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ad1thi · 3 years

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2020 fic recs!! [Part 2]

part 2 of my 2020 fic recs!! as before, ive limited this to five fics per month; and fics are ordered by the month they were published. This spans fandoms and ships, and hopefully you find something you like!! credit for the idea goes to @iam93percentstardust

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July

this is the start: @capnwinghead

Clark and Bruce continue raising the Wayne children and encounter a number of challenges along the way.

great minds (love alike): @starklysteve

Steve’s eyes flicks down to Tony’s knees on the floor.

“Are you – are you proposing to me with my ring for you?” Steve asks incredulously, eyes wide and confused.

---

Or, Steve finds Tony’s ring for him, Tony finds Steve’s ring for him. Panic happens.

Marvels Unsolved: @iam93percentstardust

Marvels Unsolved was never supposed to be this popular. It started off as a novelty web-series about Tony trying to convince Bucky about the existence of the supernatural—he firmly believed that if science could turn Uncle Steve from an actual shrimp to the god of muscles, then magic had to be out there—and then they’d started talking about an unsolved crime from the early 20th century after filming an episode one day, forgetting that the camera was still rolling, and had ended up with enough footage to make a second episode about real crimes. They had stayed pretty unknown throughout that first season but then true crime podcasts had exploded in popularity and Unsolved along with them.

it’s a small world after all: @maguna-stxrk

“Great speech.”

Smiling at the compliment, Tony turns around. “Thank y—”

And nearly drops his champagne flute.

His world comes to a stop.

They had only spent a night together, but Tony would recognize those baby blues anywhere.

It’s Steve.

Steve from Tony’s London business trip. Or, as Rhodey has become accustomed to calling him—The Soulmate That Got Away.

you’re in my blood, you’re in my veins: @nethandrake

Tony always figured that if they ever were to break up, it would be like a blaze. Scorching and hot and all-too blinding. Intense like the two of them have always been.

Instead, they break up on a Tuesday, with the rain pelting the windowpane and the midnight silence stifling.

August

Five Times Danny said he’d marry Steve (plus one): @five-wow

Danny humphs. “Look, all I’m saying is, I think I’d probably have married you by now.”

“I’d marry you, too,” Steve says.

Or: An experiment in how many times you can say something before you have to put your money where your mouth is.

Family (You’ve Always Had It): @/SunnyQueen

A black Camaro and a scowling blond was not what Junior had been expecting.

“Hi, sir. You didn’t have to pick me up.”

The blond looked up from the screen on his phone and groaned, completely ignoring Junior's statement. “You are right, I didn't have to."

Ode To Yoga Pants: @riotfalling

OR the continued terrible mating dance of Bucky and Tony, AKA when betting on your friends stops being fun

Through The Years: @hawkbucks

Tony brings home Natasha one day, proclaiming her to be his new sister.

Natasha takes this all in stride.

The broken road that led me home to you: @just-fandomthings

A documented list of conversations between Steve and Danny via text and phone call following the events of 10x22 "Aloha." (Where, even thousands of miles apart, Steve and Danny can't go without talking to each other.)

September

someday, we’ll pass it on to you: @starklysteve

Steve smiles.

Reaching up, he flattens his hand against his son’s far smaller one, curling gently around it. “You wanna be like him?”

“Da!” Peter agrees again.

One year old, and you already know who’s the best of us, Steve pauses to reflect, all his fears chased away by a fierce pride. “Your Dad’s coming home real soon,” he promises, “you should tell him that.”

---------------

Or, five times Peter did the repulsor pose as a toddler

+ one time he used the repulsors as an adult

Classic Sci Fi: @notdoingsohot

Bucky wakes up to Steve telling him he's lost his memory, but not to panic, it'll only last a few days. Easier said than done when the last thing Bucky remembers is fighting Hydra with the Howlies in WWII.

He tries to make the most of it however, and there's this guy... Tony Stark. It's pretty clear the guy hates Bucky's guts, which is unfortunate because god damn is he a sight.

He tries to figure out what he did to wrong Stark, but everyone just tells him he doesn't want to know.

They were right.

Blooms in Frost: @/Diomedes

Tony coughs up his first petal on the sixth of July. He has been married to the love of his life for two years.

Bury a Hanahaki corpse in earth and it will beget the most beautiful garden. All that love, it is said, must go somewhere.

Hanahaki AU: Established relationship

------------------------------------------

A Single Thread of Gold: @lovelyirony

Rhodey doesn't believe in love at first sight or any of that cheesy shit. He just wants someone who is nice, dependable, and safe.

Tony Stark is Housing Service's little problem for the school year, and now he's stuck in Rhodey's room because he's exploded the last two dorm rooms he's been in and won't live off-campus.

high roller, place your bet: @machi-kun

“Would you kiss Stark for a hundred bucks?”

“I would pay a hundred bucks to kiss him.”

October

press my luck: @omg-just-peachy

But... Steve is almost ten years his junior, and he could be with just about anyone, looking and acting like he does. And then there’s the not so small fact of Tony’s name and net worth and the fact that, okay, Tony had paid for Steve’s grad school tuition, and now he’s worried Steve feels obligated to stay. Or something.

Or, Tony is a billionaire, Steve is a grad student, and they learn to let themselves be taken care of.

see it with the lights out: @starklysteve

Tony goes on a business trip, and he does not - not at all - get jealous of Dodger hogging his husband's chest, a territory otherwise known as Tony's pillow.

(or, Steve goes on an Instagram spree and Tony misses home)

adulthood is looking both ways before you cross the street and getting hit by an airplane: @starkslovemail

It was a perfect plan, if Peter did say so himself.

The Buy In: @dracusfyre

For the ImagineTonyandBucky prompt: Mafia AU with Tony as the Boss (except he's a really good one, making the streets safe, keeping drugs away from kids etc) and Bucky as the detective sent to go undercover to catch him out but ends up realizing he's actually doing more good than harm and they end up falling in love

trinkets of your affection: @starklysteve

Kissed him once for every year I loved him, Steve had written.

By that count, Steve owes him five more kisses now.

Tony traces the words, hands trembling, and tips back a shot of Howard's ancient whiskey. None of it burns anymore.

One day, he'll have lived more days without Steve than there are words in the diary.

For the first time since he'd woken with shrapnel in his chest, Tony fears the future.

----------

Or, five things Tony keeps to remember Steve by, and one thing Steve gives him to remember.

November

“Hey Tony”: @riotfalling

Steve points out that Bucky never calls Tony by his actual name. Bucky doesn’t believe him, until he does.

Remembering You is Hard to Do: @lovelyirony

“The future’s crazy, honey-bear.”

Jim looks up.

“Why do you call me that?”

“Call you what?”

“Honey-bear. It’s weird.”

“Inside joke we have,” Tony says, chest tightening. “We thought those couples that have the lovey-dovey nicknames were ridiculous.”

overheard your heartbeat (calling me yours): @starklysteve

"Tony - "

"I wish I could promise to come home this time," he feels the armor crawl back down his arm, continuing unnoticed over Steve's red gloves, then up the blue uniform as Tony fights to keep Steve's gaze firmly fixed on him.

The last eyes Tony might get to see, and he wants to be lost in them.

In the end, his entire life boils down a few simple things: "JARVIS, take care of him for me."

----------

Or, Tony overhears a phonecall where Steve proposes, a battle happens, and a paper ring settles some misunderstandings.

i (really, really, really, really, really, really) like you.: @nethandrake

For as long as Steve can remember, he's been crushing on Tony Stark. The thing is, he's pretty sure Tony doesn't know Steve exists. And how could he? Steve's scrawny and little. He's a nobody compared to Tony who's Mr Popular and the son of a billionaire.

Or at least he thought so until Tony swings by the bakery Steve's mother happens to own to enlist Steve's help in finding the perfect Valentine's Day card.

The perfect Valentine's Day card for someone who isn't Steve.

One Song (My Heart Keeps Singing): @iam93percentstardust

When Thor is old enough to understand what a Heartsong is, he goes to his mother to ask her why he can’t understand the language his is in. He listens as she tells him about the first soulmates who couldn't understand their Heartsong until the day they meet, excited by the thought of a grand adventure, one that will take him across the cosmos in search of his One.

He’ll search all the Nine Realms if he has to.

December

Swiping Right: @s-horne

“Ouch. Definitely a hard pass for that one?”

Steve startled at the sudden comment from the row of chairs behind him and turned around. He’d been passing the time in the airport lounge by swiping through Tinder and had gotten lost in his own world. It was almost jarring to be pulled away from the screen of hot men and back into reality where the PA was screeching and there was noise everywhere.

Adjusting to the difference, Steve frowned. Wait, he knew that face. Oh, shit… he knew that face.

“No, no, it’s fine,” the man said before Steve could get out anything other than an embarrassed sort of yelp. Waving his hand through the air, the stranger smiled ruefully. “I get it. It’s the beard, isn’t it? True be told, it was a weird winter choice that year and I knew it would come back to hurt me.”

Steve didn’t know what to say. He knew it must have shown on his face and could feel himself flushing, panicked and embarrassed all at once. What were the odds of swiping left on someone literally sat behind him?

set your flight path home (to me): @starklysteve

Tony puts down his welding torch. “I’m building you a plane.”

Stepping carefully over the gears and tools scattered about, Rhodey slowly makes his way to him.

“And when did you become an expert on how to build a plane?”

“Last night,” Tony grins.

---------------

Tony builds a plane, and Rhodey teaches Tony how to fly it. Or he would be teaching Tony, if Tony didn't distract him so much.

I Want A Man With A Slow Hand: @thefourofswords

“Can I ask you a question?” he asked on their way to a crime scene, because no time like the present, and Danny believed in ripping off band-aids.

“Why not?” Steve replied, eyes on the road. “You’re gonna even if I say no.”

“What do you like in bed?”

Danny undertakes a very important mission to get Steve laid. For his health. Ahem.

same time next year: @omg-just-peachy

“I forgot to ask. When’s your flight home?” Steve asks, draping his arm over Tony’s shoulder and settling in against him.

Tony ignores the knot that forms in his chest at the idea of it, leaving Steve again for his own impersonal apartment, his piles of books and projects and the nights without sleep.

“Day after tomorrow.”

Steve huffs a little sigh, then brings his lips to Tony’s neck. “Well, we’ll have to make the most of it, won’t we?”

Or, four (4) Christmases with two (2) idiots who can't admit they're in love.

rearrange my heart (to fit your smile): @starklysteve

"You dare," Howard's chair makes an ugly noise as it scrapes against the stone floors, the chatter of the room shifting into hushed whispers and stolen glances. "I am your father and your King!"

"My King is my husband," Tony tips his chin up, defiant. "And I refuse to hear you suggest that my husband has been anything other than good to me."

Next to him, he feels Steve's shoulders stiffen in surprise.

Howard's fist slams loud on the table. "Your husband does not even love you!"

Tony jerks back, burned. He knows that. Knows that Steve did not marry him for love – does not need any reminder of the cold truth, of what he desperately yearns for and can't even hope to have – but the harshness of Howard's words was scalding, and Tony can't afford for this to go any further.

----------

Or, King Steven marries Prince Tony, Tony is pretty sure he shouldn't panic when he falls in love with his own husband, and Steve tries his very best not to cause diplomatic crises.

Keyword: try

#adi's rec list #superbat #superhusbands #winterironfalcon #mcdanno #buckytony #peppernat #superfamily #rhodeytony #ironfamily #and that's a wrap!!!

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writingguide003-blog · 5 years

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44 Writing Hacks From Some of the Greatest Writers Who Ever Lived

New Post has been published on https://writingguideto.com/must-see/44-writing-hacks-from-some-of-the-greatest-writers-who-ever-lived/

44 Writing Hacks From Some of the Greatest Writers Who Ever Lived

Writing looks fun, but doing it professionally is hard. Like really hard. Why on earth am I doing this?-hard.

Which is probably why so many people want to write, yet so few actually do. But there are ways to make it easier, as many writers can tell you. Tricks that have been discovered over the centuries to help with this difficult craft.

In another industry, these tricks would be considered trade secrets. But writers are generous and they love to share (often in books about writing). They explain their own strategies for how to deal with writers block to how to make sure your computer never eats your manuscript. They give away this hard-won knowledge so that other aspiring writers wont have to struggle in the same way. Over my career, Ive tried to collect these little bits of wisdom in my commonplace book (also a writers trick which I picked up from Montaigne) and am grateful for the guidance theyve provided.

Below, Ive shared a collection of writing hacks from some amazing writers like Kurt Vonnegut, George Orwell, Stephen King, Elizabeth Gilbert, Anne Lamott, and Raymond Chandler. I hope its not too presumptuous but I snuck in a few of my own too (not that I think Im anywhere near as good as them).

Anyway, heres to making this tough job a tiny bit easier!

[*] When you have an idea for an article or a bookwrite it down. Dont let it float around in your head. Thats a recipe for losing it. As Beethoven is reported to have said, If I don’t write it down immediately I forget it right away. If I put it into a sketchbook I never forget it, and I never have to look it up again.

[*] The important thing is to start. At the end of John Fantes book Dreams from Bunker Hill, the character, a writer, reminds himself that if he can write one great line, he can write two and if he can write two he can write three, and if he can write three, he can write forever. He pauses. Even that seemed insurmountable. So he types out four lines from one of his favorite poems. What the hell, he says, a man has to start someplace.

[*] In fact, a lot of writers use that last technique. In Tobias Wolffs autobiographical novel Old School, the character types the passages from his favorite books just to know what it feels like to have those words flow through his fingertips. Hunter S. Thompson often did the same thing. This is another reason why technologies like ebooks and Evernote are inferior to physical interaction. Just highlighting something and saving it to a computer? Theres no tactile memory there.

[*] The greatest part of a writers time is spent in reading; a man will turn over half a library to make one book. Samuel Johnson

[*] Tim Ferriss has said that the goal for a productive writing life is two crappy pages a day. Just enough to make progress, not too ambitious to be intimidating.

[*] They say breakfast (protein) in the morning helps brain function. But in my experience, thats a trade-off with waking up and getting started right away. Apparently Kurt Vonnegut only ate after he worked for 2 hours. Maybe he felt like after that hed earned food.

[*] Michael Malice has advised dont edit while you write. I think this is good advice.

[*] In addition to making a distinction between editing and writing, Robert Greene advises to make an equally important distinction between research and writing. Trying to find where youre going while youre doing it is begging to get horribly lost. Writing is easier when the research is done and the framework has been laid out.

[*] Nassim Taleb wrote in Antifragile that every sentence in the book was a derivation, an application or an interpretation of the short maxim he opened with. THAT is why you want to get your thesis down and perfect. It makes the whole book/essay easier.

[*] Break big projects down into small, discrete chunks. As I am writing a book, I create a separate document for each chapter, as I am writing them. Its only later when I have gotten to the end that these chapters are combined into a single file. Why? The same reason it feels easier to swim seven sets of ten laps, than to swim a mile. Breaking it up into pieces makes it seem more achievable. The other benefit in writing? It creates a sense that each piece must stand on its own.

[*] Embrace what the strategist and theorist John Boyd called the draw-down period. Take a break right before you start. To think, to reflect, to doubt.

[*] On being a writer: All the days of his life he should be reading as faithfully as his partaking of food; reading, watching, listening. John Fante

[*] Dont get caught up with pesky details. When I am writing a draft, I try not to be concerned with exact dates, facts or figures. If I remember that a study conducted by INSERT UNIVERSITY found that XX% of businesses fail in the first FIVE/SIX? months, thats what I write (exactly like that). If I am writing that on June XX, 19XX Ronald Reagan gave his famous Tear Down This Wall speech in Berlin in front of XX,XXX people, thats how its going to look. Momentum is the most important thing in writing, so Ill fill the details in later. I just need to get the sentences down first. “Get through a draft as quickly as possible.” is how Joshua Wolf Shenk put it.

[*] Raymond Chandler had a trick of using small pieces of paper so he would never be afraid to start over. Also with only 12-15 lines per page, it forced economy of thought and actionwhich is why his stuff is so readable.

[*] In The Artists Way, Julia Cameron reminds us that our morning pages and our journaling dont count as writing. Just as walking doesnt count as exercise, this is just priming the pumpits a meditative experience. Make sure you treat it as such.

[*] Steven Pressfield said that he used to save each one of his manuscripts on a disk that hed keep in the glovebox of his car. Robert Greene told me he sometimes puts a copy of his manuscript in the trunk of his car just in case. I bought a fireproof gun safe and keep my stuff in therejust in case.

[*] My editor Niki Papadopoulos at Penguin: Its not what a book is. Its what a book does.

[*] While you are writing, read things totally unrelated to what youre writing. Youll be amazed at the totally unexpected connections youll make or strange things youll discover. As Shelby Foote put it in an interview with The Paris Review: I cant begin to tell you the things I discovered while I was looking for something else.

[*] Writing requires what Cal Newport calls deep workperiods of long, uninterrupted focus and creativity. If you dont give yourself enough of this time, your work suffers. He recommends recording your deep work time each dayso you actually know if youre budgeting properly.

[*] Software does not make you a better writer. Fuck Evernote. Fuck Scrivner. You dont need to get fancy. If classics were created with quill and ink, youll probably be fine with a Word Document. Or a blank piece of paper. Dont let technology distract you. As Joyce Carol Oates put it in an interview, Every writer has written by hand until relatively recent times. Writing is a consequence of thinking, planning, dreaming this is the process that results in writing, rather than the way in which the writing is recorded.

[*] Talk about the ideas in the work everywhere. Talk about the work itself nowhere. Dont be the person who tweets Im working on my novel. Be too busy writing for that. Helen Simpson has Faire et se taire from Flaubert on a Post-it near her desk, which she translates as Shut up and get on with it.

[*] Why cant you talk about the work? Its not because someone might steal it. Its because the validation you get on social media has a perverse effect. Youll less likely to put in the hard work to complete something that youve already been patted (or patted yourself) on the back for.

[*] When you find yourself stuck with writers block, pick up the phone and call someone smart and talk to them about whatever the specific area youre stuck with is. Not that youre stuck, but about the topic. By the time you put your phone down, youll have plenty to write. (As Seth Godin put it, nobody gets talkers block.)

[*] Keep a commonplace book with anecdotes, stories and quotes you can always usefrom inspiration to directly using in your writing. And these can be anything. H.L. Mencken for example, would methodically fill a notebook with incidents, recording scraps of dialogue and slang, columns from the New York Sun.

[*] As you write down quotes and observations in your commonplace book, make sure to do it by hand. As Raymond Chandler wrote, when you have to use your energy to put words down, you are more apt to make them count.

[*] Elizabeth Gilbert has a good trick for cutting: As you go along, Ask yourself if this sentence, paragraph, or chapter truly furthers the narrative. If not, chuck it. And as Stephen King famously put it, kill your darlings, kill your darlings, even when it breaks your egocentric little scribblers heart, kill your darlings.

[*] Strenuous exercise everyday. For me, and for a lot of other writers, its running. Novelist Don DeLillo told The Paris Review how after writing for four hours, he goes running to shake off one world and enter another. Joyce Carol Oates, in her ode to running, said that the twin activities of running and writing keep the writer reasonably sane and with the hope, however illusory and temporary, of control.

[*] Ask yourself these four questions from George Orwell: What am I trying to say? What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? Then finish with these final two questions: Could I put it more shortly? Have I said anything that is avoidably ugly?

[*] As a writer you need to make use of everything that happens around you and use it as material. Make use of Seinfelds question: Im never not working on material. Every second of my existence, I am thinking, Can I do something with that?

[*] Airplanes with no wifi are a great place to write and even better for editing. Because there is nowhere to go and nothing else to do.

[*] Print and put a couple of important quotes up on the wall to help guide you (either generally, or for a specific project). Heres a quote from a scholar describing why Ciceros speeches were so effective which I put on my wall while I was writing my first book. At his best [Cicero] offered a sustained interest, a constant variety, a consummate blend of humour and pathos, of narrative and argument, of description and declamation; while every part is subordinated to the purpose of the whole, and combines, despite its intricacy of detail, to form a dramatic and coherent unit. (emphasis mine)

[*] Focus on what youre saying, worry less about how. As William March wrote in The Bad Seed, A great novelist with something to say has no concern with style or oddity of presentation.

[*] A little trick I came up with. After every day of work, I save my manuscript as a new file (for example: EgoIsTheEnemy2-26.docx) which is saved on my computer and in Dropbox (before Dropbox, I just emailed it to myself). This way I keep a running record of the evolution of book. It comforts me that I can always go back if I mess something up or if I have to turn back around.

[*] Famous ad-man David Ogilvy put it bluntly: Use short words, short sentences and short paragraphs.

[*] Envision who you are writing this for. Like really picture them. Dont go off in a cave and do this solely for yourself. As Kurt Vonnegut put it in his interview with The Paris Review: …every successful creative person creates with an audience of one in mind. Thats the secret of artistic unity. Anybody can achieve it, if he or she will make something with only one person in mind.

[*] Do not chase exotic locations to do some writing. Budd Schulbergs novel The Disenchanted about his time with F. Scott Fitzgerald expresses the dangers well: It was a time everyone was pressing wonderful houses on us. I have a perfectly marvelous house for you to write in, theyd say. Of course no one needs marvelous houses to write in. I still knew that much. All you needed was one room. But somehow the next house always beckoned.”

[*] True enough, though John Fante said that when you get stuck writing, hit the road.

[*] Commitments (at the micro-level) are important too. An article a week? An article a month? A book a year? A script every six weeks? Pick something, but commit to itpublicly or contractually. Quantity produces quality, as Ray Bradbury put it.

[*] Dont ever write anything you dont like yourself and if you do like it, dont take anyones advice about changing it. They just dont know. Raymond Chandler

[*] Neil Strauss and Tucker Max gave me another helpful iteration of that idea (which I later learned is from Neil Gaiman): When someone tells you something is wrong with your writing, theyre usually right. When they tell you how to fix it, theyre almost always wrong.

[*] Ogilvy had another good rule: Never use jargon words like reconceptualize, demassification, attitudinally, judgmentally. They are hallmarks of a pretentious ass.

[*] Print out the work and edit it by hand as often as possible. It gives you the readers point of view.

[*] Hemingway advised fellow writer Thomas Wolfe to break off work when you ‘are going good.’Then you can rest easily and on the next day easily resume. Brian Koppelman (Rounders, Billions) has referred to this as stopping on wet edge. It staves off the despair the next day.

[*] Keep the momentum: Never stop when you are stuck. You may not be able to solve the problem, but turn aside and write something else. Do not stop altogether. Jeanette Winterson

That taps me out for now. But every time I read I compile a few more notecards. Ill update you when Ive got another round to share.

In the meantime, stop reading stuff on the internet and get back to writing!

But if you have a second…share your own tips below.