#it's also quite funny that in the animal kingdom some females eat their counterparts and sukuna is said to be a cannibal

[torgawl]

can we talk about sukuna and rika and why the king and queen of curses having a dispute is also narratively fitting? if sukuna is an heian era sorcerer with an antipathy and disregard of human emotions and the weak's will to live, blind to love and unable to comprehend the value of relationships with others then rika, as his counterpart, works especially well. rika is just a kid, or was just a kid. an innocent young girl who ended up dying tragically and saw herself transform into a vengeful spirit after being cursed by love. not only does she represent the weak (remember when sukuna's slaughter of women and children was implied?), she represents love itself. with her feelings lingering after death, she clinged onto her existence with the sole wish of protecting yuuta. it counteracts so well with sukuna's selfish will to kill time before his final breathe, which he admitted to be his will and motivation.

before i move on to my next idea, which let me preface by saying that it might be a little out there and dives into theory territory, i'm going to contextualise it with some information on the symbolism of "king and queen" that might help understand why this thought may make - at least some - sense.

in alchemy the king usually appears in conjunction with the queen, representing the sun-and-moon duality. in accordance with the theory of sulfur and mercury, which together, after alchemist purification, form the philosopher’s stone (also called the elixir of life, associated with rejuvenation and immortality), usually represented by the crowned hermetic androgyne (the union of the complementary male and female, achieving perfection or completion in the human state). according to jung, the king and queen also signify the spiritual conjunction that takes place when the process of individuation is complete, with the harmonious union of the unconscious and consciousness. jungian psychology has subjected the alchemistic tradition to extensive analysis and views the king less as an image of paternal authority and more as an archetype of higher insight and wisdom.

with that in mind, i think it's easy to understand where i'm headed but i want to add something else. remember jjk 0? geto's plan at the time was to obtain rika so he could use her power and move forward with his plan to annihilate all no-sorcerers. he believed her to be the key to achieve his goal and was willing to risk his own life for it. furthermore, the story is highly based on buddhist concepts and one of the core aspects of jujutsu kaisen is the cycles of suffering the characters are subjected to. in buddhism the goal is to become free of the samsara (continuous cycle of life, death and rebirth), eliminate suffering and achieve nirvana (enlightment). this ties withe the name of the series as kaisen is comprised of the kanji 'kai', meaning cycle, and 'sen', meaning battle, which combined with jujutsu (which means magic/sorcery but contains the word curse) describe the story as an endless battle of curses. and in a sense, the story also repeats itself, between generations and storyline-wise with the events circling back to how it all began. yuuta managed to land a fatal strike on geto once again, but now rika is pointed to be in a direct confrontation with sukuna as the queen of curses. now that i went through all the context needed to understand this, is it possible rika is once again in danger of being taken away? the idea of achieving a state of perfection with the unity between king and queen is quite intriguing. sukuna finally addressing yuuji as a worthy rival because of his unshakable resolve and unbreakable soul, is almost directly implying yuuji to be the one with whom sukuna has his last battle. an ultimate power-up (or the equivalent to), would be veyy cathartic before a final fight where yuuji would have the opportunity to finally go all out and have his well awaited and deserved protagonism (in my eyes, at least).

[guardiantempest]

Learning With Manga: Riyo’s Udon Servants

Y’know, for a gag manga, Riyo has put in a lot of thought obscuring his Servant’s identities and giving out only hints throughout the comic’s run. The first three Servants (Rider, Assassin and Berserker) had their biographies spelled out in the print bookbut not their actual names (not that it’s needed, the hints were big enough).

I’m saying Udon Servants because they were apparently made by mixing Udon dough with Grail mud.

Due to the ridiculous amount of images, I’ve added a cut.

EDIT: I posted this without the cut. Oops. EDIT 2: Changed some wordings

Rider

Okay, pastel-colored bunnygirl. No specific identity tied to a rabbit (that I know of) so her appearance is a red herring. Could be anyone at this point.

Passion for filmmaking. There are a lot of influential movie people throughout history from old to new. At least the set equipment implies a director.

Severe hatred of Thomas Edison? Well, I guess that narrows it down to more old-timey directors. Back in his time he screwed over a lot of people, including many foreign filmmakers by plagiarizing their works.

A Trip to the Moon? There’s only one director who has that in his repertoire and that is Georges Méliès. That probably explains her outfit as a the rather-tangential nod to moon rabbits. Her Noble Phantasm is apparently a loooot of her film reels...made out of very volatile nitrate (which destroys Chaldea in the process). She also references older films like Purple Noon when chatting with Olga.

Assassin

Okay, woman with a gun, presumably with lingerie? Perhaps she’s a secret agent, or a modernized take on those assassin seductresses. Throughout the comic she’s shown to be adept with information gathering.

Definitely affiliated with spycraft. I don’t know any woman involved in such line of work (the one female secret agent I know is Nancy Wake, who isn’t). However this is Fate and genderswaps can be a thing. That O&C provides a pretty big hint to her identity. According to Google, it can stand for “Official and Confidential” affiliated with the one and only J. Edgar Hoover. Y’know, now that her identity is revealed in that tweet above, the comic’s art style makes it vague whether she’s really a genderswap or just crossdressing. Yes, the FBI did have a brief history of crossdressing to catch perps. Too bad her Noble Phantasm is practically useless to those who don’t care about keeping secrets.

It’s kinda funny how Riyo gives all his Servants personality quirks, like Melies’ seething hatred to Edison and occasional lapses to violent solutions. I guess this quirk is meant to be more “gap moe”, kinda like that Yakuza househusband? It’s really endearing. Still, I think Olga scored a keeper. In a standard Grail War she can be pretty useful if deployed correctly (and maybe easier to work with than Mata Hari).

I like her suit, I hope it’s one of her ascensions.

Berserker

Woah, she big. There are a lot of significant giants in mythology, and her modernized appearance provides less hints than expected. She ate Nursery Rhyme several pages later and becomes a mainstay in the Children’s Kingdom.

Keep in mind this is before All the Statesmen event on JP, but that blue ox(?) is a clear indicator to who she is: Paul Bunyan, North American folklore figure. This doesn’t come off as a surprise to us since we already had said event spelling it out for us. Unlike her murderous portrayal in the comic though, in-game she’s a total sweetheart who just wants to help...by terraforming any wild terrain in the name of civilization.

Lancer

We first see Lancer impaling Gudako in a comic. The folks in the livestream joked that she’s genderswapped Van Helsing. It seems to make sense, showing that spike. But they clarified that it was a joke so that’s out of the window.

Something of value? She’s referring to fossils. What about the lightning? It’s a reference to her real life counterpart who survived a lightning strike. That’s right, this woman is Mary Anning! A servant who’s not a genderbend this time!

Totally a raging lesbian. I’m not sure if that’s historical, a reference to a recent biopic, or merely a personality quirk. Maybe it’s an extrapolation to her network of women. One of her skills (Sea Lily Charisma) does let her attract women to help her out. Her canine companion is very cute, at least.

She does have a point. As a Lancer she wields giant prehistoric fish. From the speculation I saw on Reddit, I think it might be a reference to a manga/doujin of her being a mage and can summon living counterparts of her fossil. Her Noble Phantasm wasn’t showed because she got tag-teamed by two Sabers before she got to use it.

Archer

A cowgirl! There are quite a few notable wild west legends like Billy the Kid. This one looks like she has animal ears, or just really weird hair. Using a rope and lasso is indicative of “generic cowgirl”, for a Heroic Spirit to wield it means she must be known for using it.

Coyotes, huh? That pretty confirms it: this cowgirl Archer is Pecos Bill, raised by coyotes and most famous for lassoing a tornado (then riding it). According to the print book, one of her personal skills is Rodeo, which allows her to ride something and not fall off (but it’s in no way similar to the Riding skill). Yeah, being raised by coyotes pretty much translates to coyote animal ears...and feral instincts.

I remember reading on Reddit that one of Bill’s feats is shooting down stars, so that might be why she’s an Archer. Riyo sure is drawing from a lot of western influences.

Saber

Well this is a curveball. The very distinct attire should narrow it down though I don’t know which culture seems most appropriate. While there are more than a few pregnant women in mythologies, the comic clarifies that the real Servant is the unborn baby and the mother is just tagging along.

Well, that’s certainly something. I remember reading somewhere that back in the old ages, saunas are used instead of hospitals for childbirth in snowy regions of Europe. The unborn Servant has a Courtship skill that causes him to hit on almost every female he comes across.

There are a lot of guesses for his identity, one of which is Väinämöinen. A demigod who spent a very long time in the womb, can speak while in there, and was born an old man. The evidence feels shaky and debate rages on.

Caster

Jesus Christ, Jeanne, what are you doing?! I just added this page because it’s hilarious.

Mouse maids! A miracle that they survived getting chopped up into bits! It’s rather vague on who they are, guesses include the Rolling Riceball (which is just Benienma’s story) and Ratatouille, funnily enough. Most of their appearances so far is just pandering for Gudako (giving Onigiri, enabling the WiFi, providing Dakimakuras) as an effect of one of their Personal Skills (Servitude).

Their profile says that this isn’t their true form (maybe as a consequence of getting turned to noodles). Their Territory Creation should allow them to make a dreamland and provide anything, but for now all they can make is a good-enough kitchen and onigiri.

Another Personal Skill is Reproduction, which allows them to rapidly increase their numbers when left alone. Nonstop. This can get out of hand fast. People in the comment section were speculating various rat-related myths, primarily ones with a swarm theme.

Although it seems the rats are up to something.

Well that’s terrifying. A guy on Reddit assumed that the mice is connected to Raigo, the accursed monk. I thought it was a very dark take on a folklore/fairy tale, something about mice fattening up someone to eat them.

Okay, the mallet and the sack is definitely a clue. Apparently that represents Daikokuten, who is frequently portrayed with mice near him. I understand what they were trying to do. All this time they were trying to build up for their true power. A god of good fortune and/or prosperity is not to be messed with, especially if he’s currently incarnating RIyo Gudako as a pseudo-servant.

I think their Modus Operandi is pretty horrifying, yet also makes sense. A Master cannot simply summon a god under normal circumstances but summoning its herald(s) who, in turn, will make way for their patron deity seems totally fair.