#im not even going to touch kevins horrible pictures from his first night with the foxes im still riding the high of renees peace sign

[dayurno]

she threw riko a PEACE SIGN oh my god this is the best thing to have come out of everything from the story of ever i know jean is dying but can we talk about her. can we never stop talking about her

[spotlightsaga]

Kevin Cage of @spotlightsaga reviews... F is For Family (S02E04) Night Shift Airdate: May 30, 2017 @Netflix @GaumontTV Ratings: Privatized @BillBurr @mikepriceinla Score: 8.75/10 @FYeahBill @FIFFNetflix TVTime/FB/Twitter/IG/Tumblr/Path/Pin: @SpotlightSaga **********SPOILERS BELOW********** 'Is my house clean?' No seriously, I'm gonna look up and you take a look in. I need to know... Can't go trouncing about town, especially the notorious 'Cocaine Cowboy City' of Miami with powder around the edges of my nostrils. I wouldn't think anyone, in any decade of existence, would want an onlooker seeing them trading coke for anything right out in the open... Whether that's in a record store, yes they still exist & I'm sure they would love a visit, or a street corner... I'd suggest visiting the record store over the street corner. Just as walking, talking, 'Teenage Turmoil', 'Trepidation Tornado' (Yeah, I'm also a sucker for wordplay), Kevin Murphy (Justin Long) is looking to make it big in what he sees as almost a dream world of sorts as a bonafide rockstar, he spots his well connected, high rolling neighbor, who is very much a part of that dream world, bribing an aggressively apprehensive DJ to play a pop record with a picture of a 'Teen Heartthrob' holding an adorable puppy on the front... But hey this is where they are in their lives. Pretty sure I've been lower. Vic (Sam Rockwell), along with the rest of the cast, has so much more room to breathe now that the series has been extended from 6-Episodes to the nicely rounded off number of 10 entries for S2. However, this means that Vic can no longer simply be that hurricane of a character, representing the perfect storm of carefree 1970's hedonism and indulgence. Suddenly, there are consequences for his actions and we are peaking into a long, dark tunnel where Vic is on the verge of an 'existential crisis'. No, there are no immediate repercussions for any of Vic's self destructive behaviors quite yet anyway, but the forlorn fates are written all over his face. Right now he's much closer to what we would refer to the point of 'existential dread' than we would call a full blown 'existential crisis'. The writers are smart though, they're giving you a peak of his cards without letting you see his full hand and that will surely create a helluva payoff when it it's finally time to pay the piper. That's a stark difference from a character that was once a quick, in & out, 2-D slice of animated comic relief. When it comes to television, cinema, film, real life, whatever... 'Existential' and 'Crisis' are literally my two favorite words in the English language, not only because they are so beautiful when paired together, but more so the fact that it's one thing Im actually good at. I know that's a really weird thing to be proud of, excited to dive into, or even claim to be 'good at'... But with all the LSD & DMT I've consumed in my life, I believe I've had more self-induced existential crisis and egodeath(s) than most of the worlds population. It's not just hallucinogenics and weird dissociatives, or even a finely tuned education in psychology & sociology that have made me an expert and lover of all things 'existential', it's also real life experience in all things crisis... Inner, outer, dramatic, and otherwise... I've always been dramatic, I got it from my mother, and her adoptive Mother... They are whatever is slightly above the 'every southern woman' version of Bette Davis & Joan Crawford. Everything is a spectacle, darling. Anxiety attacks are full on broadway performances, complete with Tony Awards, a nice Southern 'Wink', and a long list of 'Thank You's at the end... Oh and trips to the mall that start out sweet & fruitful and end in sheer terror. My Step-Father is more like the American Cherokee version of a cross between Tim Allen & Jim Gaffigan, if that makes sense. He has a traditional, signature style of humor that is both clean & observational and masculine & sometimes surprisingly crass, mainly due to his dual nature and long hard road from the cesspool of a nasty rock bottom to the heights of being a pillar of his community. There was a time in my life where these attributes all made me angry, just like Kevin. At that rebellious teenage age, if someone says go, you stop and if they say stop, you go. If a parental figure or an adult influence that we look up to makes a mistake, as a young adult many times we hold them to it unfairly... As if they're supposed to be perfect because they are the adult. As kids, we want to meet them halfway with unrealistic expectations. Essentially that's because adults meet their children and particularly teenagers with unrealistic expectations, themselves. Can't expect a toddler not to touch a hot stove, can't expect a little kid not to pick their nose (or worse), can't expect a teenager not to do usual teenager stuff, and we can't expect our parents to always remember all of that in times of stress. Looking back now (and let's hope Kevin moves forward to this place soon), I know that I learned the most from watching my parents make mistakes and subsequently finding a way to fix it, by any means necessary. Kevin is already sick over his issues with his dad, so he's practically ready to give up when he sees Vic forking over line after line until DJ Howlin' Hank (Josh Adam Meyers) would say he loves any record Vic gave him to play (yes, that includes records with vinyl covers that feature kids holding puppies that look like they "fell out of Donnie Osmond's pussy"). When one reaches the epiphany that hard work, talent, and actually being cool isn't what gets them to top, a breakdown of some sort is to be expected. Personally I've had this specific epiphany more than once (complete with influential dramatic Hollywood Breakdown), so a nice soul searching, ego shattering session of smoking weed (or simply insert alternative mind expansion drug here) his friends refer to as 'Oregon Gold dipped in Columbia River Salmon Piss' out of a baby doll made into a pipe is just what Kevin needs to push him to a point where he's ready to face this new, harsher, cruel world to get their band's ultimate goal achieved... Being played on the radio, preferably by DJ Howlin' Hank... Because, you know, at least they are 100% sure what it takes to make 'Hank Howl' (thanks, Vic)! So off the clueless teenage trio goes to score some blow. This should be good. Kevin has currently written off his father, Frank (Bill Burr), for his inability to accept a certain kind of defeat... Or better yet, I should say... Face his humility for a greater good and 'bite the bullet' at the unemployment office. He sees his father's stubborn pride as a weakness, when really like any human attribute, it's technically both a positive and a negative. The fact that Frank is lying to Sue (Laura Dern) about it, makes it all 100x worse, though... Creating a mountain blocking any possible view to see the silver lining. Frank taking a humiliating, lower paid job, just to avoid a handout is silly and ultimately a bit insane, but at least Frank is trying to do something instead of curling up into a corner & folding. Still, the whole ironic arrangement is not lost on us. Don't think for a moment that we won't be on the lookout for bumper stickers being sold at 'Hot Topic or 'Urban Outfitters' that say "Ask me about my Loser Husband's shit job!" Frank's insecurities and paranoia are officially at an all time high. His new boss Smoky (Michael Kenneth Williams) shows Frank the restrictive ropes of the world of vending machines, its many perks, and how to "Shove it. Slam it. Twist the lock. Stick the key inside your sock." Why can't the key just be on the key ring? Simple. "Because the rhyme came first, system came later." Frank is killing it, but an accident with the lock on the back door (see how important those rhymes are), ends up with the bag of change they've been collecting falling out of the back of the truck and finding it's way all over the dirty urban street. Frank goes into survival mode, scouring the street like a hardworking crackhead to recover the change. As this is happening, Kevin is out looking to score $10 worth of coke in the same seedy downtown neighborhood. Last time I checked $10 won't get you a bag of coke, and I live in a city where cocaine is easier to get than the attention of a bartender, and cheaper to get than a simple single liquor cocktail. These three young clowns mistake a pimp for a drug dealer and one of the funniest scenes of the series commences when the 'white' they are all so ready to score turns out to be an obese, Caucasian, $10 prostitute that has difficulties keeping one of her titties inside of her blouse. As the trio scrambles to escape the low rent hooker who offers to 'fuck them all if they have a sandwich bag', they end up passing Frank digging for nickels on the side of the street. Ok, ok... This is obviously the worst possible scenario for Kevin, but his frustrations lead him to march into the radio station with his band's demo tape in hand, demanding to be heard. Fuck the system, right? Everything might be going to shit for the characters in the Netflix Original 'F is For Family', but when you are down on your luck and you don't even know why you're stuck in a meaningless, chaotic existence... Suddenly an existential crisis becomes your best friend. Frank's embarrassing dedication to picking up the change in the street leads him to secure the job of no one's dreams, Sue has a sudden idea for a product invention when going through the mundane process of drying out her lettuce while making dinner salads, and Kevin's frustration & desperation pay off after the boys tune in to hear Vic use a two syllable taste of their song to introduce the weather segment. To three young boys with a pipe dream that's like the equivalent of being featured on MTV's 'Total Request Live' in 1999. Recently I've watched a friend go through a horrible incident and face their mortality. Suddenly that person is trapped in an existential nightmare... 'What's any of this worth if it really doesn't lead to anything, if we are all biding our time on this earth until the Grim Reaper comes-a-knocking anyway?' And that's just the base of it. We've all got our existential and emotional baggage to deal with, but it's the unexpected moments when you're at your lowest point that suddenly remind us that even tho we might all just be going through the motions and repeating history over and over, sudden sparks of light can suddenly reignite your passion for life... Its as all as easy as that, or as difficult as that, whichever way you want to look at it. Like Frank said in the beginning of FIFF's 'Night Shift', "I woulda killed myself, but I don't want to haunt my own house." **********Written By: Kevin Cage********** Special Thx: TVTime, Bill Burr, Michael Price, Jerry Wilson, Kat Holiday, Chad Rigsby... Dedicated to: Denver G. Pratt http:://www.tvtime.com http://www.spotlightsaga.com http://www.facebook.com/SpotlightSaga http://www.facebook.com/groups/ArtsEntertainment