#in conclusion: on the thai food scale of 1 to 5 chili peppers emma gave it a 6

[rithmeres]

hadestown thots (as requested):

first of all here’s a pic of the cast after curtain call sorry its only six pixels wide

also im pretty sure i was standing right next to one of the ensemble members (alex puette, tall guy standing behind orpheus in the picture) on the subway earlier that day

ok what is there to say about patrick page that hasnt already been said. i love it when he enters with ‘i missed ya’ and the people in the audience who aren’t familiar with the show are like wtf [nervous laughter]. the role was literally written for him so it’s no surprise that he just owns it but after seeing him my memory was wiped of the hades i saw on tour i genuinely cannot remember the other guy because patrick page is Thee Guy

eva noblezada STOLE. THE MF. SHOW. seeing her perform live changed me and changed fundamentally how i see the show. when i saw the tour in los angeles it felt like orpheus was the main character. but with eva’s eurydice it’s her world and we are just living in it. her eurydice wants so badly and it comes through brutally despite her insistence that she doesnt need anyone or anything and her fear to have anything lest it slip away. every note was exactly where it needed to be, the quality of her voice and technique is stupendous, even when she’s sobbing on her hands and knees her voice is clarion and pitch perfect. i saw her at the stage door after and SHE said thank you to US and i was like no no no no thank YOU.

jewelle blackman as persephone slayyyyed she’s kinda crazy and i love that for her, though i wish some of the vocals could have been altered to let her go into her super low range like she did when she played one of the fates

sayo oni was orpheus and i loved himmm. famously i am not a fan of reeve carney’s orpheus (sorry) so me n emma were elated to have a fresh voice in the mix. his voice was clear and sure and gorgeous and i had been kind of afraid that even if orpheus was really good he would b overshadowed by eva because she’s such a powerhouse, but they matched & blended well in skill and vocals and i had nothing to worry about. orpheus 2 me only works as a character if he’s naive and childlike and ya boy pulled it off so well.

malcolm armwood was a fantastic understudy hermes (pictured below at the stagedoor with his BEAUTIFUL family and/or friends), although i really REALLY wanted to see lillias white in the role just to see what flavors she would inject to hermes as a woman, mainly in her relationships w persephone and orpheus. but it was fun to have a young hermes bc most of the hermes that i’ve seen/heard have been like 40+ but armwood brought a youthful buoyancy to the role that contrasted with the aged hades+persephone but still seemed older and wiser and ageless next to sayo oni’s childlike orpheus

the fates were much more vindictive and close to villainous in this version. on tour they were a more neutral force

the tour didnt have the elevator in the middle of the turntable, instead there was a door that opened up to the back of the set with red lights that looked like the front of a train. (this was very cool and in some ways i liked it better bc the bway version just had the drum kit there instead). obv the elevator as the route to hell is unmatched when orpheus turns around at the end but my ideal production has both the train lights door AND the elevator for maximum effect so hades et al can exit/enter via the train or the immediate descent underground as the situation requires