the narrative of this piece so brilliant
and silence is a comfortable companion back then. When they became lovers, it was like their platonic third-wheel aside from Naruto.
Ngl I busted out laughing on that one.  “aside from Naruto” hahaaaa I love the way you include him in this fic tbh.  He’s not a very big focus, but he still feels like an integral part of this story, not just as Sasuke’s best friend, but also as another device to unite Sasuke and Sakura.  Also he’s pretty fantastic comic relief, probably just as much for the two of them as for the reader.
I really love the way this convo goes down, and the change of scenery from the coffee shop to the playground.  Considering the way their love at this point is founded in nostalgia (and perhaps something else, but let’s ignore that for a second) it’s so fitting for them to finally stripping away the masks and cloaks and being genuine with one another—Sakura talking about how she knew all along, and Sasuke finally admitting he still loves her.
I also loved that Karin broke off the engagement!!!!!!  And how she did it and how you described it ughghhghg I love this.  You really spoke to her character growth and development in canon too.  It’s trivial compared to everything else that’s going on, but I love it.
…the pink of her hair, the green of her irises and the gold of the sun slowly setting down behind her.
Sasuke couldn’t see her clearly anymore, only the faint glow of her weeping eyes and the halo on her head made by the sun.
You think you’re slick don’t you…you think you’re some kind of mastermind with these subtle references/images…..well guess what bitch….YOU ARE
  I looooove how you tied the music back in.  Ugh this departure!!  MY HEART!!! Also I’m seeing a handful of songs I love including OUR BOIIIII !!!! rex orange county uhhghhgjak maren this is the romance of a lifetime I AM WEAK
Ughh the forehead kiss…..that was so sweet.  I loved Sakura’s choice to give him that bit of affection.  This scene is so beautifully intimate, despite their positions.
Omg I FINISHED HOLY SHIT!!! And Sasuke doesn’t get back with her! Wow!  Honestly, as much as my shipper heart is like, violently frothing at the mouth and saying “okay they totally got back together down the line tho like THEY HAD TO THEY ARE MADE FOR EACH OTHER WHAT IS TH—" I actually have such a deep appreciation for this ending.  Their relationship in this almost feels dream-like, and with the way the story unfolds, even if they still loved each other in the end (and I really don’t doubt that they do.  We don’t have Sakura’s perspective, but we also don’t need it.  the affections are clear) it doesn’t mean they will end up together or are even really suited for each other in such a way.  
Their love in this actually really reminds me of Eternal Sunshine of the Spotless Mind.  Have you seen that movie?  I just really get that vibe at the end.  This entire romance cuts very deep and is very passionate and leaves me feeling so whimsical.  I really loved this story, Maren…  thank you for sharing it with all of us.  thank you for writing it.  You’re really one of a kind and you and this story has my whole heart <333
Also I’m sorry this is so late, but when I said I am going to write you a review, what I meant was I am going to write you a review.  This English degree is good for nothing but sending elaborate love letters to friends and writers in the form of literary analyses and stupid overreactions and BY GOD I WILL NOT LET THIS CRIPPLING COLLEGE DEBT GO TO WASTE !!!
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