#inner varnika

[lauraowsianka]

ghost meeting 

[lilliansucks]

life update please lillian!

working as a production assistant and editor for crybaby.

depop going strong

v in love and happily living with joey in our beautiful house

playing netball on monday nights

lots of amazing new and old friends in my life right now, so feeling very loved and busy

running 5 days a week

going to inner varnika in april

going to europe in july

[katemolenkamp]

Inner Varnika. Bookaar VIC (2019)

2018

2017

[muzikaralar]

Trushmix 95- Wael-X by TRUSHMIX http://bit.ly/2vXXuQh One of Melbourne's finest gives us a rare treat in this edition of Trushmix number 95. Wael-X part of the Inner Varnika crew and underground promoter and DJ has put together a massive percussive deep vibe mix. Spanning from exotic Lebanese and Arabic drum work outs to Hip-Hop, 80's sounds, house and deep to ravey Techno. This mix has the surprises, the sound and the vibe. Buckle up for a one hour and thirty minutes of deep direct outernational sounds from Wael-X. Enjoy!

[shyniv]

AIN’T NO CINDERELLA CAMPAIGN

That was a quiet alone highway and there is a Scooty passes by…. All of the sudden there is a

woman screaming sound… Don’t you hear or see such an articles in any media? Did you felt

each and every second in somewhere, some girl is getting abused? So, this is the case and is

completely destroy by a single powerful weapon named “Women Empowerment”

I strongly believe the women is a multi-tasker due to her inner confidence to raise the kid, to

take responsibilities of senior citizens and also the career what she dreamt. The women is

given importance throughout the universe because the women empowerment helps in

boosting the status of women through literacy, education, training and awareness creation.

In prior the women if they are not treated equally, they feel it inside and left behind. But

recent days the internet is playing an important role for any cause that against the female

inequality. For such instance, you all should be aware of # ME TOO and it went quite viral in

social media that is due to the women of course, got abused and yet they felt it ashamed to

express in public but this project brought all the ashamed for played in every single women

life.

Like the same as Me Too campaign there is another campaign after a victim Varnika Kundu

and it becomes viral of stalking behind women as portrayal of feminine body shape. It is said

to be #aintnocinderella.

For a insolence or sedition to occur, the norm or rule has to be firmly in place to necessitate

the deviance, and “Cinderella” being one of the foundational myths fed to little girls at an

impressionable age, forms just such an edict in our male-controlled society.

The values that it tracks on young minds are that a girl needs to suffer and sacrifice, be

acquiescent and compatible in order to be “rewarded” in life. The rewards too are already

decided for her and her reluctance to discord, be it against an oppressive Step-mother or her

pre-determined fate, is seen as a virtue. The Cinderella syndrome is peppered over most of

our cultural texts, especially conventional cinema and chick-lit. Accordingly, it is promising

to see that the girls who are taught to aspire to be Cinderellas’ now proudly criticize and

reject this idea, as is being seen in the #AintNoCinderella tweets.

This campaign comes in the wake of a concerted effort by feminists and activists who have

been voicing their protests against the complete violence and tyranny of women, often taking

to the streets and social media to conspicuous their protests.

Although it has developed common place for people in power to point fingers at women

rather than the offenders, the times must indeed be changing for Bhatti to have been accused

that pierce the heart of masculine dominant will erase out as magic. It is an obligation of each

by his own party members, like Kirron Kher. With the #Aint No Cinderella movement, it is

no longer a matter of individual opinions, but a thread of communality emerging in the shared

voices of protest of women across the country. The women who are not afraid of speaking up,

who will not be brow-beaten and shackled with the threat of violence always looming over

their heads, of women who will not be scared away to their homes by midnight.

The communality voice should create a strong feeling on women with respect so that, the lust

girl to make this enchantment through voice. Let’s raise it ‘#Ain’t No Cindrella’.

[thewallpaperzone]

Inner Varnika [2560x1440] shared by acoolrocket via /r/wallpapers https://ift.tt/2JeIZic

[bisluthq]

We also jump into a lot of conclusions at this hour (*cough* inner varnika *cough*) so we should leave more serious matters for another time 💀

We do tbh like I get mean and snarky and follow weird thought patterns 🤷🏻‍♀️🤷🏻‍♀️

[bkitwing]

IT Wing's #Campaign "Inner Peace Through Inner Technology" was #Launched in Delhi-NCR during 15th - 29th February 2020.

47th #Session on topic "Managing Time & Targets" was organized at Bharati Vidyapeeth Institute Of Management & Research (BVIMR) A-4, Paschim Vihar, New Delhi on Fri 28th Feb 2020. #Guests - Mr. Vikas Nath - Director, Mr. Mahesh Kumar Chaubey - HOD of BCA. Sister BK Varnika was the #speaker.

The session has #benefited 25 participants. Participants were very satisfied from the session & #meditation. #bkitwing

[elizabethkoman]

These photos show some inspiration I found for my personal graphic project (all found on Google Images). Some design elements I want to incorporate into it will be bold color combinations (like the Inner Varnika pic) potentially mixed with more newspaper-style black and white imagery (like the Mountains pic). I have always been aesthetically drawn to black/white mixed with bold colors - like the silhouette sand dune pic. I want to find a way to combine my love of art (encompassing architecture, fashion, photography, etc.), my passion for horses, and travel and adventure, as I feel these are the three aspects most important to my personality and interests. In the artwork itself, I will try to organically combine pen-style drawing with realistic imagery, as well as black and white with bold color palettes, as I mentioned.  

[katemolenkamp]

Bookaar, VIC (2019)

[15062352]

went to the zoo with Dan when we came to Melbourne/inner varnika during our breakup / i remember being so scared to be alone / slept the whole festival and cried every day but recovered soon after the trip ‘17 

[dapper--boii]

Throwback to the good times and tan lines #festivalchild 🌈🌄🎉 (at Inner Varnika)

[thewallpaperzone]

Inner Varnika Island (OC) [3840x2160] shared by acoolrocket via /r/wallpapers https://ift.tt/3goBB5o

[bisluthq]

It’s been a month since inner varnika gate 💀

🥲

Which means almost a month since my bestie emigrated because when we had Inner Varnika Gate he had a surgery and I slept over at his ad that’s why I was up super late because I’m a worry wart and I was like “what if he gets sick or whatever” and my real life mood contributed to worrying here but yeah he’s fine and moved to the UK so 🤷🏻‍♀️🤷🏻‍♀️ go us all on here and irl for going through weird shit.

[adayinthelandofnobody]

“Inner Varnika” by Sam Chirnside

(via: fromupnorth.com )

Follow “a day in the land of nobody” on tumblr

Pinterest | Society6 | Redbubble | Teepublic | Twitter | Designspiration | MAB

[gigsoupmusic]

SUI ZHEN shares new single "Matsudo City Life"

New album 'Losing, Linda' due Sept 27th via Cascine. Today, Melbourne experimental electronic / pop and performance artist Sui Zhen unveils her new single, "Matsudo City Life". The track is taken from Zhen's upcoming album Losing, Linda which it set for release Sept 27th via Cascine. Captured in the city of Matsudo, Japan in a repurposed Love Hotel, Zhen explains the creation of new single "Matsudo City Life", "the walls of the Love Hotel - titled 'Paradise Air' - were made of very thick concrete to keep loud noise in, which worked well for us musicians. Each room was uniquely themed. We were assigned one with faded pink and red tones, a love heart shaped bathtub and maroon carpet. Whilst the room we designated as 'the studio' was tiled with cool grey tones, marble and pillared. The city was what locals call a 'sleeper town' or bedroom community, which Salarymen would use only for rest. In some ways it was a city full of their dreams and empty of their reality." https://open.spotify.com/track/2YY1vYmYLwTWNzs2iJhTHz?si=dUDEYMAGTPeo2ONvLxNQYg Sui Zhen zooms in on the intersections between human life and technology - how to exist in the digital age, as well as the ways in which we risk losing true sight of ourselves in the process. Her latest chapter, Losing, Linda, pairs her signature inquisitiveness with a surreal electronic pop that possesses a dreamlike quality: vivid, uncanny, and upon close examination, revealing of deep emotional and personal truths. It's an album that examines loss on multiple levels - from the death of our loved ones, to our widespread societal tendency to disappear within the ones and zeroes of modern life's tech-driven rush. Losing, Linda's creation began back in 2016 when she took up an artistic residency in Sapporo, Japan. Zhen originally came to the residency equipped with demos conceived in the wake of her preceding breakout record, Secretly Susan - but real-life tragedy intervened, as her mother was diagnosed with cancer. In the process, a sense of overall mortality was unmistakably infused into the thematic structure of Losing, Linda.  On Losing, Linda, Sui Zhen takes the theoretical form of Linda, a digital doppelgänger and avatar invoking the e-learning channel Lynda and its founder Lynda Weinman, as well as the humanoid robot BINA48. The character of Linda is personified on the album's cover by choreographer and colleague Megan Payne, whose literal embodiment of Linda interrogates the disembodiment of online life, and calls into question the possibility of death in the digital age.  The album is also accompanied by a digital ecosystem, aiming to create an online world for listeners where they can interact in real time with Linda. "It's somewhere between a ghost, a memory, and a digital assistant" Sui Zhen explains. In other words, a perfect evocation of what Losing, Linda represents thematically and musically: a trip through the real and the uncanny. Losing, Linda is a lovingly personal and humanistic document of our ever-changing world, the things we lose along the way, and the insights we gain from loss itself. You can see the first stage of the digital ecosystem here: https://livingmemory.suizhen.com.au More on Sui Zhen: Melbourne artist Becky Sui Zhen released her debut album, Two Seas, back in 2012. Beguiling and enchanting, the record proved to be an early indication of her fascinating melodic structures and compelling lyrical themes - but it was 2015's Secretly Susan that would be her breakthrough. Drawing on dub, lounge, and bossa nova influences, Secretly Susan presents as a synth-pop simulacrum, exploring digital life's myriad intersections with the real. Sui Zhen's musical journey has included involvement in the Red Bull Music Academy, and spanned collaborations with dance and electronic artists like NO ZU, Retiree and Tornado Wallace (featuring on the producer's standout "Today" from 2017's Lonely Planet). She's also been commissioned for scoring and composition work in the ambient sphere, such as creating a "spatially aware soundtrack" to an exhibition at the Art Gallery of NSW, and providing the live score for Chris Marker's 1983 documentary Sans Soleil. She's recently performed at notable Australian music festivals Dark Mofo, Meredith Festival, and Inner Varnika. This year, Sui Zhen will also feature on a new Møzaika EP, and will contribute a track for an upcoming compilation for Munich's Public Possession label. Losing, Linda track list: 1. Another Life 2. Natural Progression 3. Matsudo City Life (stream) 4. I Could Be There 5. Mountain Song 6. Being A Woman 7. Different Places 8. Perfect Place (video) 9. Night River Rider Read the full article