i just woke up, it’s 7am and i’m having thoughts about jingliu…
if there was one person on the luofu who knew jingliu the longest, it was you. not the high cloud quintet or the cloud knights, you. the daughter of jingliu’s master, and the stubborn sword champion’s personal healer. she entered your life as a gangly, hungry girl who could barely hold a sword in both hands—and now, she’s the greatest warrior the luofu has ever seen.
but more importantly, now, she’s your wife.
it seemed almost like an inevitability, that you’d fall for her. for all that she was your mother’s disciple, you didn’t see her much as children. jingliu would always be training, and you would always be studying. it was only after she became a member of the cloud knights, and you a member of the alchemy commission, that things would really start to blossom—like a lotus flower, bright and pure.
you were the only healer jingliu really trusted and even allowed to heal her. the warrior had a stubborn streak several miles wide, but perhaps it was the echo of your mother in you that had her obediently heeling to your treatments—a fact that always awed her fellow cloud knights, who teased her relentlessly about it. “whipped,” they’d say. jingliu would only grumble and grudgingly thank you, before leaving the clinic and decidedly and publicly putting every one of her squadmates on their asses during a sparring match.
but nonetheless, it is no one but jingliu who comforts you when teng xiao arrives at your door, a set of armor folded neatly in his arms, and a grim, apologetic look on his face. that night it is jingliu who sits by your side, letting you weep into her shoulder as she awkwardly and clumsily attempts to console you. grief burns through you like a wildfire, but jingliu is there, her presence soothing and cool like moonlight. you both fall asleep tangled in each other’s arms, finding that, if nothing else, there is comfort in shared loss.
the next morning, you ask her about it as you both still hold each other close. jingliu’s mouth opens and closes, struggling to choose the right words. “i swore to her that i’d protect you,” she answers. it makes you smile, just a little, even if grief still twists sharply in your heart.
“you’re protecting me by cuddling me?” you tease her, and her pale cheeks flush.
“that’s— i believed you might have needed—“ she stammers, and you cut her off by pressing closer against her cool body.
“i’m just teasing,” you whisper against her skin, arms tightening around her muscular form. as if to ground yourself, as if to assure yourself that she’s really here. “i appreciate it, jingliu. thank you.”
at your words, the warrior relaxes. her voice is barely higher than yours when she replies, tinged with a hint of tenderness. “of course.”
jingliu is different, after that. you guess that it’s because you are all she has left—much the same in how she is all you have left. there is a gentle awkwardness to her now, like someone who has never known how to be soft trying to learn for the first time. she sits patiently as she lets you fuss over her wounds, knowing that you need this, that you need to know she’s alright. she only looks away when you get a little too close, when she can feel the warmth of your breath on her skin, and she hopes you don’t notice (you do).
she comes to the house whenever she can, which feels just a little emptier without your mother’s commanding presence. she stands shoulder to shoulder next to you at the counter making dumplings, her rough, battle-scarred hands dwarfing your own more delicate ones—but she wraps the dumplings with finesse all the same. you eat them together, quietly, but the silence is comfortable. you know each other enough that words are unnecessary. these nights you can only ever fall asleep in her arms—and she can only ever fall asleep in yours. neither of you question it, but what is there to question anyway?
jingliu ends up being many of your firsts—including your first kiss. it happens on one of those nights, tangled in each other’s arms, with nothing but a sliver of moonlight to illuminate jingliu’s pale face. you feel her pulse jump under your touch, as your thumb traces the ridge of her cheekbones and your lips press gently against hers. kissing her is nothing grand, no fireworks or butterflies—just the quiet sense of finally coming home.
jingliu is your first time, too. her hands trail down your body with reverence, lips pressing kisses like prayers against your skin. she brings you to the edge of heaven with her fingers and her mouth until you lie boneless on the sheets. she kisses you while your essence is still smeared across her lips, and you eagerly return the favor.
jingliu is your first and only love. it’s the soft, quiet kind, more of a respite than a whirlwind in and of itself. a shelter where both of you can return to, when the world becomes too much. you’re there for each other at the lowest lows and the highest highs—jingliu attends the ceremony as you’re sworn in as the cauldron master of the alchemy commission, eyes trained only on you as you accept the honor. and you attend jingliu’s ascenscion ceremony for the title of sword champion, standing at the forefront of the crowd, a proud smile on your face. to jingliu, that is her true victory.
and yet, even as the sword champion, there are still things she fears—like telling you she loves you. it takes a grand amount of coaxing from her new friends—a blacksmith, a high elder, and a pilot, respectively—before she works up the courage. she whispers it against your neck one moonlit night, intertwined with you in the sheets. her voice trembles ever so slightly, her breath fanning unevenly against your skin, and she tenses when you laugh softly. but the tension bleeds out of her immediately when you say it back, and she slumps against you, as if the weight of the world had been lifted off her shoulders.
(baiheng and yingxing later force her to buy them drinks, and she does so, grudgingly. after all, they were right when they said there was no way you’d say anything other than ‘i love you too’. dan feng only attends for the free alcohol, but he is happy for her nonetheless.)
your marriage is a quiet affair—or as quiet as it can get, with baiheng and yingxing together on the guestlist. but it is perfect, to you and jingliu. the rings were crafted by yingxing, inlaid with stones baiheng discovered along the trailblaze. neither of you actually wear them on your fingers due to your jobs, but none other than dan feng gifts the both of you corded red rope to loop the rings through and wear as a necklace. it becomes your greatest treasure, even centuries down the line.
the next few months of your life are calm and routine—until jingliu returns home one day with a teenager, of all things. the boy has long, shaggy, white hair, and curious golden eyes. He reminds you of a cat.
“this is jing yuan,” jingliu introduces to you. “my disciple.”
the boy greets you politely, before jingliu sends him off to an empty room in your home for him to claim as his own. once the boy is out of sight, you turn to jingliu, quirking a brow.
“disciple?”
she nods. “yes. i believe he has potential.”
you only hum at her answer, stepping forward to fix her collar. she lets you fuss, as you always have, and then presses her lips against yours gently, her hands on your waist. “trust me,” she whispers, and you do.
jing yuan fits into your life more easily than you expected. a sharp-witted young man, quick with a blade but even quicker with his words. it isn’t long before you grow fond of him as well—in an almost parental sort of way. before you realise, you start fussing over him the way you fuss over jingliu. it seems you’re not the only one susceptible to jing yuan’s charm, since the newly formed high cloud quintet adore him just as much—baiheng, especially, is delighted to have another little brother figure besides yingxing. jingliu is no exception; the pride in her gaze as she watches jing yuan train is visible to anyone.
nowadays, your home feels fuller. it is no longer just you and hingliu making dumplings—another pair of hands, sometimes even another three appear to help. the dinner table is full more often than not, and there always seems to be more plates in the sink. sometimes you find purple fur on the floor, or the occasional jade-like scale in between your couch cushions. but joy, you learn, is fleeting. nnd no one ever notices it is here until it is gone, ripped from your hands before you can even blink.
jingliu is your first and only love. she is also your first and only heartbreak.
everything you’ve built with jingliu over the course of centuries crumbles in a matter of days. the battle against shuhu is vicious. you can barely even keep up against the constant stream of injured that flood the alchemy commission. you and your colleagues down energising pill after energising pill to stay on your feet and support the xianzhou forces. tet the news from the frontline would nonetheless bring you to your knees.
baiheng, dead. yingxing, cursed. dan feng, imprisoned. and worst of all—
jingliu, mara-struck.
the ten lords commission keep her under strict watch in a holding cell. you barely have the time to visit, what with the number of patients that demand your attention. jing yuan is the one who visits her, by his authority as the new arbiter general. he speaks to you when he can, updates you on her condition—but you’ve treated enough cases to know when something is bad, even if jing yuan tries to assuage you with purposefully vague wording.
she barely recognises you when you approach her. her beautiful ruby eyes are covered by a ragged, black cloth. thick, metal bindings encircle her wrists and restrain her arms behind her back. you call her name, quietly, gently, trying your hardest to stifle the tremble in your voice. sometimes, there is a flicker of recognition. most of the time, there is nothing.
you return to an empty house. it’s so, so cold, and your bed is far too big. you hold tightly to your ring, praying that jingliu be spared this fate. but the aeon does not listen.
because no more than a few months later, jingliu breaks free from her confinement, and rampages across the luofu. smoke chokes the air as ice and frigid wind sweeps across the epicenter that is jingliu. but instead of running away, you run towards her. the ice seems to part and melt before you as you run. you need to see her.
instead, all you witness is the majesty of the lightning lord, as he strikes down your beloved.
nothing remains of jingliu. they find no body, not even any remnants of armor or personal effects. after that, they strike her name from every record for her dishonor. all her achievements, her victories—erased. as if she never existed. you are forced to resign as cauldron master in shame, with your apprentice dan shu taking your place.
you feel… nothing. only a pervasive, parasitic emptiness spreading through your entire being. you spend your days in a bed in a guest room—you can’t bring yourself to set foot in the room you once shared with her. the kitchen lies deserted. you barely feel hunger or thirst, or any sort of sensation. and yet, you keep living. your cells respire and your lungs draw breath, and your heart still thumps in your chest—even as your soul rots and decays.
the only thing—or person, rather—that stirs you now somewhat is jing yuan. he has lost everyone too, this general who will always be that curious-eyed boy to you. you do your best to pick yourself up; if not for yourself, then for him.
(but jing yuan knows. he sees it in your eyes, the truth of the matter. the guilt that gnaws at you, that compels you to keep fussing over him.
you think that caring for him will help you atone for the way you failed jingliu. he wants to tell you that his master would’ve never thought such a thing. but he doesn’t, and lets you mother him all the same.
he needs this too.)
jing yuan appoints you as his personal healer, even as his advisors protest. they question your ability—after all, how could a good healer not even mend the one she loved most?
that moment is the first and last time you ever see jing yuan angry. it fades as quickly as it comes, however, and you are appointed as his personal healer nonetheless. you remain by his side for the next few centuries, watching as he grows more and more into the role of the general. the pain of your loss doesn’t heal—not fully, at least, but it scabs over.
still, you can’t help the ache in your chest when jing yuan approaches you one day, a young boy at his heels.
“this is my disciple, yanqing,” he introduces. the boy has flaxen hair, and expressive amber eyes. there’s a fire in them, a determination that you remember seeing in a pair of ruby ones. he greets you, politely and a little shyly.
it’s a painfully familiar scene, and the best you can manage is a wordless smile.
yanqing becomes another target of your fussing soon enough. he squirms when you check him over for injuries, insisting that he’s fine. the boy is incorrigibly stubborn. but in the end, he is still a boy. his enthusiasm, unmarred by grief and loss, brings a liveliness to your monotone life. you can’t help but sneak a few more extra strales into his pockets for swords when jing yuan isn’t looking.
(but he knows. jing yuan always knows.)
you are not happy, not truly, not without her, never without her, but for now you are content. the boys in your life give you reason enough to keep going.
yet your life turns upside down once more when the stellaron bursts on the luofu. jing yuan keeps you away from the whirlwind of conflict, assigning an elite squad of his knights to guard your house. it makes you curious, but the answer reveals itself to you only a few days after the crisis is resolved.
there, standing amidst the unconscious bodies of the cloud knights supposed to guard you, is none other than the ghost of your beloved.
she’s as beautiful as the day you lost her.
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Do you have any favorite naruto fics you’d recommend? Any pairing, complete or not, on-hiatus, gen, oneshots, anything is fine lol
I was legitimately just pruning my bookmarks the other day!! thank you so much for asking.
I don't read too much fanfic these days, and I'm picky when I do--only about grammar/punctuation and immersion though. I ship a LOT of stuff (I guess The Youth would call me a proshipper) and although I never read darkfic, I don't shy away from weirder kinks and unhealthy relationship stuff.
categorizing by pairing, if applicable. some of them are smutty, and please note that the first 3 come from FFN which doesn't have a tagging system, but there is some SA CW I'll give in advance.
KAKASAKU | my first OTP! formative fics that totally reshaped my understanding of what fanfiction could be, and how well-written chemistry can make it or break it
HOUSE OF CROWS is the quintessential kakasaku fanfic. it was written during shippuden and so is canon divergent because of that, but also tells a comprehensive story of its own right that is intriguing and well planned. excellent characterization and world building. leaves me gutted in the best way on my yearly reread.
DUTY BEFORE HONOR is another silvershine classic. I don't reread is as often as House of Crows but they are just about equal in quality. again, the chemistry between them is off the charts, and the world feels so alive.
WILL OF FIRE for me is up there with House of Crows in being essential kakasaku reading. cynchick is a multisaku champion and a wonderful storyteller. the stakes in this one are stressful, the romance tense and believable, and we once again get lovely world building and great chemistry.
ITAKISA | a pairing near and dear to me, because men who do everything wrong are so deeply relatable. they both know they don't deserve anything good ever again but they found each other!!!! ARE YOU GUYS SEEING THIS--
A SHARK HIDDEN INN THE LEAVES doesn't have my favorite version of Kisame, but he's plenty close enough. it's a lengthy oneshot that got me into certain *ahem* kinks. it is a very fun and wild fic that is entirely self-aware of how absurd it's being, and manages to have nothing but sincerity at the same time (and I highly recommend the author's other stories as well)
AN ORCHESTRA PLAYING ON, INSANE is a modern AU (extremely rare in my bookmarks) that absolutely tore my heart out. god is it SO much to ask for these losers to be happy?! yes, it is, and I love every moment of it
MADAMITO | a rarepair I am SUCH a sucker for that has some of the most talented authors writing for it. lots of them have ot3 elements between them and hashirama, often angsty, but stuff like that is part of the appeal for me, lol
A HANDFUL OF SKY is an unfinished fic that I genuinely think about like once a week. if it ever updates then I will be over the moon. technically hashimadamito but it hadn't quite gotten there yet
LIKE ALTARS is just such a beautiful piece of writing, mostly on madara. it is everything, that is all
BLOOD AND RIVER WATER is more mito-centric but has one of my favorite madaras of all time
YOURS ARE RATTLED BONES is another short, mito-centric but gut-wrenching piece featuring the opposite type of madara from the last one
OTHER | character-centric stuff that isn't necessarily shippy but also doesn't have a very "gen" vibe either?
A SERPENT IN THE RICE is a little series about orochimaru that makes me feel so so so many things. highly recommended
HERETIC is such a love letter to kushina, and kurama too. cannot stress enough how much I adore this one
there's a few others that I probably won't link on tumblr, mostly unhealthy and/or "problematic" smut hhfhdj but maybe I'll make a public rec list on ao3 for these different categories and stuff like that.
but yeah that's pretty much it!!! I know it's not a huge list with a lot of variety but it's what I've enjoyed over the last 15+ years in the naruto fandom.
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hihi! your rb with the tags about your profession had me intrigued and I wanted to ask, what DID kill the Hollywood system? if you don't mind me asking >u<
HI HI HI HEHEHE first of all i hope you’re doing well!!! seCONDLY OMGGG thank you for indulging me waaaaah i love talking about golden age/classical hollywood and the studio system!!!
beware: i rambled on and on below the cut >.< apologies for the mini essay in advance waaah
OKAY SO. first, a little context. the classical hollywood studio system originally utilized a practice called ‘vertical integration’, which basically means they owned and operated ALL channels of production, distribution, AND exhibition—aka, they controlled literally everything in regards to the films they made, which was like 90% of american filmmaking at the time. this, naturally, made it quite difficult for any film that wasn’t a film made by the Big Five (warner bros, paramount, 20th century fox, RKO, and MGM) or the Little Three (columbia pictures, united artists, and universal) to be screened at a theatre, because the studios owned a decent chunk of the theatres.
furthermore, the theatres the big studios DID own always got first run of their films, meaning that their movies were exclusively screened at the theatres they owned first, then were passed off to second run, third run and fourth run theatres. it’s important to note here that the film prints being distributed and passed around theatres were the same all throughout a film’s run—so by the time a print reached a fourth run theatre, the film stock was all scratched up and low quality. who wants to go watch that? (no one! audiences flocked to the first run theatres owned by the studios!).
the antitrust case between the supreme court and paramount pictures (aka ‘the paramount decrees’) was the first, and heaviest, nail in the coffin of the studio system. the paramount decrees did two things. first, they forced studios to stop a practice known as block booking. block booking was a practice where theatres not owned by the big studios were forced to buy a huge block or batch of films in advance. usually, these films included one A-list film and then a bunch of B-movies and other less desired films. second, they forced studios to cease owning theatre chains, which allowed for indie directors to begin screening their films, AND it allowed for more international films to be shown (which in turn helped break down the production code & replaced it with the ratings system).
this began the end of the system! it was then further impacted by consumer culture, car culture, and suburbia. after world war two, many people moved out of the city and into the suburbs, where they began to start families. car culture was booming and it was hip to have a car that you could use to commute to work (from the suburbs into the city!). disposable income was abundant, and many families were buying fancy new appliances for their new suburban homes—including televisions.
it’s a common misconception that TV killed the studio system. it was, in actually, only one of several nails in the coffin. television at the time was pretty crummy; it was low quality, the screens were small, and it only had about three channels (not to mention studios began allowing television networks to begin screening older films that no longer ran in theatres). but evidence proves that moviegoing attendance had fallen drastically several years before televisions became a fixture in the home. to combat TV and capitalize on car culture, studios began erecting drive-ins, to little avail!
anyway, i could go on and on and on but basically, in a nutshell, those were the handful of things that broke down the classical studio system and gave way to ‘new hollywood’…which then gave way to the blockbuster.
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