#it’s just that my hopes of actually enjoying any nuance or originality in a paranormal blumhouse movie are typically low lol no hate though

[juniperhillpatient]

Okayyy I’m about halfway into this movie & I have to say as someone deeply burnt out on modern paranormal movies & especially Blumhouse paranormal movies I’m pleasantly surprised by how much I’m enjoying the way the supernatural element weaves into the story & impacts reality in ways that are interesting. I’m hesitantly intrigued that this movie might even be doing something clever & original

[knifeonmars]

Capsule Reviews, October 2020

A few general thoughts on some comics I have read in the recent past. 

Batman: I, Joker

Though it's sometimes considered one of the classic Batman Elseworlds tales, I'd long resisted reading I, Joker on the grounds that I'm very much not a Joker fan, but after a finally reading it I was thoroughly impressed. The premise sees a man brainwashed and surgically altered to resemble the titular archvillain in a futuristic Gotham so that he can be ritualistically hunted and murdered by "The Bruce" a descendant of the original Batman who controls a cult-like populace. It's a premise which has only gotten better with age, given that we're now 75 years in the age of Batman and the Joker has moved in the years since Ledger's portrayal in The Dark Knight and culminating in the recent Joker film, towards being a counter-culture symbol of angry populism. The presentation of an empty, cruel Batman satisfying a horde of bloodthirsty worshipers is an on-point as a piece of cultural criticism as it's ever been, and while it's not as vicious a parody as something like Marshal Law's City of the Blind, it's still a great skewering of Bat-fandom in general and what the character has become. It's also just a really solid comic: It's 50 pages, so it's tight and exactly as long as it needs to be, sets up and pays off everything elegantly, really well designed and rendered, well paced, and while I was left wanting more I was also satisfied with the story. I, Joker is a wonderful little gem that I think more people should read.

Fantastic Four: Grand Design

I've been a big fan of Scioli since American Barbarian, but I put off reading his Grand Design because I'd heard some unflattering things about Piskor's X-Men: Grand Design and feared similar issues here. I think Scioli's effort does have some of the same problems people have pointed out about Piskor's, but as a noted fan of him, I still mostly ended up liking this book. The nature of the Grand Design books is essentially skewed recaps, so this book is more than a little clipped and distant in the way it surveys the Fantastic Four's history, cutting out a lot of the emotion and nuance of many events in favor of wry humor. 

Scioli offsets this to some extent by emphasizing the troubled relationship between Reed Richards and Sue Storm, choosing to make explicit the troubles which are generally left subtextual. Here Sue actively pines for Namor as she realizes that leaving Reed would mean loosing her whole support network and Franklin Richards is strongly implied to be Namor's son rather than Reed's, the kind of stuff which has never flown in the mainstream comics. 

Those kinds of creative flourishes, the points where Scioli actually gets to write something rather than just recapping, is where the book comes alive, and so I have mixed feelings about the ending. Scioli essentially goes off the rail around the late 70's, abandoning established continuity in favor of his own inventions as he rushes towards the end. The results are refreshing and should feel familiar to followers of Scioli's other work, with Black Panther showing up in a Voltron-mech and Reed Richards becoming a Herald of Galactus, but there's a tangible sense that this is only happening because Scioli's not interested in Fantastic Four continuity past this arbitrary cutoff. To me, that was disappointing, given that I'd hoped to see an all-encompassing attempt to wrangle these character's' histories, and a lot of interesting characters and plots written after the 70's are dismissed to somewhat crotchety effect, and the actual ending is quite perfunctory. After most of the series has slavish recapped individual plot points, once Scioli is on the final pages of the book he skips over years of events and ends things without any sort of catharsis or emotional payoff. 

All in all, Fantastic Four: Grand Design did not end up being my favourite Scioli book by a long shot. It's clipped and dry for most of it's length, and then when it finally gets interesting, it just... stops.

The Marquis of Anoan

A long held subject of curiosity for me, a well-timed sale on Comixology meant that I finally took the plunge on checking out this short Eurocomics series. In it, a young Frenchman journeys around and beyond early 18th century France, having encounters with seemingly paranormal events and confronting them with rationality and science. It's quite enjoyable. It's gorgeous rendered, and though each story is relatively short by North American standards, they're densely written and presented, so they never feel overly short. They're very European in certain respects, like their approach to romance and nudity, but never in a way that struck me as particularly offensive, though that's obviously a matter of personal taste. I was ultimately left disappointed that the series is dead in the water after five books, with a decade having passed since the release of the last one. One of the most amusing threads running through them was the development of the title character's reputation as a magician and exorcist, much to his discomfort. The ending of the third book in particular has a diagetic text piece and illustration from a contemporary paper which shows how the populace at large views the protagonist and I'd have loved to see that kind of presentation further developed.Alas, the series is ended, but it's well worth checking out for anyone interested in relatively low key and beautiful Eurocomics. Just keep in mind though, that this ain't Hellblazer, nor does it aim to be.

Elseworld’s Finest

A two-part, 100-page Elseworld's tale that I picked up out of sheer curiosity, Elseworld's Finest reinterprets the duo of Batman and Superman as figures from the pulp adventure stories which saw their brief heyday in the years immediately preceding the birth of the superhero genre. It's a world informed by Indiana Jones and Disney's Atlantis, or at least by the things which influenced them. Bruce Wayne is a roguish solder of fortune, Clark Kent is the survivor of a misty and forgotten space kingdom linked to Atlantis, it's all very pulp as it moves through an origin story for the pair which sees them being variations of their more recognizable superheroic selves. It's really quite fun, and an amusing genre shift for the proceedings, which should appeal to anyone who grew up enjoying latter day takes on such stories, by which I mean, if you like Indiana Jones or Atlantis you'll find this fun. The only aspect which irked me is that there are a few too many winks towards the DCU as we know it, in the form of characters like Hal Jordan and Carter Hall popping up in bit roles, but overall the whole thing is quite agreeable. I don't think it's resonant in the way that I, Joker turned out to be, but it's still a very fun Elseworld's story.

First Knife

Simon Roy and Artyom Trakhanov teaming up for a post-post-apocalyptic story revolving around an ancient cyborg waking in a post-lapsarian tribal far future Earth is extremely up my alley, so I was really looked forward to this series and was not disappointed. Anyone who's seen Roy's work on the first arc of Prophet or Habitat at Image Comics will find the vibe and conceits here familiar, but not overly so, and the series takes things in a different direction than either of those stories did. This is not a series about cyborg Buck Rogers awakening in the future and saving the day with the power of old fashioned, plain spoken American gumption; it's about a barely human soldier losing his grip on sanity as he's worshiped as a god, and the people who surround him dealing with that. It's very good. There's action, wonderfully emotive, textured, and distinctive artwork, and it's generally a pleasure to read. Highly recommended to fans of that strain of primitive scifi.