#jeppe hein

[tobebuild]

Balance of Time, Copenhagen Jeppe Hein, Cobe 2023 Joakim Züger

[i12bent]

Jeppe Hein (49 today) is a Danish conceptual installation artist who often works with water and mirrors, creating random, temporary spaces.

Above: Path of Silence, 2016 - 460 high-polish-mirror triangular steles, stainless steel, fountain system with nine centrifugal pumps, mosaic rock flooring made from Norwegian slate, boulders from the Kistefos estate, maple tree, wooden bench and various local plants (Kvitefos Museum)

[nevver]

It's a mirror, Jeppe Hein

[urbanfunscape]

Public Art Fund announces Please Touch the Art, a major new exhibition by Danish artist Jeppe Hein featuring 18 playful sculptures designed specifically

[agaetis]

Jeppe Hein - Let Me Love

[jordi-gali]

Claude Lévêque

Vive la neige

, 2010

Photo: archives kamel mennour

https://dailyartfair.com/exhibition/7800/arredoluce-mohamed-bourouissa-ronan-erwan-bouroullec-liam-everett-olivier-gagnere-douglas-gordon-petrit-halilaj-jaime-hayon-jeppe-hein-pierre-jeanneret-jacob-friedrich-kirstein-alicja-kwade-bertrand-lavier-claude-leveque-nate-lowman-philippe-parreno-jean-prouve-rob-pruitt-tomas-saraceno-rirkrit-tiravanija-tatiana-trouve-group-show-kamel-mennour

[artlimited]

Jeppe Hein | Who are you really https://www.artlimited.net/agenda/jeppe-hein-who-are-you-really-exhibition-moderna-museet-stockholm/en/7584660

[art-mirrors-art]

Jeppe Hein - Mirror Angle 30° 60° 120° (2009) Close-up:

[h10m]

Jeppe Hein

雑多なエレメントが調和を奏でる、コンセプチュアルな空間

[rpvance]

Jeppe Hein: Share Your Perspectives

Rachael Vance was delighted to curate a solo presentation of works by internationally acclaimed Danish artist Jeppe Hein for the ARNDT Collection's The Artbarn art space and grounds in Cape Schanck, Australia.

Entitled "Share Your Perspectives" This major presentation showcases a selection of pieces from the artist’s key artwork series’ that include Hein’s coloured Mirrored Balloons and appellative neon texts glowing behind two-way mirrors. This survey of works continues outside in the natural environment with a selection of large-scale outdoor sculptures from the artist's Modified Social Benches pieces staged throughout the ARNDT Collection's property in Cape Schanck, Australia.

Finding inspiration in the constant regeneration of perception, Jeppe Hein's work asks the viewer to become aware of the elemental processes that form sensory reality. Hein is widely known for his production of experiential and interactive artworks that can be positioned at the junction where art, architecture, and technical inventions intersect. Unique in their formal simplicity and notable for their frequent use of humour, his pieces engage in a lively dialogue with the traditions of Minimalist sculpture and Conceptual art of the 1970s. The artist’s works often feature surprising and captivating elements which place spectators at the centre of events and focus on their experience and perception of the surrounding space that promote positive interaction and a sense of playful engagement.

[hankrealaudioblog]

Final Project Pre-Thinking

I like the irregular sounds, the bouncing, the reflections, the rolling, and the friction.

Under external force, it will only move according to the human consciousness when the person disengages; the object will collide in space according to its shape, eventually losing all kinetic energy and coming to a silent rest on the ground.

In the presence of sound, a person will judge the shape of the sound object based on experience. Proper philosopher Don Ihde philosophically reflects on the body of sound in "Listening and Voice." While the human eye permanently clearly recognizes the contours and boundaries of spatial forms, the sense of hearing recognizes shapes and images differently. If we listen to a sphere that hits the ground once, it is difficult for us to grasp its form and make a judgment, but after bouncing many times, we can hear its "edge shape" accurately.

In my previous research, I have been exploring those irregular but orderly sounds in nature, and the sound of rain is the majority of them, representing disorder. Extending this disorder, it seems trapped in a space (room) belonging to nature, in which it bounces and dances irregularly, like countless balls colliding in the room.

Continuing Jeppe Hein's idea, he extends the idea of the human from the sound of the ball to a broader sound space. I want to focus all of one's senses on the disorganized sound produced by the balls, superimposing the chaotic sound of the balls to create a sense of power towards the rain coming together.

The project expects to show some ideas related to human beings, such as hope, endeavor, helplessness, calmness, and regaining the original point through the irregular collision and bouncing of the ball in space.

[kvb222spatialartwillmington]

WK 4 - Volume + Proportion + Site  

Mounds, (2023) is a spatial work, responding to the Kedron Brook and the ants nests that surround the area. By placing these mounds on the surface of a 2.5m x 1m thick butcher paper sheet, it makes the sand appear as if it's floating. It becomes man-made, and the nests lack the safety of grass. This work can be seen as eco-critical, as I removed the natural from where it belongs, and represented it in an unrealistic and uninhabitable way.

The making process consisted of filling a cardboard box with sand from the Kedron Brook and pouring it in a controlled manner (as pictured above) onto the paper to create mounds. It was peaceful and methodical, there was no breaking the ordered system. This can reflect the struggle that nature endures trying to fit into our structured, industrialised world. I dictated the volume of sand that was allowed per mound, and spaced them out to have even and controlled proportions.

I further experimented with bending and warping the paper with gestural movements to shift the sand into different shapes. This can be seen in the last set of 4 images. This demonstrated how the work changes based on movement in the making process, how this impacted volume/proportion and how it transformed the relationship to site.

Artist Study

Jeppe Hein

Pictured above: Please Touch the Art. (2015). High polished stainless steel, aluminium. 106.5 x 346.5 x 338.5 inches.

Breathe With Me, (2019). Participatory acrylic painting on canvas.

Many of Hein's works consist of vertical markings and forms spaced in spiraling, maze-like structures that flow and break the rush of the world using form (line, scale, immersive, movement) and content (slow down, save the environment). They are immersive experiences that slow space and time. Breathe With Me invited people from around the world to take a breath and paint this on the canvas, within New York a total of 5,600 people left their mark in this ultramarine blue, showing the hustle and bustle of this space (Hein, 2019).

“Breathe with Me reminds us that we are all in this world together. We all breathe the same air. And every breath gives us the strength to take action for a better world! ” - Jeppe Hein, 2019

Ugo Rondinone

Seven Magic Mountains. (2016). Spray painted limestone boulders.

Images sourced from: https://www.architecturaldigest.com/gallery/outdoor-art-exhibitions-summer-2016

This work by Rondinone showcases the dynamic of duality; the crossing paths between the natural (captured in the Nevada mountain range) and the city life (the nearby highway and glow of the city lights). It is a staggering work of over 9 metres that towers in the desert (Rondinone, n.d.). This work similar to Heins' makes vertical markings to break up the flow of life and attract attention. These structures defy the flow of nature surrounding, but mirror the linear highway neighbouring. It is childlike, with its palette restricted to the rainbow as well as black and white. It is a merging of pop art and land art, artificial columns that diverge from the natural beauty surrounding (Rondinone, as cited by Nevada Museum of Art, 2017).

References

Hein, J. (2019). Jeppe Hein: Breathe With Me. https://breathewithme.world/worldwide-ny/

Nevada Museum of Art. (2017). Artist Ugo Rondinone on "Seven Magic Mountains". https://www.youtube.com/watch?time_continue=312&v=GDqbobusO80&embeds_referring_euri=https%3A%2F%2Fsevenmagicmountains.com%2F&source_ve_path=MTM5MTE3LDEzOTExNywyODY2Ng&feature=emb_logo

Rondinone, U. (n.d.). Seven Magic Mountains. https://sevenmagicmountains.com/about/

[i12bent]

Jeppe Hein (48 today) is a Danish conceptual installation artist who often works with water and mirrors, creating random, temporary spaces.

Above: Appearing Rooms, 2004 - Water, iron grating, jets, electrical pumps, computer controller (Moveable installation)

[tioxao]

young actress woman standing on the red carpet in the premiere of a movie, in the style of jeppe hein, francine van hove, dark white and light brown, candid moments captured, feminine body, danube school::young actress woman looking at someone while she standing on a red carpet in the premiere of a movie, hyper realistic photo, high-definition photo in 8K quality

[urbanfunscape]

Public Art Fund announces Please Touch the Art, a major new exhibition by Danish artist Jeppe Hein featuring 18 playful sculptures designed specifically

[shananys]

Some favorites at the completely marvelous Besthoff Sculpture Garden at @neworleansmuseumofart at @neworleanscitypark — Jeppe Hein Ugo Rondinone Sean Scully Larry Bell Hank Willis Thomas Frank Gehry Louise Bourgeois #nola #sculpturepark (at NOMA's Besthoff Sculpture Garden) https://www.instagram.com/p/Cmw_1ERuOKO/?igshid=NGJjMDIxMWI=