#jeffrey deitch

[dadsinsuits]

Jeffrey Deitch

[venusinorbit]

When “City as Studio” opens today in Hong Kong, it will mark the arrival of the biggest exhibition of graffiti art the city has ever seen. Arrayed across the shopping complex of K11 Musea are more than 100 works that track graffiti’s stunning trajectory, springing off the subways cars of New York and highways of Los Angeles to emerge as a global art and market force.

The show has as its curator Jeffrey Deitch, the artist, writer, and gallerist who isn’t just the latest guy to bring graffiti art to Hong Kong, but is quite likely the first.

Deitch, who grew tight with the genre’s leading artists in the mid 1970s when he moved to New York, had accompanied Dondi, Futura, and Zephyr to Hong Kong in 1982. The artists painted a parking garage, which eventually became the I Club, marking the Wild Style pioneers’s first-ever visit to Asia.

[warhead]

[bruce-morrow]

Dear Rashid (Bruce Morrow, 2022)

#dearrashid #brucemorrow @bmorrow646 @hauserwirth @rashidjohnson ⁦#rashidjohnson #hauserandwirth @artsy @artnews #digitalart #digitalstorytelling @jeffreydeitchgallery @artforum @creative_capital @visual_aids @theshedny @beyonce #beyonce #fredwilson

[airconditionerkhan]

Vanessa Beecroft: VB42 Intrepid, The Silent Service From Jeffrey Deitch archive project

[longlistshort]

It’s the last week to see Kennedy Yanko’s exhibition, Humming on Life at Jeffrey Deitch gallery’s Wooster Street location.

Tonight, 4/20/23, she will be at the gallery discussing her work with Alteronce Gumby.

From the press release-

By employing paint skin and metal in ways that both transmute a bodily essence and reposition the weight of gravity, Kennedy Yanko wields materiality and abstraction with the possibility of intervening in the viewers’ perceptions. In Humming on Life, Yanko‘s first exhibition at Jeffrey Deitch, the artist continues this exploration.

Although the tactile quality and lyrical processuality of Yanko’s works emphasize their sculptural quality, the artist considers herself foremost a painter. In her new body of work, Yanko takes an approach to sculpture that reconnects it, and her, with painting. In recent years, the weathered paint and bruised patinas found on salvaged metal relics informed her palette for the paint skins. Now, the artist is introducing colors to the metal she finds. By painting the metal directly, underpainting, fire-cutting forms and compositions, and then crushing those new shapes, Yanko is expanding the definition of painting through her process. She remarks:

Working this way has been labor-intensive and has exposed me to sounds, like water thrashing inside a metal tank while cleaning it. Feeling that thrashing—hearing a power that felt like infinity incarnate—encouraged me to probe water as a medium and examine my intuitive method more closely, which seemingly only comes from physical exchange: input and output, expansion and contraction. In pulling water apart and becoming more curious about its behavior and participation, I’ve enjoyed revisiting the ways in which it’s a web of activation, a source, and information. It’s a cue and a salve and carries with it tinges of what it’s gone through.

What water did for me in that moment was to point back to the livingness of my medium — of the metal and paint skin I rely on — and wash away the binary between life and matter. Erasing this divide expands the possibility of experience; it gives materiality an abstract power that we yield to. It’s that vitality, found in color, form, attention and consciousness, that I hope this work can be a language for.

The “Illuminating Sound” presented apart of the exhibition, composed by Samuel Kareem, is derived from audio Yanko recorded while working in the yard. Kareem expanded one striation of sound within the clip—one small element he excavated from the layers of water, metal, paint and movement—and created 10 ten unique soundscapes. Each of the scapes corresponds with a sculpture within the show, and illuminates it. Listen to “Illuminating Sound” here.

[theandrea3000]

Rammellzee: Gothic Futurism, Jeffrey Deitch LA, 2023

[zip001]

jeffrey deitch gallery - Rammellzee: Gothic Futurism. exhibit gave me mad max/transformers/kabuki vibes.

[shreyaajmani]

Jeffrey Deitch's "Wonder Women"

Wonder Women, Jeffrey Deitch’s trailblazing show, is now on display at their Los Angeles gallery on 925 N. Orange Drive till October 22, 2022. Kathy Huang, the curator of the show, also serves as Managing Director, Art Advisory and Special Projects at Jeffrey Deitch. The exhibition was first presented in New York in May 2022 and featured thirty Asian American, diasporic, and non-binary artists displaying themes of wonder, self, and identity through figuration. The expanded version of the show features forty artists.

Excerpt from Mash.

Text by Shreya Ajmani

Work by Sahana Ramakrishnan. Photo by Joshua White (@joshuawhitephotography)

[itcanbefilmed]

Desert Hearts (Donna Deitch, 1985)

[milksockets]

'untitled (go-go dancing platform)' by felix gonzalez-torres, 1991 in posthuman - jeffrey deitch (1992)

[mentaltimetraveller]

Isabelle Albuquerque Orgy For Ten People In One Body November 12 - January 28, 2023 JEFFREY DEITCH | 18 WOOSTER STREET, NY

[0n]

Nadia Lee Cohen

Carole, 2022

HELLO, My Name Is at Jeffrey Deitch

[thoughtportal]

Stella’s work can be found in major art museums across the country, including the Whitney Museum of American Art, which hosted the Museum of Modern Art in Fort Worth’s traveling retrospective for him in 2015; the Hirshhorn Museum and Sculpture Gardens; and the San Francisco Museum of Modern Art, among others.

Stella is survived by his wife, Harriet McGurk, five children, and five grandchildren. An ongoing exhibition of his recent sculptures is on view at Jeffrey Deitch gallery in New York through May 18.

[lacharmante]

Porsche and Aimé Leon Dore have collaborated for the third time to release a bespoke 1960 Porsche 356B. This project follows the Type 964 911 Carrera 4 restoration presented at the Jeffrey Deitch Gallery in 2020 and the previous collaboration on the 911 SC in 2021.

The exterior has undergone a series of modifications including a full color change to Midnight Blue, the removal of both front and rear bumpers, the installation of fog lights, and the conversion to disc brakes on all four wheels. Brushed aluminum wheels have been adorned to white wall tires and a hand painted gold crest finishes the front fender. On the interior, Midnight Blue leather seats are finished with tonal embroidery and a complementing tartan plaid. The seatbacks and floor mats are finished in matching Midnight Blue alpaca. The hand painted gold leaf accents carry into the interior and the installation of the carrera 2 steering wheel define the subtle details that make this vehicle unique.