#janet delaney

[adreciclarte5]

by Janet Delaney

[lemond]

Janet Delaney, Newsstand in the 34th Street Station, 1985

[mayanhandballcourt]

Photographer Janet Delaney

[lascitasdelashoras]

Janet Delaney - Woman with tree, 1987

[edhoppers]

JANET DELANEY Red Eye to New York (3/3) Throughout the 1980s, Janet Delaney's job in a San Francisco photography lab was punctuated by the last minute flights she would take to New York as a courier. Within these unexpected pockets of time she spent in New York, Delaney would wander the streets with her Rolleiflex camera, attending to the rhythms and characters of this much mythologised city. Despite being tired and often lost, the act of photographing made Delaney feel present and alert, in tune with the crowds that pushed past her and mesmerized by the depth of history woven into the city's structures. The color photographs that make us this series are brimming with life and reveal the formation of Delaney's generous approach to photographing streets and the people who inhabit them, capturing the precious mixture of private lives lived in public and moments of transient connection between photographer and subject. Published by MACK with text by Amanda Maddox, Associate Curator, J. Paul Getty Museum (2021)

[maiskriola]

SEXTA-FEIRA, 12 DE JANEIRO DE 2024

o fio que nos une numa mesma coisa, que nos coloca no meio das pernas das nossas mães e avós e nos faz levantar de lá já outra coisa. já outra face de uma mesma beleza, toda vez que levanta dali. que nos tem outro sabor quando criança, onde a novidade é sempre mais bonita, onde estão se formando as primeiras - que virão a ser - lembranças e a gente ainda nem sabe. tudo isso fica preso no fio da nossa memória. essa atmosfera de vozes de mulheres, dedos ágeis, crianças, cabelos, risadas e músicas. se percebe que amor também é plantado ali, nas nossas cabeças pretas. 

A malian family in Paris - Leonie Purchas

Desconhecido

Cova da Moura, Portugal (2004) - Susan Meiselas

In the Shadow of Things - Leonie Purchas

GABON. A young woman’s hair is styled at a salon in Libreville (1984) - Bruno Barbey

Generations - Kenda M. Lee

Crooklyn (1994) - Spike Lee

Bobbie Washington braiding her daughter Ayana's hair, Langto - Janet Delaney

Tony Gleaton - Sin Titulo/Untitled (Triunfo, Honduras)

[eternallpast]

Some of Janet Delaney’s splendid photography of NYC in the 1980’s 📸

From Blind Magazine:

“Through Delaney’s lens, we get a feeling of small-town life set amid a soaring backdrop in the new book, Red Eye to New York (MACK). Although the architecture is grand, Delaney finds the human moments that we all share: breakfast in a sunny restaurant; kids gathered after school; a moment of respite at the butcher shop; a summer afternoon grilling in the park. Using a Rolleiflex camera, Delaney documented the intimacy of New York while also preserving its grandeur at a time when the city was still struggling to survive.”

Janet’s self portrait taken in a public restroom

[federer7]

Pawnshop, Mission St, San Francisco, 1984. From the series «Public Matters»

Photo: Janet Delaney

[fawnvelveteen]

Janet Delaney, "Woman with Tree", 1987, from series "New York City", 1984/ 1987

[voilafreedom]

[adreciclarte5]

by Janet Delaney, 1985

[page-28]

[whatevergreen]

Masked Man Selling Newspapers, 24th Street, San Francisco, 1984 - Janet Delaney

[lascitasdelashoras]

Janet Delaney

[edhoppers]

JANET DELANEY Red Eye to New York (2/3) Throughout the 1980s, Janet Delaney's job in a San Francisco photography lab was punctuated by the last minute flights she would take to New York as a courier. Within these unexpected pockets of time she spent in New York, Delaney would wander the streets with her Rolleiflex camera, attending to the rhythms and characters of this much mythologised city. Despite being tired and often lost, the act of photographing made Delaney feel present and alert, in tune with the crowds that pushed past her and mesmerized by the depth of history woven into the city's structures. The color photographs that make us this series are brimming with life and reveal the formation of Delaney's generous approach to photographing streets and the people who inhabit them, capturing the precious mixture of private lives lived in public and moments of transient connection between photographer and subject. Published by MACK with text by Amanda Maddox, Associate Curator, J. Paul Getty Museum (2021)

[tuulikki-ni]