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newsnigeria · 6 years

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A Lecture on Oshun and Gelefun: Ara Obinrin Gelefun includes; Oshun, Yemoja and Oya

Agbo ato. I am reposting a lecture I gave on Iyaami while I re set my brain to continue the conversation on the deliberate suppression of ocult wisdom

A Lecture on Oshun and Gelefun by Awo Fa’lokun Fatunmbi Ara Obinrin Gelefun includes; Oshun, Yemoja and Oya

I’m going to discuss the relationship between these three Ifa Goddess Spirits. Let’s start with a breakdown of the words. “Ara” is “body,” “Obinrin” is “Female,” “Gelefun” is made up of three parts. “Gele” is an elision of “Ge” and “Ile.” “Ile” is “earth,” “fun” is from “funfun” meaning “white” and “ge” means “to sit.” The common meaning of Obinrin would be “daughters.” So we have daughters who sit on white earth. In better English we could say daughters who bring whiteness or purity to the earth.

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White is not an ethnic reference. In Yoruba there are only three words for colors, black which is “dudu” red which is “pon” and white which is “funfun.” All colors fall within one of these three general categories, and all colors are described by Ifa as carriers of a particular type of ashe or spiritual power. Any time you refer to white in religious symbolism you are speaking about things that bring coolness like water, air and calm emotions. White is a symbolic reference to natural elements in the environment.

The most widely worshiped female Orisa in Nigeria come under the general heading of Ara Obinrin Gelefun, the daughters who sit on the earth and bring coolness. When I speak of male and female in terms of Orisa as Forces in Nature, I’m not talking about human men and women. Male and female in the metaphysical and cosmological context refers to the yin/ yang polarity between the Forces of expansion and the Forces of contraction. Everybody has both. If you don’t grasp this, some of the language of Ifa can sound sexist. If you really look at what is being said, I do not believe that it represents a sexist point of view. That is the idea that one gender is better than another gender.

When I talk about female Orisa in their most primal manifestation, I am speaking of primal Forces of contraction. The idea of contraction does have implications within the social framework of Yoruba culture and we’ll get to that. But I want to start with the metaphysical basis. The center point of Creation is called Oyigiyigi in Ifa. Oyigiyigi means “The Eternal Stone,” which is the Source of Matter in the Universe. In the Ifa Creation Myth all the matter of the Universe is contained within this stone. Science says the same thing. Oyigiyigi represents the ultimate point of contraction. It is pure female energy. There is no force for contraction in a stone that is infinitely small, and infinitely dense. Oyigiyigi is the complete crystallization of female power or female ashe. Oyigiyigi is pure womb, pure female essence. There is no manifestation of the power of expansion in Oyigiyigi prior to the moment of Creation. There is no value judgment on this statement. It is a description of the history of the development of the Universe.

Before there was time and space everything was condensed. There was no power of expansion, there was no light, there was no time and there was no space. The idea that there was no light does not mean that Oyigiyigi was evil. It is simply a state of being. In Ifa we say that Oyigiyigi became manifest through the ashe of Olodumare. Here we have another female concept. “Olodumare” means “Owner of the Womb of the Rainbow. ” No personal pronouns in Yoruba are gender specific. All the anthropologists translates the word by saying Olodumare He… I have never seen it written in English, Olodumare She… But when you are speaking of the owner of the womb of the Rainbow this seems to have a female connotation.

We know that the rock split apart. Science calls this the Big Bang. Ifa calls this splitting apart the separation of the calabash of Creation. The first split was called the Creation of Igbamole. The word “Igbamole” means “The Calabash of the house of light.” It is a two sided calabash. At this point in Creation half the Universe is light and half the Universe is dark. The light portion of the calabash is the realm of Obatala which means “The King of the Spirit of White Cloth.” Again white cloth is a symbolic reference to light. The bottom portion is the realm of Oduduwa. In some regions of Nigeria, Oduduwa is the female aspect of Obatala. In some areas the female aspect is called Yemo.

Oduduwa can be translated one of two ways. We can say either the Odu or womb of black character or the owner of black character depending on how it is broken down. “Yemo” means simply “Spirit of my mother.” Again there is no pejorative reference in the use of the word black. In the Yoruba language, black suggests that something is invisible. It is the absence of light, the power of contraction. So either way that you translate Oduduwa you are symbolically representing the idea of contraction. Ifa recognizes the fundamental polarity of yin and yang or light and dark. This polarity came into Being with the splitting of Oyigiyigi into Igbamole. There was a big explosion and light went in every direction.

Physics tells us that at the moment of the Big Bang there was nothing but light and nothing but the power of expansion. In religious language this means that the feminine principle disappeared. In the early history of Creation, we have pure female energy one moment and pure male energy the next moment. The existence of nothing but light in the Universe lasted for about one trillionth of a second. The big problem of astrophysics is the question of why the light from the big bang didn’t just flatten out into a single beam of light. That would be the logical consequence of an explosion from a center point. This may not be real obvious, but to the world of Western science it is a serious enigma.

In simple terms it is the fundamental question: Why is there something instead of nothing? Light from the big bang created photons which are sub atomic particles. Photons are the building blocks of atoms, but in the first fraction of a second of Creation there were no atoms. We’ve got this big cloud of light particles which would be yang energy or expansive male energy. After you ask the question why is there something instead of nothing, you are faced with the question how do we get from pure light to life on earth?

To make a very complicated story a very short story, photons begin attracting each other in polarities of opposites based on the attraction of plus and minus electromagnetic charges. It’s the same idea as the attraction of the opposite ends of a magnet. This process begins to form atoms. The basic structure of atoms is a power of contraction at the center in polarity with a power of expansion at the perimeter. An atom is an energy packet of gradations of expansive and contractive energy. Atoms link together to form elements. There is a power of attraction in the universe that causes opposites to come together. This power of attraction generates something that was not there before. This is a fundamental law in Nature. From the metaphysical point of view, we call that attraction of opposites, or the tendency for polar energies to come together, we call that the allure of erotic. The pre – human universe has an erotic component according to Ifa. The way that this is expressed is the Irunmole, which means “hairs on the house of light,” or “the house of light that formed the earth,” made the journey from Heaven to Earth.

The story says that 201 Irunmole made this journey from Oyigiyigi to planet Earth. The Irunmole were accompanied by one daughter of the Gelefun. If we look at that we could say “oh wow, that’s kind of unbalanced and sexist.” The point is this, 201 is a symbolic number for infinity. It is describing that time in the history of the universe when there was a lot of light and no form, no atoms and no matter. At that point in time, we had mostly expansive energy. We also have one female principle that we call the allure of the erotic and can anybody guess which Orisha brought the allure of the erotic from Heaven to Earth with 201 male escorts?

Answer: Oshun.

Fa’lokun: Good guess. Least you think that I’m tripping and making all this up, does anybody know Oshun’s star?

Answer: Venus.

Fa’lokun: Venus. The Yoruba word for Venus is “Irawoaguala.” “Irawo” means “star” in Yoruba. ” Aguala” means “Anchoring light to the earth.” Amazing. The Yoruba language is metaphysically rich. Wouldn’t it be wonderful if English was as illuminating. “Ala” is “white cloth.” or “white light,” “agu” means “anchoring to the earth.” It is what you say when you tie a rope from the dock to a boat. We have the idea that the allure of the erotic creates form in the universe. Are you with that as an idea? Let me give some examples. Babies are the most obvious. If you go further back, fire and water creates oxygen. Stars implode and generate complex elements. Everything here is made from star dust. We are not stardust because opposites have come together to make something of substance. We call this process Oshun.

Oshun is the archetype of the lover, the allure of the erotic. The Love Goddess is the common anthropomorphic manifestation of Oshun. With all the light at the beginning of the big bang, we have a coupling of the allure of the erotic with a cooling process. The Universe is not as hot today as it was in the first fraction of a second of Creation. In Yoruba we call this process ori tutu. Ori is “consciousness,” Ifa teaches that everything in the universe has consciousness. Tutu is “cool.” As the Universe itself cools, the universe becomes ori tutu.

Getting back to Gelefun, sitting on the earth bringing whiteness means the process of cooling creates matter in the universe. The allure of the erotic coupled with the cooling process is the way in which Nature creates matter. It is that simple. Once matter is created, what do we do with it? Oshun is the power of the erotic that causes opposites to unite. What happens when opposites unite? If you mix water with water you get more water. If you mix water with fire you get steam. Steam is something different. That is called giving birth. Fire and water mate to create steam.

The next phenomena in the function of the daughters of the Gelefun is nurturing. The Orisa of nurturing is Yemoja. This is an elision of “yeye,” the familiar form of “Mother,” “mo” is “my,” and “oja” is “Fish.” “Mother of my fish,” with fish representing the principle of fecundity. The relationship between Oshun and Yemoja is the relationship between the impulse to procreate and the impulse to nurture that which is created. This is a fundamental law in Nature that transcends human relationships. The Earth itself is trying to nurture itself. That is why there are compensating factors on the earth that are trying to close the hole in the Ozone layer. Every time you cut down a tree in South America, the rainforest in Africa kicks out more oxygen automatically. This is the nurturing principle of Nature itself. The consequence of this is that the soil in Africa becomes depilated and you have large areas of draught and famine.

What we have at this point is lover and mother. That puts it in the human realm. Can anyone guess where Oya fits in the mix? Whenever you give birth to something, nothing remains the same. One hundred years ago there were five million Yoruba living in Africa. Now there are twenty million living in the same space. This creates a shift in the environment. What worked in terms of living off the land one hundred years ago, does not work as well anymore because you have fifteen million more people to support. Oya is the idea that nothing remains stagnant in the universe. With Oya we have the idea of change. With Oya we have the idea of the wind, and the whirlwind in particular, and the wind that creates thunder and lightning. In Ifa, Lightning represents Divine Justice, but thunder is the force that generates Justice.

Question: Would you repeat that?

Fa’lokun: Lightning is the Ifa symbol for Divine Justice and it is pure male energy. Lighting is expansive and it is light. The light is generated by wind. Wind is caused by the contraction of air. The male expression of lightning is created by the female contraction of air. We could say that the juice behind Sango’s sword is Oya’s hot air, both cosmically and socially. We have Oya as the warrior. Now this is an interesting paradox. There is very little folklore in this country about Oya in her role as warrior. One of the enigmas of Oya is that she always fights with a dull sword, and in some stories with a wooden sword. If we go back to our original idea of Gelefun – sitting on earth with whiteness – we could also say sitting in the house, sitting on the land, its all the same idea. The feminine principle of the warrior is associated with bringing coolness to the earth. This is a big clue on understanding the Ifa concept of Justice.

Question: Will you say that again?

Fa’lokun: The female warrior incarnates the idea of Justice through coolness as opposed to the Ogun idea of big fish eat little fish. These are different ideas. Big fish in nature are effective hunters, that is a way to do things. I would call this the masculine principle of justice. The feminine principle of justice involves fighting with a sword that has no edge. In other words, finding a non-violent solution. This is a feminine principle that could be expressed by either a man or a woman.

We have lovers, mothers and warriors as daughters of the Gelefun. We’ve talked about this as metaphysical principles that do not necessarily have anything to do with the gender of people. These are principles that describe the way the universe was created. We have discussed the idea that Odu manifest at different levels of Being. In other words the Orisha manifest in different forms at different levels of Being. We have been speaking about the Orisha as they existed before there was life on earth. To show you the power of Oshun and the power of the erotic, I brought in a newspaper. There is a story in it about the Hubble telescope. The story says that scientists used to believe that the earth was the only place in the universe that supported life. I have always considered this a notoriously egocentric idea. The Hubble telescope is now sending back pictures that tell us that there are at least one billion planets capable of supporting life in our galaxy alone. There are billions of galaxies that can be seen from the earth and who knows now many that can’t be seen. We have the idea that these principles have shown up in at least a billion different places in the Milky way alone. This means that Oshun has been spreading her honey far and wide.

This brings us to the historical and social manifestation of these principles. I want to talk about the African idea of the extended family. I want to talk a little bit about the history of some of the changes in that idea. I want to say that some of the ideas that I want to talk about might sound sexist. So let me just go through it so we can see the historical perspective and see where it brings us today.

The extended family in Africa is organized around the veneration of male and female Orisa. On the female side you have the society of mothers or Iyami. They are the council of elder women in the village. In what Yoruba call the old days, the village and the family were considered one and the same. This council of women is made up of female initiates of Oshun, Yemoja and Oya. Usually Oshun is the chief. Without going into a lot of details, the female council of elders worship the spirit of air which is a masculine expansive force. The messenger of the Spirit of air is the bird. The women worship a male force in Nature while the women themselves are initiated into female societies. The male council of elders are made up of initiates into the male mysteries of Obatala, Ogun and Sango. They worship Mother Earth. This council is called Ogboni which means wisdom of the earth. Ogboni is the worship of all the Irunmole as they are linked together through the womb of the Earth Goddess.

The center point that creates balance between these two councils is the Oba. This is a male patriarchy in terms of the passing of the seat of power. So we can ask the question how can there be a balance of power if we are giving the men the responsibility of being Oba? What are the things we fear in patriarchy? Egotism, nepotism and abuse of power. That’s the negative consequence of the abuse of male power. Originally when they installed an Oba, it was for a seven year term of office. At the end of the seven years Oshun sent the Oba into the realm of the ancestors. He went with his head separated from his shoulders, loving every minute of it. He was going to the land of the ancestors as a messenger to report on how things were doing on earth.

This is absolutely the same paradigm as what happened with the Druids in England, the basis for the Tarot deck, the movie “The Wicker Man.” The pre-Christian monarchies in Europe had the same paradigm. Is this a coincidence or were they in touch with the political ideas of Africa? Who knows. But in the old, olden days the negative effects of male patriarchy were kept in balance by the female council in a very direct manner.

Ifa scripture says that at some point historically the women abused this position. The men revolted and said it was time to make a change. This shift is clearly documented in Ifa scripture. In the days when the Oshun initiates sacrificed the Oba, the women where the owners of the mystery of Egungun. When men took over Egungun they put a stop to the seven-year cycle of replacing the Oba.

Question: Is the Oba like a king?

Fa’lokun: He is a king. There are only twenty one Oba in Yorubaland. They rule regions about the size of a state. Technically an Oba would be like a prince using European language and the Oni of Ile Ife would be the king. Actually there is a dual monarchy, so the Oni of Ile lfe and the Alaafin of Oyo would be the kings of the Yoruba Nation. The Oni of Ile Ife would be the chief spiritual elder and the Alaafin would be the national chief of Ogboni.

The women still put the crown on the Oba’s head and he cannot sit as Oba unless he is wearing his crown. If he messed up real bad, either the male or female council of elders could tell the Oba to commit suicide. Looking at this arrangement historically, we have a balance of power, followed by a period of excessive female power, followed by a period of excessive male power. But throughout this we have the effort of Ifa and both councils of elders to find some formula for creating and sustaining the idea of balance. This suggests that Ifa as a personal religion of transformation and as a model of social organization is a system in process.

The point here is that we are trying to create permanent, eternal political and social structures in the midst of evolving historical circumstances. So we have these flip flops. The last flip flop lasted a long, long time until a very specific external influence pulled the pin out of the whole system. Do you know what that was?

Answer: Colonialism.

Fa’lokun: Colonialism and Christian missionaries both looked at the world view of Ifa and said, “You can do everything you want except ask the Oba to commit suicide. We’re making that against the law.” Then they went to the Oba and said, “You can be the chief trader if you convert to Christianity.” This is really insidious because it was so calculated. The first Oba to convert to Christianity was in 1532. Then we have the consequence of this, which was obviously and tragically slavery. After some time, we have two significant religious reactions to slavery. In the west we had Quakers who were historically the first Western religion to actively protest against the idea of slavery.

What was the reaction against slavery in Ifa, does anybody know? It is called Gelede. Gelede is the most recent addition to Ifa ritual practice. It developed in the 18th century. I believe that it developed as a reaction to slavery. The mothers were not happy. The mothers said, “This is not happening, we want an end to slavery.” What does Gelede mean? It means; “Sitting on the earth, standing up.” So whatever it was that was sitting on the earth to bring coolness, stood up and said “wrong – not.”

Gelede is also a synonym for giving birth. We have the idea that the female elders in the community defined the parameters of acceptable behavior within the culture. It is Oshun with the allure of the erotic, Yemoja with the nurturing of life and Oya as the inspiration for Justice that create the vision of family. The purpose of the extended family is to support the vision that comes with the lure of the erotic and to nurture the children of the family. In Ifa, we believe that reincarnation occurs through the family, so if your lineage dies, the family both in Heaven and on Earth comes to an end. If your family lineage ends with you, you can’t come back to earth through the process of reincarnation. Coming back is considered a good thing. So the mothers as the holders of reproductive power, define socially acceptable behavior within the extended family in such a way that it supports their divine mandate to conceive, nurture, support and transform children. This is very clear just from the literal meaning of the Yoruba words used to describe and define the family.

Lets look at the idea of extended family within the political structure. We’ve discussed the Creation of the Universe, the Creation of the Earth, the Creation of the political structure and Creation of the family. This leads us to the current historical issues for 1994 living in Oakland. So I’m going to tell you a secret. All of us who have been initiated have what is called an Ita. This is divination that tells us what we are supposed to do as elders in the community. My Ita says that Oshun and Ifa must be treated equally. If you go to an Ifa shrine in Africa, you will see Ifa on the right side and Oshun or whatever female Orisa there on the left side. Now, if anybody has ever been in my shrine, they will see Ifa on the left side and Oshun on the right. This is a symbol of the never-ending relationship between expansion and contraction, opposites emerging from each other, the balance of yin and yang. Placing the female spirit on the male side and the male spirit on the female side is a symbolic representation of this balance.

Question: Why did you change yours around?

Fa’lokun: Because I was told to by the Orisa themselves. The Orisa were trying to tell me something. This was not an arbitrary decision. I am not trying to be politically correct. We have the political structure of Yoruba culture represented on a smaller scale in the extended family. Let’s take the issue of polygamy first. That’s always a hot issue. In Yoruba culture there is a very strict division of labor. We don’t have that in Western American culture. This means that we cannot use Yoruba culture as a literal model. What we can do is figure out the logic behind the Yoruba model and see if we can apply that logic to our circumstances. In Yorubaland it is absolutely taboo for women to farm and generally taboo for men to sell food at the market. The men plant the seeds and pull the weeds, the women process the harvest and sell the surplus.

The heart of this system is to insure that everyone is connected to a farm. If every extended family is associated with at least one farm, everybody gets to work and everybody gets to eat. One of the customs used to sustain this connection is polygamy. In Nigeria there are more women than men. Here in the west, polygamy seems to mean having as many women friends as you can as long as your wife doesn’t find out. In Yoruba culture there are primary relationships. What we might call love relationships. There are also arranged marriages that link single women to the system of farming. One of the tasks of Ifa is to make these arrangements and to do it in a way that is not abusive. The husband will only accept as many arranged marriages as he can support through farming. The balance of power in the arrangement is in the hands of the senior wife who is in charge of the distribution of resources within the extended family.

Not everyone is polygamous, because not everyone is able to accept this level of responsibility. In Nigeria the big spiritual crisis within the traditional communities is shifting the belief that every woman must have four children. This is a deeply held belief within the culture. I say that it is a crisis not because I am making some kind of judgment as an outsider, but because Yoruba women themselves are beginning to raise the question. The outdoor market places are beginning to have stalls that distribute birth control information. If you were to ask me what the solution is, I don’t have a clue. I am absolutely confident that they will solve the problem without my opinion.

The issue for us is the question of how do we establish functional families in Oakland now? The question I am asking is the question of whether or not there is anything in the Yoruba model of the functional family that can be used as a source of inspiration for creating healthy families in this culture? What are the checks and balances we need to establish in order to maintain a balance of power and purpose within the community? Go back to Malidoma Some’s definition of community. He defines community as three or more people who get together for a purpose. In Ifa, communities get together for the purpose of supporting and sustaining spiritual growth. We have an eternal structure that has existed for hundreds of thousands of years that we call family.

This structure has remained intact for countless generations while we watch new faces fill the position of grandmother and grandfather. The roles of grandmother and grandfather carry both respect and responsibility. Both respect and responsibility are seriously lacking in most Western families. The good people of Ode Remo would never do anything to disrespect grandmother and grandfather. It is unthinkable. The reason that this respect exists is because grandmother and grandfather serve a function that is recognized as having value.

This leads to the question, “What is the value of grandparents, what is their function? Their function is to guide the younger generations through the rites of passage that occur during different age periods in the growth cycle of all humans who live on earth. Grandmother and Grandfather know how to do this because they were trained by their grandmothers and grandfathers. This training is called initiation into the mysteries of Orisa.

The function of the extended family in Ifa is to provide a nurturing environment for procreation and to guide the individual members of the family through the natural cycle of growth and maturity. These cycles revolve around certain key milestones in human life. The first is birth, the next one is puberty, the next one is forming a lasting relationship, the next one is becoming an elder and the last one is becoming an ancestor. The entire family receives training on now to function during each of these stages of life and this information is passed on from generation to generation in the form of proverbs, folklore, sacred history, sacred drama, personal and communal ritual. We either pass through these stages arbitrarily with little or no training, as occurs in this country, or it happens efficiently with support.

The methodology for making these transitions occur efficiently and with support is called ritual and initiation. This ties it back to our original definition of Gelefun, sitting on the earth bringing white. The term white refers to mystic vision. The purpose of all rites of passage and all initiations is to center consciousness in a place where you feel good about yourself. When you are able to feel good about yourself, you are able to look beyond yourself to the source of consciousness and the source of consciousness is in light itself. When you feel good about yourself, you know that you are a good and blessed person, you feel connected with everything in the universe and that is called a mystical experience. Being guided towards mystical experience is the point of initiation and rites of passage.

So where do we get our understanding of mystical experience? Mystical experience is a feminine phenomenon. Mystical experience comes through placing all the elements of consciousness into perfect alignment. This is always symbolized as moving through the veil of the Goddess. In nature there are two common events that cause mystic vision without the help of human ritual intervention. These experiences are giving birth and orgasm. These two events are the paradigm for all rites of passage and initiation. By orgasm I do not mean ejaculation, I mean lights change color, knock your socks off, lose consciousness bliss orgasm. This is way beyond g-spot. In my opinion, Ifa initiation is man’s attempt to recreate the birthing experience. Many people do not agree with me on this point, but there is no doubt about it in my mind.

#Osun #Oya #yemoja

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rudipretorius · 3 years

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licdakarlacorderorojas · 4 years

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BLOG PERSONAL: Productos Nuevos de Maquillaje, Skin Care y Accesorios

Por: Karla Cordero | Periodista / Edición: Carlos Vásquez | Periodista / Edición Fotográfica: Catalina Omacell y Alexánder Porras (Fotógrafos)

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Catalogo: Oriflame

Incluye: Tres cremas presentación de 30ml

Las cremas de esta línea de Oriflame son extremadamente ligeras; son base agua; por lo que las manos no quedan aceitosas, ideales para andar en el bolso e hidratar la piel después del uso de alcohol y jabones por el lavado frecuente. Sus aromas a Lila, Jazmin y Peonia son ligeros y deliciosos.

Crema de Manos y Corporal (Love Nature – ICE POPS) - Oriflame

Costo: 3.250 colones (Edición Limitada)

Catalogo: Oriflame

El aroma a sandía y limón es refrescante y muy rico; son de base agua por lo cual no queda sensación grasosa después de la aplicación. Ideal para la hidratación de la piel.

Crema para Pies (Feet Up – ICE POPS) – Oriflame

Costo: 3.250 colones (Edición Limitada)

Catalogo: Oriflame

El aroma de la crema a Menta y Manzana Verde; llena las fosas nasales. Ayuda con el cansancio de los pies después de un día en que se ha estado de pie por mucho tiempo. Ideal para la humectación de la piel de los pies después de la exfoliación.

Crema de Manos (GOLDEN EDITION) - Oriflame

Costo: 1.990 colones

Catalogo: Oriflame

Es una de las cremas más humectantes que he probado. Se ve un notable cambio en la piel de las manos; es hidratante y permite que los tejidos de las manos se regeneren después de los efectos que tienen el alcohol, jabón y el medio en las manos.

Loción Facial alta Hidratación efecto Oxigenador (Essential) – L´Bel

Costo: 10.300 colones

Catalogo: L´Bel

Voy a sonar reiterativa; pero me encanta que los productos L´Bel traigan protección solar; ya que esta crema en particular es de uso diario; te maquilles o no. recuerde que el secreto de un buen maquillaje, es que la piel se encuentre sana e hidratada.

Gel corrector de imperfecciones (Skin Pure) - Oriflame

Costo: 2.990 colones (Precio Promocional)

Catalogo: Oriflame

Es de mis favoritos, especialmente para aplicar en espinillas y granitos. Está compuesto de Ácido Salicílico y extracto de guayaba; dos activos que ayudan a secar y rellenar las imperfecciones; ayudando a regenerar el tejido y mantener la elasticidad de la piel. Se utiliza en las zonas afectadas y puede emplearse antes del maquillaje.

Gel de Ducha (Love Nature – ICE POPS) – Oriflame

Costo: 4.250 colones (Edición Limitada)

Catalogo: Oriflame

Huele, que te mueres, a piña y maracuyá. Es de los mejores geles de ducha que he probado; principalmente si ya sabes que eres alérgico o que tienes piel sensible.

Gel de Ducha (Discover) – Oriflame

Costo: 3.250 colones (Precio Promocional)

Catalogo: Oriflame

Y como yo soy bastante reiterativa; debo catalogarlo entre los mejores geles de ducha que he probado; principalmente si eres alérgico o tienes piel sensible.

Cepillo para Ducha

Costo: 1.100 colones

Adquiridas en: La Pana Store

Es una delicia con la piel, no la maltrata pero si la limpia de manera adecuada; evitando la acumulación de impurezas y grasas.

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Espero que me compartan los productos que compran, sus recomendaciones y si quieren saber más de está servidora; me pueden seguir en Instagram como corderokarla_

¡Nos leemos en el próximo blog!

#Nuevo #SkinCare #Accesorios #Maquillaje #BlogPersonal

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jimivaey · 7 years

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How To Tie Infinity Pleat Round Gele Like A Pro(Video)

Gele has been in African culture and traditions for centuries it gives any outfit a popping effect, it commands elegance to the next level of fashion. A gele should not be mistaken for turban, it’s an accessory worn with a traditional Nigerian outfit. It is usually worn by females with a traditional attire, for special occasions like weddings, naming ceremonies, burials, church service, and…

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#How To Tie Infinity Pleat Round Gele Like A Pro(Video)

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cento40battute · 6 years

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La Chrono Beauty di Kanebo

Kanebo, da impianto di filatura del cotone, è diventato uno dei beauty brand più importanti del Giappone, grazie alla sua filosofia ispirata ai ritmi della vita

La storia di Kanebo inizia 132 anni fa. Nel 1887 Kanebo era un impianto di filatura del cotone situato a Tokio: non a caso, il nome significa proprio filatura. Vent’anni più tardi, alla lavorazione del cotone si aggiunse quella della seta. Poi, nel 1936, arrivò la svolta: Kanebo presentò il suo primo prodotto cosmetico.

Da allora, il settore Ricerca & Sviluppo non ha mani smesso di espandersi, di studiare i ritmi della pelle, di indagare gli attivi botanici, fino a consacrare Kanebo come uno dei maggiori produttori cosmetici del Giappone.

Cos’è la Chrono Beauty?

Fai della vita un capolavoro: è questo il motto di Kanebo, che ispira i suoi prodotti al concetto di Chrono Beauty. Il ritmo della bellezza infatti cambia al cambiare della vita

Così, Kanebo Chrono Beauty si focalizza sui quattro ritmi che scandiscono la nostra vita: il Ritmo Giorno/Notte, quello Mensile, quello Annuale e quello della Vita.

La consapevolezza di questi ritmi ci permette di scegliere il trattamento ottimale in base al momento in cui ci troviamo, ma anche di progettare il nostro stile di vita per migliorare le nostre giornate.

Kanebo ha progettato i sui trattamenti in modo da assecondare questi ritmi, e lo ha fatto partendo da ingredienti botanici naturali, formulati con le più moderne tecnologie ma con un occhio sempre volto verso la lunga storia del brand.

Alle sue formule efficaci, Kanebo ha associato fragranze ispirate alla teatopia: i fiori da tè cinesi e giapponesi sono diventati i protagonisti di bouquet piacevoli e dalle incredibili proprietà.

Il Ritmo Giorno/Notte: idratazione e tonicità

Il primo ciclo che andremo a esplorare è quello che più di tutti scandisce la nostra vita: l’alternarsi di giorno e notte. Applicare il trattamento giusto per il giorno e per la notte è indispensabile per mantenere la pelle tonica: di giorno, il viso va protetto e idratato; di notte, va nutrito e rigenerato.

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Per la sua linea dedicata al Ritmo Giorno/Notte, Kanebo ha progettato una formula con un’elevata affinità con la pelle, che la idrata e la rinfresca, infondendo il profumo perfetto per ogni momento della giornata.

I prodotti giorno infatti sono caratterizzati dalle note energizzanti di Morning Garden, mentre quelli notte dalla fragranza calmante di Night Velvet

Notte e giorno sono caratterizzati anche da gestualità diverse: di mattina, massaggiare il viso picchiettando aiuterà il risveglio, mentre di sera un massaggio con le mani davanti al viso vi rilasserà e vi preparerà al sonno.

La collezione giorno e notte Kanebo comprende prodotti basic per la vostra beauty routine: gli struccanti detergenti e i Wash (sia in polvere che in crema) per lavare il viso, il tonico, le lozioni idratanti e le emulsioni riequilibranti, e il siero occhi.

Poi c’è Kanebo First Serum, uno dei prodotti star della collezione: utilizzatelo subito dopo la detersione per illuminare e idratare la pelle. Poi, applicate il secondo prodotto star: la Kanebo Fresh Day Cream, che risveglia l’idratazione e la compattezza della pelle grazie al suo cocktail botanico specifico per il mattino. Infine, di sera, sostituite la Day Cream con Kanebo Night Lipid Wear, che sfrutta il riposo notturno per idratare e ricompattare la pelle.

Il Ritmo Mensile: il giusto equilibrio

Parliamo adesso del Ritmo Mensile della pelle. Avete mai notato che il vostro viso un giorno sembra luminoso e vitale, e il giorno dopo può apparire spento e stanco? Questo alternarsi di condizioni dipende dal ciclo ormonale femminile, che va ad intaccare l’equilibrio della pelle.

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Per mantenere questo equilibrio anche nei giorni più difficili, Kanebo ha creato una collezione di prodotti ad hoc. Kanebo Bloom On Serum ad esempio è un siero leggerissimo che leviga e idrata la pelle.

Kanebo Skin Gloss Water invece la irradia di luminosità, donandole un aspetto sano. Kanebo Smoothing Serum leviga la pelle del viso, rendendola liscia e uniforme. Kanebo Relaxing Brume infine è un must da vaporizzare in qualunque momento per rinfrescare e rilassare la pelle. Le fragranze associate ai prodotti Kanebo dedicati al Ritmo Mensile sono femminili e rilassanti.

Il Ritmo Annuale: protezione contro gli agenti esterni

C’è poi il Ritmo Annuale, quello scandito da stagioni, variazioni di temperatura, raggi UV, vento, umidità, smog. L’obiettivo di Kanebo in questo caso è quello di mantenere le condizioni della pelle ottimali in qualsiasi stagione, proteggendola dagli agenti esterni.

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Per questo ha creato la Frosty Gelee Lotion, un gel rinfrescante e lenitivo da utilizzare nei periodi più caldi e caratterizzato da una fragranza fresca, e AW Massage Cream, ideale per massaggiare e ricaricare la pelle durante le stagioni fredde, dal bouquet morbido.

Il Ritmo della Vita: bellezza a ogni età

Ultimo ma non meno importante, il Ritmo della Vita è quello più caratteristico dello scorrere del tempo: è l’avanzare dell’età. Noi donne però siamo belle sempre: abbiamo solo bisogno di una mano per esaltare questa nostra naturale bellezza.

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Kanebo ha creato quattro specialità anti–age che ci aiutano a combattere l’invecchiamento cutaneo stimolando la rigenerazione della pelle. La Graceful Flow Lotion aumenta idratazione ed elasticità; Lift Serum tonifica con la sua azione lifting; Fulfilling Emulsion dona compattezza e densità; Skin-Tightening Cream, infine, è una crema notte che nutre e ridensifica la pelle.

Il look: un packaging elegante ispirato allo scorrere del tempo

Tutti i prodotti Kanebo Chrono Beauty sono contraddistinti da una scanalatura che attraversa il flacone, su cui scorre una goccia, simbolo dello scorrere del tempo.

Questa goccia si colora di Beige per le specialità dedicate al Ritmo Giorno/Notte, di Rosa per il Ritmo Mensile, d’Argento per il Ritmo Annuale e di Lavanda per il Ritmo della Vita.

Federica Miri

Social Fb www.kanebo-global.com

Kanebo. Una pelle sempre più bella La Chrono Beauty di Kanebo Kanebo, da impianto di filatura del cotone, è diventato uno dei beauty brand più importanti del Giappone, grazie alla sua filosofia ispirata ai ritmi della vita…

#Chrono Beauty #Kanebo

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